Events are listed by date, then city. Submit listings at least 14 days before publication to suzanne©list.co.uk. Listings are compiled by Suzanne Black and Carol Main.
Thursday 4
Glasgow
I David Munn, Helena Gourd and Walter Blair ( i|.i\:.'nv. l lll\t'l\ll} ('HIIu'Il ll.i|l. l nut-hit} \\L‘llllt'. Hll ll”): I lll Spin lit‘i' \ tniitcrt l\_\ [til/U \\|llllt'l\llllllt'(ll.l\}F1I\\ \Ium
l t'\l|\.ll l).i\ ltl \lunn on u'lln .lllkl llt'lt'lld (ll'llltl on lllllt'. .iuninpaninl l\_\ \\.lllt'l lllarr «pianm. [It-Ilium I’uult'ru \ Swirl/Iii In; l/lllr (/Hl/ [’Illllrl. llwil\ /’I: it In! \rI/ri l/II/r .llltl llldllllh. (r Hr! \uIIr/lu' \‘u / III I III/Hui (l/r H I /\I I’ll’ll rm 111i is Scottish Ensemble: Passionate Romantics ( .ll_\ llallx. ( "rulillt'rlgpx i5iSllllll. 5 *llpin Lll 5H Ll 1.5M Sci' llllll\l. llL'lll
Ldinliurgh
I Yeomen of the Guard l'muml lllt‘nllt'. l l 3‘) \lt'tlluill \‘llt't'l. 5:" (illtlll. 5 illpm. L|5 L35 (In! Rth ()pt'ra pcilorm lllk' (iillwil .llltl Sullrmn S.i\u_\ ()pt'iii.
lanark
I Scottish Opera: Cinderella lanaik \lcrnorial llllll. Sl l.L'HIl;lltl\ Sttct‘l. lll555 (m5 {S i. 5. illpm. Llll l LSI ()nc ul llic hurtling: ‘lu'l vaulu' upcmx ol the Will u‘ntur}. Rowirii'x ('uII/i'ul/u l\ illl t'ntcrlguningg and t'ngagging: lllell urinal} .Illtl a \Iiimmw lHl \uml lllt'\\tlll\\ \Hlll .i pica! lirml .um Sung: in l‘.llleI\ll.
Glasgow
I RSAMD String Orchestra lx’S,-\.\l|). Illll chlrcu Sti'ccl. ‘33 5H5". Ipiu. ["1L‘5i.\\'i|li;ini(‘un\\;i} t'iiiitluclx ll [titlgl'llllllllt‘ ln lllt'llltlt' |.I;.'cli\
Rum/Iii III/HIM and Slim lllSlx} '\ .\/m//nii l/Hulg'r'lr'.
I Scottish Opera: Unwrapped 'l’licgili'c lx’o};il. ZS} llopc Strccl. llSTll llht) out“. (rpm. l'rcc. .-\ hcliiml tlic \t‘cncx look at Scollixli ()pci'a'x current production ol //Ii‘ liur/wr ul .Si'i'i/lr'. l'lt‘t' \\ ilh .l ticket lUl a [wrl'ui'iniinw nl lllt‘ opera.
I Scottish Chamber Orchestra ('il§ llilllS. (linillcriggx. 353 Sillltl. 7.30pm. L‘ltl L33, ()u the 5lllli lllllll\L'l'\;ll'} ol llic l‘llllllSll cumpmcr Silwliux'x tlcatli. lllL' S('() markx tlic UL‘CQISIUH \\ III] a \uccping programme ml \Ulllt‘ ul' lll\ lth \wrk: llii- Mum u/ lllrtllrlrl. \lrl/lll (.Ullr ('l'lr‘. Allu/r‘lilflI \iI/u' IIIxIr' lHll/ .Si (in it [1/1 (‘ruirr'x nml SUN/Ilium .\'u 5’. ()lnl'i li|l\ (unilut‘lx .\ulic \\'cilli;i;i\ on \ IHllll and lx’mic Stanilorlh on cur :uigliux. l'licrc \\ Ill he .i [‘l't‘w‘tHlL‘L‘l'l talk. live to tit'kct-liultlcrx. .it h. illpm l\_\ Ru) .\lcl{\\;ui. ilic urt'licxlm'x Managing; Director.
