I Deadstring Brothers .m.i Culann Kin: IIIIK \\..I* \\.:II lI'.I 3—: \' \lnwcnl \Irc'I'I :.‘I “a” “WI? 3." III! \IIII'IIHIIIJ

IIII'IIN'I'.;'\ m \HnnIIj. '.~I;;II\ thr‘l 'Iz' \IHIHI I II_‘.

I Special Edition, Shoegazers .ni The Poems \I\;"II \IqII/j. ifl

8.1m Inclmll \IrI-I-I 44* H‘WI “min NW l’m'lnx .III' :.'III lull. I'iIIII' IIHI‘JqIf ll. K.IIIIII' I’HI‘.‘..III \ \leyr l\_'II_.

I True Valiance, Broken Oath, Mesa Verde .ml Burning Scars of Betrayal I <III \HII-I In; “I hm hm: \In‘t'l. <<l III“ III‘III \II'I.:I .nIIl lI.II(I\I'Ik'

I'lIIIII I'm II‘N‘

I“II'III)III'(III

I Lee Patterson, The Signals .mIl Jojocoke \\ Inxlll'lnnllcx. 1 \I'lllll Ilinlgt'. TV *I IS Minn I II'I' lu'l-m' nnIIanJIiI 9.1.lfn‘i lniln- .llllI Im II lunch and IniijJInJIx

I Big Hand .IIIII Bombskare IlII- llann ( 'Inlx \IHI.I_\ Ilium: la IIHI_\ImuI Rinul, *‘h ‘hlll 'pm 95 IIIinInn-xll \Im nnIIiI \L'IK'IIIIIIIIII' IIII‘n (It'l‘lll .III‘IIIII It'lt‘nw Hm: WWII! /l'

I The Dials, Epic 26 .mIl Little Green Machine I LilmI-I \ulmn:

II) *5 lllnll \III'I'I. 33“ (ill!) “pin 9,1 III-I} Im'lfn'iull .I\ Mr I)I.II\. \‘.IIH IunnI l.IlI ()III lln) .nnnn}: IIII'n I.lll\. I.lllII\II Iln'n llk'\\ I l’

I Atlantic .IIIII The Gallery Ilu- \II. I " \\.III'IIHH l’I.n'I‘. 335 ‘l WI t'Ilu‘ lnIIn' \xIIII ninn' Ilu'

I Funkspiel .mIl Flying with Penguins III-m} \ I 'I-llm IL”. 5 Im \Iiuiiwn \llt't'l. 338 II“); illpin LI IIInIiIIunuI .IIIIIIII;,'I!.1I Ill\lllllllt‘lll\ I'uinlnnt' In amn- nwlmln‘ (III-LIIUIIHII

‘:1 Club Welto IIII- \ ill.l;:c. If) \nnIII I'HI‘I SIIWI. I t'llll. -I“.\ “hlll -\[‘lll I.nn I)IIII;IIIUII\ \wluunv. \k‘l‘.lllf_' III‘ II‘II\. Iulxlul I‘II'I'Iiunnn. \pulu'n wml .IlItI Innlq Iiunw. ('Inh \\clln |\ .I l‘lmnl (Innyli Illill \wlt‘mncx .lII. Ilnx lll\I;IIIlIL'lII lmIInI-x 8.1mm. Il\I\~ (inmlun‘. \\UIIII\IL'\I Kllk'k'. Ix’mlnc} Ix’I‘I.I\. (IIIIUI \It'llilt‘l .IIIII I).l\ \lt‘\lt‘ \\.Illlt‘\\ unII Kenn} .\I\',\IIIIIIC,

I Green Wedge 3 Hanncinmn'x. \IIIIII) SIIm'I. 55h 13.91. ‘Ipin. L'Ilu

InIIic lllglll,

Saturday 9

Glasgow

I Odessa, The Leads .iml Landon Il.n'nml;nnl I. III (I.IIIU\\:_‘.IIC. *5: thl. "pin. U». ()wi I-lx \Inm, l mnl llltllt‘ I‘III

I Part Time Signals and Silva ;\Il('_‘. 33H Snnt'lnt‘lmll Slit-VI. ii: If. ‘3 fiplll. Ur. ()u‘I I Ix In“. I mull InIIII‘ \IIU“ \‘.l\\‘.

I Richard Hawley .mIl Vincent Vincent & the Villains \III‘. HI) Sunrlnclmll Slit-«I. “I I: {I ~pin.

