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Uninterested in formal experimentation or political agitation Demy was the great anomaly of the

French New wave. He loved fantasies, fairytales, musicals and Hollywood’s Golden Age. it was perhaps because of this that Demy emerged as the most accessible - and certainly the most beloved - of these celluloid mavericks, his most popular work being the 1964 musical The Umbrellas of Cherbourg. This short, selective season of Demy’s oeuvre traces the director’s rise from his austere 1961 debut Lola (pictured) to his delightful 1970 musical fantasy Donkey Skin. There will also be a screening of Agnes Varda's lovely Jacquot de Nantes, her 1991 filmic homage to Demy, her long-term lover and creative sparring partner.

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