Edinburgh
I Organ Recital: John Kitchen Rcul ('nut‘crt llall. litlinlturgli l'nixcixit}. Bl‘hltt Squarc. 05“ 342“. l.lllpm. l'rcc. lztlinlturgli urgunixl Kitchen [‘L‘l'lttl'llh muxic hx Ruxxcll and \\L‘\lL‘). '
I Yeomen of the Guard l-‘cxuml 'l‘ltculr‘c. l5 3" \lt‘ululll Slrccl. 5:" (“it”). “.Rtlpm. Ll5 L35. Scc lllll 4.
-'1~ Scottish Ensemble: Passionate Romantics Quccn'x Hall. 8“ .W (‘Icrk Strcct. (\th Stilt). “.J5pm. Ll: LUSH. SL‘C Thu 4.
Glasgow
I Scottish Opera: The Barber of Seville ‘l'hcalrc RU};ll. 3‘: “UPC Sll'L‘Cl. 0870 um mu“. 3.15pm. 9.") £58.
lliiqtlcd if. S2: ll.i~:!..:\ \; t .. .. \.l\lllltlllillll:\tl'lli\l‘l'ltl//|'l\.1:\" (fizz-.‘ill .z'nl lliilt li l‘..r;tw:.; ltmri .:\ ()llt'lll.:ll\ lli ll}: lilit' with \l'l‘.'!':.‘ ':ii;\:. \lltlltl5ll'_'.ll|‘~\lk'L'Clltl.1l:- .z::.: | \E lattntiiiif
I YouthWorks Recital: Barbara Downie and Claire Haslin l<\ \\l|l lllll l\'L‘llll\".‘. Slit-ct. it: 5H5“ it‘ll. lrcy Ill\ ltt'lkl\l' \lt'llll‘t'l\ Ill lllx' \inllll\\I‘ll.\ \luxit \l.lll l‘t'lll‘llll Ill; llcliuxy. \ In; llI'.il' .llltl lli.ili:ii\' \ii ‘.I I)
I Royal Scottish National Orchestra l\’il}.:l( mutt-it Hull. .‘ Sautliit'lmll Slrct‘l. 45‘ \llllli L I” L ill RSV I \‘lll\lll\l|'l Stcplianc l)k'llt'\t' loitlx .l [\k'llllllllillltt' ml \l.llil\'l \ IIIIleil} \iIII/IIIHII. \«I lt‘.llllllll‘.' ill; l.ltllt'\ nl tlic |x’S\( ) ( ’lioiux .lllil lll\'//t‘ \Hl‘l.lllH him It lll\l.\.ll\l'\.t llit'rc \Klll ln- .i [‘lt‘ \Hlltk‘ll l.lll\ .il h 15pm lift \litlmcl luiiicll}
5 H'l‘lll
l-(linhurgh
I Patience l \'\ll\.ll lllk'.lllt'. !1 .“l \itolwn Slim-l. 5:" lillllll _‘ Winn .\
" Winn L Ill L35 5” lllt' ( ".ul Ix’nm column} lt'llllll In lllt' l \'\ll\.ll lllk‘.lll'\' \‘.Illl .l llll‘lk' lull ul (nllwil t\ Sullrmn lll.l\lt‘l|‘lt'\'t'\. linisliinj.) \\ llll Ilium In.
