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Ixunuxtldnd III I.ICI'IC\ u. M “II I. etrosmcf I . Step Up 2 the Streets I It.» .0 R filmmaker McLaren has always been one of those Influential
IJUII .\I ('hu. lix‘. :IIIIxI RnI‘t‘l‘l IInIIIIMII, artists whose work is difficult to find on the big screen. Thank Canada (McLaren‘s adopted home after John I‘ll-"H I'\1:-'~"I~_“ III I\I‘IHI‘ "71W \IUI‘III Grierson invited him to set up an animation studio school there) then for short film night The Magic Lantern and \HIULI I“ 4”“ ‘ III'WK‘ ""‘M'M‘I ~‘-‘ I The Drouth magazine, who collaborate this fortnight to bring us this excellent retrospective of McLaren‘s work.
(it'lii'l‘il/ l‘i'Ii'u‘H. . . . t - ‘ Summer Rain I ISI I -\IIInnIn II unit-I ,. The programme w:|l Include key films from McLaren 5 long and remarkable career Including Pas De Deux,
spam. :(XIhIAlix-nuKuhn-1|“. \Lu-m RU”. Begone Dull Care. Blinkity Blank, A Chairy Tale and Neighbours (pictured).
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56 THE LIST .‘ ' ‘.'.I' ‘. A: