Music Rock “a.
I The Strands, Fulton’s Point, Le Teet, Nine Circles and Underdogs Box. -Hl Sauchlchall Sircct. 552 5-151 Hpin l'rcc l)lll_\ indic rock‘n'roll.
I Youth Movies, Jonquil and Adam Snade llarll} lupxtairxi. 2N) ('|}dc Sircct. UH?” UH” li‘l‘N. Xprn. £5. ()xiord indic hand who haw pla}cd \Nllll lhc llkcx ol llopc o| lhc Slalcx. Bloc Part} and Hill} ('|}io
I Confusion Sainucl l)n\\ \, h" 7| \llllvldlt' Road. -12 5 “I”2 H. 5llpin l‘rcc lakal ioc k hand
I El-P, Underling and The Paradox King 'lui'x \\ah\\'ah llut. 252.1%! Vinccnt Slrccl. 22l 525‘). H Kitpni {Ill lhooklni rappcrlpiodliccr uho Plt‘\|lll|\l_\ iccordcd ax ('ornpan} Him and ha\ collalmi'alcd \kllll lhc llkcx ol Ragc x\f.'.illl\l thc \laclnnc\ /ack dc la Rocha and \.ll'lUl|\ ircc |a// lllllllllill'lc\. :11 We Were Promised Jetpacks and lsosceles \icc'n'SIi-ax}. ~12] Sauclnchall Strcct. HUM)“. S. itlpin. Bloc l’art}/l£ili}/Slrokc\ inllucncc iroin \\'\\ l’.|. plu\ ihc l-ian/ l'crdinand appiou-d l\o\cL'lL'\ on tlnx ()\|.’llll hill, Scc lxoxcclcx lc'\ Ic“. pagc (\ 5.
I Bobby Deans licanxccnc. 5h 42 \Voodlaltdx Road. 552 Will”. ‘lpln. l'rcc. ;\cou\tic \lllgjt'l'thllg“l‘llL‘l'.
I The Bucky Rage and Charlie Rivers l5lll .\'olc ('itlc'. 5” (ill Klllg Sirccl. 555 M58. ‘lprn, Slt‘itl}. hlucx} rock'n'ioll \olllltlx.
I Directing Hand, Ben Reynolds, Bridget Hayden/Telescopes and Nackt lnsecten (‘( IX. 35” Sauclnchall Sti'ccl. i52 40M). ‘lpin. £2. l'll‘xl oi' l\\o nighlx ol c\pciiincntal clcctroinca to mark lhc opcning ol lhc ('('.-\'\ l'cral Kingdom c\|nhition.
I The Mellow Yellows llcamccnc. it) Skin ing Strccl. Shim landx. (i32 Hiltll). ‘lpin. law. All intnnatc \ct lrorn thc Scolx rockcix “ho citc \Vilco. l’aul \Vcllcr and John .\lari_\n ax inllucnccx. I Officer Kicks and Dylan James l‘ircualcr. 5~l| Sauchichall Slrcct. 551 0550. ‘lpni. South l.ondoncr\ dclncring catch) track\ at lhl\ llorrorxhou night. I Preston Reed and Mark Clinton 'l'ion 'I‘hcairc. (i5 'l‘rongatc. 552 4267. 0.50pm. L' It). 'l'hc llllllll—;t\\;tl".l “inning g‘llllill'hl hringx hix o\\n uniquc lakc on hlucx. rock. i'unk and ia/I lo lhix :\cou\lic .-\l|'air \hou.
2‘._'fl"NL‘-y“ a ‘:
El-P
I The Amphetameanies and San Toy 'lhc .«\rchc\. 5” \lrdland \ticci. 5H5 HM)“. lllpin UH (ilaxucgian \ka \upcrgroup “ho ho c hoaxlcd lllc'llll‘c'h oi l'ran/ lcrdinand and licllc .\ Schaxlran in lhclr rankx Spccialx inaininan Jcrr} l).unrncr\ “L
I The Easy Orchestra '1 hc llullcill} & lhc l’ig. |55 Bath Strcct. 22l "1| ltlprn licc. 'l'hc liuttcril} and lltc l’ig'x houw hand will co\ci‘\ ranging ironi l-rank Sinatra to Rick) Martin
I The Changes .»\li( ‘2. Wt Sauclnchall Strcci. 552 22 52 llprn U» l’opxhop gig lroin llll\ ('hicago ioui piccc. v. ho haw pla}cd \\ ilh lhc likcx oi 'l‘hc Kaixcr ('hlclx. Slcw \lalkinux and ‘l‘hc l‘ulurchcadx,
I The Orchids and Scott MacDonald 'l'hc- :\L'c'lL'\ (’luh. llclcnxhurgh l)ri\c. Jordanlnll. L‘l Rclurn ol (ilaxgou '\ \\ lll\Ull|L' indic |anglcr\ ironi thc latc Mix/curl} ‘le
Edinburgh
I Tom Urie and the Unpredictables 'l'hc Jain llouxc. S ()uccn Slrccl. 22o 43M), () ‘lprn. L'thc. Scoix \tar oi thc rcccnt 'l‘uiti l‘l'lllll rcxoal lcadx ll|\ hand through a \ci ot rock'n'roll coxcrx.