I Robert Irvine and Graeme McNaught lliunlun lllt'Jllt'. l .l\l\\\t'll \\.i_\. \llhn‘ll‘lllpll. (‘05 3.? ill " itlpiii
L'l 1iLI It My u'lln .tlltl [H.llltl \llll‘ pl.i_\ \Ulllt‘ ul lllt' lllll\l\ liuni lllt'll ltllllltt'llllll‘.‘ (5|) llltk'll-\ Irwin I. inn/r lllr, V} I. in x In; (t l/u will I’M/iii. \llt‘\l.ll\l‘\ l\ li'x ( i flu Swim/ii III /) Iiiriirri .llhl l\’.it lllll.lllllli\\ \ (til/1‘ \l'llrllri II! (I Ill/Hill llll l‘lll‘l‘l} Hll .itIi\.i| lur lll‘t' launch Ml lltt‘ llrunluih (lilSSlt'dl mum win
I Rudsambee .lunilm (llk't'll l’.ui\li ('liuit'li ll.ill. Halwrtun \wnuc. lllllll‘t'l (iit‘t‘n. t'llllltlt'll" iiiil\.iiiilwt't' or}: ilk
". illpni l'icc. \M'Il rcxpct'lcil .i txippclla (lion lwrlurnun; xiini'x llUlll .lll‘lllltl lllt' \uiilil Ill man} languaycx llll\ t'\i'iiiii;:\ [wrloringint'c I\ pull ul llic lt'\l|\ lllt'\ In t't'lt'ltiatt' .lllllllk'l (iit't'ti'x 5lllllll )t‘.” .llllll\t'l\;tl'_\.
l—lelensburgh
I Scottish Opera: Cinderella Victoria ll.lll\. Sinclair Slicut. lll-l it» (FSS-lS. (rpm. Ll: iLl Ll ll Sw llltl -1.
Glasgow
I The Cartha Trio St .\lltll'\‘\\ \ Ill lllc Squaw. St \lltllk'\\ \ Squaw. 55‘l 5‘)“: ipni. LS If“), \lu/iu’l‘x A} 'Ji /\/i.'il IIII'. St'liumannK l/uri lir'IIi I.i.'/r/iiu:r ll illltl “I'llt'll.\ I’ll i r \ Ini (lurim I an" [\ciliiimctl l\_\ \l.in liau'lwllh relaunch. \Iitlrcu llciritlyc (\iulm .llltl l .iui.i ll.i\lt'r ipianm. llk'lxt'lS lltllll \\ \\ \\.\g‘\‘\[l.t cum lll usz (HR luriu
I Children’s Classic Concerts: Play to Win! lx’nwl (trim-n ll.il|. 3 Saut‘luclmll Sli‘ccl. ‘53 Sllllll. zrun. L lll ILft; lunul) ticket Ll‘li \l;i~tl;iii‘ \lallo} picwntx .llltl Hurt-k (lurk coniluvtx .lS lllL' ()rt'licxtia ol Smilixli ( )pcra race through .i numlwr ol \puitui; tum-x. \llt‘ll ax
“U/r I'll. / [um I ul .\( til/"unit .llltl (lull/I'M l" Illr
Edinburgh
I St Giles’ at Six: Leith Community Concert Band St (iilcx‘ (Lulu-dial. l\)tt}.ll \lilc. 33h Wt“: (rpm lice \ concert cnlillul 'llic \rl ul llic \\ ind llainl‘. including muxit~ l\_\ ()llcnlmt'li. (\mlcx. “.tldlculcl. /ipoli .llltl RUNSUHIr Iui \IuliI: um." \xIIIIW'IImii Hun.“ l\_\ l'ictlcrigk l Li} linglx'cll} \\ Illl \Hli‘hl .lunu \ClM‘ll.
I Ateovus SI (‘ulunilxisln lllL‘ (lisllc. .luluNonc lcrmt'c. " illpm l‘lL‘t' llic t‘t‘lllt‘llll‘ttldl'} llllhlt‘ cuwml‘lc tluulctl it} (iillmn ('raig. .tlltl lt‘.tllll'lll:_' l’lulip (llL’k'llt' on t'lJI'lllCI .llltl \ltu'lxc (irccnc on marimlm. [within] the muxit~ nl \I\H l’.u'i. (iui'ccki. ligcli. \lihgraw. l’uttc .llltl (it'ccnc. Retiring pollution tor l'.\lllll‘lll':.‘ll Sick Kitl~ lltkl‘lltll.
