I /IIIIJIII(JIII;
Back to the Future: Sir Basil Spence, 1907-1976 I)\'.II- I mtg-I: I’h'IIIIIII anl ICUU'NI I IIIII \III; III II'II III.:I:: "III: "I.:'I <III IIIx' III: lIII III.I|'II zclr-v n' \ nthzmi \
mqu Ignnzwml :IInIII'III .:I\IIIIt'tI IIIh
II‘II‘IIIJIIIIII n1 \III'IIII‘K I‘IiIII.:III .th III'.I'I \ .lIt't'I tnIIm IIIIII'.‘ III: II; \I'IIIL'II.II:- «-I III\ I‘llIII. ‘.‘.|II Iw IIII' II:\I \«IIIIIIIJI I |.III\'IIL'\ III \t'IIIIIIhI \IIII‘I‘. III“.IIII‘II \I'II'IZ- II' .IItIllII‘tIIIlI'
Crime Scene Edinburgh: 20 Years of Rankin and Rebus \ztznnn
I II~I.II_'. ‘Il \nIInIIII In_~n:1'qI\ IIIIIIL'C. ’I.‘* WI" I “III \IIII I 4 I.III \InII \II III.IIII *IIIII.\III1_‘ *IIIII IItx' I\'I'IIII\|‘I'\II\I' III IIII' Z'II'III III'Ig'tIHt' I<I'I‘II\ .IIIII Inx II.I\.|II\ III I IIIIIIIIII-JIIK IIIIIII.j. IIIIIIIII.II IIIIIII'II‘I'IIII. \I‘IIlt IIIIIIL' ‘-‘-IIII IIII' II'IL'.I\\' nl IIIK' IlIl.II ImII Ill IIII' \I‘II\'\ \I'I' I‘II'\II‘\‘-, [Maw 3*
It Didn’t Happen Here \III\I'IIIII nl
I IIIlIIlllI"Il. IIIIIIII‘. IIIIII\I', I I_‘
I .IIIIIII1'.III'. 5‘” II I; I IIIII \.II .“I \n\ IIInI \IIIII \InII \.II III.IIII *IIIII III"I'
I \IIIIIIIinII I‘\.IIIIIIIIII‘.' I «IIIIIIIIIz'II'x IIIII\\
\I. IIIl IIII' \I.I\.I' II.IIII'
Mists and Monsoons \\ Inm' \III\I'IIIII. I .III_\ \I.nI\(‘In\I-.
I .I\‘.IIIII.III\I'I. \“I WW I IIIII \II ‘7‘) \I.'.I InnI \IIIII III.IIII ‘l‘lll Ilt't' \III'\IIII‘IIIIIII III\II\IIIj.' nn \IIIIII'llIIIIIl.Il_\ \\IIII'I\ lInIII \tI'IIJIIII .IIIII IIIt' IlIIIl.llI \III‘ \IIllIlIlI'lII In lll.llI\ IIII' IIII Manx \IIIII‘ IIII' [\IlIlIlIIII nl IIIIII.I .lIIII I’.II\I\I.III
STEIM Mobile Touch Exhibition \pplt'Inn Inxwi. I lIl\\'l\lI} III I IIIIIIIIIIgII. ('III'IIInII \III‘t-I. (NI x l 3* \\\'II ‘ \nx ‘LIIII * IIIIIIII I It‘t' \ II |\I IIIIt' \IIIIIII‘ lnI clnlin lII\IIIl|III‘llI.II IIIII\lt I l\ IIIt' nIII} IIIIII'I‘I'IIIII'III Iiw I'II'IIInIIII’ lllll\l\' \I'IIIIC In IIII' \\IIII\I III.II I\ \'\\ III\I\I'I\ III‘IIII‘JII'II In IIII' pcilninnng' .nlx ('nnit' .lIIII \t'k' IIII' IIIIIIIIII' |lI\IllIlllL'llI\ .\ I I-I\I II.I\ III'II‘I'II .uInIx In III-.III- In: Iht-n muk
