I Future of the Left, Fangs .unl No Kilter lldrll}. 3m ( lady \llm'l. mm
UH? U‘N‘) .‘xpm L“ *H \cw lunl.) punk} yumgc lmml lnlmul h} \ltl uxk} \ \ml} l'ullwlh l)L-hul ,lllllllll ( um \ l\ Ill th' willan
I James Last Orchestra \H (' (hilt- '\U(lllHllllllI_ l llllllL'\lHll (July ‘l-‘Cll (Ml) .llmll 3pm L W L-lll llu- ("u-mm“ hlllL‘ ul k'.l\:~ hxlcmn‘: llL'Jll‘ will «in lll\ lllml llllllllll
I The Law, Black Arrows, Mode and Carellos ( \lpnul Hm \..mlm-ll.lll Sln'cl. iiI llHH Hpm U lhc \ lcu \ Humlmmn l‘lllltllk'\ hcmllmc
I Beth Wilmshurst, The Knowheres .lml I See Shapes l ilh \Hlt' (sllt'. gll ()ll Klll; \llL‘t‘l. 33; lfilh 0pm l.t'ul\»lmln. l‘llL' l.ll\k'll \lllggcl./wll;:\llcx\ \khu hm \ummllcll lllt'
llle'\ Hl \\ \ldvlll
Edinburgh
I Kuupuu .unl Hockyfrilla Ill-m} \ ("L-ll,” ll.n. 3 lm .\lHIII\Hll Slim-l. 33h 9““ 7 illpm Lllk l Inlclyluuml llu‘ lnlk hum l'lllldlltl
I Open Mic \\ ll|\llL‘l‘llll\l\'\. l h Suulh lllnlgc. “7 *l ll ‘lplll l'lu- Su- \llvn lll,
Tuesday 18
Glasgow
I The Holloways .unl The Wombats ll llL' (l.lllljJ\'. -l‘)ll SJUt'lllL'llglll Sllu'l. “3 H3” ‘pm ('hcck} unlit/punk \ummhclx \xhn lmw [Hm lUll\l} \uppnllul
Bali} dmmhlw
I John Butler Trio .\ll( ‘_ Km Sauchlchall Sllccl. H3 33 ‘3 "pm. L lh ()wr I‘lx \hmx \lcllmulnc lmxnl llngcl puking: lmlqmnlcnl wllgmllci l‘mm uunu lll\ lmh) (laughlm l\ mllul lldlllu I Unkle Bob .ml The Little Kicks Umn Mm. 7H 7 ii (mull \\\'\lt'lll lx’u.ul. 357 h3llll. illpm. U». \lt'llmt‘hul} Imhc lulk hum .lt'lllhllk' nullil lhklc Huh
I (lied) PE .llltl Psyko Dalek Hull}. 3M) (lulc Stu-cl. (Nu UH" mm) 5pm Llll ()l.m;_'c (01ml) l‘lllll\\ \xhu lllll \\llll lle hnp .lllll lunk Inllul'nu-x low
I Butcher Boy lx'lldl ()\ “.1. ~13 ()llL-u l..lllL'. ‘57 -l53-l Spill l'lk‘k‘ SL'L' l’llllh I Cut the Blue Wire, A True Story .llltl On Your Marks Hull) lllll\l.lll\l. 3m (‘Iixllc sum-l, (will *mi‘ lww 5pm £5 llmml ncu luml \\llll .l pmclmnl lm pull
I Soho Dolls, 586, The Vivians .llltl Miss the Occupier king; lul\ “all Wall lllll. 3*34 Sl \ lllt‘L'lll Slit-cl. 331 537‘). 8pm U» lilct'llwpunk,ll.mt'c Inn \thc \mglc 'l’llnu' ll.lll'\. will llll‘lllk' In tho tucking In}.ll
I My Brightest Diamond Nlcc'n‘Slt‘J/y J31 Smuhnclmll Sllccl. .Viill‘mll .\' illpm L7 .\l\.l Sham \\llltlt'll. .l .\C\\ \Ullx l‘.l\t'tl \‘ltl\\lt'.lll_\ lmmcd \m‘dllxl \xhn llko l0 ycl hm lmmlx lln'l} [lump lhc pluhx nl my 1 mm l‘.l\l Sltlc.
I Bellingham/Robinson Hmnm-nc. l‘l Skmm; Sllccl. Sll.l\\l.lml\. (H3 \llllll 9pm. l‘u'c. l2.l;_'|c~. lllunl .lml ('quulul lluuxc Inllucnu‘x hum llll\ \lllU
I Jim Stewart llL'dthX‘llL'. 15' -l.‘ \Vumlldmlx Rmd. 353 “MM "pm. l'lcc (ilglxgmx \lngclwngmlm .lml \lUIMt‘llL‘l I Kuupuu, CK Abraham Turner, Meursault .lml Lanterns | ilh \ntc (Kilt. 5H hll lung Sllccl. 553 l<\$.\, ‘lpln l'ntlcrgmuml llcc lulk lmm l'llll.lllll
I Open Mic (ilaxgmx l‘mwml} l'nmn. 33 l'mwml} .-\\cnuc. ‘3‘) MN“ 0pm l‘lCC, SCL‘ lllL‘ l l.
I Emma Pollock Album Launch Bordcrx Bl‘l‘h‘. VS Bushman Sliccl. 333 7700. l‘lcc. l‘m‘mu lklgmlux \mgcr limmu l’nllm'k \nll lw launching hcr dchul ulhum \\ uh llll\ ,lx'l‘lhllx' lwrl‘ormuncc. lulllmul h} \lgmng
Edinburgh
I Suspire, Vinyl Fretz, Christina Clayhllls 8. Ed Bentley and Captain Magenta (‘gihul‘cl Vulture. 3h 38 Bldll Slrccl. 330 til-7h. 7pm. £5, Bulllc ul lhc hands raising l'und\ tor Icukcmm charm. Murrow '
70 THE LIST L~ {t 5:; . t l
I Guy Clark .mi Jace Everett (Jun-11K ll.lll. \“ \"( lurk \lrccl NA 3”!” \pm :llk lcmn lull.
\mgci wllgulllcx tillllt'llll‘illnl} ul l|I\\llL'\ \.m /.mlll \thc \i‘llj;\ haw lwcn town-ll h} lhc llle'\ ml lnlmm (‘mh ‘llltl l }IL' I mull
I Band Showcase \\ hhllchlnklcx,
‘l (\ \Hlllll llllllL'L', £3“ §l l-l ‘ll‘lll l'lm‘ Su' luc ll
Wednesday 19
Glasgow
I Acoustic Open Stage llu- ll.lll lldl. lhll \\Ul‘\ll.lllll\ lell. 8: ‘N‘Hi Spill l‘lL'k' 50C “ml l:
I David Vandervelde ll.ull\. 3m ('lgulc \lm-l, m ‘u um“ um») Sp”. is (lnmgn 1m kc! llHllllllj.‘ .1 [mum lllH lHllll.ll
I Hey Molly .lllll Stop Starts Hull} lupxlnnw. 3th (lnlt' \llccl. ll.\"l) *lll" H‘N‘l 3pm 95 Dunn Imlu' “(>qu llk‘JtlllllC
I The Hussys, Acoustic Butterfly and Ally Kerr (‘nlm-i‘x. ‘H ‘li ll_\ll\ll.lll\l \lll'L‘l. lgfl «\plll l'lL‘k' .-\u»u\llc pup lk‘llllllllllllkkW .ll llm
\ |\.nnclmhul mng
I Make Model, Galchen .llltl lsosceles01.m.\lm. “*I “ 8 (man \M‘xlcln Road. 37030“ 5pm L‘ lnwh lmm .lppmmnu'x ul l Ill lhc link and lmlmn Sumnm. \lulw \lmlt'l lHnlllUlC lllL'll nu“ \mglc ‘lhc lbll‘
I Michael Simons lgh.” (hm. lm l)L'.lll\lH|l Him: M” “338 hpm L3 \‘u- \\t'tl I3
I Patrick Watson .lml Richard Mairley Kings lul'x \\;lh \\'.lh llul. 3‘34 81 \lnt'cnl Slim-l. 33| *3“), H. illpm L’h Suluullw yum; ill’llxl uhu. Ill gmml l’l ll.n\c_\ ll.lillllHll. hm Immul lll\ lmml .Illt'l hmm'll.
I Roomtolet .\'I\c'n'8|c.l/_\~ .l3l Smulnclmll \llu‘l. liilwlm 5 mp... .-\|l.lm'k ll'lU mllucntul h} l'hv (luv. l'uyJ/I .lllll (Ling; nl lan
I Fistfights & Foreplay, Krank Solo, Jack Glass and Torquewrench |Hh\ulc('.1lc.5ll llll Km; Slim-1.5“ lliih' 0pm Hun} wumlx
Sieiam
I Gavin Urie lit-Jugs; .M It'\\-‘~t'll l.l:,c llflllztxll: ‘ *4 h ' ‘h ",‘?2‘ l \\\-l\ll l‘l'II. (Illlx’H-x l‘.l\k'\l
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I Hollow Heart Parlour Hum \ mm; ll.:: \ 1b.: \ll'lll\\‘l.\l1\'\'l .‘.‘\ "W4 ‘ mph. 1* \uunlh lzlg'hl hullmlzl; Huh \I lullll lllllp l’dhhlg \ll;\ Human .lml \nl. ml lhum
I Ella Bell ligaz'mqllc. 3 (almwnul \llm-l ‘-ll~ \lI-U "l‘m lm' lmJl
\mgcz \«~:.;,“.-.::lul \lli"~\\.l\\'\ llt‘l \Hlyx ;:. l.ll\ll‘.l\l\ \lzzil-uxkilalgx
I Yahoo Serious \\l11\llcl‘ml\2v\ l h \uulh llxlllgc “3 ‘l H "pm I 1w lli\ll\' \ll.ll:_'l‘.l nulla lNllllk'llllllllt'
I The Freak Family llu- .l.l// lm l
( halulwlx \ilccl 33H »13‘"l ll 1Him;
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Thursday 20
(jlzisglm
I Attitudel, Departures, Insurgent .lllll Broken Oath llJlll) Illl‘\l.lll\'. 3N! (lull- \u,-,-l ll\ 'l) all" (MM \‘pm 1‘ ll.ll\l\\’lk' .mll mclnl
I Butcher Boy llllhclln. \lt lnluc llngjg llmllhnfg. lhluugh lllltlx‘ll‘u‘x. H l lll}'l.llll \llwl “3 V)”; will llcc \u' lllll ll
I Down by the River \th \nlh‘} \ \lllxu IL”. l3 J.llll.ll\.l Sllu'l. 3-l.\ x‘Xl 5pm llcc \cll \umly llll‘lllt‘ mng
I The Fabs .llltl Castaway will» 2m (luk- \llt‘cl. mm «m‘ WW 5le H lmhc \llll qmnlcl
I Gwen Stefani .lllkl CSS 5H '( '. l-num-xlun ()lm}, «Hm mu .mlm xlm. L33 5” U3 ‘ll \lnlc uu'nlm pup \xllh .l hip llnp ulgc llHlll lhc tunmlxl} «llcxxul. lnlmu lunl \mgt'l mlh .\u lhmhl
I Kill Hannah, l was a Cub Scout .qu Saving Aimee Km; lm‘x \\.lh \\.lh llul. 3333.: \l \ lllkL'lll Slim-l. 33l ‘37" 5pm U) ()\Cl I‘lx \llll“ l'.lllH IHL'l'x plcll) lm'u linm(‘hu'.1gu
I Union of Knives, Kobai .lllll lamchemistlmn Mm, Til “ ii (in-.11 \lecln Raul. i5" h3llll Rpm L"
. ’3. 3 9 J 1/ The days of leaping about like everyone’s favourite skate Bettey fronting No Doubt seems
like a million miles away, as Stefani has been reinvented as the platinum blonde geek
(lung A {ltxlil‘iltJ .:\'. '~‘I". U T‘\ t'\ ll.ll“\ l l‘..‘.~‘\.21‘.\lllt'tk.11~lif.,:..l fizzx (willuz; \Upgmrtcli f‘\ k;\'.::.\: l.lill\ll\'l‘.fi.\l
I White Collar Weapons lllt‘. N $~ \\l)l\|z‘. l 41:; *1.‘ Z‘HW \l‘il‘. lzcg
l \‘lell‘ll lullzg ll‘lk\1\‘l\,:'. Hm 2w l‘l.z\
I How to Swim, The State Broadcasters .md Rick Redbeard l‘lll \ul; l .llc_ ‘H N' l\2:1;_‘ \Itqg'. “ ‘ 1h“ \ mph. :1 (ullxxlcll \ll,ll‘l‘ll\ l‘wl‘ llHll. llw'u In \.\'.::l \l‘llllll\ lulk \I‘llll\l\ lll'lli lfzg \l.lli‘ llllnulhnlyw /'.. ‘
lli r. l ll
I The Talks, The Flavours ‘mll The Highwatters \m- :1 \lt',l/'_‘~ if.
\,lll\ lll\‘ll,lll \lru'l .‘ lum‘ '.Ullll!l_‘_' .llll\l\, \\'.lll lwhll my;sz I Tigers on Vaseline HI.“ Mum m llx‘ll \llt'k'l ‘3: “Pl ‘ll‘lll llk't. llwuit ll.l\l.l\' /’..r,', '."., ll, '. 'l /l v I Merchant City Festival \.u ll‘ln ‘\\‘ll'.l\'\ \lk'l\ll.llll( ll} zll “\l-l \ |1\i‘l\ I‘m: ll.“ l‘l\‘;fl.lllllll\' lmlmmp |ll.lll\ mum 1m lmlmy \‘\llll‘lll\‘ll\ plm \, i will l'll\ .mll
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lllt' ll‘\!1..ll \lll'\\\‘l\k'\ ll\‘\\ l.llt'lll .Ilwllffxlll“ \'\l.ll‘ll\ll\'\l ll.l|llx'\ l1lxlhc \ullnhlllwm l‘lHlllhlllf.‘ .m «\tllmy llm' up Mlh \UlllL‘llllll“.' lwx (\t'uullc
\ ll‘l.llll \ llllllldl \lll.lll\'l
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I Captain Phoenix .ml The Down & Outslnlmn‘l \HllJllxK ih ‘~\ lle \lm-l 33“ (ill) ‘pm 0 llllltlllll lll\llt' lkl‘tN mlh .l llllll ml lullg hlucx lu lllt‘ll wmnl I Evan Crichton, You Already Know and Tall Ships Ill-m} \ ('l-Il.n ll.u. N lfm \lulnwn \Hu'l. (Mu; 5pm lin- l'\ l’.ul.lh \k} .ll \lphl Ilmll (’m‘hlun pllxx llll\ ( )ll lln- Ilium-n ll.“ l, \‘Ulllllllllllllll Lulmh mth
I Boogi Loushou .unl The Old Switcheroo “mull-Influx .l n \nulll lllnlyc. ‘* ‘ ‘l H ‘llllll llk't' llnln' .llltl
I The Sundancer “mum cm: W \It‘llnlvm \llu'l. (lh' *h‘l' ‘lpm l ll'k' l’\}\'llL'llL'll\ .lullhlh ll'lh [Hill llHlll lllk' nun \xhu \‘lll\ lnnm-Il \lmnmnu \lulmnu
cousin of Beyonce. Stefani has claimed the band shall reform in the not too distant future but in the meantime prepare yourself for an evening of big hair, legions of Harajuku Girls, random yodelling, The Sound of Music samples, parades of majorettes, showing off new togs from from her own designer label, Jean Harlow aping . . . oh, and some slightly nutty hip pop if there’s any space left on stage.
Si SECL‘, Glasgow. frru 30‘ Sep-