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I Paradise Lost llil- ( nilmuw. l<
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I The Axis Mundi, James Apollo .lllll Ceylan Hay lllnllxllhilx Vi lit-ll \lll'l'l. {‘f “Pl llll‘lll L: \l'\\ llill.|\ll Hllllll lk'.llllllllL' lll\ll llHllllll.lll (‘uliii \ll \llll} .lllil lliil'c lllk'llll‘l'l\ ul lllk' \n-illl‘x. plux \lllk'lltllll imilx im'lu'i will lll\ llllll\_\ll\l.lll\ llll\ «ll lHL'lxdl‘lll} .lllil uriilili} .lliil ilic \‘k'llk' lnlk \Ullllll\ ill (‘l"\l.ili ll.l'\
I One Night of Queen l<u_\.il (mm-ii Hill. I Nililliiclmll Slit-cl. 5‘ Mill”
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I Four Star, El Chupacabras illlil Cortez Hm. lil Sllucliicliull Sli‘cl'l. “3 Q lil .\piii liu' \wuxlll' \cl llHlll piliik [Hill lll‘.llllllll'l\
I Acoustic Night hullllll'l Dim "x.
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I The State Broadcasteis, Finniston .mll The Metrognomes lilli \nlc ('.ill'. 50 (ill King: Sliu‘l. 55‘ lhih X lllpiii (3 local .‘\lllk‘l'l(illl;l.lllkl lull} lull
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I Sons 8 Daughters (Kilxu'cl \iillliiic. ii» i.\ ll|.lli Sllcci. Ill) MW» "pill.
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I The View I'lil' l iquill Riuilll. ‘lc
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I Coholic .mll Fingertip lllL' .\i'k. 3 " \\'.ilcllim Hum: 33‘ “3‘”, "willplii, («l le'lx.
I Status Ouo l’l.l_\liuuw. l.\' 22 (ii‘cciixilll' l’ng'l'. “3.1.1 8.1" lhhll, “. zllpui. UH [ll 5“, llic lxiiill \\llll iiini‘c l'lx' liil xiiiglm lli.iii .lll} ullici‘ gi'liup iii (lLll'l liixlui‘) .llL‘ lxlt'k lui' iiiui'c \\ illi ;i [will ciiliilcll 'lii Smith (ll Ilic l‘l‘lll'lll (hold. I Hobo lllL‘ liniign (‘lulx .\lni'u\ lluuxc. V llulu‘uml Rum. 555 “mu. '
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Glasgow
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I Shai Hulud, Winds of Plague .lllLl Dead Hearts 'l'lic (Zilliuuw. l5 l'niun Sin-cl. 34x (mun "pin. {SSH ()xcr- Ht \llU“. l'lUl'lle hum. l’liliglikccikic-lxixcll llllMlllllll'Ul‘lC iiicidl lxuill. “lime \lle'
68 THE LIST \c. ‘5 ills-y
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Kings of Leon ,mll Manchester Orchestra \l H l llllllL‘\Ilil‘l (.iuh M‘w lI-lll-llNNl ‘ 1“pill :2: 4” lllhllll" U‘llllll} il-tk'ii‘lnllch ‘.\lli‘ lln-L hu: lll.llll\lllll} llnii'l wlulll. lilic thi' l 4;qu )nliiigci l‘llillll'h I Acoustic Jam \iu-‘ii‘xlm/ll 12 \Jlltlllk'lLlll \liu'l W; H‘ll'll \piii l l\'\' “cl-kl} \limnmc lHl l1‘\.ll\\'llL:'-\lllfil\ pl'i‘luiiiiiii; illlL'lll.ll iii.ilcii.ll I Andrew Bacon, The Delusional, First Republic, No Signal .mll The Dreamt Hwy ill \dlltlllk‘llllll \ilccl. ‘4? Mil \piii licc liill' up «ll ll'\.ll .llll\l\. lilglulliii; Ill )t'ai ulll \lllle‘l \«ili;\llilci \lllllL‘U. llmnll. \kllli l\ lllllllk‘llxk'll in lllk' lllxk'\ nl \llli“ l’.iliul ,liill l).llll|Ull lx’llc I Flood of Red, You Me at Six ,mll My Actions Your Exit King; lulk \\.ili \\.ili lllll. flu \l \ lllt'L'lll \iil'l'l. Ill 5:“) Spin, 1" ()wl l»l\ \lltl\\ \(ll'dllll‘ \l\ Plk'k'k' llHlll (il.i~;_'mi. iniiicll h} “cfluulgc L'lllH punk quiiilci \ \l \\ I Dananananaykroyd, Charlottefield, Spy Vs Spy .lml Jer, Stevie 8. Shane I 11h \uic (xiii: Ru m King Sill-cl. 55‘ lhlh. ‘lpiii \lllkll Luigicll \lliiiii lllllllk'llx‘k'kl}lllll1:\lk‘l\ llk'dtlllllt‘ \l-c him It“. ixlgl' h: I Levolora ll.” lllm'. I I“ Halli Sim-l. VJ hill)!» ‘lpiii. l'iu' ,\|l Hulk. I‘l|\\k'l pup .llltl L'lllli \Hllllll\ lllllll llll\ lmxll lllldllk‘l
Edinburgh
I Dan Deacon .inll Cutting Pink with Knives (film-cl \'nll.iii'c. 1h is lllllii' Sliu‘l. 3le (ilqh. "pill. t" 5H -\l\\ui'lli\l clu‘lililiim li‘nili llll\ ll.llliiiiuil' l'cxillciil. \xliu ll.l\ .ll\H dahhlul iii giiiillt‘ni‘l‘,
I Manic Street Preachers .lllll Cherry Ghost ('ul‘ii l:\cli;iii§_'c. l l \cxx \lill'l'xL'l Rmill. ~17“ ‘50”. “. lllplll L35 ()wi' le \llll“. 'l'lic .llllllk‘llllt' \\l‘l\ll iiigkci'x icluiii \\llll .i lll‘“ ;ill\uiii \l lIl/ ,llHH I/Ii Ilg'l I'\.
I Underground Heroes, Joe Viterbo .lml Tie for Jack The .\ll\. l ‘ “Jim-Inn Plum: 335' ‘H‘H. ".illiiiii L". (illilll') l.llll\lllll puiikx \\llll \lm lllllL'L‘llth
Tuesday 4
Glasgow I Cherry Ghost and The Hosts ( )mn
.\lni'. Til 7’35 (Emil \\'c\lci'ii Rmill. ‘57
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I Ian Brown( .lllll." \liiu-l ll‘l l1‘llllll'l, \lf\‘\‘I wply 1:; \ \x‘.1ll ic'll'i1lw \nlluiill li‘l l\ill‘.' \lliiilxcy lll“.‘. v.17}: \ll-iic lx'mcx ll.:\l\\ {\‘llln'llt'll ll‘.ll‘ l1l\ I Josh Ritter ( hm, (ll.ll‘.ll ':\ ,l.llll.ll\.l \licl'l. \ 3 ‘ ll\,‘l| <l‘lll f, _‘ ‘W l<k'\\ll\'\llll\.ll \l.ll\' li'l llic lllll\ ll .l\llllll\'\l }iillllj1lli‘lll‘dxll‘lll lli‘llllllt' l \. liltiiiii'
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I Live Music \li'lli'. l.‘ l\iii:'\( i‘llfl kill}; \lll-ci. “1 Slim ’ \k'l_\ \iwlml liw yucxlx l‘l.l\ .i: lllc l,iiiii\li «ll llll\ I’iuilxl \l‘llll\ \‘\llll‘lll\‘ll I Kanye West \I ( (C l lililiqximi ()liiy ii\"iililli ziillii “ mm. 97 iii Ill,- llll‘ hull lwliciiiulli ll‘llllll\. ,liiilqll v. llll iiii.ij;lii.ili\l' \.lllll‘ll‘\ ,lllil w, I.lll‘.
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I The Wonder Years, All or Nothing .lllll Save Your Breath ll.iill_\ Illl‘\l.lll\l. I'M ( lhlc \iicl-l, H\ ‘H ‘llln H‘N‘l \piii Ui l’uiik pull ciixciiililc llillll l’lii|.lllcl[\lii.i
I The Young Gods, Undercut ,mil Kobai liliih. 3m ( lull- xim-l. m ‘li UH" NW“) NW” L\ lll\lll\lll.ll lull, \l'lciulix lllllll (iciicm. \upimilnl hx lliixlulmii llklxl‘h l iillcll'ul
I Dan Deacon, Cutting Pink with Knives .lllll Gay Against You \il‘l"ii'.\lc.l/\. III \.iu\‘liivli.ill \llccl illiitiilu x iilpiii 1" RH \cl- \lun l
I Burnout 1 :ill \ull‘ ( Lilia *li Ni l\lll‘.'