Thomas Telford: Father of Modern Engineering \IIInml l’nnmn I LIIIt-n. I IJIII'I'II Slit-cl. II.‘-I (IfIlII I lIIII \IIII .‘5 \n\ III.IIII “pin. III.IIn Rpm IIILI. \n mlnInlinn nl plnnx .IIIII IIIInInpmplix In IIl.III\ IIIt' SSIIIII .ninncimi} nl IIII' I‘llIIl nl IIII' [III'IIIIL' IIIIII\II I'ngrinm
I Lilli;
Antique and Collectors Fair \Imdnulmnk Spnllx I'cnIIt‘. I i" I.nnIInn Ix’nml. IIIII “5| III.IIII I IIIIIIII {I IIII'I'I .lcxxt'llcl}. pnllt'l}. pnIu‘LIIn. t‘nnix. I‘IL'IIIII‘\. IIIIIIIxx IIIIt'II. lllllll\. \I'IIIIIIIL‘\ .IIIII In_\\, II_\ nnI In \nmxh .IlI}IIllllf._‘. L'II' Car Boot Sale MI III \n\. l-Ilmlmrggh /nn. ('nixlnIpIIInI‘ Ix’n.nI. I {I ‘l I H I
III.IIn -IpIn I In~ IIllIn.III IIII\\.IIIII'II III‘III\ and which InI IIIIIIII'II IIt'.l\IIII'\ .II IIII\ tau Iinnl \-III' In \I‘I up \I.III I‘nnk |\_\ ipni nn 3 \n\ .IIIII .IIII\I' lInIII .\ IIMIII nn IIII' III}, L I 3 [WI I‘.Il. I. III III'l‘II\II IIII Ilt'\III‘ I.II‘IL' \\|III LI IK'IIIIIII'II
I-UQI‘I & Dunk
Edinburgh Farmers’ Market S.IIIII'II.I}\ I'.I\IIc IL'IIJII'. I5: S‘IIII ‘LIIII 3pm ,\InIc Intuil. I|II.IIII_\. t‘IIIIthI pintluu‘ IImn )0“ («MM \Imkc .I \Iit'k .II
2 w ALIUISCOI ARTHURCON ANDOYLEIIII
CHAI ESDAR NINN’N IAMINI mm: .wuLu/ “MAKE PEACE THACK ERAYI’ IIIII IIII
JA NEAUS IENIIN Nn I‘m INCAR OLINE NORTO NI“ (III AIIIA IAIIAY AUSTE NHENmL AYARC {mum IIAVIUII ‘Iiirlli Lll‘IECH I\RLESD ICKENS
' N'.(III~,I I In
Jolly Toper Tastings I: ‘ \ I";
IIIII‘III‘TII .'* I ‘V
‘w‘ ‘I;::It\"I. I
III- ’\'\I H M
.II\ltI\I.IIL, I..‘..‘ .‘-'..“.It\.1. t.1\’
\IIt'IIL'II. IILII’H IIIIIC 'x' In :I.
IIII II \.;.I “I ‘\" \‘ho
\II \I |II! I I' II \
I‘m!
