I VARIOUS VENUES
\IL’lL'llulIl (it). ill UNI—1 i\\( .\\ \;
It’s a Dog’s Life \u :2 .\ \tm :1 \t-it 3 Hlpiii & l iltpiii l ice \Iit'ct Ilimiit' 'lwi drip (Il\\ll\\ lllL‘ll l|‘~t'\ .Illtl \Hlllt' up \'.llll \llIHL' \l.illllllL‘ llli'tllli'\ .I\ lllL‘ iiiiim‘t'iit lt}\I.iiitlt'i\ .Ilk' tll.l\‘-ll llllH .: \ttl'lL'\ nl \llllt'.llll_\ .llltl \Hllllhlttll [2.1! I'll/1r \It It lit/Ii! ( II. /« it'iiu/ DWI"
Me Too \it I: t\ Sun 3* \t-p l 1*piii. 2 lgplli. ‘ l‘piii. J 15pm I\ ' 1*piit
I‘II‘C \Iim‘t lllL'illlL' I'.\k'l \lli'.lllll HI li.i\ lllL' \HIIIL'HIIC .il )ttlll \lilk' llllell .llltl tl.i} ' SIIIIIILWL' l\\iii\ l).'II\_\ .tllil \ itili'l ll.l\\' \ltitttl iii Ilic \l‘ltllllell \lll\\' \lllltlllt't'tl. \liuiiiij: .i llL‘.tll .lllil .i \till. \itliui. \‘-lltt tuii \L't' into the lllllllt' ’tm' wt 1/]. Wm him! (In /('\/Ii4l/
Edinburgh
I BRUNTON THEATRE
l.;iil_\\\cll \Vgi}. \liixxclltui‘fli. N5 :31“ Il’. ll. \\'('. \\;\I
Dr Jekyll and Mr Hyde I ll 3| \‘cp 7. lllpiii L'IIISII I LNSII, lllltlt'l lhx (it s\il.‘iptiilinii nl Ruin-it I,I|lll\ \It'xt'iixtiii'x iimcllu. \xliit'li lutiiwx nu lick} Il‘x .‘IllL‘llllll\ In \cpgiiult' lllL' 51m NI .Illtl \'\ ll iiiiIui'cx (ll lllilll,
Jaleo Flamenco Sat 32 \‘t-p {I IS” (LUSH; lllltlk'l Ihx (i 5t): Spcclut'ulzii' utitl [l;l\\lllll.llL' -\iitl;i|u\i;iii tlilllL'L‘. lllll\lk‘ illltl llL'lk'll\\lttll Iiniii .lillt'tt Scottish Dance Theatre Interactive 4| ltii 37 Sup. l illpiii t5 Axk t|llC\llUll\ :iiitl gut iiixnlxt‘tl. ;l\ gii‘tixtit' tliiu'tni .lgiiit't Siiutli .‘llltl Ilit' cniiipuii} '\ tluiiu'i'x mpluut .llltl tlt'iiiiiiixli'ulc him tluiiu' Ilit'utit' l\ cit-.iit'tl illlil pci'lni'iitul,
The Algebra of Freedom Shit :0 St-p, 7.30pm. HUSH MESH; iiiitlci 1% ()L We (iluxgim. l’Iiixlc} .'\l‘l\ (It'llll'k'l
Picasso and Me lllll .I x I'll i ()tt. 7.30pm, L'Illfill (Lt) LXI, lilit‘liuliliiij,‘ iiitcriiiuii pi‘mluciitiii :ilmui l;iIlit‘i\ and \(Ill\ ll‘ttlll lllk‘ cuiiipuii} Ili;il l‘l’iilllell )uii (ti/Hum ('uit'l/i ‘\ I’ll/It/l’llll tk Illt' li'H/t llm'lil u/ Hun (tum/In.
