Film
Films screening this fortnight are listed below with certificate, star rating, credits, brief review and venue details. Film index compiled by Paul Dale
2:: Indicates Hitlist entry
American Matchmaker I l’( i»
... IladggIr l'lIncr. l'S. I‘MIII l.cI~ l'uchx. JIIIlIih .-\h.IIh;Inc|. JIIIlcl l)IIhIIka} X7IIIIII .\lll\lL.ll coIIIcIl} xIIIrrIng l'IIchx .Ix NIII Sllxcr. .In cuoriIoImlcl} \IcIIlih} JC“Hll-Alllt'l'lcdll llll\lllt'\\lil;lll \Ihoxc Icccnl cngugcrncni gocx .I lIlllc [\L‘All~\llll[\L'(l l’IIn ol 'l‘hc YIIlIlIxh l'illlix oi liIlguI l'lIIIcr xchxon l'I/nI/quu, l‘.(/lII/’IlI'L'/I
Angels & Demons I mm 00
(Ron llIIIIIIIIl. l'S. IlNl‘h 'loIII ll.Inkx. l:\\.In .\lc(ircgoi. Slcllun Skurxgard l‘hInIn Ron llouunl'x xcqucl to [In I)II Hm I ("m/I' Although ll grcul IIIIprmcIncnl on le
\\ rclcthl lilllh prccquoI, \IIIh Inorc .IclIon and ;I cIcIIrcI plol. Il'x xIIll lull ol cIIck porlcnloux IhcologIcul huhhlc. ;I|;II'IIIIxI polIlch lllltl lcrIIhIc IIclIng (I'I'III'I'II/ I'I'le‘uuz Anything for HerI IS» 00 mm (‘;I\;I}c. l‘l'llllk'L‘. Illilhh \'Inccnl l.InIlon. l)l.'lllL' Krugcr. |.;Incclol Roch 05mm Scc rc\Ic\\. pzigc 53. (iluwon I'll/ll I/II'IIII'I'; I'll/Il/IUHH’. l'J/lll/HU‘L’II.
Apocalypse Now Hedux i ISI
.... ll'l'llllk’h l'orIl ('oppolu. [8. [970/200] I .\l;IriIn Shccn. Marlon Brando. Rohcrl l)II\;I|l. lezlllllli (‘oppolgI‘x nc“. longcr cIII ol hIx \'Icin;IIn \le InuxlcrpIccc IncIIIIlc-x InoIc oi l)u\;Ill'x crux} choppcr coInIIIIInIlcr Kilgorc. II xcconIl cncounlcr \inh lhc l’lII}ho_\ llIInnch. II ”C“ xcqucncc xcl on ;I rcIIIolc l-rcnch plillllilllllll IIIlIlIng lllxlUrlL‘ul background and llI'aInIlo c‘\poIInIlIng upon lhc IanInIl} ol \IIII‘. ll Ixn'l aIn IInprmcnIcnl. hut coanIlcrIng lhc cIrcIInleIInccx IIIIIlcr \\lllL'll ll “ng lllIIIc-Il - III lhc l’hIlepInI-x \Ihcrc c\cr}lhing l'roIn hIIrrIcIIncx lo hcurl IIlIIIckx plIIgIIc-Il lhc L'il\l IInIl crc“ _\ou \IIIIII Io xcc mcrfihing ihc} gol on film l’uri ol’ Scrccning lll\lUl'} courxc. l'i/Hllll’llu'. Iz'I/I'nlnujulI. Awaydays I Is» 000 ll’ul llolIlcn. l'K. Zoom SIcplIcn (ll'ullillll. Nick} llcll. l.IIIIn Botlc. lll-lllllll. 'l'hc \VII‘I‘III III Ihc lIIIc l‘)7(lx. \lIIlIllc-cluxx iii'l xchool Ilropoul ('III‘I} (BI-III Ix In Imc ol’ lhc Pack. II gung oi' kIIIlc-mclIlIng locul l'oolhull lIoolIgIInx.