Royal Observatory Talk \l..:‘ < \. l\’..f,.;I I)I\\;I..1In:_‘ \Iv'I»: I qI.'I;
IIILIIInIII IIIIT. NA \ in: III “II I\'II\\;II I In: A It'.:~I\ .. 2.7.} *II j.u.II\ nI III; \I‘Iuc \p'; frnII: \I‘III'J.’ ' IIII' I‘I’t'\\'IlI III} III
Joan Eardley Talk III; II \n; \.m~n.:l (l.lIII’I\ nl \tI'II‘lIIII |I.~.‘.I.IIInIIIIIur:
I I'IIIIIc IIIt'.lII\'. IIIc \II'IIIIII. 'I.‘ 1 '3‘“ If “pm I In" I nIIIt‘Im I III‘II'I. .IIIIIInI nI III'C IIle IIt'IIIIIII'II' IInnI nII In.m I IIIIIIQI lll I‘I\\_ I.lII.\ III‘I‘III I IIIIIII“. \ IIlc 3.th “mm In nIx'II IIII- III.III‘I II'IIanx-tlI'u- I'\IIII\IIII|II
Thomas Telford: Colossus of Roads “(II I \«I‘. \.IIIIIIIIII I IIIIIt'I_\ III \\I‘II.IIIII II.:\I.IIInIIIIIcII I t'tIIIIc IIImIII‘. IIII' \IIIIIIIII. II.‘ 1 It‘ll“ If 14pm III'I' I’InIme Ix’nInIIII I’.I\Inn IIIIlIi IIIc \\ IInnI nl IIIIIII I lI\IIIIIIlII.'III .II III'III‘I \\IIII
l Inn-hm Imus» II'IInIII\ IlIt‘ IIIIII .II'IIII'\I'IIII‘III\ III I‘IIIII III; I I\ .IIIII .II‘IIMII From Guy Fawkes to 9/1 1: 400 Years of State Sponsored Terrorism \II III I LI I IIt‘IIIIx \chIIIII' IInIm: “ \ ItlnIm II‘IIIIH'. IIV‘\II" IIITIIII‘I ‘ IIIIIIII ‘5 \n IIIII‘xII‘lII'II l.III\ I\_\ \lllk'llkl‘ll|]1\l“lI|Ill\ll]\'.I\.ll“l|.l“i‘l\l- \\k'I‘\Ik'I I.II|‘I\'_\ III \.I_\In;‘ ‘II'IInInInngxl~ IIM‘ IIIIII'\ IIIIItkII \tIII.III}_ lIi\I III \.I}lll;' .It‘III‘IIIIIII'I\I.
>I< Scotland and Slavery Inc I 1 \n\ \.IIInn.II I IIII.II_\ nI \nIInnIl. *1 \.III\I‘III_\ I,I.I\I'.(I:: INI‘ ‘I III‘IIII II‘III III'I' \ II.I_\ nl I.III\\ t'\.IIIIIIIIII;: \t'nIIJIIIIK InIt- III IIII' \I.I\t' II.I\I\' .IIIII IIIII\I‘IIII'III lnI .II‘IIIIIII‘II I IIIIIII vwnlx'fi III\ III\ In IInnk \L‘L‘ IIIIIl\I
Selim Aga: A Slave’s Odyssey luv
I I \n\ \.iIInII.II I lI‘!.ll_\ nl \(IIIIJIItIA (II'I‘IL'L' I\' IIIIIIg'I'. (CI “IR "pm I luv \I'IIIII \gn \\.l\ .IIIIIIIgIcII lInIII \IIII.III .lI I'IL'III. \nIII I'IpIIl IIIIII‘\ .IIIII I‘IIIIIL‘III In St'nIIanII. lenIc (\I'IIIIIJII} Ixxnnnngr .lII .IIIIIInI. II'I‘IIIII'I .IIIII \'\IIII'I\'I III'JI \ggix nun II‘III.III\.II‘I\' |I.III‘III‘-I‘ nI Inx I‘.III} IIII'. I,|lI.IlI c\t'III\‘-= nlx llIx In Iinnk
Basil Spence in the 19305 \Inu II \n\ \.IIInn.II (I.III\‘I_\ nl \II‘IIL'III \II. "5 III-lInIII Ix’nmI. II_‘~I IIIIIII ISIISIIIII I‘Icc \It'IIIlt't‘IIIIJI II|\IIIII.III (Inc I \‘IIII‘II III\t'II\\I‘\ \In'nt'tk I'.III} \xnik \IIIcII III‘ \\.I\ III Ixnlnt‘hlnp \\'.III \II \\ IIII.IIII kIIIIIIIIInIIIII
The Truth About Food: How to be
Slim IIIIl Ii \n\ III'III‘I \\.iII l lll\I'l\lI_\.