L'I.\’. Ill. ()wr I-I\ \lnm. I \lllllk'l 31ml.”le \\lIII Illic lungpigx .Illtl l’nlp. ll.l\\lc_\ I\ nmx pnnnn; lnx unmmng. \‘liullllllg‘ \Ulllltl. ;l\ IImnI un mplnmnx ncu .III‘IIIII [III/x ‘\ lira/gr. \\IIII punk} iwk.iInI|_\ \nppm'l Imin \'\ I\ | \I

I Simian Mobile Disco Iln' \nlm. 253 .-\I‘g}lc Sum. 505 Innn "pm {In (her Hx \IIU“ I In‘ \k'l IIHIII I untlnn'x Ct|lll\.'llt'lll In I .\I.ln} I).l\

'1' DMX Krew I'IIc I\). I5" I‘” \I‘IIII SII‘CCI. (‘lmi'ing I‘m“. III ll-H spin Ur. lilct'Ini \Ulllltl\ Il'I‘lll Illt' \I‘IIL'\ l'mn'x chhlm I.ll‘\‘l III Ilnx Mm» Ingln I Earth .Illtl Sir Richard Bishop SICI'L‘U. :II 2‘ I\’L‘IIIIL‘III l .IIIC. :3: JZS‘I Spin (Ill. lIn'xnIc \nIIIngILIIn InmrIcI “hm oinlmth Ihc \pnn HI Hm I“ IIIkI ,inIl l’:.l\_\ Rnlcr.

I The Fusiliers, Murnie .lml Laura Healy \Iuggic .\I.i_\ X. N) .\II‘IHII SII'ch. \IcrclmnI (WI). 548 IFSIII Spin. L5 IN! (iluxgim IIILIIL‘ pmwr pup.

I Redshift, Woodenbox, a Fistful of Fivers Illltl Stutter Bunny Box. 4.” Sunclnclmll SIi‘ch. 333 5411 5pm, I‘it‘c. local lineup [canning IlltIIC punk lmnd SInIIcI' Bunny

I Root System, The Carellos, The Brogues, The Breakers .Iml Ewan

HIPH]

74 THE LIST 3' I

www.list.co.uk/music

Powerful acoustic sounds from Eoghan Colgan, bearing his soul with every track it‘s no

wonder he recently won the 02 Undiscovered competition. Comparisons to David Gray and Damien Rice are obvious, but ex-doctor Colgan has his own voice and grasp of lyrics to bring to bear on the acoustic rock formula.

Butlertnpnnl. I(»\ \Inginulmll \nccl. HI Illlll \I‘In I" \le Ili'lll lllt‘ IIt‘.IIIIlIII‘l\

I I Was a Cub Scout, Rolo Tomassi .lllII Lights.Action! I'\lllj,' IIII'x \\.III \\.III IInI‘ .V'In \I \ nncnI Slicsl. Ill ‘3'" \ lllI‘In 9.‘ *ll 'lln}. I‘.III\I. Ilnu IIUIII \uIIlnglmin \\ IIII .l \I'JIII'IxIIuI .eppl«~.nl1 In pup nnnn

I Jo Mango .mIl Mark Rafferty Ill; MINI-Hahn}, II“ I IIII'len‘ \III'cI. 1“ (Nil 5 :III‘III IIL'C \tunxlip \Ing'cx

wnfgninci \ch III Ilnx ("lint IcIc ( Lnnplnc

lIlL'III

I Jumpers Knee, Remnant Kings .1th The Hazy \Itc'n'\IcII/j.. III .\.III\'IIIK'II.III \Izct-I. William» x 11mm lx’mk IInII IIItIIt' I‘III. Int InIllnj; Ilnnnuz‘. im'kch IIIK' III/t

I The Rogues \Inmcl [Mm h" “I

\IIII\\I.III' Ix’uml. II‘IIIII“ \ illI‘In Itcc

I I\\‘II1II\I\ I lzo Fitzroy IIII- Il.:II lm. In“ \Mnulldnllx Ix‘n.nl. 1*: ‘l‘l‘lh ‘lpn‘l licc .I.l//. Innk .III\I wnl

I We See Lights .ml Electric Ghosts I1Il1\nIcI’.sII-. *II NI l\In-; \Iich. <<1 III“ "pin \\g \‘u I lglllx gIIznn III.II Iltc} Imu- \.:;‘IIncII 'IIII-KunnIi III IHIII \\cn\ IMVI‘IWIq IIIII- Ills} .ztc \III‘I‘UIICII I‘_\ I \IIIII‘IIT;II Iiml‘. gunnn} I‘.:I1II'.I Isuzu (iIII‘\I\ ECIIITIXII'QI‘

I Main Street Blues, Size Queen .mII U-Know-Hoo \\ Ittfllqlnnkqu l M \I~I1IIIIIIIII;c.<5_ *1 2-1 “gm. I lem; :nIIIizzgllt. L~l IztII-z