I Pictoids and Crawdaddy \Vlnxllchinkicx. 4 o South liridgc. 5.” 5| l4. opin. lircc. l,ocal indic aclx through thc cwning. u uh inorc lhc.
I Recliner, The Manikees and The Debuts ('aharct \'ollaii'c. Ar» 58 Blair Strcct. 220 ()l7(\. 7 lllpin. (thc. .\ JAB Rccordx \honcaxc l'caturing ihrcc local aclx. Rcclincr ha\ ing \tlppnl'lctl thc likcs ol' liloc Party and 'l'hc l‘ratcllix.
I The Stone Roses Experience 'l'hc Liquid Room. ‘lc Victoria Slrcct. 225 25ml. 7pm. L‘Itl. Mani-cndorxcd ll‘lhlllc‘ lH lllL‘ king“ Ul' lllL' Madchcxtcr
I Maiden Scotland ’lihc Ark. 3 7 Watcrloo l’lacc. 223 0305. 7.5llplll. £5. lron Maidcn trihutc.
I Elkin llcni‘} \ ('cllar Bar. 8 lha Morrion Strccl. 22K 0595. 8 l(|.5()pin. £5. Strong \ong\\i'lltng lx cinphaxiwd h} lilkin.\\i1h rnorc actx ihc.
I Dick Dangerous and the Love Bastards, Lycanthrope and Glasgow Glam Bangers lianncrinan'x. Niddr) Slrcct. 55o 525-1.
‘.g;,..- M ’mwui
There’s no shortage of leftfield hip hop deviants throwing down the gauntlet but New York’s El-P has hit his creative peak pouring over a global dystopia on his dark, twisted album I’II Sleep When
You’re Dead. Collaborations with Trent ‘Nine Inch Nails’ Reznor, The Mars Volta and Cat Power perhaps indicate where his head is at musically, but lest we forget, there’s a ferocious, cunning linguist at the
heart of this music, spraying forth raps like a verbal water canon. He has
garnered rave reviews in everything from Observer Music Monthly to Kerrang! in his time and live is a force to be reckoned with.
I King Tut's. Glasgon. Fr: 5 Oct.
88 THE LIST $48 Oct 2007
"pm Ll \Hi\_\ l“\.|l outiitx "\llll .illc'llllitllrglul‘l‘lllg' 11.:lllc'\
I Laura Cruikshank lit-aiixci-nc. "h (‘onnncicial\ticc'i.lcii|1.55< ‘ozl "pin licc (anadian \ingci \ongxxiitcr ‘-\lll| |.i// and ivolx inilucncw
I The Boogie Knights lllc ,lani llouxc. 5 ()uccn \trcx't. 22h “\ll
lH 5Hpin lain Lthc lhc lain llou\c\ wan iunk'n‘xoul ci\\c‘|\ hand
I Doc Rodent llcni} \ (‘cllai liar.
\ lha \loiiiwn \ticcl. 22\ “5‘”
llpin 5am Lihc \ night oi hlucx ll‘\l\. \xith inoic actx ll‘\
I The Duloks lhc liongot‘luh. \lUla} llouw. 5‘ llol_\rood Road. 55\ “Mill llpin I.un L5 \ll girl clcciro dixco trio. picwnlcd h} l'a\l l‘unk (‘luh
I Kathy Diamond ( 'ahatcl \ulrauia 5h 5.\ lilan Sticcl. 22H ol~h
llpin 5am to i L5: lhc \l.ll|ll\k‘ l‘ulion pioduccd clcclio drxco di\a pilchcx up a\ a gut-xi ol liouhlc \pcc ial guc\t pricc o! L5 ioi all ;Ylll\
Baihgaio
I The Earl Brothers and The Hunger Mountain Boys chal ('onnnunitx lhcatrc. 2-1 H .\oith liiidgc Sticct. Hl5llh o 5255.\ 5 5lem L' l 2
IL llll. liltlcg‘law dollhlc l‘lll llUlll .iciow lllc pond,
Dawel
I Hue 8. Cry, Fortunate Sons and Lights Out by Nine |o\\n llall.