“ ;“put
I CHURCH HILL THEATRE
Nu \ltii‘iiiiigxitlc Rlliltl. 53‘) .1 HT ||’. H. \\'( '. \\'.-\l
Something Completely Different. INC 25 Sat 2‘) Sup. 7. illpui ISuI iiiut
" se‘epaqellforiletails
:“lplll' LI" 1“ \ziituui :iiuxitul t“.ll.l‘».l'_'.tll/.l lll .iitI HI \l.:t iiiiii.::i( .ziitc: \uppntt. lt'JlIillll‘; \le,'lli_.' m1 \ldlltlll,‘ Itniii “M l Ilil .Illil l’iiu.xil‘.t..;:. litml. Iitluclx .zl \lll“.'- \.I\' H” Ii\“ti x34
\w ill. «It
I FESTIVAL THEATRE
l1 j" \imlwn \uct-i, <3” hiva H. \\( \\ \1
Alvin Ailey American Dance Theater Illk' :< \\ \\K'\l :I) \k']‘
" thiii 1 l < L “I \‘c pit-I. lt'\‘._ l‘tlL'k' \l
I KING’S THEATRE
3 I t'\k‘ll \llk'k'l, *th (ilillll gll, \\(‘. \\ \; How The Other Half Loves \ltm
:1 \il 3" \‘p a lIlpiii «\M‘tl I\ \11 “Lil :lllpliit Ll“ ill 1:: lliifli \Iil\\ \}\l\l‘|tlllll tuitc Ili.iI tuggltw Iiiiit' .ll‘iil \PJkk' .l\ H [‘l\‘\t‘lll\ lllk‘ llllll\illk‘ ll\\'\ .lllil ll.Il\t|lI\. [‘;I\\lt>ll\ .lllil ‘_'ltt\‘.|ll‘_' paint ml llllk'k' lll.llllk'tl \lllll‘l\'\
The Importance of Being Earnest \Itlll I \.II (I I ltl T {lll‘lll t\\i‘tl \\ \‘ll iiiIiI I illpiii» III “I L.“ .\ litiiuiiitlltti: ' l’t'iit'lupt' Kt'illi lll.ll\\'\ .iii llllllL'IIHIIN l .itl} Hi.“ kin-ll lll I in.”
\\ iltlt'\ \ I.l\\|\ ltlk'lllll_\ \\\.l[‘ tttiiit'tl)
I PLAYHOUSE
l5 (llk'k'll\lilt' l’l.I\'i'. “\fill “(I‘ll a I” III. \\'(‘_ \\ \I
Never Forget I nul \ii 33 \t-p
“I illpiii. 5pm A .\ iltpiu I ill I; ‘3 RH (i.ii_\ llui’ltm \ t’limtiix put the III/mum llit/ Iimliiit'iit III the lll\l «\ci Likt' lli.it lllll\l\';ll.
Horrible Histories: the Awful Egyptians luv 35 xii 3*) \‘cp. \ct- Klil\ ll\llllfJ\
Horrible Histories: the Ruthless Romans lllL‘ ~\itl I" XVII St‘k‘ Klil\ ll\llllj_‘\,
South Pacific Inc 3 \ul li ( )I-i.
"_ {Ilpui l\\t'tl & Sui unit 2 illpiiii
U l; ‘35” 'Inuiiiig: l nuiltiu pi'mlut‘linii til the Rout-ix ;iiiil ll;iiiiiiici'\tciii iiiii\it‘;il \\llll llli‘ ilittlg} l';i\'l\l H\ i'l'lttlk‘x llk'lk‘llu Blackmail. l;l\l \k'L‘ll llll\\lllj._‘ out In chirp} (‘itiiiiit' l'ixlit'i wit the IHH‘I \t‘i‘it'x l/Ull I)“ \UH .\rt/It' i1 I'Ittl’lt III IIAI .lltit/ti ’. trim to \\;I\ll Ili.iI iii.iii tuittl lll\ hull l’ul}tit-\i;iii \‘llllillL‘llt nut Ill lit-i li.iii.
I ROYAL LYCEUM THEATRE (il'llltlld) Sit'ccl. 3-15 INIX ll’. II. \\'(‘. \\I\|
The Winter’s Tale l‘ll 2| Sup xii 2H Hut. 7. 15pm 12. itlpiii iiigiliiiu'x' “nix 3h Sup. 3 t\ In ( M; $qu 2‘) Sup. I» & Ii (M i. (ll L35 lL'lllltllk'll ligill pi'it't‘i. I.}\'k‘lllll Ill'll\ll\' tlii't't‘lui' \lui‘k lllitllivill lulwx nu Shakespeare's \Ini} ul [L‘Iilttll\}. lmc. mgr. hope and lk'IlL‘llll‘llttll. Sigii'i'iug: l.i;uii lii‘t'iiiigiii uutl Scliim linigit‘k. Sec pin it'\\. page XII.
