Visual Art
Exhibitions are listed by city, then alphabetically by venue. Submit listings at least 14 days before publication to art@list.co.uk. Listings compiled by Kirstin lnnes.
Glasgow
I THE ARCHES
351:\i'y}|c SII'L't‘I. V5 Ililili
Iliam lllltIliljJIiI
I 100 PUNKS l'ntil “cd 0 Jan. Iliam llipin. I'lt't' \ t'iilli-t'liiin til manipulati'd plintulmiitli pit'tui'cx til punk l'liL‘IxL'H Iltilll I‘)"R I‘iX-i. Ii} punk .tlll\l .liihnn} I)t'IlI\t' 'I lit” ltilljJIl. t'i';i_\niictl ai'tumi’kiny \l.i}\ Illlt' tn HIV HIV (lt'\IIlL‘Ilt' til IIlt' punk llltHL'lllt‘llI
I CCA
WU Sauclnuhall Sti'ct‘l. ‘53 J‘Niti. ’I'iic I'l'l Ilam (ipm; Sat Iliam (ipm. Moves I'ntil Sat II Jan. Ilain (ipm Si-c pin it“. pagt- SH.
I COLLINS GALLERY
l'niwi'xit} til Stiathcltdt'. 32 Rit‘liinnnd Strut-l. 5-13 3553. Mun I'l'l Iliain 5pm. Sat lltitill -lpm. lit-tn
Traces and Trails: Allan Lawson and Stuart MacDonald l‘nul I'l'i 2| licti I'i’t't'. St‘iittixli tll‘ll\l\ :\|Ian la“ \(ill and Stuart \Iiii'lkmald loan «in i‘cwalmg ;t\[it‘t‘l\ til t'IIIt'\ tiiit'ludmg: .-\ht'i'dccn. (Ilaxgim and ntht'i'x at'i‘iixx liiii'npt'i in a t'iillt't'tinn tiI \ ihi'ant. tiltcn alixti'at‘t painting» :\|I “ink is liii‘ MIIL'
I GALLERY OF MODERN ART Rtiytl I'I\t‘IlitlI“._‘t' Sillliil’t‘. 33‘) I‘i‘ih.
Mun \Vcd & Sat Iliam 5pm; l'hu
Iliani h’pm; I'll ik Sun ||ain 5pm I'lt't‘. 20th Century Collection Sui I
“CC Sun 2 .\I.'tl, ;\ \t'lt't'tuin (iI \Kiil'k\ Ii'iim (ilaxgim \‘Iuwiiui‘x mndci‘n ai‘t t‘nllcctinn. including; ()p .-\i't ]i;tlllllll;_'\ h} lli'idgct Rilt'} and \it‘tiii‘ \axai‘t‘l). [itih h} 'I'ui'nt'i' l’i'i/t' \\ mnt‘i' (ii‘a_\\im l’t'i‘i'} and photograph Ii} Scliaxtiaii Salgadd
I GLASGOW SCHOOL OF ART .-\ti‘ium (iallci'). I'tillIl\ Building. I07 Rt‘nl'i‘cu Slit-ct. 353.17,”, Mun I‘l‘l ltiam 5pm; Sat Iliam Ipm. l-i't-c. Sophie Morrish: ‘Transparent Eye’ l'ntil Sat I5 lict‘. Iliain Ipm. I‘IL'L‘. Sophie Morriin makt'x art that uplni‘t‘x human pci‘t‘cptmn and [il't‘t‘tillt‘t‘lilltill\ tiI IIIL‘ natural \Hil‘ItI. llci' \xiii‘k I\ lll\[ill'L'tI h} lltilltill\ HI lIlt' ‘i‘t'al' aild him imagt'i‘} can incdialt' nui‘ it'latuinxhip tn natui'c.
I THE GLASGOW SCHOOL OF ART
I07 chli‘t‘u Slit-ct. 353 453». Mon I'i‘i Iliam 5pm; Sat Itiam 2pm.
The Weirding and the Uncanny Sai I In H licc. .-\ i'angc tiI international artists l|\t‘ digital \ ltIL‘ii. photograph). painting. di‘au ing. and \t‘iilptui‘c to uplm‘c notions liI utopia and d_\ \Itililil. m_\ .xtcr) and tho uncanny Man) nl ihc arlixlx \L‘It‘clt‘d lni‘ lItL‘ \Iltm L‘UIIIL‘ Il‘uni [Iit‘ “LN! (‘tithl til? IIIL‘ I‘IIIICLI Sl;llt‘\. notalil} (ii'cgnii. “high \hai‘t‘x a
\\ ildcrncxx til (iiitlnt' \xcu‘dnmx akm Iti thc landscapes til Scotland. 'l'hc IlllL‘lllltill til-[I16 \Ilti“ is to i‘t‘llcct thc \iinilai‘iticx and dil‘l't'i'cnccs lwtxxccn tll'll\l\ acrim thc muting-nix. NEH. SI IOV.’
I GLASGOW SCULPTURE STUDIO
The Briggait. HI Bridgcgaic. 553 I 185. Wed—Sun llain (ipm.
Stuart Gurden 8. Nina Lola Bachhuber I'ntil Sat 8 I)cc. \th \mi'k by (ilaxgtm ~haxcd artist (iurdcn and Now York-basal artist Bachhulwi'. Bachhuhcr's \L‘lllplllrt‘\ ll\L‘ t'ur. lllll'l'tir\. drawings. aluminium foil and uthcr udd maicrials to ci‘catc iinagm til \adncw In». inurtalit} and \cwalit). (iurdcn (mates inxlallatinnx that mmhinc tilin. pliotngrapm and draxxing \\ ith \L‘llIPllll‘L'
9° 3:3 Not. a «3 [fit:\‘ CALL .
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\i \ ;‘.;' x f I HUNTERIAN ART GALLERY i
I lll\t'l\lI:~ «it (il.i\:«~‘.a. \3 IIIIIIILKIII \lit't't. 1iii * 1 :I \IIIII \if ‘J “Lin. *pi: ‘My Highest Pleasures’: William
I ST MUNGO MUSEUM OF RELIGIOUS LIFE AND ART
Hunter’s Art Collection I IIIII \it .‘ t mili- \txci “i 5“" \lw In. .\
Iit‘t I\IllI‘lliiill tt‘lcliiatinf; 1qu \u 'Hizvi, ‘;~:: Ii: i\ \:.:. ‘p
Iiiti'nlt'uai} til IIIt' IIIIIIIt'Ildl‘ (ialiczf. iv. 'I.;i:i irizi» I
\Ilii\\t.l\ll‘.j._' IIIL' I‘t'\I. mmi llllt‘ILNIIIIL' Voices from Africa Part 2 l : \..;.
‘.‘.i|lk\ Iliilll IIIt' qundt‘iK tuliyttinii ,‘l Iq'ii I it-t' I'tnict' TI..;' -. r'I~
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\Iiitant JIII‘IX'JII \i‘llil'uLTIZILW tin
I KELVINGROVE ART GALLERY it-iiiit-ipiqi.;iinii u: liiiill. til I'm x
8. MUSEUM lit-Ed :n \tuiax'c Ill His \1 \I;;:x w
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\tjgtlt' Slit't'l. 3‘0 "*‘N \Ii'll Hill A IIit' IIEILM'IIIII II.1\ .ifw \at Iiiain 5pm. Iii t\ \uii II.tlli *piii I'lt't' (iI.I\‘_'i"~‘- I‘.l\'tI itIII\I IICII) It'ltlt’ Blake: 50 Years of Illustration 0... [mil Illt' l _|.m Ilt't' \‘i't'
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I STREET LEVEL PHOTO WORKS
$\ I\lll1'\llt'\'li;‘.‘ ‘WI \Mnf \.' Iliiiill ‘l‘lll Iii";
Marjolaine Ryley: Residence Astral .... I IIIII \.'l .‘i‘ list llIH‘l! {I‘lli \ \wll IIIHlI;‘IIl till? til liIliiIiii'IaliIh t’\l‘Iiillli_:' iiicinni'. Ili\li‘l\. l.iiiiiIi.iI It'I.III\‘Il\IIII‘\ .illtI .lltIll\.tI II.III.lIl'-t'\ lIic Ilil.i',‘t‘\ ii: tIin \t'iiyx unt'it‘ .III I.IItt‘II in tlic .ipaitiiicizt t-l lIit' .uti\l\ L'lillliIIIIl'IIICI .1“ .ii_ IICI\;‘.II
I THE LIGHTHOUSE
I I \litt'ht‘ll I .IIIL'. If! (Hp) \IIIII i\ \M-d Sat Iii *liain *pin. Illt' lI.un *pin. \un nmm 5pm t i itl LI *lii Gillespie, Kidd 8: Coia: Architecture 1956-87 0000 Sun Ili I'L'I‘ \t't' IIIIII\I
Stuart Haygarth \al l [in \un I” I'L'I‘, (IIIL' «it IIlt' t'\ti.inidiii.ii} t lt'.lIIl‘lI\
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An exhibition of work that creates a ‘creeping feeling of the sinister and scabrous . . . in an attempt to keep the conventions of commercial art at pox-ridden arm’s length‘. Twelve artists exhibit their work, including Georg Barber, Silvia Battista, Arne Bellstorf, Anna Bhushan, Thea Brine, and Sue Coe. LAST CHANCE TO SEE.
