Visual Art
Exhibitions are listed by city, then alphabetically by venue. Submit listings at least ten days before publication to art@list.co.uk. Listings compiled by Kirstin lnnes.
Glasgow
Public Galleries
I CCA i5!) Snuehtehull Sheet. “3 Mill“ 'ltte l'l‘l llillll ()plll; Hut lll.nn (\pnt
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I COLLINS GALLERY
l'ntxerxtl} nl Sttutltelyle. 23 Rtelttnntttl Stt'eel.5-1H 3558 Mutt l'll Illunt *pnt. Sat ntmtt ~lpnt. l'tee,
Seeing Red: Scotland’s Exotic Textile Heritage l'nnl Sat I? .\'m, Illuttt ipttt. l'tee .\ unique exltthtttnn mplntntg the tit‘llelh. ll\L‘\ and trade nl Illl'le‘} retl (l_\L'. pt‘mltteetl ttt llte \';t|e nl letett \tltL‘e I735:
I GALLERY OF MODERN ART Ru};t| liuhuttge Square. 32‘) I‘Nh. Mun \Vetl tk Sat lllunt 5pm; 'l'lttt
lllutn 3pm; l‘t't & Sttn llgttn 5pm. tree [hill Sun 38 Mel.
Histrionics COO. (ilgtsgtm :trltxl Rntlet‘tek littehuttun‘x lutext e\hthttmn t\ :t l’t'\pttll\L‘ tn tlte \eetztt'tgttt tln ltlL‘ thgtt t‘tpx tight tht‘nuglt
lttxltull) the pmil'exll \tt‘eel\ nl' ( ilttxgtm.
littehuttun lt\L‘\ lilnt. gt‘upltx illltl euteuttxe. lttutletl tttuxte :ttttl llll;tj_'L‘\. l'ttt‘etttg tlte \peetulnt‘ tn t’etnenthet' llli\\ t'eul lllt\ ntlulet‘uttee ix.
The Cutting Edge: Scotland’s Contemporary Crafts l'ntil Sun 25 Ni“. Slit)“ (thing 30 til~ tlte lllt)\l llllltt\£tll\ e tlL'\lj._'llL'l‘\ tttttl emll ;tl’ll\l\
llHlll ttll met the euttttttj._ llll\ e\hthtnt»n tlk'lllt‘ll\ll.llk'\ tlt.tt Ihetek tntteh. ntneh lllHlC It» \ulllhll \ltllI than .t tneel} wnen Il.tlll\ tuteetl
I GLASGOW SCHOOL OF ART \ttnttn (i.t|let_\. lnnlh llntltltne. lh‘ Renlteu \tteet. 51-1”! \lnn I ll lll.tnt *ptn. \tt llMtH Iptn ltee Between Glasgow and Gambela l ttttl Sttt I” \m (i\.-\ l’hl) e.ttttlttl.tte (tletl 'l.t_\ Int plexentx .ttt e\hlhtttutt nl l'L'l‘lL'\e'llltlllttll\ nl lzthtupm
I THE GLASGOW SCHOOL OF ART
ll)" RL'llll'L'\\ SllL‘t‘l. iii-15M \IHtt I‘ll Illtttn 5pm. Sat Ill.th 3pm.
Fine Art Staff Show l'nttl \.tt i \m Annual e\hthtttnn h} tlte (iX.\\ lnehl} \lellt'tl \ltlll
I GLASGOW SCULPTURE STUDIO
'l lte lIl'thfngll. l-ll IIlltlfJL'delk'. “1 llhh \Vetl Sun Ilunt (tpnt
Alex Gross: Cabbage Head l lllll Sgt! 27' ()et 'lmxet'tttgg. \uuntprltke \L‘lllplllhtl Ill\l;tll;tltttll tlextgnetl .ttutnttl
(ilglxgtm Settlplttt'e Sltttlttt’x .ttehtleetttt'e,
I HUNTERIAN ART GALLERY
l'ttnetxtl} ttl (ilttxgtm. XI lltllltegttl
Street. Wt) 54 ill \lntt Sgt! Villain 5pm.
