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Visual Art
Exhibitions are listed by city. then alphabetically by venue. Submit listings at least 14 days before publication to art@list.co.uk. Listings compiled by Kirstin lnnes.
* Indicates Hitlist entry
Glasgow
I THE ARCHES
3‘4 \mll- sum-l. <75 IHHH
FREE 10.323m Airgold Place
I “III luv | ' \I.ll \p.lll.ll .llll\l (u'mlzjlll.l I’lllll'llll\ ll\l'\ lIII‘.t'lI Illt‘lIlJ .llllI Ill'l ll'tl'lll \-.mll,~ lmw llllIl\l'\I lll.lll'll.lI\ mt IlliIllli' I‘t'lIIMIh. hrllum llllml lllII.ll.lI‘Il'\_( \l) (IL'\|j_'Ilt'lI \l|llllll'I t'lllhllm» lmlllmhh'lnth‘. \.l§.,'lll.l| \Pk'tllIJ. \llll'»\ :‘lmln'x. \HIIII\I .lIIlI \IlIt'll IIll\ «\hlhlllmn mll lmllln' \k'\l'll \KlllI,\
I ART DE CAF
Ihc llhl \Ilt'llll (Ullll IIlllILIIllL'. IIIlIIl\\\I\'I\ Slit-vi. H{Hill lll.un hplll FREE Desert Sand, Scottish Mist l'nlll Sun I5 \l.u l.illtl\t.lpc [‘.llllllllf,‘\ hx Slt'phcn \dllIJ
I CCA {ill Silllt'hll‘hall \llcl'l. ‘53 Alllllll luv I'l IIlllIl (ipm. Sal Illunl (xpm
FREE The Dirty Hands oooo
l'nlll Sal 3| \I.ll (ilmup \Illm .lI‘l'lll t'\L'L'\\ and «Lillihliml .llllHl.lIll_\ llmnl (i|.l\3:m\\ :llllxlx (‘l.llt' \lcphcllxmn .llllI \lm |’m|l.ml Slt'phmmm \HII I‘l' \hmmnp .l \L'llt'\ ml IIt't' \l.llllI|llf_' \II.I}_' lllIl'k'lI Ilg‘lllLN lnlt'lnt'llnj.‘ \\llIllll .l lhtuillltxll lll\l.lII;lllHll. \xhllc I’mll.u«l\ p.nnllll§:\ .m- \t'l III ;I lII\lnllul IMIl HI llllllHl\ \t‘l' It‘\lt‘\\. page H.\
I COMPASS GALLERY
I73 \VLNI Rt‘pt‘lll Slll‘t'l. 33| (it‘ll
\Imn Sal Ilhllll illlllllll
Zanna Wilson Inn] S.” H Xi.” \\'\\ u'l'umu‘x IIIItI ]\.llllllllf_‘\ \hmmngg \u-ncx ml St‘mllglllll
I GALLERY OF MODERN ART mel I'\t‘h.m§_'c Squaw. 387 ‘05”
.\Imn \Vul t\ Sal lle 5pm. Ihu
Illuln Hpm; I'll «k ~\‘un II.llll 5pm FREE Collected: Matthew Buckingham and Peter Hujar l’mll Sun 30 ADI Humps gull} [‘Illllu\ mllcl .l gllmpw ml \wa \'mlk\ \u'tl} umlclhcll} Ill lhc Tllx and Xllx. \\IllIt‘ .1 \ llIL‘H ll.lll.ll|\t' h} IIllt'lellfJIlJlll mplmu'x hunmn thh and \cululll).
FREE Snapshot: 20 Years of Arts Activity in Glasgow l‘nnl Sun 33 MM. .\ u'lchmllmn ml lht‘ lmth‘l (II.I\;_‘\\\\ \ '\l‘l\ llcwlmpmcnl l'mm Il.l\ hml mn lhc (ll) lhlmllgh lhc gl'mupx .lml IIIlII\I\IlI\|I\ ll \uppml‘lx. .IIIlI ll hlghhghl ml le lmpmlmlll hill lulgcl) him-ch “Mk
I THE GLASGOW PROJECT ROOM
lUp l‘hw. ls-l ()thmc Sllccl. 553 H33 luv Sal nmmn 5pm.