I‘IIIIII‘IIIL‘II IIII\III\'\\ \t'IInnI. Ix’It'tuIInn. -I"I ZIIIIII “pm I“ II“ I IIIII'III‘II \IIIIIII. .IIIIIIIII III III: I’ll/II II’I'II.' lInIII". I\'\I'.1I\ IIIL'IC l\ mm In I‘t‘IIIL' I|\t'I\\‘\‘IL'III III.III \IIIIII .IIIII yIIIIInn}. .IIIII mpltnnx IIII\\ Inn (.III Imc \\I‘I_L'III \‘.lIIIIIlII lchInfg IIIingI} III/I “I {III III/I’LI'JII‘J/l [Hill/I \ 3””- \
Ukulele action
Around Town
Just a brief update on the progress of Eilidh's Daily Ukulele Ceilidh. first featured in the Around
Town section in July this year. Those interested in checking out Eilidh McAskill's ongoing quest to play some form of ceilidh. on her ukulele. for every day of 2007, have three big chances to catch her this fortnight. Eilidh's Daily Ukulele Ceilidh: The Stage Show will be all over the Traverse like ants on a picnic, and McAskiII will also be propping up the
WI )I KSIII IIJS
Dirty Dancing Mambo Workshop \IIII I \n‘. I).IIII'I' II.I\I', II III (II.I\\III.III\I'I. 33‘ “I; I I.IIII I3 ‘Ilpin t\ I I IIIIIIII L‘Ilt‘“ *III III\I \InikinIII‘;
I. I: IL"! \I‘IIIIIII \KIIIIx\III‘I‘ I (II IIII‘ IIIII'tIIIIlh lIl_\IIIll| nl lII.IllII‘II .lIIII IIII' III‘.IIII\'.II III I .IIIII IIIll\lt’ IL'II l\\II HI \anIJnIIK lIII'\I mpcncnyul \.II\.I, lll;IlllI\II lInIII-Ix. \\IIII\\III III'III}n1I II't'II'nchnInt' nl IIIL' III.IL'l\.II llIIIlIII'lII\ lInIII IIII' IIIIII IIIt' I I.IIlI \kIIlI\\IlIIp I\ .III IIIIInIIIIt’IInII InI I‘I'L‘IIIIII'H. “IIIIC IIIK' IIIIn \\IIII\\IIII|‘ \IIII I‘IIIIII Iipnn IIInxt‘ I\.I\It‘ \I\III\ .IIIII IL'.III )nII InIn IIIIIII‘ .III\.III\I'\I Inillcinx In] n/ I’M/s” III/n II ‘
The Turning Point Ballet Workshop Sun I \n\ I).Int‘c I’mw, III III (Il\I\\lll.IlI\I'I. 235 553* |I.IIII I: IIIIIIII L” I LT *III I .IllI'I‘II. IIIllIII'I [IIIIIIIIMI IIIIIIKI'I \‘.IIII \Inn/n King'x II.\I:.\' lInIII-I nl \in I Lint‘Ixt‘n. Imdx [\xn \inlIAIIIIlK Ill IXIIIK'I. IIII\ IIIIt' \\ III InIInIIIIt'c I‘L'L'IIIIIL‘I\ In IIII' I‘II\I\ It'tIIIIIIlIII: pingn'xxingg In IlIIIII.lIIII'III.lI wan \‘IIIIII‘III.IIIIIII\ III/I III lInIII: ll/III liq.
Drummers Do \un I \n\ lhc _I;I// IIIII. I ('II.iInIII'I\ Sum. 33” II‘IN 3pm III-I- I mulling; \C\\IIIII\ II} Intul IIIIlIIIIIlL'l\. I‘).\ \ \k'\\IIlII\. \ICIIIII\ .IIIII It't‘IIIIIthI
IIII\ Itt‘.
