Fall @ll'if
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Famed for their highly polished, energetic stage show, the kings of emo-pop, Fall Out Boy, fill their down time from the Reading and Leeds festivals with a quick jaunt up to Scotland.
The band broke through to the mainstream with hits like ‘Sugar We’re Goin’ Down’ and ‘Dance, Dance’ but are still beloved by emo kids across the globe.
F" (for!) f \47/‘.’i.’,‘i}z’, [ti/riburu/i. first.
Maybole
I Retrofest ( ‘iil/can (’axtlc. “8‘” lo‘) liltiii, lpin, Ha} llL‘le‘lS L15; \icckcnd £75. Slip on )our noxtalgia hat and i'cinciiilici tlic good lllllt'\ \\ itli 'I‘hc lltiiiian Lcaguc. llaiiaiiaiaiiia. ion} Hadlc}. lliic t\ ('i'_\. Ha/cl ()‘(‘onnor and Kaiagoogoo at llllS llt'“ lcxtixal in tlic \tipct‘ i'cti‘o \cntic ol ('tiI/can ('axtlc.
Glasgow
I Cobramatics (‘liitlia \‘aultx. Stockiicll Sti'cct. 553 7530. Spin. l'i‘cc. Scc Stiii It».
I Blue Bayou: The Legend of Roy Orbison l);t\ llltill 'lilit‘dll't‘. ill Rt‘llllt‘ltl Sticct. 332 lS-lo T ilipni. U3. 'l‘rihiitc to Ro} ()l'l‘lStlll and thc likc ol tlic lixci'l} Bi'otlicrx and l’atx} (‘liiic.
I Acoustic at the Aragon 'l'lic .-\l';t:_'tlll Bar. l3! ll}i'c\ Road. 33‘) 3253. Spin. l‘i'cc. \Vcckh acouxtic night lcattii‘ing unxigncd local act\.
I The Black Velveteens Bo\. Jfil Sauchicliall Sum. 33: 5431. Spin. l’lt‘t‘. (ilaxgou hlucx l‘tK‘lxt‘l'S.
I Tom Davis 'l‘hc Bcllc. M“ (ii‘cat \chtcrn Road. 33‘) 33‘)”. Spin. laud :\cou\tic.
I Acoustic Night Sainucl l)ti\\ 'x.
(W “I .\'illi\dalc Road. 423 (llll7. 8.30pm. lircc. Monthl} acouxtic \cxxioni I Ben’s Brother and Katie Sutherland King 'l‘iit‘x \Vali \Vali lltit. 272a St Vincctit Sti'cct. III 5370, N..‘\llpltl. t‘". \cxx lli‘dlllSIl’L‘gllll plod pop contcndci'x naincd in honour ol \ingcr Jainic Hai'tinan'x \ihling.
I High on Fire .\'icc‘ii‘Slca/_\. ~12! Saucliichall Sti'cct. 33.“ (Mitt. S..‘~tlpin. W50. ‘.-\ \upcrxonic c\ci'ci\c in conqucxt h} \olunic'. Bring it on?
R: The Black Lips 'l‘lic Sub (‘liilx 33 Jamaica Strcct. 348 Jot)”. l lpni. LS. .~\tlanta tloxicr poxicr punin tcar tip ()ptinio.
:\ /‘U I’ll}.
Edinburgh
I So 50 Modern chi'} '\ (‘cllai Hat. .S Ma .\loi'i'i\on Sti‘ccl. 323 0 WV Spill, L5 lL~ll. (‘oniplc\ iock troni \cxi /.caland \\ itli an c\pci'inicntal punk attitudc and a daxh ol clccti'otHca.
I The Doledrums Bannci'inan‘x. \iddi‘) Strcct. 550 335-1, ‘)pnii Lil,
l’x} cliohill}.
Argyll
ti: Connect lmci‘ai‘a} (Xixtlc. In\ct.ii'a_\. HHS H.135 inc canipingi; da} tickch l'i'i: L45; Sat or Sun: L50, Scc l'll .il.
Maybole
I Retrofest (‘til/catt (‘axtltz HS-“ lli‘) (lllll). lpiii. l)a} tickct £45; \icckcnd L75. Scc Sat 1.