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Convulsive Illustration
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Private Galleries
I COMPASS GALLERY \\ivl\'i “ \l“. .. \ .{,;‘. Christmas Exhibition I -:--1 In t“. \. .. ‘. .l
I MANSFIELD PARK GALLERY
\llst: 'tf\‘:x' \. .l. \' A Visual Feast \.' \.= “ Ii; II' \\2 \t'? H i‘ if" I i' ‘ .m‘d’fiiigi- " .mtriiil'lx \I.',':\?'t":‘.I'..'L n' Iili“"l'i" Ix’w
I THE MODERN INSTITUTE
" Ruin-7min. \liM \iilu '\ I w v: ‘1‘ii'l \Iwi: Iii 7"..1'. ‘ziiii \.'. l.i‘~‘ll ‘p‘:
Thomas Houseago I ma" \ .l \ I.;~ \vt' pimzca gm \‘i
I SORCHA DALLAS
‘ \I \I.ii-‘.i:t‘l »I’:.:t ““ dih‘ I113 \11 ‘piii
Re-Make/Re-Model \ ii I litx \.II ‘i~
Ian \t'fl. \Iiwx I‘Illli'Ll‘i,‘ l~- 'ctliyi .1III»I\
twin .it li\\\ ‘,'\'II\‘I.IIII‘II~ .; I: fIIt'iI iltuit c ‘.‘.tiII\ I\\ \t'lllllmi I‘Hilk i IIIt‘IILJIt‘ 'Y.!I‘Ilt‘l IIJI‘t'IIi' \I.tll:'t‘IIt' \IIII.1 't' ‘.‘.i|li. III.iiIU Iliilll \iiua-xc twpix tit \i"'llt' Ii'. piial t'I.I It‘llllllhl tIII!\I I intIt‘i, IiilllltI u llIl‘IIl't Ii} \tiuiiz' \I\'\lt.‘.ll .ll'l\l \I.!lllll \utu ('Iiinciit. \iipliiq \Im I’Ilt'lvill ~"III/‘.
\t iilpitiicx and dim». iiix'» .IIIII .tlI Ill\l.tII.lIIt‘7I Iii IIIII‘~\'\'I
I‘l'lIt‘IIIIJIItt' .tlIl\l Iill'lli\ Ix'nlit'ii
Artist Spaces
I +44 141 AT SW63
\I'iiILii \\.il\‘Iltitl\t'. I‘III I IINI‘..:I I’II t' Deryck Walker I 'IIII I ll ill \.~,
ii-mii hpiii Iiidallatiwi: I“ (iI.i~,'n‘.‘. I‘l'i'l I.:\IIIHII tIt'xiHiit'L '.‘.IIII Iii Iillllr \I \llltiI.t' 4'
The Sprezzatura Maze i ll ‘ l l' Ilt‘t ‘\[ilt’//.illll.i l\ .2 lt‘lt.ilx~illti I 'III! lilt‘.tlllll‘_‘ \IlltIlt'tl t .Ilt'Ii‘\\III'\~ Ilii- .tlI ml iii.'.ki!;:' tlit' tIIIIItlIII xppgzi in: IIII
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I INTERMEDIA GALLERY
(I \. i*ii \iut Illi'II.tII \tii-t-t \N‘ ,“ 3H IiiiiI} Iliilill (il‘lll
Jim Ramsay / Ann Vance I ll Hi \«i'. \Iiill I‘i Iii‘t \llli'it' \ Ii"'II xitIt'n \‘-i'lk .ind nun-d Illt'~II.i lll\l.iII.tIlHlI Illill. \.III\’\' t'\.IiiI\it;d tlIl'lI‘.’ -IlIt' II:".'. piiiiiint'
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I MARKET GALLERY
N1 liul.t- \Ilt't'I iii» 7» lut- \a nimn Iipiii
Convulsive Illustration l nix! \il r in . :. _;
I RECOAT
1:; \tiIIII \\iiii«I\liIt' RIMHI ‘IW‘NI‘ 3‘.‘ IN IIIK' \iin liiitill \piii
Kirsty Whiten - Live Auction | Hill I'll ‘li \n'. \I‘IL'L'II I‘ILKK"~ In. IIII' .l'.‘..lIlI ‘.‘-Illlilll'_' \t‘nttixl: .ilIl\I :jn IllltIt‘l tIit‘ Il.tllilllt'l (in I‘lltId} 4H \tV-t'llllit‘l, llIiI til’t' .I\.III.lI‘It' In 2 It".'. lni IIIL' liliillIIl Iwitiit-Iiand IIIL' wlululum It'lllh .l it'tiii\pt\ti'.t' til \\ Iiitt'iiW REMII. «run: IIH‘
I.i\l \L"- L'II j. mi \
I TRANSMISSION GALLERY
15 Km; \Ilk't‘l. “I iMi Illt' Sat Iliun <pin
Project \it I \if ‘ I’k'\ Iiii IIII~ ll'.".‘. III\I :II.ilIt'l. \\iII \.:tilIiIt'l~ and I unit‘in \I‘tl II.ilI!iI.ili Ila‘u' tix‘tI l:‘ I
Jililg‘i. I'illIiI \IitI‘-|- IllL' and '. IXIC“ II» t iauili- .: till-hi