(..Iri} hIIInpx Inlo onc oi Ihc l’cIck'x IIonl ch.IrIxnI.IlIc IIIcIIIhcrx lll‘xh Ilio}ch .Ii .I conccri. and .In Inicnxc irIcnlehIp IIIIIckl} Ilcxclopx .Mlapicd h} chIn \‘cnnpxon lroIII lllx cllll llll\L'l \I [I I {I (I II l( on
Cheri I l5I ... ISIcphcn l-rc.Irx_
l K (icrIImn). ZlNNI \lIchcllc l’icIiicr. Kath) Halcx. Rnpcri l-IIcnIl ‘CIIIIII :\Il.Ipchl ironI( olciic'x coIIlIou-Ixml I‘C‘lx IIo\c|x (‘III'II Illlkl I/II [mi of ( In H. \thch ccnich on .I xI\-}c‘.Ir lo\ c .Iii.III l‘Cl\\Cc‘ll .I )oung III.III Il-IIcnIlI and .III .IgIng coIIIicx.In Il’chich I .IIIIl Iix .Iiicrnmih. \lcphcn l IcuIIx' llllll Ix .I cUlill‘lL'\ .InIl \IxII.Ill_\ c\IIIIIxIIc IncIlIIIIlIoII on .Ichng .IIIIl onx. ithncx ih.Ii Inc cllccicd on holh .I II.Irr.III\ c and iorIn.Il lc\ cl ll/III/Iouu, liI/m/IIIIg/I
Coraline 20 IN ;I O... Illcnr} Scllck. l'S. lllll‘l' \chcx oi l).IkIIlII l'IInnIng. 'lcrI llincth. John lloIlgIII.III lililnnn .-\llcr th l.llllll_\ lllII\L'\ lo l’Ink .\l;Ianonx. (‘oruhnc Ionchl h} l~.IIIIIIIIgI qIIIckl} hccorncx hoIcIl \\ llll Ihc |;IIgI' IlIIxI} houxc_ and In purllcul.” “Illl hcr hIIIIlIonkIng p.IIcIIix Ill.Iicth IIIIIl lloIlgIII.IIII ’l'hc l.Inl.'Ix} kIckx Inio top gun \klic‘ll xllc \ll\k'll\ ch ll xccrcl (llllll llidl lcmlx hcr mm ;In ;Ithn.IIc \ceron oi lIcI hoInc .\ lIIxh. \IxII.I|l} IIIIIIgInIIlIxc and lI'cxhl} cnlcriuInIng xlop-InolIon .lklilpldllllll ol .\'cIl (igIIInun'x chIlIlrcn‘x no\ cl .SI'III II'I/ n'lum' Coraline 3D ll’( i» .000 lllcnl') Schck. l'S. IUUUI \'oIccx ol I);Ikol.‘I l'IInnIng. 'lt‘l'l llulchcr. .lohn lloIlgIIIun. llllllillll. SL'L‘ lll‘I“ c. .M'lc I In] I'I‘II'IIH'. Cyberworld 3D Il’(iI (\hl‘lUllx. l'S. lellih Jcnnu lillInIIn. .\l;IIl l-rcxch. \Vood} .-\|lcn. J-lIIIIn, Jcnnu lill'IniIn Ix lhc c}hcr- hoxl \\ ho InlroIlIIccx IIx io \III'IoIIx unrcluicd xchncnIx oi c}hcr unIInIIiIon, 'I'III' SIM/mum IInIl .-ln!:. lllilkL‘ 3|) :Ippcumnccx III II xpcciuculur IlprIII} ol' ioIl;I_\ 'x Inoxi IInprcxxn c gruphIc lcchnolog}. l.\I.-l.\' ‘IIIII'IIII'I’. (i/(Mg'rm.
Deep Sea 30 Il’(iI IllouurIl Hull. (‘IIIIIIIlzI/I'S. leilm \oIccx oi Johnn} Dcpp. KIIchIIIxIcI~11nnn.:\ .‘~-I)IlIgIl;I| L'\pl0l’;Illon ol llic occun'x Ilcplllx :IIiIl le crculurcx. /.lI.-\.\' I/II'IHI'I‘. (i/IMQUII.