Closer
Theatre
Touchdown, a mixed company of visually impaired and sighted dancers. presents this multimedia piece with live
music. In it, the company uses a broad range of senses beyond the visual in order to propel the experience of the work beyond the single
sense often used in live dance. .l/(II/ht{l.l ,.,I_():‘.. [:0‘:
I TRAVERSE THEATRE (Kiiiilti'itlgt' Sti’t'cl. SIN lltI-l W. H. \\ ( '. \\f\l Rupture Sat 33 Sup Sui (I ( )t‘t. hpiii. l:\t‘cllciit opening: to llli‘ ll;l\L‘l'\k‘ \CJMIII ;i dulk IIL‘\\ Ilii'illt'i ll'ttlll outgoing: \ l S tlii'u‘loi iii lL‘Htlk‘llt'k' l);i\t-_\ \iitlcimii l.\llll/ll.
Outside the cities
I DUNDEE REP
'l;i_\ Square. Dundee. HHS: 32 ‘5 ill ll’. ll. \\(‘. \\‘.-\|
Peer Gynt \ltm 3st Sup Sui I I ()L'l.
7 “mill i230 piii iiiutiiict'x; Satx I" Scp and I ()t‘l i If Up t L: t l I I, \ i;itlit';i| um \ci'xiuii «it lltxcii‘x plgi} :iltnut ;i tli'cuiiici'. li;ii utitl \\ttlll;llll\t'l' k'.l\l out ll'Ulll lll\ liniiic ltt\\ll .iiitl Ilic \\ llkl .iiitl .‘ixtniiixliiiig iuuiiic} lIL' lllltl\ lllll|\L'll nu .‘\tlillllk\l l\_\ ('tiliit lccxuii and directed li} l)ttlllllllL’ Hill. llll\ intuit-mug: collulmi'uliuii ltt'tiwcii I)lllltlk'k' ch 4iiitl lllL' \;ilittii;il 'l‘liculic til St'iilluiitl
[\lttllll\i‘\ llt‘ll\. lll.ltlllli'll. tl.iii\‘iii_u f.‘lll\ .iiitl liw iiiuxit' Scc pm IL'\\. page 33
I MACROBERT
l l|l\L'l\ll_\ til Stiiliiip. UlXti -I(l()l)()(l ll’. ll. \\'( '. \\',r\|
The Hip Hop Adventures of Peter Peril I‘ll 3| Sup Hpiii LIII it'm Hip hop t‘\Ii.i\.i3:.iii/;i lcuttiiiiig: llli'llll‘k‘l\ HI lllL' \\;iiiI (igii'tlt' I).lllLt' ( 'tiiiip.iii_\. :ilmut lllt' ;itl\ciituit'\ nl ltitiikhll l’t-It'i l’ciil. hullicil at who”! lttl l‘i'lllj.‘ .i iicitl. \\lltt l\ lhllt'lk'tl lllltt .i tlixt’mci} ul datin-
Meeting Joe Strummer Sun 3* «k \ltiii Isl Sup. Npiii. till 1 Un :\ it;i\\itiii.ilt' punk t'uiiit'tl} .ilmul .iIIiIiitlc. lllk'llil\lll|l. u-IcltiiI} .llltl .i t't'lt'lti‘uiiuii HI lllL' iii;iii \kllH \L'I Ilic .lfJL'lltlél lttl' it gt-iit‘iuiiuii Sec pi'm it'ii. page M Macbeth - Kill Bill Shakespeare \luii l \Vctl Hh'l. Npiii. l {lipiii till tUii \Vlmi il l;ii.‘iiiliiiti liml \\lIIIL‘ll \luel‘cllt ’ II IlL' lIIIjJt'tl} Ix IL' \kiti'rxt'tl It} lllL' \VAILW lltt'ulit' (.ttllillitll}. \\ lltt lti‘ttujglit )uii lfil/ .X'litiAm/n'tink Ila/um .lult Sct' pit-x lL'\\. pgigt' HI
Theatre Guide
Thursday 27 Friday 28 Saturday 29 Sunday 30 Monday 1 Tuesday 2 Wednesday 3 Thursday 4 Arcties LIVE! Arches LIVE! Arches LIVE f See FoIk Alches - I. . . Citizen's Theatre Hare and the Tortoise See Around Town George Square ~ . v; . . r a :. King's Theatre -' The anUlSIIOT The Inqunsuor See Rock 8. Pop Targets Targets Targets Targets Talqels Oran MOI Platform Scottish Opera Scottish Opera Theatre Royal m. Tron ;. .«t flair; i3§§1§i§§i§é~' ‘ ' l ‘ '2 ‘ . m :1 Festival Theatre D , ~ g “0.x. c - I Q I
Traverse