I Meadows Chamber Orchestra ()uccn‘x Hall. S‘ .\"l (‘lcrk Slrcct. Mm
t. ,i
/' w ,' \tiauw ll: Monday 8 (\ztlfi’tlfli.
I Music on Mondays: Peter Seivewright Rx \\H l, IIIH Riv-nun Slit-ct. *i.‘ 5H5' ll‘lll Ll lllt' tclt'lualt'tl \l‘lltk'll i‘iaiiixt .inil lx’S \\lll tutor \llll‘.‘-t.l\t’\ll1\lt'ili‘\\ll\‘tl iiitcipiclaliuiiul l lllt'll( t![1’\.!.\/’j(l,:lv\‘I':(I'll
Tuesday 9
(it; isgt
I Petites Esquisses d’Oiseaux lx’aiinliniii llimlic. ‘lS Ingram Sliccl. 55: WS‘J l l5 firm Li l’i.ini\l \l.illlic\\ \tllt'llllt‘lll [‘t'llt'llllS \lt'xxmt'nK tirllt'ttinn «it \lliIlI l‘lltl I‘lt'tt'S. .llltl
\t lit‘I/m l\_\ (liupin lot wawn lit lu'l ill-t.iil\ hill Hl it ~le ill-l
l..rlirii>iirgli
I Lauryna Sableviciute lx’ciil ( mitt-n ll.ill. l ilinlturfglil lll\t'l\ll_\. lliixln Squaw. (fill 113" l lllpm lrcc lllt' l illiu.ini.in ill.llll\l plixx .i pingiaiiinic nl tunlt'nipuruj. Inuxit llt‘lll lllk' llallu \l.llt'\
I Scottish Chamber Orchestra: Cl@six Si ("tiililtt'ilk (lunch. 5 l t‘lllldll Road. NW Illl‘l (rpm Ll: IL‘li Su'
pm l\'\\. [new Ml
Wednesday 10
l‘idinburgh
I Der Freischutz (‘liuit'li llill lllL'.lllt'. “it \ll‘llllllL‘Sltlt' Raul. 53" ill"
' illiun L” t LEI l-iliultuigli .llll.llt‘lll upcraln‘ wad} ()pi'i'a (Lung-ram pt'rlurmx “chm \ lll\ll lttlllilllllt' opera.
\\ till ;i \tni} Illt'llltllllfi lll.ij._‘lt' ltullclx .tlltl lllL' \\u|l \ ( ilcn lltlxk'l\ hour “I ‘l 33‘) 050‘) in (ll {I :3] (ii-lb
I Edinburgh Quartet Simkltntlgc l’;ll'l\ll ('liurt'li. S.i\c ('ultuif,v Stit'i‘l. ‘ .Sh‘ll. " 5(lltlll Lllk'. lllt' llllell} acclaunt'tl l'tlinltuiyli ()uatli'l. tuniprixinj: lll\l.lll (imnc) .llltl l’liilip lluriin on \ lHllll\. \lit‘lmcl Ht't'\lllll on \Ittl.l .llltl .\l.ul\ llarlc} on cello. pctlmm Iltl}llll-\ (quII'Ir I III (/ ()/’II\ 7; \u /. Ht't'llllflt'th (il'ruxr’ lllL'Hr' (l/lln /." illltl I'lgai'x l’iuiiu (Jinn/II \\Illl \lt‘llitl.t\ .\\lllitll on [H.lllit.