Delta l l5) ... IKornc'I \lIIIIIlI‘IIc/o. llungIIr}. 300M l'cln l.;Ijko. ()rxol);I 'I'oih. Scc rc\ Ic\\. pugc 53. l‘i/Nl/lullu'. Ill/llllllll'g’lll Dr NO Il’( Ii .... l‘HIZI Scan ('onncr}. l'erIIII Andrcxx. Joxcph \VIchngIn. JgIck l.orIl. IllSInIn. 'l‘hc
I'l‘crcncc Young. l'K.
i'IIxi Bond lllI‘\ Ic. .Incl .I \ lllldg‘k‘ onc .II ih.II
\ \cr} _\oIIIIg-look1ng and \con-onInIhng (‘onncu \xorkx hIx c'lhiiilllllf.‘ IcInIl II: hInleIghi onncxxthi c.IIIII‘I \x.I_\ through Ihc Ill.ll‘\‘llc.ll luck l‘.l\\.l:_'k‘\\d.\\ oi lh \o'x c\Il cIanrc IIIIIl ihc rcIIIIIinc nIIInhcr oi ilooxicx. l‘.lll\lll:_‘ on!) Io I.Ikc oIII ihc Ix‘caonILIl l.iicillllil.l .lllIl iiIkc III ihc (XIIIhhchn xccncr} lo x.I_\ IIoIhIng oi \lx s\nilrcxx‘ \l‘t'cldcllldl .Ippc.II.IIIcc on ihc hmch \inh thi conch xlicll l’Jll IIl llI‘iIIl xc'.IxIIl1 (1.".1vgun [1.7m II'II III/I
‘9, Drag Me to Hell ISI 00.. 'l‘I\.IIII R.IIIIII. l 5. BMW \lIxon I ohIn.In. JIIinn l ong. l-cIn.IIIIl.I RoIIIcIo lllllllilll
l Iic Ix good loI Jilll‘llli‘lhl -\ loIIn IIiiIch ('hIleInc Il.ohIn.InI l'IIlIl ih.II Ix. xhc IloIIhlc rciIIxcx m ()\l’ .In cxicIIonn on th honIc lo.III. lc.I\IIIg ihc old l.IIl} xh.IIIIcIl .IIIIl hoInclcxx III Iclurn .I cIIrxc Ix put on ('hIIinIIc .IIIIl th hlc hccomcx .I li\ Ing IIIghlIII.Irc -\ InIIxi lor honor i.Inx (i. III [(1, H II IMI
Edinburgh Napier University 1<I I\’.II‘IoIIx. l'lx'. MUM IIHIIIIII (Inch ihc \lIli\ oi ionIorrou .II lhc l)cgrcc xhou ioI inIIlcnlx oi lhc B-\Illoan l’hologmph} .InIl l'lllll Ill/lI/II'HH, IIIIII/Iurq/I
Edinburgh’s Telford College I ISI I\'.IIIoIIx. l‘lx’. QINIW llilnnn Shorix iroIn IhIx _\t‘Ill-\ cIc.IIn oi lhc crop oi 'l'\' \lllLlL'lll\ III lhc 'l‘clioIIl ('ollcgc chrcc Shou l‘l/Hllli'ilu‘. him/Hugh
The End of the Line Il:I IRIIpcrI Murray [8. Zlle (ISIIIIII. Ikacd on ihc hook h} (’huI'lc‘x (‘on cr. llnx c\ploI’.IlI\c IlocIIIncnlur} Ilci.nlx thc Ilc'\;IxI.IlIng ciicci lh.Il o\ cr i'IthIIg Ix h;I\ mg on ll\li xlockx .IIIIl Ihc hchlih oi our Ut'CilllN l’rc\ Icu onl_\ Rcucn cIl ncxl IxxIIc. (ilIIwIm I-Ilm IIII'IImx Everlasting Moments I 15» 0..
Han 'l'rocll. l)cnIn;Irk/S\\ cIlcn/I’Inland. SIMS» Marla lchxknncn. chpcr (‘hrlecnchL .\lIk;Icl l’crxhrunIlI l ‘lnnn \cicran Sc.IIIIlIII;I\I.III i]|IIIIII;Ikc‘I‘ 'l'rocll'x lgIlcxl Ix II xlou -p;Ichl. xolIIll) pcriorIncIl IInIl liundxolncl} Inounicd ichlIIrc about ;I \IoInuII Ihxco\ crIng hcr nulurul IIhIlIl} lor phologruph) III curl} lelh chIIIIr) Sncdcn Spunmng ii pcrIoIl ol roIIglIl} icII )c'III'x hchnnIng III I‘ll)"; Ihc cpIonlIc nurrIIIIxc ol' IhIx iI'IIc xior) -InprrcIl llllll lullinkx lllc llpx illiil kl\l\\ll\ In llic Inurrlugc ol \xil'c unIl Inolhcr ol' xcwn .\l;IrI;I lllclxunkcnl. (Human I'II/m VI/ll'illl't’fi I’ll/NIIUHH'. [LI/IIIIIIIII'II,
“9'11“ '6 f0“ You’ve still got a few days left to catch this new digital of Jean-Luc Godard’s delightful 1965 crime spree flick parody. Once seen, never forgotten, Godard was at his most humorous
and playful in this his tenth film.
