Thursday 25
Glasgow
I Cold War Kids .iml Patrick Watson liilllt N. l.lll(l. :11 (Lilli M jJAII'. §§2~1hlll '5le 5” (“Cl \llIrV. 'l‘llt' l5 I'Hllt'jJI' IHI l, llll\ nl l.l\l )I'Jl
I Kate Walsh, Jon Allen .mil Katie Sutherland \ll( '3. “ll \iut liit‘lmll Sin-cl. “I 33*: "pin 2.x ()xt'i l-1\ \llH‘~‘- Ynunj: lirllellllll \lllfJI'l \niipxiiiIt-i Liking: licr lmxl linm .lniii \liltlIt-ll. l.lll. Lill .lllIl 'lni'i .'\llll)\
I The Wedding Present (Jim-n Mnryuicl l'iiinii. :3 l'iiiwixil} (l.llll\'ll\. H‘) ‘FHJ “plll 9_l l ill \I'k' “I'Il ll
I Y&T illltl Tigertailz ll llI‘ ('Illllllllv'. l5 l'ninn Slim-l. 315mm) “pin Lln l)\t‘l l-l\ \linv. HM \kll‘llll int'k lull
I Joe Brown .lllIl Dave Edmunds Rn\.il ('niiIt-il ll.il|. I Suiit'liiclmll \In‘t'l. ISWNM 7 Hipm IIWH I‘ll 'im. lll'llhll int‘k'n‘inll \t'Icmm plu} .i \t'l \ihit'li \pum int'k t'nunli}. _‘._'ll\llk'l .lllIl lmllmlx.
I Shoot the Messenger, Arcadia, Centuries Cry .lllll Bitumen River Snuntllmm. l“ ll_\\lk'll£lll\ Slit-cl. Ill 405‘). 7. illpiii Rllt'lx hill iiit'liitlt'x llgil} \ Arcadia :iml Slit-lluntl nullil liiluiiicn Riu'Ii
I David Lynch illlil Donovan (ill. I: Rnxc Sliu'l. “I NIIH. Spin. L55” 1 Hi 'liilk iiiitl ()IKA \L‘\\IUII \xilli it'niiit‘ Ilirct'lni Much \Hlll inuin~ li‘niii l)nnn\;in. I 7 Car Pile-Up, Deadly Mixture, Synergy iintl Naked Ambition litllll} lll])\l;lll'\l. 3N) ( lulu SII'L'I'I. “X70 (ill—7 (NW). Hpm. £5. Rnt'k and mum].
I Descartes and Dumb Instrument lln\. lil Sulit'llicligill Sliu'l. 333 543]. 8pm. l'i't'c. Dumb lnxli'umt'nl Imw l‘t't‘ll Ilt'xt'rihctl ax ‘lii't‘l nii liiit'kluxI'.
I Jim McAteer, John B McKenna and Conar Mason lircl. W -l * .-\\|1Inn lunc. 3-12 4000. 3pm. l'lt't‘. lilucx/lnlk guilui‘ixl :iIiIl \ingt'r \niigm'ilt'r hunllincx llll\ ()III In l’lu} mghI.
I Karina & friends ltlm l l‘.:i.:. 2.‘ ()I.ij_'n l .iiic. ‘55-153-1 5pm 1: \tnINit xiii-gm \niig'.‘.iilt'i ill .I lniii \liltht‘ll \L'lll
I Sanctity, Evile .mtl Romeo Must Die Hull}. jnn ( lult- \Iit-t-i. nVH Mn" H‘N‘l \[mi L" ()\L‘l llx \llim \illll‘i ('.iinlin.i llll.I\llI'l\ lituitlliiit'
I Sweet and Lowdown lth.” Hum. lh‘l lknnnlnn lliixt: til" ":5\ 5pm :3 lit-nth \uin; tum-x
I Amy Lamé’s Mama Cass Family Singers linn lllt‘.lllk'. n‘ lll‘llf._'.IlI‘. 55: 43!)“ \ 5llpiii tl‘l LN llit' f,‘l.lllli‘lll lell l.llxk'\ .i \LI'ut-Il lnnk .il lit-i nun upbringing Ill .1 liilmlt' In \l.Ill|.I ( '.i\\ l’rlll 4'! (l/ll\i_'ll\ ' ,‘ll/l“
I Cut Off Your Hands, The Ads .mtl The Pistolas \iu'li‘Slui/y ~l_‘l \‘uutlnt-lmll Sim-I. l‘dniinn .\ inpm l’nut-i punk pnp Illldllt'l liniii \mklaml. \Iippnilt'tl l\_\ thingy} llltllt' int lu‘l\
I David Ford, Jacob Golden .llltl The Boy who Trapped The Sun King: 'lul‘x \\;ili \\.ili lllll. 353A \I \iiit't'nl Slit-cl. III 53“) \ llll‘lll L\
l-.\ l‘.;l\_\\\lllltl nit-iiilwi \llll\I‘\ nIiI lll \nln lllHIlI‘,
I Fram .lllIl The Bedouins 'l llt' l.|I|lllIl Ship. l‘l 1‘5 (irt‘ul \\L'\lt'lll anl. “I Will. ‘lpin III-t" lnilit'
I Hercules Mandarin l iih \Ult' (';Ilt'. 5() (ill King: Slit-cl. 55i lnih ‘lpiii (iluxgnu l‘;l\k'tl xiiiyci \niiggxxi'ilm \xlin I'ct‘t‘nll} I'clt'uwtl llI'l III-lull .lllllllll li/nm/r'. [hunk Hill/um!
