SUMMER FESTIVALS
DO LEARN THE RESTORATIVE VALUE OF BACON ‘An entire rethink was called for,’ continues Boyle’s Kelburn monsoon story. ‘We set up a temporary stage indoors near the campsite, rushed in bacon rolls and bloody marys and grabbed some friends and asked them to perform, with no idea if they could even play an instrument. Luckily this first act were an amazing comedy duo who could, indeed, also play instruments.’
DON’T BE AFRAID TO ASK In pulling together a line-up for a first-time festival, the Insider team worked local contacts in the folk world, and the rest was ‘pure brass balls. Don’t be afraid to ask, and to make a cheeky bid. There are things we can get away with in terms of fees because of the hospitality,’ says Micklethwait. ‘We have all these bands come up and play in the pub [Aviemore’s Old Bridge Inn] any given weekend, and then we take them and get them drunk – there’s a key tip!’ DO EXPLOIT YOUR FRIENDS (AND HIPPIES) Both organisers suggest enlisting an admin wizard to keep an iron grip on the balance sheet and, as Boyle puts it, ‘keep those creative types under control’. Though, ‘you do on the whole need a lot of hippies to run a festival,’ Micklethwait adds. ‘Either get yourself a really good team for a day or get a lot of hippies for a week and feed them.’ If you are, like him, a self-confessed ‘aesthetic Nazi’, you may still find yourself with a lot to do.
DON’T GET OUT OF YOUR DEPTH ‘Unless you’ve got good relationships with everybody, and they’re confident you’re going to be able to do it – or they know where you live – you’ve got to bridge that,’ cautions Micklethwait on the subject of cashflow, pointing out that far from being instant sell-outs, many small festivals have to wait until the week of the event before receiving the bulk of their ticket revenue. A cautionary tale: Alex Trenchard – Micklethwait’s friend, and the man behind Hertfordshire’s Standon Calling – found that his birthday barbecue in 2001 grew so fast into a fully-fledged festival that he is now on the wrong side of the law for having used his company credit card to fill gaps in the finances. DO HAVE FUN DOING IT ‘It involves the biggest ups and downs,’ says Boyle. ‘You’re going through absolute hell because the stages haven’t started and everyone’s complaining or whatever, and then everything comes together and you’re standing at the back of the stage and everyone’s having an amazing time, the lights are looking amazing and the sound’s great and it’s working. You’re having a good time but you’re also getting off on everyone else having a good time and you kind of know at that point you’re probably having a better time than anyone. But you do spend a lot of the time wishing you had less responsibility – seeing people enjoying themselves and thinking “I wish I knew what my own festival felt like as a punter.”’ Which is probably another reason why Micklethwait is so keen to keep the Insider at a small size: ‘The Insider is basically four neighbours. Our entire festival has been organised in the pub so it doesn’t really feel like work. You can’t quantify the amount of work you’re going to end up putting into it, so you might as well be having fun while you’re doing it.’
Insider Festival, Inshriach House, Inverness-shire, Fri 17–Mon 20 Jun (see page 29); Kelburn Garden Party, Kelburn Castle, Sat 2 & Sun 3 Jul (see page 26). JULY CONTINUED
DIY tips
If you’ve now been inspired to hold an event in your own back garden, Niki Boyle suggests you heed this professional advice 1. GET THE NECESSARY PERMISSIONS ‘You’ll need licences if you’re selling anything – food, alcohol, merch, tickets etc,’ says David Waddell, senior events officer at Edinburgh City Council. ‘And for live music, you’ll need to pay PRS.’ According to the Council’s Noise Team, any paid event in an urban area is unlikely to get the official go-ahead; however, if it was to be a free event, you’d be fine as long as you keep the volume under 41 decibels between 7am and 7pm, and 37dB between 7pm and 11pm, as recommended by Environmental Protection UK.
2. HIRE THE GEAR ‘For an audience of about 100 people, hiring the equipment for an afternoon’s worth of music will probably set you back about £300,’ says Cammy Forbes of Hyper PA, Glasgow. ‘That includes your PA, sound desk, monitors, mics, and an engineer to oversee it all.’
3. BOOKING BANDS To get a band playing for cheap or free, it might be worth aligning yourself with a charity – preferably one with existing band connections. ‘Lau would be keen to be involved in a Folk Against Facism event because it's an organisation we are involved with already,’ says Martin Green, accordion-player and pianist with the band. ‘As for people putting on events and what makes them appealing to bands, creative groups of people are exciting for musos to work with.’ 4. CATERING Capital caterers Appetite Direct recommend a barbecue for festival food, which they price at £10–£20 per person; there’s an option of ice cream provision as well. As for booze, Edinburgh-based company Kegless offers a range of barrelled beers, ciders and ales, with a 35-pint keg of Birra Moretti starting at £109 (with discounts available for bulk buying).
5. NON-MUSICAL FUN Of course, it’s not just about the music – you may want to provide some extra entertainment. ‘Bouncy castles, if you get the right size, can be used by both adults and children – our prices start at around £89,’ says Tom Beattie of Glasgow’s Crown Castle inflatables. ‘In addition, you can hire sumo suits, bungee runs, inflatable pole jousting and sticky walls.’
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