I Fi/mhouse. Ed/nburg/I uni/l Mon 7 Jun.
56 THE LIST 28 Mat—ii Jun 2009
‘3, Fermat's Room I I.‘ \. .000 '6‘ Il IIIx l‘IcIlIJhILI RIthgo \opcnI \l‘Illll. ZIN'M l hnx Honmr \lclo \.IIII.Ix. lCIlc‘ich‘ l lll‘l‘l \\IIIIII \cc chIcu. Ingc- "1 \f .‘t I .'I U; 'l .'I ..‘H
Fighting l" C. Ilhio \loniIcl.
l \. .‘INNI (‘hannIng l.illlllli chIcIIcc' Hoxmnl. l IIIx (in/nun III-1mm \ lx‘ockx xi}lc xlorx .Ihoui iollo\\1rIg)onI IlIc.IInx_ ch on Ihc liIg \pplc'x Illcg.Il l‘Illk' knucklc houng xccnc lIc-I':.':r:c"x lllllIi hl.InIl \clll‘l Ilmgx \lc \IthII l.IiIIInI .IIIIl hIx i\\I\ l‘ll l‘lI‘lllI‘lc‘l H.II\c_\ IlloxmnlI through .I ithoux chch ol cncoIInII-Ix \\ Iih xIIcci hoole. llll\L'Il III \I llll .I [‘I‘lllllcxx IoIII.IIIcc \xIIh IIIcc gIIl /II|.I} I/IIl.I} llcnmn
\( .II II (A; H {I IHI
Film Discussion Group \lIx-I up IIIIII iIlIII \xIIicI l IlIlIc H.IIIIxon .IIIIl loix oi oith iIlIII huiix Io x\\.Ip opInIonx .InIl pcncphonx oi hoih .Irl houxc .InIl lug hlockhIIxII-I Icccni lt'lt'\l\t'\ llclIl I‘ll lllc \k'\\lll\l \\ I‘IlllcxIl.I\ IIl L‘H‘l) month (II'IMI'I'H /!.'Hi [in ll.”l Fireflies in the Garden I 1% CO Il)cnnIx l cc. l'lx'. .‘HHM l\)_\.iil lx’I'xIIIIIle. \\Ilchn l).Iioci .lIIlI.I Rothix ‘NIIIIII \cc Ic\ Icu. Imgc *2 \I [II n .I u 1% ii” Flashdance l‘l ... I \IlIIIIII I _\III'. [8. l‘lhli .lcnnIch llcdlx. \lIch.Icl \oIIII. l.IlI.I Slulld ‘llinnn .-\lc\ Illc.leI Ix .I \xclIch h) Il.I) .InIl .In cIolIc ILIIIch h} IIIghI lct‘lllI Nllx Il.IIIcc cl.l\\|\ \\ uh .I onIIIIIvIg \llllllkllldch PM! oi l).Incc l'lllll H" lI/IIIIIIIIm. II/III/Imuh
Fly Me to the Moon II I O. Illcn SLIxxcn.l'S_21IllhIllII// \lIlIIn, \IlIIcIIIIc liurhmu. Ile llcglc) JI h-lnnn \ kl) iIlIII IlcchIhIng III.InkInIl'x lIle lIIp io ihc IIIoon Ix .I Incl) xounIlIIIg IIonpccl. .InIl IIIoIIIcIIIx III SLIxxcn‘x .IIIIIII.IlIoII pun Mk .I gcnIIInc \onx illiClHl. hIII xIIch lllUlllc'lll\ oi pocII) .IIc l‘lcciIng .InIl ihc III.I|oIIl} oi lhIx iIlIII Inx.Incl_\ locuxcx on ihc IIIIIIIchcinng IIlIghl oi lhrcc houxclhcx \xho xIII\I.I\\.I} oIIlIImIIl l..”l.\ llli‘rllll'. (illhg’rflx
48 Hour Film Project ll'.l I\.IIIoIIx. l'K. zllll‘llVIc“ llic lcxllllx ol lllc -l.\ llIIIll l'lllll l’rolccl. lhc \onIIl'x Lugcxl iIIIIcIl iIlIII coInpcIIIIoII. ;InIl \olc loI onII i.I\oIIIIII- lzuch chInI \\;l\ gncn :I cthI.IcII-I. prop. IIIII' ol IlIIIloguc. gcnrc ;InIl ~18 hoIIIx lo coIIIplclc llic‘ll‘ lll.lecl'plccc .\ xclcciIon Ill lllc W lllilh IIIIIIlc “Ill hc xllIMll cIIch Inghi ('IIIIII'II. ln/III/Iurg/I.