Ill l2 \\c\t \lain Sllccl. lll5ott 522 J57. 5. 5llplll. t2“, Rooix. rh_\tlun .uid hlllcx. I’m! o/ {In Ila/ill l/um Ir'\lllil/
Saturday 6
Glasgow
I Kano and Tinchy Stryder lllt‘ :\l\'llL'\. .\l"L"\lC Sll'L'L'l. V‘s lllllil 7pm. U251). |.ondon rappci \xho gclx lhc thuinh\ ul‘ horn \likc ‘Slrccix‘ Skinncr.
I Athlete liarrou land. 2-H (ialloxxgalc. 552 Joni. "pm. {In ()xcr l-lx \lllm. ()nc ol lhc illolc \llc'c‘t‘\\llll Hllllllx \urling ilic po\t (‘oldpla) \\a\ c if} to \ia} a\\akc at lhc hack
I Open Stage the Hall liar. Wt \Voodlamh Road. 552 WNW» l letl. l'Il'cc. \Vcckl} \cxxlon loi‘ local lllll\l\‘l;tll\.
I Soilwork, Caliban, Dark Tranquility and Sonic Syndicate 'l‘hc (iai'agc. 4‘)” Sauchichall Sll'L‘L‘l. 552 ID”. oprn. L'l-l. Uwr I-lx \him. Sucdixh inclal \c\tcl hcadhnc tlnx liaxtpak .-\ntidolc tour
I Annuals .-\l£( '2. 5W Sauclnchall Strccl. 552 2252. 7pm. L7. ()xcr» l-lx \llll“. ;\ caxl ol nian} ll‘lllll .\'orth ('arolina groo\ing drainaticall} in thc \cin ol .v\rcadc l'irc and Suiian Slcxcrh I Butcher Boy, Cats on Fire and Just Joan l.angxidc Hall. 5 langwdc ;\\cnuc. (‘52 “(No 7pm. Ur. Kitchcn \ink ohxciwationx rcndcicd on piano. ccllo. \ iola and guitar irorn liuichcr Ho} u ho hax c lll\l coinplctcd a month oi calc gig\.
I The Rifles, One Night Only and Jersey Budd ()uccn \largarci l'nion. 22 l'nixcrxit} (iardcnx. 55*) 0‘54. "pin. L'lll.5ll. ('omcniional indic rocking iroin thix l.ccd\ quintci inllucnccd h} l)}laii and 'l‘hc Bcallcx.
I The Stone Roses Experience .»\B('. 550 Sauchichall Slr‘ccl. 552 2252. 7pm. U l. Scc l‘ri 5. I London Community Gospel Choir l’ax ihon 'l‘hcairc. |2l chlicld Sircci. 552 IXJo. "..“llprn. £12 £10.50 it'll) “4.5m. Known ior thcir goxpcl llair. \ouliul arrangcrncntx and
in\ igorating choicograph}. thc choir lClltl llic‘ll‘ lllll‘l'c\\l\c c‘HllL‘clnc \olcc lH mul. “king and hlucx ax \\ cll ax c‘l;i\\|L' goxpcl \llllg\.
I Paul Steel ()ran .\lor. (ircat \chicrn Road. 55~ «Zoo. ".Rtlpni. £5. 'l‘onguc-in-chcck hcdroorn pop.
I 999, Fire Exit, The Zips and Prairie Dugz Baril} tupxtairw. 2N! ('l}dc Sircct. (lb—ill ‘lll- H‘N‘), hptn. Lb ()ld punk lag\ kccping lhc iaith.