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I What The Blood Revealed Ii.” Hlm'. ll" lllllll \‘im-i. V1 mum “hm
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Edinburgh I Futuristic Retro Champions, The Star Struck Troubadour,
Starting off in grindcore improv act, Rated R, Dan
Deacon is now perhaps best described as ‘an absurdist electronic music composer/performer’. Counting Talking Heads, Devo and They Might be Giants among his influences, Deacon imbues that quirky take on punk with a thudding electro urgency as
showcased on recent {exp} ,. x..,,\ ;_‘,,,, ,
album Spiderman of the Rings (Carpark Records).
www.|ist.co.uk/music
Jason Wringle & Aki, Sloe Lorry : The Maje \\\p la»: ha l i' \-: l" ‘ I, 1‘ . , \\H. (.
I Attic Lights m‘. Miyagil ,.‘
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Wednesday 5
I CSS, Justice: M
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I Malcolm Middleton all Make
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I Big Linda mil Sons of Albion lllill'x. ‘lill( l\llc \lil'c‘ "\ I" "ll.
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I Jeff Wayne‘s Musical Version of The War at The Worlds \l l i lllllll\’\li‘ll ()ll.i‘., ‘|\ “Hill 1'“ “l ‘-;‘:: 1W“) lulu ,w'lci il Alix »:i"i' ll 'l‘lHL' li'llnl \ll'lt' ll‘l llh lll i llii‘.\‘l .lxl.ll‘l.:ll|'ll. i‘vilwiiiiof lit.- lllt'dllx'. lMt'U \ ‘
I The Monobrows, Girls Dance Better Than Boys .lllll The Planes Him, l‘l \lilltllll'llull \iicl-i *9‘\14? \[‘lll I il',‘ \\\-\l lml' lui llll‘u‘ lil‘ llll ( ).l\l\ liiliiilu l‘.lllil
I National Park, The National Jazz Trio of Scotland .m.l Ally Kerr ( ‘niim'x W W ll\.lllll.illll \iiiu-i R ‘ 5\_‘* \iliii l il'l' lull :zillc, lul iiillic lllllll \.iiiuii.il l’.lll, \HllllllllJl l, iii.ic\lil- Hill \\pll\ .ili-l lli~~ \,llli‘ll,1ll.:// lllil .ll llllx \ l‘..1llii'll>\ll\.: lllL'lll
I Rolo Tomassi .mil Dead or American l’..iiil_\ ‘lll‘\l.ill\' _‘iiii('l§..l_- \nwi. ll\ ‘ii lili‘ limiil \pm 9%
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I Tiny Vipers, Danny Saunders .lllil Alex Neilson \iiu'ii'xllu/x. :‘l \.lll\llll'll.lll \llfi’x'l‘ ;{§ll‘lllll \iiili
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I Cage the Elephant l’\llli‘ llll \ \\.lli \\.ili llul. fill \: \ llltclll \izcc: :Sl Tia" \ ;“[‘iii 2.; l l\ l \ l‘lllll. liiiil. .lllxl .liiz'ul.ii liu l_'ii’i~>ll
I Klay, Thisfamiliarsmile .lnil Kaikoura ll.” lilul, l " ’i.llll \lli'i‘l <~l HUN» ‘liiiii llL'k' \ {‘l“‘_,'lk‘\\l'-l'. .1llk'lll.lll‘-k' lxliiil liuiii l);'\.l~ii
I Servant l *lh \un-l .zzi- <li Ni l'\lll.' \lll'l'l. “1 lb“ ‘li‘ii. l .ii'
Edinburgh
I The Dead Beat Club, The Punch Drunks iliill Early Songs \M'i' Rul l’ml l \lllll‘lllL'li( lilli'1i' ml \zl, l.illll\ll|ll l’lmv. 32‘) Ill: “ \uiuxlit int l, pup «lx‘llL'lllx lll'll. lllll I Exposed lllL' l.l// llill l ( l!.:llil\*\'l\ \lll'cl. 3:" 33‘“ ‘\ illi‘iii 2-: \ll'llllll:. \lllflg‘l \illl‘J‘J-lllCH llIL'lll '-‘-llltll pic wlctlcll .1\l\lll\l\l.l'\lll‘_' lllci: YlllL‘\l iiili\i_,ll '-‘-.llL'\
I UK Subs ( 'lllml llll‘ 1" 1: (ilil‘zlllu‘. \frcil “:3 “HM t_ I"
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