I Moleck Bar “Inc. l l" linlll Sim-I. 57-l ()llllll. 0pm. l'it't', \I-xxt'mllt' lxintl lt'iilurmg u int-inle nl }Ulll't'INlt‘llillllt'l\llllIlU.
Edinburgh
I John Hiatt (gut-uh Hall. H" .W (‘lt'rk Slrt't'l. mix Illi‘l. 7pm. L'le (ii’ull \nit‘ctl i‘nt'k‘n'i‘nll \t‘II'mn \\ll(l\t' \nngx Imw l‘t't'll cnwi‘ctl h} H} Inn. Spi‘iiigxlct'n :intl ('nntlcr :Imnng nIlit'rx \\ llll :i \nln .'It‘nll\ll( \llim.
WI! (nulls m ‘ mm In. "It. III 23:04:!!! IOVEIIEI
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Newcasthcamma
north east . .. england
'l'RCil~\\
Port ol NewcostleGoIesheod’s world-(loss lestivols & events programme.
88 THE LIST 18 Oct—l NC\ 300‘
Deborah Arnott and Clare-Louise Neilson, aka banjo duo
Blueflint, play haunting bluegrass shot though with a yearning sadness and soothing harmonies. Influenced by old-time Americana they have added a full backing band (including Roddy Neilson, Ian Stoddard, Craig McKinney and Joey Sanderson) that play with them from time to time giving their music even more depth. Catch them here supporting the Southern Tenant Folk Union.
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I The V Battle of the Bands 2007 Ilillk' .\l'l\. 5 a “illt‘lllm l’l.It'I'. ll 5‘” “.illpiii L'Ilit'. St'c l'liu l.\
I Broken Records, The Mannequins .iml The Electric Ghosts llt'ni} \ (‘cllai “All. 3 HM \llll'l'lvill \Iit't'l. SIN ‘H‘H. Spin L31 lllIllI'.
I Jill Jackson and The Dead Beat Club llt'i‘InI \\';iII l'nixt-ixil} l'ninn. Rit'txii'lnn. »l5| 5 i i *. 0pm Lil. Spculud} ll'lllll\\0lll;lll \Ii‘ikt'x nul nn llL'l nun.
I Kudos, Flatliner .IllIl The Laymanites liunncimuii‘x. \itltli'} Slit-cl. 55h 954 ‘lpm. H. lllIllI' int'k
Glasgow
I OXBAAM (‘ixm llll'Il (‘iilc/lhi. l‘niwi'xil} ()l Sliullit‘lylt'. .lnrtlunhill ('giiiipux. "n Snullihiut‘ l)ll\\‘. ‘l5ll K1 §.\. 3.45 5. l 5pm L5 l\\n Ill\L‘l\L‘ pt'rlnilliiiiit‘t'x li'nm ilk'lllhllt' In clct'li'nnit‘ii. lnlk In |;l//. \\llll Ilic pi‘nt‘u-tlx gnmg In ()\l;im.
I Against Me! and Future of the Left ’l llt' (igii‘ugc. J‘lll Suutliiclmll Slit-cl. 533 Ill”. "pm L"). ()wi l»l\ \llim .‘\ll;Il'I‘llHl l’unk' ()Iiinlcl' liniii
(lillllk'\\ lllt‘. l‘lHl‘lIlJ. \\llll ,iugihl \Iippnil li'nin L‘\'.\lt'l.ll\l\}i’.l;ll\‘l't'\\ milk
I The Fray illltl Pete Yorn (Ruling .\t';ult'iii_\ (iliixgnu. III lgliiilnn Slit-vi. nxi.1.1"“3nnn."pm. S()l.l)()l”l. Snnn/c int‘kt'ix \xxt'cp «Ill l‘t‘llllk' lllk'lll
Arcade Fire .mtl Clinic Sl-.(‘( '. l‘llllllL'\lHll ()llil}. MVH run ~lllllll
". illpm. L": i. l'lic lit-mill} :it‘t'ldimt-Il (linutlmn t'nxt'iiililc it'IIii'n \\ llll lllL'll \Ini'iningl} \Iit't‘t'\\lii| \ct‘nml ;Ill‘lllll. .\AI'UII Ill/l/I‘
I Enter Shikari, Hundred Reasons and Your Demise liui'rnuluml. 3-H (i.lll(l\\_‘_‘;llt'. 552-1nlll “ illpm Lil Sm- pin it‘\\. pugc 5‘)
I One Night with Elvis RU}.Il ('niit‘ci't Hull. 2 Saut'hiclmll Slit-cl. ‘5‘ Nllllll. ”. 5lll‘lll. U95“ (3: 5H. 'lriliulc In Ilic King.