The Great Nothing \lml V In I 1 \l.u. ummn 5pm. \cxx umrk h} l’uul Machines
I GLASGOW SCHOOL OF ART 'l‘hc Mackmlmxh (i.llh‘l_\. lll‘ I\)t‘IIIIL'\\ Sll'ccl. 353 -l5llll _\lmn I‘ll lllum 5pm; Sal llhun 3pm.
FREE Our Objects: Contemporary Ceramics in Context Sh “ .\l;u l-n Ill .'\[‘l’. IIIC Ill'\l \IL‘lIlt'dlL‘lI t‘t‘l'.lllllL'\ L‘\Illl‘lllllll Ill ;1 lll.l|lll' 31.!IICI'} lll SCUIIJIItI lml' mun} )L‘ul‘x. Um (Hm ( Ix .Illt‘lllpl\ lm l'ccmluult‘ lhc muhum lhl’mugh .m culling CUIIL'CIIUII ml no“ uml'k .md muxclml I‘IUCC\.
I GOETHE INSTITUT
3 Park (‘ll'cux 333 3555. .\lmn 4 (x illpm. 'l‘uc nnmn hfilhun; \Vcd nmmn he illpm. l‘hu nmmn 8.30pm; I'll nmmn 4pm. 8.” l)..‘\ll;lm |.3llpm.
FREE Fassbinder 1945-1982 l'nnl 'l‘uc 3| .\I;u‘. ('l‘culnl h} lIlC (imclho Inxlilul lo mark lhc 35th llnnlwl'xll') ml R\\' liixxhlntlcr'x tIL‘JIII Ill 3007. lIll\
Sebastian Buerkner: Glove
I, , ,. ‘, If 4
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I HUNTERIAN ART GALLERY
l HIM-hm ml (i|.l\;'m\\. .\3 IIIIIIIk'JlI \llt‘cl. iW511i \lmll \.ll ‘l “Mm 5pm
FREE The Glasgow Boys: Drawings and Watercolours l llllI 8.11 ll» \lm \ \t‘h't’llnll HI (ll.l\f.,'l\\\ IIH_\\ \(IlllllI \knllxx llmlll IIIK' Illllllclmn (‘mllt't'llmll lnmllnlml .n p.ul ml llmlllumlmll: .Tllll‘l
FREE Whistler: The Gentle Art of Making Etchings l llllI Sh ill .\I.l_\ IXIllI‘llltlll \Ill‘\\\'.l\lll_‘_' \\ hMIcIK I‘L'Jllllllll. lllIIllL'llllJI clt'hlngx
I THE LIGHTHOUSE ll \Illt‘ht'll | .lllc. 33| (\WC \Imll & \\ml 5.11 1H, 1min 5pm. luv II.llll 5pm; ~\un nmmn 5pm Ll «Ll 5” L3. l.lllllI} llt'kcl 0’5“. llcc mll halllnlnlxl Adrien Rovero: Mapping the Field l'nlll Sun 3h \pl \th \xmlk h} lhc Mimi“: \\\l\\ llllIll\lll.lI tIL‘\I_‘_‘Ilt‘l. .l\ p.1l'l ml lhc I lL'IIlIIl‘lI\\'.\ \NHxx Sunni] Between Earth and Heaven: The Architecture of John Lautner lhu 1" VJ: Sun 3h .lul. lll “Mm 5pm. U lt‘l. lch' mu S;lllllllil}\l .lmhn I..lllllll'l l‘lll ‘Hl 1\ mm ml lhc lllml Illlpmlmlll .mtl Inlhlcnlml .nt’hllct‘lx ml |.l\l t'cnlul} IIl\ \It‘\|j3ll\ .llc knmxxll lml lIlt‘ll mlhtxll lllllm\.lllmll .lml .l\\;lIL‘IIL'\\ ml lhc ll.lllll.lI cmnmnmcnl Soc lmlult‘. pay 3“.