I Mondrian Ensemble St ('t-i‘ilmk llall. \itlilr} Slr'ccl. 05” 3-13" 5. 5UP!“ LES [Lulu-la \lucllcr l\lHllll|. \lnl‘llll .l;i§_'§_'i lL'L‘llHl .llltl \nlon Kcruiak l]‘|.llltll pla} lllll\lt' it} (Iril l’liilipp l'.lll.lllllt'l llacll. Sandor \L‘lt'SS .llltl l’iu'lliuwi1 lot tlic lt'lllll \lllll\L'l\.ll} ol lllL' \\\l\\ .\inl\;i\~.iilni \ \\\.lltl ('unt'cil
Stirling
I Voice 8. Piano Recital lullnmrli. .l.ul \\}iitl. lll "Sh 371mm, Spill L-‘N'
IL5 LIii local wpiann .lcnnilur \unn .llltl pianixt l‘IHll;t \l.iclcml unity to him: )nti .i (laviiyil Ict'iltil. l;'.tllll'lllf_' lllll\lt' h} \lo/arl. Sgliunmnn Lind lh'htixx}. .n will .l\ .l lcxx l".llf_‘ll\ll \irllf_‘\
Glasgow
I Edinburgh Quartet ( ll.t\j_'H\\
l nut-ml} (brim-rt Hall. I nut-Ni} \wnuu. ‘3“ ~11”): l lllpm. l'lL‘C 'llic quintcl [‘L'l'li'l'llh ll.i_\tln\ (Juli/II I ill (/ “pm "I; \u / .tlltl l(;i\cl\ SII'IIIL' (Juli/Ir I, I BBC Scottish Symphony Orchestra (in llallx. (‘aiitllcriggx ‘5‘ Mll'll. 2pm L" iL'fi lll atlxginu'i .\ri titturnoun [\‘llwllllnllt‘c pit-writing
popular llL'llh in the gmplmnu~ rcpcrtmrc .ilungxitlc lt-xxcr-knimn \wrl‘x it} man}
til lllL' \wrltlk lincxt t'itllll‘vtucl‘x lllc programme t‘t‘ll\l\l\ ul l'.|3_'.ir\ In [/14 Muir/I. [{lklltlltl Strait“. Irriri' /.<l\l Smilax and \l.ig(‘unn\ liit \iu/I will: In ml.
\\ llll cuntluctni \l.ir't_\n Brahhuh and
C.
The Scottish Ensemble: Passionate Romantics Starting their winter season with the fire of passion and romance. the SE play the ltlSClOtlS. but infrequently aired Chausson Concert for Violin, piano and strings. A great success when first performed. its unusual scoring, originally using string quartet, means that this is a fairly rare opportunity to hear it live these days. City Hal/s, Glasgow, Thu/1 Oct; Queen's Hall, Edinburgh, Fri 5 Oct.
Gidon Kremer and the Kremerata Baltica Getting Glasgow's Concert Halls’ highly-anticipated International Classical Season off to a flying start is veteran Latvran violinist and conductor, Gidon Kremer. Visiting Glasgow for the first time. he conducts the international orchestra he founded to foster the talent of outstanding young musicians from the Baltic states. Includes a new piece by Arvo Part, dedicated to Kremer as a birthday present earlier this year. City Hal/s, Glasgow. Wed 77 Oct.
Royal Scottish National Orchestra: Naked Classics What really goes into a piece of music such as Elgar‘s enduring Enigma Variations to make it stir the emotions, lift the spirits. inspire and delight us? Explore one of the best pieces of classrcal music ever composed with presenter Paul Rissmann and conductor Garry Walker, and then listen to it again in a new light. Royal Concert Hall, Glasgow, Thu 78 Oct.
wpranu Suxgin (iritton.
I Royal Scottish National Orchestra l<ll)éll (‘untcrt Hall. 2 Saucliicliiill Strccl. t5i Slit)”. 7, illpin Ll” L5”, SL’L' “ml lll \Vllll LI pl‘c-L‘Hllccfl talk at (i.~l5pm h} RSS1) \ltllllllxl Katherine \Vrcn.
Edinburgh
I Der Freischutz ('liurcli llill 'llicatrc. 33a Morningxitlc Road. 53‘) Jl-17.
". illpin L") “Jr. Sec \Vcd lit.
"1 ' THE LIST 79