“3| ‘35
I Airspiel and Dead City Radio llalllx .‘N' t‘fxdc- \trcct. UV” \ll" WW \pii‘. :5 (ll.;\;_‘i"i\ rudic rock duintct launchcx ll\ llloi‘. '. l\f‘.i\\\ \ou' \n‘slc. plux \niciicatia from IN lx‘
I Bob Frank and Jon Murry liicl. 5" ~15 \xhton l anc llf (Lilitoiitian \na'iicaua duo pioinotc their cllll‘c'lll .ill‘lllll llnr,.,' llgrlsnar /
I Phil Coulter and his All Stars (‘itt ll.tll\. (‘andlciicjxx 5‘5 \INM \pm 125 5” lhc \oithcin l|1\l‘. \i‘llf,'\\l|l\'l and pioducci l‘c'lli‘lllh winc oi l|l\ hcxt llt|\
I The Movement, The Common Empire, The Alchemists of Sound, Freudian Slop and The Sleepwalkers lio\. ill \‘aut hichall \ticct. 55.‘ 5-15| .\pni l icc llKJl hand linc up. \\lll| l icudian \lop lu-iny our ncxx la\ouiilc hand nainc
I Lightspeed Champion and Beerjacket King lul'x \\ah \\ah llut. 252a St \ |l|\\'||l \ucct. 22| 5.‘ "l
.\ 5Hpni :5 lorincil_\ oi clcitio punk noixc lt'llHll\l\ lcxt ltii lcx. l|c\ llxiii-x no“ inakc\ thc unlikclx Ino\c into \ulnciahlc acouxtiia \xrth lnx nc\\ incarnation l ightxpccd (’harnpion
I Parts and Labor \rci-‘anca/y -t.‘l \auclnchall \trccl. “WWW \ llllllll
L“ 5H l nhol_\ iaikct in\ol\in:' \ll\li‘llt'tl haw. tlllllll\ and kt'§l\o.ir\|\ ironi lll|\ lliooklui coinho
I The Sexx Godz \unucl l)t\\\ \_
h" «l \llhxilalc lx’oad. l2 5 lllll‘
\ illprn licc (ilain rock
I Corsano Flower Duo, Bat Tarbet and Usurper ( '( ' \. fill Sauclnchall Sui-cl. 45? twoo ‘lpln 12 Sccond ol mo ||l_‘_‘l|l\ oi mpcrnncntal clcctionn a to mark lhc opcning ol lhc (‘(' \‘x /« ml King/um c\lnhition
I Simon Finn, Nalle and David Keenan I 5th \lllt‘ talc. 5“ (it! King: Sircct. 555 loiN ‘lpni \cicran p\_\chcdclic lolk \ingci. touring to pioniotc lhc Ic iclcaxc oi li|\ l‘lli‘l .ilhuni I’ll\\ l/ll' /)/\IlI/ll r'
I The Fortunate Sons 1 lllt'll I‘Nth.
l l lil l’itllt\k\ll.|\\\ l\’(|.|\l. hi” (H N)" UPI” l'lt‘t' Xt'c' ll! 2 I The Gilded Angels lllt' lillllt'lll\ .\- lhc l’ig. l5§ liath \trcct. 22l “ll lllpin. l‘lt‘t' \\'cckl_\ icxidcnc} loi llll\ c'Hllllll} collccinc
I The Rollups \|c('hurll\.-1lllligh Sticct. 552 2| *5. lllpin. licc ll\t'
;‘l(\l\ \pn] L(\
Edinburgh
I The Rezillos lhc litlllltl Room. ‘A \ictoiia Sliccl. 225 25!)»1. “pin H5 Scc l'l'l 5.
I EdRock Acoustic Showcase l'oicxl (".rlc. 5lit'l\lo l’lacc. 22H ~15 {H hpni l'rcc, .-\ f2|.ill\ \lltt\\\.l\t' gig lot a \clcclion o| local aclx.
I Jojocoke, Sparticus, Nenty Four Seven and Main Street Blues \Vhixilchinkicx. l (v South liiidgc. 55" 5| |~l, opin. l'rcc l,ocal indic act»
I The One Day Speakers, Little Green Machine and Go-Go Fiasco Faharct \olianc. 5h 55 Blair Sircct. 22” MW), _' lllpln. 2.5 'l hicc local hand\. all mth ihc uriiquc \clling point oi haung girl tll‘llllllllc'h.
I Cowboy Junkies ()uccn‘x Hall.
57 3‘) (.lclk Sll‘L‘Cl. (ilih lell). 7pm. l.cgcndar_\ plUllL'L‘l'x oi .\rncricana. 'loronto‘x ('ouho} Jllllle‘\ pcrlorrn thclr hcxl knrmn alhurn I'ln‘ ll'lllllt .Srniun, I The Gallery, Atlantic and Jaded Playboy IlillL' x\l'l\. 5 _ “dk‘llrm l’luL'L'. 22H 95‘)? ".illpni. Lihc Indic.
I Mary Gauthier 'l llL' l’lcaxatlcc ('ahat'ci liar. (ill l’lc';i\;iiicc. 555 NH)
5'. 5llplll. L'lJ. Sharp ohxcrxation and a doxc oi hurnour irorn lhc l.Hlll\l;ill.’l-l)(illl \ongnrilcr. j2lllliil'l\l and harmonica pla}cr.
I The Vacant Tourists and Plastic Animals llcnr} '\ (’cllar liar. H llia Morrrxon Strcct. 223 U595. 7. 5“pm. £4. Local Indic-rockcrx.
I Slow Motion Replay, North Foundation and Dirty Hearts lianncrinwk. \addr} \trcct. 556 5254. ‘lprn. H. .\ trio oi local group\.