The Ghosts of Girlfriends Past (IDA) .. I.\l;Ilk \\.’Ichx. [3. SW”)! \lullhcn .\lc(‘on;IIIghc'\. JcnnIch (i.IIIIcI. .\lIch;Ic| l)oIIg|;Ix. lllllnnn l)Ich.IIIl imchclor ('onnor I.\lc(‘on;IIIglIc} I thIIkx IIollIIIIg oi InockIng lIIx hIolhcr'x cIIggIchnc-III pldllx llillll hc Ix \IxIIcIl h} Ihc lllL‘ ghoxl oi lIIx |.IIc l'nclc \Vzi'HlL' (\llc'liilcl l)IIIlgl;le .-\II odtxxc} oi lIIx rclinIonthpx p.Ixi. pchcnl :IIIIl lIIiIIrc cnxucx. IIIIIl hc IlIchm-Ix Ih.II lIIx Ilrculn gIrI ll;l\ hccn IIghl III lronl ol hIIII .Ill lhc IIInc I(i;IrncI l. l:\cr_\ hIl ;Ix n.IIIxc;IlIIIg IIx )ou can IIIIIIgInc. .Sc'lu ml II'lqu-
The Girl Cut in No i ISI .00 I(‘|IIIIIlc (’thhrol. l‘I'IIncc/(icI‘IIIIIn}. IlliWI l'runcon Bcrlcund. l.IIIlI\Inc SugnIcI. licnoii Muguncl lISInIII Buchl on II rcIIl-lIlc c.Ixc III 19(le x\lllL‘l'lc;i. lrunxpochl Io conlclnporur} l.)on A xl} pl;I}lu| \illllL' ol lhc hIIIIlc hourgcolxlc world ol puhllxlnng unh clcgnni IlIrchIon IInIl finc- [X'rlormunccx (i/mgrm l‘l/Hl 'l/II'IIm'.
The Green Table Il’GI ... I'lhoInux (lilillill. (icrIIIIIn). ZlKNlI i"IIIIIn l’oucrlul Mill-“iii xIIIchncnl ironI dIrcclor (irIInIII Ix c\prcxxcd Ihrough II coInpclIIng IlgInc c niirrillHC l-‘IlIncIl xIIIIlIo Ix-riorrnuncc ol lhc pIccc h} lhc .lUler} Bullcl IIl ('hchIgc l’drl Ill Duncc: l'Ihn ll‘). I'I/m/IIIIIII'. IzIIIn/mrz/I The Grocer’s Son I 12m 000 (iInrudo. l‘iiiilL‘C. 2007i .\'Icol;Ix ('II/ulcz ('loIIldc Huxmc. [)2InIcl l)u\;Il_ ‘NIIIIII 'lhc lullcd cull Ix xIIIIppcd ior ii InohIIc groccr‘x \un III documcntunun (iuIrIIIio'x lIkcuhl) brccl} l'IciIonIIl dchul. ll lake on Ihc prodIgul xon l'uhlc, thn hIx lulhcr hccoInc-x xIck'. l’LIrIx-hzixcd “inter Alllllillc I(';I/II|¢I IIgrccx lo rciurn to thc rIIrIIl arc-II hc grcu up. and In the qunIncr IInioldx. iranxl'ormx from curmudgeon dclncrynun InIo xomconc cruchII to thc depIIrIIIc communlly I-‘I'lnIlqust', [LI/III/mrg/I. Hannah Montana - The Movie Il'I O Il’cicr ('hclxorn. ('8. 3009) Nlilc) C} m. Billy Ru} (';.rux. Emil} ()xmcnl. 102mm. Thix ncu udvcmurc comcd} xhoxxx
IlarIc