FEATURE Scottish

2019 A room with a view

somewhere that brings artists together. We’re very self-contained here. Artists can find their own rhythm here, and opt in and opt out of things. Other centres keep more regular hours, but we’re more fluid.’ For all its idyllic setting, a residency at Cove Park shouldn’t be regarded as some airy- fairy away-day or summer camp.  ‘It’s not a retreat,’ says Holt. ‘It’s more about artists being engaged, so it’s more of an attack on your work than anything. When people come here they work very hard, and can contribute to other people’s work, so they become part of a

Neil Cooper chats to Cove Park associate director Alexia Holt about the Argyll-based residency centre’s work, including its most recent major project, supporting Turner Prize-winner Charlotte Prodger’s 2019 Scotland + Venice presentation

T he views are great from Cove Park, the rural artists’ residency centre based on Scotland’s west coast. Any of the more than 1500 artists who have stayed in the centre since it was founded in 1999 by Peter and Eileen Jacobs will have gazed out on Loch Long and the Firth of Clyde, with Arran and Bute within sight. This will no doubt have been the case too for 2018 Turner Prize winner Charlotte Prodger when she was awarded a Cove Park Emerging Artist residency from the Craignish Trust back in 2010.

Nine years on, Cove Park and curator Linsey Young have commissioned Prodger to represent Scotland at this year’s Venice Biennale, with a major new single-channel video work developed over a series of research and production residencies at the centre.  ‘When Charlotte first came in 2010, she was here for a month,’ says Cove Park’s associate

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director and visual arts programme producer, Alexia Holt. ‘It was the end of the summer season, and was a relatively solitary time for her, but it was just right for her to be able to take stock and see which way her work was going at that time. It’s been really nice since then watching Charlotte’s career snowball.’ This time out, Prodger has already ‘got her head down,’ according to Holt. ‘She’s making new work, and from our part, it’s a lovely moment, and a great thing to be a part of. Charlotte works really collaboratively in a way that fits in really well with our ethos at Cove Park.’

The greyness of the drizzle on the day Holt chats to us about Prodger can’t dim her enthusiasm for Cove Park, where she has worked since 2004. Nor does it take away from the sense of Cove Park’s very special essence as a place that provides space for artists to work outside the hubbub of the city, and which makes for a less frenetic and more organic working practice.

With accommodation

available for

up to 14 people on-site, Cove Park offers residencies for artists at all stages in their career across all art forms, in a shared space which provides opportunities for artists to interact in creative ways.

‘This is done with a light touch,’ says Holt. ‘We don’t force collaborations on people, but we hope artists being around each other will help their work. Some people might come here and just hunker down, and we see very little of them, but I still think of Cove Park as being