Breakdance Workshop \un I .\'m I).Intc BIN". II III I il.l\\III.II'I\I'I. :3; 553* Illlll LIR II IIn} \I.l lInIII I IIIIIIIIII Ic.III IIII\ ‘.\IIII\\III\[‘ Itan'Inn; Intaikinp InnIunII In IIIIIIIIIIN I’m! I" /)II'III( ///m
License Pending spoken word cabaret night at the Tron. (Kirstin Innes)
Carmen: Flamenco Workshop \un I \n\ I).III\I' II.I\I'. II II» ( II.I\\III.III\I'I. 335 4*.“ I Ill‘lll III.‘ I I'.IlII IIIIII'II.I\. IIIt' [‘.I\\IIIII.II\' .lIIII \I'II\II.II l|.IIIII'IIu» IL‘JIIIII‘II III ( flnlnx \.iIII.I\ I .mm I: \II It'\I‘I\ \It'It'IIIIII' I’m: nl l’II/II I II/HI II. SMG Ceilidh Dance Class \M-Il ‘ \n\ IIIIIIII\III'III I’IIIII.II} \kIIINII. I.‘ \Innlpt'ln'l. IIIIIIINII'III. II“ iI-I.‘
" ‘Ipni t ' II_~II IIIIIIIIII‘II II.III\I‘ t I.l\\I'\. Iin I'\I‘I‘IICII\C III'I’I‘me} mun II.II \‘IIIIIIIIIIAI‘II‘ \IIIII‘\I
Shoe Swing \\I'IIIII'\II.I} \ I 'nIInIIng Hullufi \\c\l \ILIilxiill \III'I'I‘ (lhfi IIXHII L-I *II \IIIL‘II‘\ t5 \IIIIIIII'\ I t.‘ \nyml IIunt'In}; nnI_\I \ I‘I.lIIII III'\\ \IIIIIII «Linu- \\IIlI\\IlHlI lllll I\_\ I'IIIIIIHIP I'M'I} \VI‘IIIIINIIJ} lllthil IIIIIIII'II t‘I.I\\I'\ IlIIIlI "pm .ith \IK'IJI II.III\ lle.‘ lInIII ‘IIIIII IIII' IIIL'I' pt'nh I‘t'IIlIIII \vum' \I. III Iw IIIj.,'j.‘llII' IIIIn IIII'II Ict'nIII Inllu'linnx lnI IIII' LIIIIII'\I I'I'IIIInx. lIlIl \Ii mqu In hunk .lIIII }nII IInII‘I I‘m-n II.I\t‘ In II.l\t' .'I IniIIIIt-I llI.l_\I‘I' IIK'IIIIIL'I III.III;IIn \NlII \Iinxx up .IIIII \.II\ II InIII cw nan“ .I t‘lIIuIII'II II.Ill\‘I'IIIHIl III.Il \kIIIlIII III' Innnc}. Imh}
Bits and Pieces, People and Places IIIll \ \m \.iIIIIIi.II IinIII'I} nI Syntlnnnl I'InIc I'IIIII'IIIIIIII I 'I'IIIII'. IIII’ \IIIIIIIII. III-I IIIIIII ‘) IILIIII ‘I IIIIIIII I'It't' I’IIIII \It'uk t‘nIIIw prlnn' IIIL' .In;III Igmllc} L'\IIII‘|IIIIII lnI lll\[lll.IIlHll. IIII'II \ICIIIK' _\nIII nun \InIIx II.I\I'II nn liguivx. I.lIIII\\.l[\‘ .InII tnII.I_:'I- I I'II II} .IlIl\I I).IIII|.III ('.I||;III. '.'.IIII .lII lII.lIt'II;II\ \IIPI‘III'II \II\.IIILI' I‘IIIIlell},' IL'IIIIIII'II
YOU’LL BE AMAZED AT WHAT YOU FIND IN
FREE ADMISSION
NATIONAL LIBRARY
OF SCOTLAND GEORGE IV BRIDGE EDINBURGH, EH1 1EW www.n|s.uk/jma
@ Heritage
LOTTERY FUNDED
'. .x ' THE LIST 27