Glasgow
I Thank you for the Music: Roddy Woomble l’aciiic Qua}. llL‘\l to (ilaxgoxx Scicncc (’cnti‘c. (ifillpni. l‘rcc itickctcdi. In a \Cl'lt'S i‘ccoi'dcd lot' Radio Scotland. cight \icll—knoxx ii Scottnh \Ullg\\l‘ilt‘l'\ l'L‘\L‘;tl lllL‘Il' pcrxonal \ongxxriting _iotii‘iic_\\ uxing a combination ot \oicc. lllSll'lllllL‘IIIS and i'ccordingx. and guidcd h} .lanicc l'oi'\.\tli lillS \xcck'x giicxt l\ Rodd} \Voonihlc. Dootx opcn at (Lillpin \xitli i‘ccoi’ding at ".Rllpni \o plcaxc arri\c iii good lllllL‘. (ittll Sk‘tllltllltl.\ .\lU\lC tclcplionc linc illSWi 4| 1 lSllli to hc .ttldt‘d [U thc L'UL‘SI lt\l.
I Acoustic Jam Nicc'n‘Slca/_\. ~12] Satichicliall Sti'cct. 333 (Mill, .Spin. lircc. SL‘C Mon 3“
I Jackie Hamilton Bo\. 411 Satichichall Stt‘cct. 332 5—13 l. Spin. lit'cc. Local pop \ingcr-xong“i‘itcr.
I Passenger, Genaro and 32 Miles to Breakfast King ’l‘ut\ Wait Wait Hut. Z‘Ca St Vinccnt Strcct. 221 52"). Swillpni. £5. Brlglllillt-l‘JSL‘Ll group
\\llll c.ii'l_\ Rl'..\l likc [tillt'llt'S to tlicii \otind
Edinburgh
I June Paik, Battle Wolf 358, The Valhala Pacifists, Fuck with Fire and Kaddish chi} \ ('cllai Hat. S Ilia .\loi‘ri\oii Sti‘cct. 33S ‘) W i. H littl'tlt'iitt‘ and \t‘l't'dlllii
Tuesday 4
Glasgow
I Hard-ti .-\H( ‘. Ht) Satichicltall Sticct. 3 i3 33 ‘3. "pin. L2H. ()\ci Hx \liou lanctgctic dolc rock quarth Haidrli ptcniici‘ing tlicii iic\i album .it llll\ i'clati\c|_\ intiiiiatc
I Mice Parade and Tom Brosseau King: 'l‘iit‘x \\'ah “ah Hut. Tia St \‘iiiccnt Sti‘cct. Ill 52“). S illpiii L" \liniinal clccti'onica \\llll \liadcx o! \l} Blood} \alciitinc ,iiiihicncc lioin Ncu Yoi‘kci‘ .\dain l’ictcc.
I My Cousin l Bid you Farewell littt’ Bloc. ll” Hath SllL'L'l. Sal (illlili ‘lpiii. l‘i'cc, .\i\lll to Nick (lo c \kllli aii clccti'oiiica t\\ l\l.
I Open Mic (il;i\f_'o\\ l'nixcixit} l'iiion. 33 l'nncixit) .‘\\cnuc. ‘W MN" 0pm. l't‘cc. SCL' ‘lUC :3,
Edinburgh
I The Nilight Sad (ailmicl \iill.iit'c. 3!» KS Blair Sti'cct. 32H (tl'o "pin. £55”. .Io_\ l)t\t\toit/.\l_\ Blood} \alcntinc-iiillucnccd otitlit gaining taxoui'ahlc colutnn inclic\ at tlic iiionicnt.
Wednesday 5
Glasgow
I Kurai Kotoro x\l%(‘2. 1‘~H Saucliichall Strcct. 133 2232 ~pin. £4, ()\ci'- l-l\ \lltm. Bill}-lll\L' altrockcn t'rotii (ilaxgou.
I Natasha Bedingtield (‘arling
.-\cadcni_\ (ilmgou. I21 liglinton Strcct.
Ulplll. ‘5
o\1»l l“ ,‘iiw' ~;‘I‘.l Kl Still [‘1 l l l‘ to ‘ \laIJI 3"“
I Acoustic Open Stage lfic Hal: liar, ioii \\oodl.:zai\ Road. 1*} ‘N‘Ni \pii: ltcc \‘c \\ct‘i I"
I Lucky Soul .ma Louise Against the Elements l%.::'t\ .‘iw i “mic \Itcc‘IJW‘i'Wl' \oiii
lilimlt l‘\ \Il‘..:ii touii d:c.iiiici\' tzoiii tliix
It‘lllll \pni Ln lo'itioi‘. \t'\i\'i tioiztcd “\ tlic \antlit~ Slum iikc \li Houatd
I Michael Simons it ha: in tia, 'iti" lit-.imtoii lllIM‘. o1" ‘_“\ \pii: i.‘ (ii,i\;'o\\ i‘.:\\‘\l1"tlll.ill\l pl.i\iii:' lolix. l‘illt‘S and lit-\ontl
I Sam Corry, The Daisy Park and. