I Madina Lake .iml My American Heart ll llt' (i.ll.l'._'k'. 4‘)” Sum lllL'll.lll Strcct. “I III“ ‘ptii Lllt ()xci l~l\ \hou. (‘hihiuo lllk l, quark-t llHlllL'il h} l\‘~lll llllllllt'l\ \.itli.iii .llltl \ldllllt'V- l.t‘ltllk' “ho l.lkl\ \l.lllt'(l lllt'll llilllil \kllll lllltllt‘} thc} xwu .ippmtiiiu on Hit It in [(14 IrII, lllt' \ Lil} thlx
I Acoustic at the Aragon I ht- :\i;i§:oit ll.it. lil ll}tc\ Roml. ii" ‘3‘: Spin lim- Sm Sun 34
I Black Jackson, The City Riots, The Grim Fandangos .lllll Sooth ll.it'll}. lltll ( lulu Sltu'l. “hall ‘Nl— WW" Spin ti llltllt‘ .llltl imk lull
I Lions Chase Tigers, Mobius, Chasing Goodbyes .lllil My Fallen Idea llo\. 4 il Sum hit-hull Stu-ct. 1‘: R4H Spin l in- l pltmt llltllk' lllklx ltotii \lolwiux
I Harrisons, Freerunner, The Down & Outs .llltl Skintlints Kin}: 'lut'x \\;ih \\.ih llut. 3‘34 St \ iiiu'iit Slit-ct. III 1““) .S illltlll Ur lhc ('liixh/l 'iitlt'itoiit'x/Spu'itil iiillui'itt'cil illlkl l.;iiti;iut t-iiiloiwtl llk‘dtlllllt'lS .llt' llt'xt‘iihul m ‘thc \Hlllltl ol \oikxhiic thing."
I Cinephile ( )i;iti \loi. (ilt'ul \Vt'xlt'lll l<ll.l\l. {S7 (ljllll ‘llml t5. (il;t\\\\'_‘.'l.tll tllltl Kciiii} lll_‘_‘l|\ .llltl Stixuii \Vulluu' [llt'SL‘lll thcii (lllk‘llldllt' \itlllltl.
I Firebrand Boy, Over the Wall illltl Bozilla l *lh \olc (Kilo 5” (ill King: Stu-cl. ‘5‘ HHS. ‘lpiii Ll. (luxxu' \_\lllll pop liotit l'iichiuiiil Ho} uml ;i tllSL'U lollx toyk hlcttil lt'oiii ( lwi lhc \Vgill :il llll\ l'lltl ol lhc \loiith ('luh.
"H "§\
Edinburgh
I Jackie Treehorn, Lords of Bastard uml Tabasco Fiasco llctii'} '\ ('t-llui llgu. .S' llm .\loi't'iwii Sti‘ccl. DIS 0 W i. Spin. t4 llcux} uitguliu' \loiici lock.
I Hobo 'l‘hc lloiigo (‘lulx .\loi;i} llollu‘. 37 llHl}l‘uml Roml. 553 «(ill-l.
lllpiii .iillll. t' i. Scc Suit -3.
Glasgow
I Dimmu Borgir ()ucctt \lut‘gut‘cl l'iiioii. .‘3 l'iiixci‘xit} (itll'tlL'lh. NW 0784, 7pm. H5. lock up }our (‘hi’ixliuiix it‘x .lllHlllL‘l ol lltow aux} Nomcgiun hlut'k iiiclgil huiitlx.
I Maximo Park, Good Shoes uml Blood Red Shoes li;ii‘t'o\}|;uul. 344 (iillltl\\}_';llk‘. 5534001. 7pm. S()l.|) ()l'l. ()H'I l~l\ \llim. (icol'illt‘ llllllk‘ rock linoui'itcx .\l;i\iiiio l’;ii‘l\ li'oiitctl h} tiiuii \}ith t'tlllll‘tHL‘l'. I’uul Siiiilh. l’hix \oitic Show lmiidx lll \llllpttll.
I Dancing in the Streets l{\t};ll (‘Ullt‘t'l'l Hull. 3 Silllt‘lllt‘lltlll Sll'L‘L'l. ‘53 Sllllll. 730mm. HUSH £33.51). long; wt} in}: touring: .\lolo\\tt i'muc. imixitiitg iiiuii} ol thc cwrgiu‘it llllS. I Acoustic Jam \‘iuc‘ii‘Slc;i/}. 42l Suuchichull Sti'cct. 333 (Mill. Spin. l'l'L'C. SL‘L‘ \lolt 3-1.
I The Mexicolas liar-ll}. 2M) (‘lylc Sli'ccl. (lSTll fill” out)”. Spin. [5. Sec Sui 2‘).
I The Trews, Bronto Skylift and Gamble, Gamble & Drever Hut‘ll} llll‘\l;lll‘\l. loll (‘l}tlc Sttu‘l. llSWl ‘Hl‘ (NW). Spin. [5. Dark. munch} rock'ii't'oll \Ulllltl li‘otit llll\ (Huiuthutt hand. wind up \\llll horiix. llilllllt‘lllt‘u :tiul ll‘.ll'lllUllllllll on cutt'ciit gilhuiu I). n U] I‘ll/HT}.
I TWO Thirds of Youth Hm. 4H Suuchichgill Sti'ccl. 333 543i Spin. l'il‘L'L‘.
I Euros Childs, Radio Luxembourg and Blind Pew King; 'l‘ut‘x \Vuh \Vuh llut. 2'11 St \tnccnt Strch Ill 52"). 8.30pm. £8. 'l'hc t'ctlouhluhlc ll'Ullllllull ol' }}oiidi‘ou\ \Vclsh \} i/unlx (ioi'k} '\ /.} gotic .\l}iici pltl}\ \Uligx lk‘ «lt‘u‘l‘tlkN ;l\ lk‘lllg ';l\ close il\ I could to putt} niuxic' t'i'oin hix debut .xolo ulhum ("Ito/n.
Edinburgh I Fightstar The Liquid Room. ‘lc Victoria Strcct. 325 2504. “pm. {I l.
72 THE LIST QC Sew-1 Oct ‘
We’ve been banging on a bit about album titles a bit this issue
but In Our Bedroom After the War sounds likes its dripping with sonic possibilities, and that’s before you’ve even take the disc out of the case (or record out of the sleeves, blessed vinyl purists). This Montreal- based quintet’s sound inspire thoughts of everything from Air at their most playful to The Delgados at their most orchestral, especially given the twin male/female vocals. Their music is the kind of evocative, literate
pop music to cherish. Arts; fix}; (irlii;g1<‘=.-.. [m .1 ()«f
(‘hui‘lic ll'Ulll lilhlt'kl coittiitucx lll\ quml lot acct-pluitt‘c lll thc \Hllltl ol rock \\ ith ;i|l.i'ocl\ct'\ I‘ighlxlui',
I Harrisons and Freerunner lllL‘ Ark. i “ \Vulcrloo Plan: 335 03‘“. “.Kllpttt. t'lht‘, 'l'hc (’lmh/l 'titlct'tiiitcx/Spu'iul- iitl'luciicul illltl lultimo-ciitloi\ctl hurtlhtictx arc tlcxt‘nhcd ;|\ 'thc \lllllltl ol Yttl'lwllll'c i'ixtitg‘.
I Starsailor (‘luccn'x ll.il|. S" S0 (‘lct‘k Sli'u‘l. ux‘u tmututi, ".sttpm. H5. lipic llltllL‘ \lllllltlS ll'Ulll thc \Viguii lll;l\\l\t‘ }}ho .ti'c lllt' oiil} l‘dlltl ol thc luxt Ill }c;u\ to \xork \\ ith lugciiilur} ltottkct‘x product-t l’llll Sl‘k‘k'ltll' ll‘t‘litl'L‘ llC Killcgclll}. \llitl .lll_\UllL‘ ol \‘tllll'\\'l.
I Open Mic \Vliixtlchiiikicx. 4 (i South lli‘iilgc. 55" 5| l4. ‘lpiii. l't'cc. Scc .\loit 24.
Tuesday 2
Glasgow
I Maximo Park, Good Shoes and Blood Red Shoes lilil'l'tHKlillltl. 344 (inllouggitc. 552 4hlll. "put. S( )l.l) ()l "'l'. SL‘C ~\ltlll l,
I Seth Lakeman -\l£('. 33H S.iut'hich.ill Street. 3 ‘2 2333. "put, L45. ()wi l-1\ \llo\\. .\ h.iuiitiit;_' original lgtlu' on lolk lock li'oiii thc lot'iiicr \lci‘cut’} \liixit‘ l’i'i/c noiiiiiicc. \\ ho \\ .i\ l;l\l \ccn lll luuulion \\llll lxulc Rmh} .llltl (Kim llillott
I Boy George Sl-.('('. l‘llllllL‘\loll Qua}. ux‘tt u4o Juno. “.lopm, (',-\.\'(‘l-’.l.l H). I Brakes ()mn .\lot‘. "SI “.15 (ll'CJl \\c\tcrn Rodd. 35‘ (CHM. ~.RItpm ill). lil'dle‘S .u‘c tut uuhc ‘xtitwt”gr‘titip (otixixliitg ol lzlct‘tt‘iu Soll l‘;it'.itlc\ \Vhitc hrothct'x. l‘llh li.iiuon trout lil'lllSll Sui l’mwt' .lllkl .\l;ut‘ Built} t‘i'out thc 'l‘CllthllUUl.
I Dancing in The Streets Ro};tl (‘onccrt Hull. 3 Suuchtclmll Strcct. 353 Stilltl, ".Fllpm. £10.50 £235“. See Mom I.
I Lo-Starliuitl}.3(\1t(‘l}tlt-Succt. llS'r'll Ht)" ll‘l‘l‘). Spin. U». \\cl| (Ullllt't'lctl lotidott IllkllL‘ huiitl “how iiiciiihch haw tltlllt‘ lllllL‘ lll gt'ottpx \\llll lllL‘llll‘CM ol Ru/ot'ltght and 'l he l.Il‘L'l'llllC\.
I The Velcro Quartet and Baillie 8. the Fault King lut‘x \\;ih \Vuh lllll.
I‘Zu St \‘iiiu-iit Stim‘l. III 53“). S.3llpiii.
t5. Joc Rodgvi' and lll\ laptop.
I Acoustic Butterfly, Woodenbox and Primary 5 1 ill] \olc (kitc. fill (it! Kitth Sti‘u't. 553 HHS ‘lpiii ()llellllt'. huriiiotitc (iluxgou llt‘.ltlllllt‘l\. plux cx ltcnugc luiiit‘luh tll'llllllllt'l l’.iul ()iiititiK hand l’i‘iiiiui} 5 I The Fatalists ll.” Blot; ll" Hath Stt'ccl. 5‘4 (lllllll ‘lpui. l'icc \lhitii lllllllL'llk‘L'kl \lllllltlS liotii l'.thiihutg_'h.
I Jim Stewart llcguixt'ciic. I‘l Slut} in}; Stt'cct. Sllil\\l.lll\l\. (i *2 MM! ‘lplll. l-tcc (iluxgim xiiigcivxoiiguritci guitl \ll‘l'}lL'llL'l. I Fire lik'.lll\\ L'llk'. ‘3 ~13 \Voodliuttlx Rt‘ilkl. ‘53 WNW. ‘lptit. live. I Open Mic (iluxgou l'niwtxit} l'tiiott. 32 l'tiiwrxit} .\}ciiuc. ‘1" SN)" ‘lpiii l‘l'L‘L'. SL'L‘ lllL‘ :5
I Ozric Tentacles 'l'ht- l‘L'll'}. .\lltlL'l\ltlll Qua}. lhc lil'ttilllllt‘lil“. “HMS Hill USS ‘lpm L14 mil} i. L I 7' ttloori ,-\t't';utc lcchito llll‘l‘lL‘\. llillllL'tl him an llll‘.l:_‘lll;ll'_\ l‘lt'dlxlihl \t‘l'L‘Al. iiutiii‘nll}. ghuiincl thc \l‘ll'll ol ll.t\\l\\\llltl .llltl in through thc hanluui‘c ol ()thit.il
Edinburgh
I Ed Harcourt .md The Veils 'l hc l.iquul Room. ‘lt' \ it’tot'm Stu-cl. 335 2504 "put. LIIFH, \\1~ttul imhc tituutdcriitgx tt'otit thc \‘ll‘dl'llllll; lllxllL‘ xiiigci' \oiigxx ritcr
I Steve Adey .ind 3 Singer Must Die llcnr}\ ('cllut‘ But". .\ lfm \loi'riwn Strch 335 9.“): Spin. Ulk‘ Slim hunting. llldllt' .iml \oguh trom Adv}.
I Band Showcase \Vlimlchinkim. 4 0 South Bi‘tdgc. 55" 5114.‘)piu. l-rcc. Scc 'l‘uc 35.
Wednesday 3
Gltisgo}:
I Rush \l (1'. l llllll\‘\li‘!l (jun. HS ‘H Will-UN“ h illptn 1‘" 11* \li;'ht\ (‘.iii.itlt.ttt ptoy poxxct l\‘\ MW. \\lto ,uc l‘«\\\ll‘l} thy out} lxtnil lll thc \ki‘ll\l \\lli‘ \.lll l‘l.l\ \ohtll} tor lhtcc houix .intl ll\‘\\'l l‘g‘ l‘i‘llllfj
I The Maccabees (Jim-n \l.tl:‘.tl\'l
l mom. .‘I l tun-tut} (Littlctix. ii" "A‘Sl ‘ptti Llll lillt'llli‘ll \l.l South lt‘lhlt‘ll lll\lllll imkctx \\lto incl in thy ll.llll\'\ ( )llJlltll‘. llupo. l ch\ lx’ut‘cit .uit‘. not loigctttit): \llllllllllt‘l l\'i‘l‘\‘ll |)\l.iii lllt'lllJS
I Ed Harcourt .llltl The Veils l li.ui \lot. ‘ il " 5 (unit \\\'\l\‘lll lx'tutl. ;" till)“ ’ illptti tl.‘ *ll \\l\lllll llltllk' lllt‘.lll\l\‘llllf.'\ ltoiii lllt' \ ll.llllllll‘.' inthi' \tuyt't wityutitt't \\ith \uppoit lli‘lll \‘M'lt'llt‘ \t‘“ /k‘.ll.lllil t'llllll lllt‘ \k'll\ I Acoustic Open Stage llic ll.lll lidl. lltll \\H\till.tllil~. lx’imtl. i‘,‘ ‘l‘l‘lli Spin liu' Sm' \\\'tl .‘h
I The Coal Porters lllk' \.llk', S l)llll\l.l\ Slit-cl. H.‘ l"_‘\ Spin {S \lcloilit' liltit'ymxx HIlf.‘lll.tl\ ltoin tho Inc l‘lt't'k' .it'othltt outlit. ltontnl h} \hl (illlllll
I Daniel Healy, Aeronaut, The Last Corinthians, Black Alley Screens .iml The Playing Field llo\. 4 il S.iti\‘hich.i|l Sticcl. ‘ if. *1 {l Split. l'iu' lluitipct lull llk'.l\lllllk'tl h} (il.i\3:o\} \lllt't‘lrvtllg'“lllx'l
I III Ease ll.ull} llll‘Sltlll\l. .‘hll ( lulu Sttccl. llS‘ll UH" tl‘l‘l‘l Spin Ur \lm \m} .lcixc} lllll\l\'.ll .iutcui | ll/.ll‘\'lll Sharp. uhoxc lllll\l\' ll.l\ l‘lk l\k'\l up l'l llgii'w} L'tlllll‘dllSth lll lllk' not
I Little Pebble, Martin John Henry, You Already Know .inil Paul Alexander I uh \nli‘ (“.ittx
St) on Klllj.‘ Sui-c1551 lmx Spin l‘cttu‘ ('ollu'tiw iiiciiilwi 1 wk l'i-hhlt' llL‘ille llll\ hill ot .it‘tx .ll‘l‘k‘Jllllf.’ on thy lillL'Sl .\ll\lL‘l 'l rump t'tlllllllldllilll UN 1/]: lii‘illi'll lltlt
I Michael Simons 'lt-lmi ()xim. lm l)L‘;lll\lUlt l)i'i}c. (i-l‘l "I‘S Split LI Sw \Vt'il 2‘).
I The Starlets, Roy Moller .lllkl Ally Kerr('otticr\. ‘H ‘5 ll_\ll\ll.lll\l Sti‘cvl. ‘57 SSZS. Spin l'iu' \tilll\ll\ \ctx lroitt pop lopx lllt' St.ulrt\ .llltl lit‘llL' k St‘lmfildll .t\\ti\ lillk' RH} \lHllx'l ul Kurt'x \lMllllt'lHillt tugght
I Whomadewho, OBE unit The Heebie Jeebies Kiny ltit\ \\.iti \\.ili Hut. 373;: St \‘iiiu'ut Slim-t. 3.‘.l 9"") Spin, Ui (hm l-lx \llll\\ \ou l‘llllj.‘ }oui ilgiiit'iiigg \hocx. l).llll\ll l‘.llltl \Vlioiiigulcuho him}: lhc pail}
I John B McKenna \mViiSlt-Jx}. 42] Suuchiclmll Sttu't. Hill‘l‘lll
S. illpiii Siiiggci/xoiiguiitvt
I Sixpeopleaway .llltl The Ansion ll.” lilik'. l l7 li.tlll Sllt't'l. Til (illlili ‘lpiit. l‘lt'L’. (ictttlc filllldlS .llltl laptop hacking: li'otii Si\ l’coplc \\},i}
I Subrosa lit'illl\k'k'llt'. i l )L‘( .lllllk .\ .\ .'\lk'iltlL'. (‘lL'\\\\ t'll l.;tltL'. “>1 (timlt ‘lpiii. l'i'cc (‘cllio loll} illlkl \lllt'l|\.tll.t \Hlllltl\.
Edinburgh
I Danse or Die! (11mm \‘olminn 3!) {S lililll' Stick-t. :3“ Mali "pin Ur lilL't'll'H llltllc High
I Richie Gallacher .iml The State Broadcasters \M-c le tm. lailitihut‘gflt (‘ollcgc ol :\i‘t. l..'llll'l\ltlll Place. 33‘) I443. "pin t4 \lt t'ttlllll} giml .\lllt‘l'lL‘;lll;l
I lnMe Slltilto :4. :4 :0 (Killolt l<o.itl. 55S *"SS ". illpiii. Llll. Ht'ttrot‘lx lL'L'll utigxt trio }} ho hu} c llL‘\ L'l' quuc l'l\L’ll to thc llL'llelh ol l‘llltL'l;tl lot‘ .i l'llL‘llkl .llltl l,o\lpropltcl\.
I The Freak Family 'I he .l.l// Hut. 1 ('huiiihcrx Strcct. 2th 43‘)” ll Wpin l't‘cc. SL’L‘ \Vt'tl :(t
l'c\ti\;il.
Dundee
I Maximo Park, Good Shoes .llltl Blood Red Shoes (liiril ll.ill. (‘it} Squurc. lll 332 41494“. HHS. SL‘L‘ \loil l.