I Hi 5 Alive, The Valor illltl The DOW" & Outs l3.Il'll\. 30H ('lMlL‘ Slit-cl. n.\‘n tin“ (NW spm'lntllt- Wink-ix mih an \\1.m Inui' ulrmtl} untlcr Ilic lwll.
I lmmanis, Sentient, Chaosphere .intl Severant Sl‘lllltllltlll\. 4" ll}IlL‘{‘.Il'l\ Slrccl. III 405‘). 3pm. l.tllL'\l llhlnllllclll nl' Ilic Sin mum] club night. will Inc lmntlx
I I “,)'l I’
Ira! '».(i v
I No Machine, Alan Panther & the Energy Treadmill, The Urchins .mil Neil McLafferty li,iill_\ lll]‘\l.Ill\|. .‘nll (‘Ixtlt- Mitt-iwiflwn"WM Milli l5 \III'IimIixI' \HllllIl\ liniii l ninlnii
I The Hold Up, The Zips, Catcher .lllIl Maeve O’Boyle Hm. Ill Xiut‘liit'lmll Slit't'l. “3 51H Spin llI'I' \ll\ nl lnt‘ul .lL'l5. Int'luiliiiy punk pnp/int'k .lllIl \lll_L'I'l \llll‘..'\\lllI'l
I Zort .lllIl The Frikstailers lllt' l\_\. l5“ l5‘) \nill: Slit‘t'l. ('li.iiiii;.' (‘in\\. .‘.‘l ll-H 5pm 15 Run]! In \lilt' lllI'\I'lll lun (\lfjk'llllllt'tlll .lk'l5 lit-Iltllinzr ,iliiinxplit'iit t'lt'tlll‘lll\\
I Amy Lamé’s Mama Cass Family Singers linn Ilimlit'. hi linii;'.ilt'. 55} ~13er K illpiii tlllitxr \t't‘ lllll .75
I Gravenhurst, Early Songs .llltl Bwana Devil l'\lll‘.' 'lul'x \Villl \\;ili llul. 31M SI \ Iiitt'iil \lit't'l. 331 53“) h illpiii L“ l',lL‘f_‘.llll ]‘.l\llll.ll pnp liniii (il.I\I'lllllll\l lll;Illl\l;I_\ \itk lullinl lll mln puma .tllllL‘Il \kllll lelllill untl \.Illllllt'l
I Kandella and The Latecomers l.;lllllI'\ liar. M King Slim-I 55.? "IN 8 “HM” l'lt’t' l)iiuiii;il\ and (lawn
I The Prelude \uv'n‘xltuu}. Ill S.iIit'liicli;ill \Iicvl. iii ll‘Nlll X illpiii \I'Il \nunj: inllut'nt‘t'tl tnuiili} ll‘klxt'l\ liniii (il.i\§;n\x pl.i_\ lll|\ l hum L'lj.‘
I Fuck Dress l lili \Iiiu lyric. in (in King Slit-cl. 55‘ In“ ‘lpiii l’l\lI'\ uiitl lull inllucntt‘x linm llll\ l'.ll_‘._'ll\ll lmml
I Luva Anna l’llt‘\\.tlt'l. ill \mulnchull Slim-l. i5~1 lli5ll ‘lpiii l)llllIlHlll.'lll llltlIL' i‘nt'lxt'ix Pitt} .1! llll\ lllll'lHl\llH\‘. m;ng
I Mary Coughlan ’l lic l'I'll}.
\llIlL'l\lUll Qua}. l lit' lllHHllllI‘ldu. llln‘M will ll.\‘5 0pm L l " ILl-l .lIl‘.) \VnntlI-Ilull} \;l\\_\ lll\ll \llljJI'l llllL‘lPlL'l\ |;l// ,intl lnlk \lillltlitlil\illllllflHIlL'llk'l1N.“ llltllL‘l'lJl
I Miss the Occupier, Slider .llltl The Kick 'l lic lit-III ('lul». V5 Suut‘liit-hull Slit-cl. ‘lpni L5 iLli l’unt’li} llltllL' inciting li’niii \ll\\ lllL‘ ()t'tupici ill llll\l’lllllll\lf1lll\
I Andy White 'l mu 'l limIic. M ’l‘rnnguIc. 553 43!)". U, 5lllllll Llll A lilllc hil nl pnliIit'x and ;I In! nl \Hl lrnin lllL' [‘L‘I'L'llllltlll} likculilc ll'l\ll lnlk intl, \llljJL'l- \nngurilcr. itplk’illlllfJ lit-rt- lll gamut- lmml Irin lllL'Alrllilllllll
I The Infidels and The Kosher Pickles ‘l he in l\lL‘(l \\ llL’Cl. 7“ Queen Slrccl. Ill 43.“ ['5 hand huidlinc llllx hill.