Ilntl I‘lIch

I The Wynntown Marshalls I LIImI-I \Illlmlt‘. l“ l\ Illdll \Ilk‘t'l. :3“ I‘INII In: L‘ Imp \IIIIIIIII \unnn} Im II .I\ III; \\_‘.IIIIIH‘.‘.I‘, \I.:!\Il.zl\ I.Iilll\ll IIICII II\".‘. ( I) I Arkane Kore, Sylvanus .mII lmmanis IIII- \III. 4 ‘\\.II\-III~.» I’ll“: If} ‘li‘ll " Winn 2.le Ix’IuII .IIIII lllt‘IJl I Queens of the Stone Age I uni

I '\\I1.In:_xa II \I.illcl Ix’mnI. l“ ;;Illl llll;\;;1\()II)Ill I Il'.\'l I;\ \III".‘. lml‘, Ilnlnzm- Intnw Inx Izzilliflnavg 1m IQII'zulI lurid II‘I.IIII .i;'.l;n. iIn\ Iinn' nailing: unit-".1 mm}: / l,'(".’Il‘l.‘\

I The Nukes Iznil Dancing Mice IIcIItj.\ (kiln II.::. \ 1m \Iwiizwn \IIIx'I. 1.3 4;”; \I‘Itl :1 \an null III\IILIIIICIII.1I\ Itiw

I The Fiend, Constant Fear IanI Roughmute Hannqtrzmn'» \IIIIII}

\Iruci. “h «,f . ‘lf‘ll L ~ I’lil..\. 1nd, ,nnl

PJ Proby \LF‘I‘II Hall» IIIIYIII‘AIII‘I; Il‘1\f_II:_‘\'\;—‘:<;; “I?” 1‘21“ 1.1: \Zigr

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frazze "f: HR

Sunday 10

A ‘K

Black Francis .mn XX Teens III; (2.:f_:;_'; l‘lII \.:_.tl.‘\‘l‘ \'Y\'\"I. 1‘ “3' a 1:; WI lect ilk \L'I‘rn. I’An-V

'IK ..‘ \It'Jlliif Q III Y‘I',.'l:.III IIIYKLW Illl.t' Hil'

I Jaymay Hill “I H \\lnnn I .Illt' ‘13 with ‘I‘III 9h lllIIlle.’ It'nmlc \IIl_'._'I'I \unzj‘MIIci ulnr \‘.I\Ilt'\ \III- \‘..l‘\ lx’cjsnm \Iu'llui

I Manchester Orchestra I )mn \IHI, " zl H:<(llk'ill\\\'\lk'lllI(1|.I\I. i‘ h.“lll fil‘lll LN \unnjj lmnil IIIIIII \IlilnIII

I The Alps II.IIII§ IllI‘\I.l|l\l, .‘h‘l (IMIV \m-k-l. Il.\"Il ‘lll ' Il‘l‘)‘) \[HH 9) (nu-nun II IIJIIII ‘.‘.IIH .I\IIIIK'II In IIII' nI'v. \mxc IllIlL‘IllIll\'\\ HI I l\1\ ( 'uxII‘IIn .IlIII IHI‘ .I.I\I\\HII

I The One Day Speakers, Luva Anna .m.l Grace Emilys Hm. I <I \nnlln'lmll \III'I'I. “3 Q Ill \pnl

I Im' \Iml .IIIII \Im \I‘lllltl\ Irwin Illlilllt'l ()l)\

I Rollin’ Joe 8- the Jets Hm. mm. H. (I \ \\.Ilt'lliii‘ \llt'x’l. llgilll \IIIII

L4 2‘3 I<mlfnlnll IIIIIII IIII' IV”). In‘ I.\'\‘.I\ 1min; lm-

I This is Seb Clarke, Soul City Shakers .mIl Arcadia ILuII}. 2m ('ItIII- \III-LI llx-‘ll Ill!“ ll‘)‘)‘) Kim. H. Illk' Ilt'.IIIIIIII'I\ .IIL' .l \I'lll pnnl. I3 pn'u' IIunl \Iul.c un IIt'III

I Airbourne Kin: IIII\\\'.1I1\\.1II IIIII.:—‘_‘i1\l\lllkk'lll\IIL‘L'I.::I<3fil) \ lllpin \(II I) ()I I ()III \LIIINII Innl nn Iln- IIIHIIIIHI IHLI.IIIL' Innn HI

I Pilotcan \ILIVn‘XILui/v VIII \dlILIIII'IIAII \Ilt'k‘l. l” ‘l‘lllll ‘\ *‘llpin l.IIIIlIIIII‘_' I.IIIIIIIIII‘_'II IIItIlL' III\I.L‘I\ .IIIII \unn \UnIII IIl‘.L‘I\ In by urnInInI-II

Edinburgh I Edinburgh Rock Riot 'l IIL' l.IIIlIIII me. ‘L‘ \lglnrm Sim-I. 32< 2%1

(‘ {HI‘III 3-; I.H\.1I I'Htl \IIH‘.‘.L';I\L'.