I MARKET GALLERY
1:.1 lhlkc \llccl. 55h “3‘“ Inc Sal
llmmn hplll
FREE How‘s the Ghost? l'nlll ~\‘un l5 \l.u \cu L'\IllI‘lllllll \lcupul Ill lhc IUIL‘ ml Imwlhn; \Iln\\\ .llltI IIIL' :_'Ill/ ml IIIL' \\.lIl/L‘l\ \\ lllcl. Ill\lllll.lll. .lml \hmumun. \lllt‘h \IIIICI. \th pic“ up Ill lhc gmdlc ml lIll\ t‘llllllllllllll}. mulcd (il.l\;_'m\\ I‘;I\L'lI lllllIlIlllt‘xIlJ lullxl l‘hlh llmmkx lm lmpmml lm .m .llt‘hlw ml nmlumlx lecn llmm lhc Ill\ll‘l} ml the lunl.m
I MARY MARY
\llllc 3 l. h l)1\mll \llu'l. 33h 3353.
lhu 8.11 nmmn 5pm.
FREE Neocoins l lllll 8.11 3.\ .\l.ux \cu \hm\\ ml gmllu’lctl \t‘ulpluml pit-cox .lIIlI \\HlI\\ mll [XIPCI h) \Ilt‘hJcl IItllellll. cumming: lhc lmmmc pmlcnlml ml lxlxlt‘ gt-mmclllt‘ llllllh lmuml m lllhull \pauw pllt‘c l.l:_'\. \llccl lll.l[‘\ .lIIlI \llL‘IIllt' tII\IIL'\.
I THE MODERN INSTITUTE
_.: RHI‘Cl'lMlll SIIL'L'I. Sllllt‘ (l. I'Imml‘ I. :45 3‘11 \lmn I‘ll Illum 5pm; Sal
nmmn 5pm.
Having originally trained as a painter, Sebastian Buerkner became interested in animation while studying for his MA at Chelsea College and never looked back. This, his first exhibition in Scotland, provides a showcase for the artist's bizarre visual narratives, which challenge perceptions of space and time and, through the use of split screens, explore the relationship between the conscious and subconscious.
* FREE Toby Paterson l'nlll 'I'hu ‘) .\pl \ \clct‘llmn ml nmx \xml‘k t'\p|mlulg_' lIIIIL'IL'III \ll;llltI\ ml IIIL' gullxl'x
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I SORCHA DALLAS
5 SI \I;ll‘j_';llcl\ I’luu'. 55* 3(l(i3. 'Iuc Sal l 5pm.
FPEE Grey Flannel Suits Any Man 0... I'll“! Sul 38 Mail I‘lIlll\. phmlmpmph} .md (UIIilfJL‘ t'\plml'lll;.' lhc ll.lg_'lhl} ml It'pl'cwnlullmn. h) .Illlllll}
lewll. mm' ml I-mnt'c'x mml .l\'\ Lilnml t’lllllt'lllplildl} .llll\l\ IIll\ l\ Ill\ Ill\l St‘mllhh \hmw Sm" IL'\ 1c“. play XX
I SOUTHSIDE STUDIOS
I7 “KNIIIIUIL‘IgllllI SI. llw‘) l3 IIIIHTT FREE Unfinished Plan for a New and Better Society l‘lml ~Sun 33 \l.u. llum 7pm, (hmup \hmu In lhlu' \wcl Iu'lll l;l(t‘\ ll'Ulll lIlt' \Mlllll HI Ht‘mllhll \l\ll;lI ml: “and Shiloh}. Hill} It'.l\lI.lIt‘ gunl Alan Summon
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775:9 7/5 .7 7
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": Mm 27/: THE LIST 89