‘My Highest Pleasures’: William Hunter’s Art Collection l'nttl Sui I Dee. l'.\llll\lllttll eeleht‘ulntg the
Save money
see page 19 for details
l‘le'e'llle'lldl} «it the llnntetmn (i.tllet} h} \llt“~\e.l\lll:_' the hext. ntmt tntetexnng wtth llHlll the tuntttletK enlleenun
I KELVINGROVE ART GALLERY & MUSEUM
-\l:_'}le' \neet. :"h ‘HtN \lntt lhn :\ \tl lll.ttn 5pm. l ll :\ ~\nn ll.tnt 5pm
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Quentin Blake: Fifty Years of Illustration l ttltl lue l .l.lll -\ lll.t|ttl e\lnhtnun eelehmnne tlte “th ul utte wt tlte \tntltl\ l\e\l ktttmn lllll\ll'.llt\l\ (‘luennn “Like the e\hthtttun \tmnx ln\ 5” )e.n eateet .llltl tnelntlew e.tt‘l_\ tlt.t\\tng_'\ tut I'M/rt 1t .llltl [111' \[h t ttttu/ in tin ettllJlmmnun \\ ttlt elttltltettK .tlllllHl' Rmtltl I).thl
I THE LIGHTHOUSE
ll \ltteltell l .lllk': III hilt: \lutt t\ “ml 8.” Ill ilktnt Spin. l'ne ll.lllt 5pm. Sun ttnutt 5pm L i ILI Ll 5th
SIX Architecture Awards l'nttl Sun J \m \hmteaxe wt _\Hllll:.‘ talent leultnntg \xutk lt'ntn tlte ltttttte \l.ll\ ul Settlttxh .ttehtteetnt'e
Shifts l'ttltl Hun H ()et I'\ltll\tllttll lneuxtttg Ull tlte mne helxteen litlttthtnglt :tntl (llaxgmx. e\.ttnttnn)_' llte [Nilt‘lllltll lttl' ltttnt'e tle\e|npntent ttt :ttettx ranging; lt'tttn It‘ltttxpttl'l :tntl etttlttnet‘ee l0 Itttgtultnlt. I'L‘tlllll'lllfJ e\p|nt;tttnn\ h} lltlllttlllll .nttl ttttetngtttnnul tllt'llllk‘t'l\.
Small is Beautiful: Sutherland Hussey Architects’ Microstructures l'nltl Sun 35 \m ,-\ enlleettnn HI tett Sutherland llll\\L‘_\ hutltltttgx lt'nnt tlte puxt tett )t‘llh. Ill tntntutttt'e
I PEOPLE’S PALACE 8: WINTER GARDENS
(ll&l\:_'ti\\ (lt'een. 27| Z‘Htl. l'tee. Hidden Histories - The Glassford Family Portrait l'nnl Sat l Matt has l)ltl Atelnlxtltl Mel .;ttleltlllt\ pnl'lt‘uil Ul
ll‘l‘Jxxl’ lnttl lulttt (il.t~\tnttl .llI\I l.nntl\. \ll\.l l‘h". euttttnn .l l‘l.l\'I\ nettle “litt- \\.1\ txnntetl met ' l nttl nut mute .tlwttt tlnx lll§\lL'l} .tt .1 IIl\I\IL'II lll\lt\llt‘\ \C\\lt‘ll l :ttee gtuttpx pleme phone ttt .ttl\.tnee
Private Galleries
I CAFE COSSACHOK GALLERY ‘5 \ll‘tnn Sneet. \Ik‘ltllJlll (it). 5“ ll“: lne \tt ll “Lint llpttt Alistair Gray: 1957-2007 I nnl .\'.tt 2“ ( M l mt the lll\l tttne. .ttt e\htl\tttun til mill: llUltl exet} pettml l‘l ‘\l.l\\l.lll (il.t_\ \ .tll hunt hetueett WV .llltl Still“ \ee pte\ teu. page ‘lll
I MANSFIELD PARK GALLERY 5 II_\|l\lltlll\l \lteel. NC ll}! ltte \tl ll.tlll *pnt
Landscape/Cityscape l nnl \tt 1 4 ()et (itttnp \ltmx ul [\.tlllllltj._'\ tilletnte tn.ttt_\ tllllk'lk'lll \IL‘\\\ ul \Hlllt‘llll‘tilJl} Seutlntttl \lll\l\ tneltttle Kll\l_\ \\ttltet. \\tllte leeet. \llelmel lltllltlltfj. Kll\llt‘ ("when .llltl \hJ/m \l.thntuml l’N‘V
M1“. 5 ' “El I THE MODERN INSTITUTE q: Rttlk'llvitt Xllt't'l. Stillt' (t. I'ltNtl l. 348 VII \lntt I‘ll lll.tttt ‘pttt; S.” ttuutt Fptn,
Scott Myles: Askit 0000 l i ()L'l \L‘\\ \L‘l ttl \Mtllw lll.tl teenttlmtttultxe tittltnttt') uhteelx l.-\\ktl pmuleht. ltlet;tt_\ le\t\ lSletne'x Illt' lift um/ ()[HIIIHIH u! III\/ltllll Sham/t l .tntl \tnt'kx ttutn llte .ttttxl‘x nun nettue llte “title I\ nut ltgltt. emetl}. httt tltete l\ .t \enxe Ul pla} .llltl e\pettntettt. mthet lh.tn :ttt npptexxtxe .tlnttttle nl high \L'IIUlINIlL'\\ l z'CSl (Ll l»'\N( I ll ) ill l
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I SCOTLANDART.COM
(t llutttlieltl Rnutl. (itllnuek. (i W lfllll Mun l‘t't Illillutn § illpnt. \tll
Illunt 5 illpnt; Sun tttmn *ptn l'tee
Recoat Rock-bottom Basement Bonmza
and includes pieces by over 20 up-and-coming, young Scottish artists. I Recoat Galen: G/asgow. until Wed 24 Oct.
92 THE LIST 4—18 Oct 300‘
This is the third show to grace this newly opened exhibition space, focusing on graphic work, photography and graffiti. All the work on show has an upper limit price tag of £40