W illiam Burke and William Hare were two 19th century serial killers – not grave robbers, as widely believed – who made a living selling off their victims’ bodies to the Edinburgh Medical College. This might not scream ‘comedy’ to the average passer-by, but if there’s one man who can make it funny, it’s John Landis, director of landmark horror-comedy An American Werewolf in London. It also couldn’t harm his chances to have one of the wicked Williams played by Simon Pegg, writer and star of landmark horror- comedy Shaun of the Dead.
‘When we were promoting Shaun, we said that the movie it bore most relation to was American Werewolf,’ says Pegg. ‘John always said that Werewolf was a horror film with funny bits in it, and that’s very much what we were aiming at with Shaun – the horror parts of that, we tried to make really scary.’ Would Burke and Hare also belong to that tradition? ‘No, John would say it’s a comedy – a comedy about murder! It’s certainly not a horror film. Burke and Hare were very careful about how they killed their victims because they needed to deliver them intact – if they turned up with someone whose head had been chopped off, they’d get less money. The only gory bits are actually in the medical facilities.’
A look at the cast list supports the theory that this is more comedy- horror than horror- comedy. ‘Reece Shearsmith from The League of Gentlemen – there’s a great tradition of gothic horror in his comedy. A lot of the people in it are really tied into that culture. Even Ronnie Corbett – I remember being scared of The Phantom Raspberry Blower [a classic Two Ronnies sketch] when I was a kid! The Two Ronnies, when they did their horror spoofs, were always very authentic. It is rich in that tradition, with these people in it.’ Tim Curry,
there’s Hammer Horror most famous for his transgressive (and transsexual) Transylvanian role in The Rocky Horror Picture Show, also makes an appearance: ‘Tim’s got one of those faces that’s a winning combination of “butter wouldn’t melt” and “I’m gonna kill you with an axe”.’ Then legend Christopher Lee. ‘John’s a big cameo fan,’ explains Pegg. ‘There are loads of people in the film that even I don’t recognise – crew members from various other films, and [special effects guru] Ray Harryhausen’s in the movie somewhere – but he also likes to give cameos to other directors and big actors – I think Michael Winner crops up at one point. But he did really want Christopher to play this part, as one of our victims. So he came on, and he’s a huge man, very tall, and has a history stretching back god knows how long – the first story he told was how Errol Flynn broke his finger! It was extraordinary, and a real gift to work with him.’
Pegg’s glee at getting to work with his heroes is evident, and also something that’s led to him writing a book, Nerd Do Well, to be released in October. ‘The book addresses a lot of the bizarre circularities of my life: from what I loved as a child, and how I ended up doing it as a professional adult. There are many parallels, from watching Star Trek as a kid, to being in Star Trek as an adult; from being a fan Spielberg growing up, to actually getting to work with him [on the forthcoming Tintin] – there are a lot of nice little ironies. It’s just about how I, as a little baby nerd, became a person that other nerds enjoy.’ What with the fanboyish obsession that surrounds a large proportion of Pegg’s work – Spaced, Star Trek and the forthcoming Paul, which is partially-set at the geek Mecca of the San Diego Comic-Con – does Pegg feel somewhat overwhelmed by this sea of
‘FROM A LITTLE BABY NERD, I BECAME A PERSON THAT OTHER NERDS ENJOY’
FILM AUTUMN PREVIEW
3D HELL
The 3D gold rush has begun. Here Paul Dale finds some future stereoscopic releases to dread
JACKASS 3-D The third documentary feature
outing for Johnny Knoxville and his merry band of
aging masochists is, you guessed it, in 3D. Why and to what effect remains a mystery. Out 5 Nov.
HARRY POTTER AND THE DEATHLY HALLOWS: PART 1 & 2 The boy/man wizard
has been making himself available in the coliseum-sized IMAX format since 2004’s
Prisoner of Azkaban and went IMAX 3D in last year’s Half-Blood Prince. The resultant thrills were
underwhelming to say the least. This two-part release finale could be the masterpiece of the
decidedly mediocre adapted franchise, or maybe not. Part 1, out 19 Nov; Part 2, out 15 Jul 2011.
CHRONICLES OF NARNIA: THE VOYAGE
OF THE DAWNTREADER The most Oirish and mythological of CS Lewis’ Christian propaganda
Narnia fables gets all up in our middle class faces
with the help of 3D. What jolly fun we’ll have with those Pevensie children. Then again maybe they
will drown . . . in 3D. Out 10 Dec.
DRIVE ANGRY (3D) Just what we need, Nic Cage as a vigilante dad in 3D. Out 11 Feb 2011.
YOGI BEAR (3D) ‘What’s up Boo Boo?’ ‘Well Yogi, now that we’re three dimensional everyone
sees me coming when I try and steal their picnics.’ Bad news for Jellystone Park. Out 11
Feb 2011.
SMURFS (3D) Our blue woodland friends take the pledge. Like Avatar for Belgian libertarian
freemasons. Out 3 Aug 2011.
nerdy adoration? ‘I think it’s come from me doing a lot of genre work, because I myself love genre work,’ he says. ‘Having done zombies, I did a bit of Dr Who, I did Star Trek, and I’ve just recorded a voice for the new Narnia film, so there’s a whole raft of dedicated fans from that. I think people are more in love with the things themselves, rather than me. It just so happens that a lot of what I’ve done is nerd stuff.’ With Paul, Tintin and a Star Trek sequel on the way, nerds have got a lot to look forward to. Burke and Hare, general release from Fri 29 Oct.
6 THEATRE The Lyceum theatre’s Autumn of Love joins together two stories – Romeo and Juliet from Fri 17 Sep–Sat 16 Oct and The Importance of Being Earnest from Fri 22 Oct–Sat 20 Nov – with a £10 off when bought together.
7 THEATRE Alan Bennett’s seminal
Talking Heads is given a fresh outing by Dundee Rep from Wed 22 Sep. The three scripts ‘Bed Among the Lentils’, ‘A Chip in the Sugar’ and ‘Her Big Chance’ showcase Bennett’s skill in observing real human dialogue and infusing it with dark comedy and tragic poignancy.
8 BOOKS Jonathan Franzen, author of
The Corrections, publishes his fourth novel, Freedom, on Thu 23 Sep. It’s a dysfunctional family tale with a satirical edge, and it promises to be rather the hefty tome. Set aside a good few weeks.
9 CLUBS The Braehead Arena is one of
the few venues big enough to accommodate the fame of Tijs Michiel Verwest, aka Tiësto. The superstar trance DJ will spin the decks on Sat 25 Sep – be there for his radical euphoric reworking of Barber’s ‘Adagio For Strings’.
10 FILM Liked Speed, but found the bus far too spacious? Was Phone Booth a practically agoraphobic experience? Then you need to see Buried: Ryan Reynolds, in a coffin, six feet under, with only a phone for company. From Wed 29 Sep.
9–23 Sep 2010 THE LIST 21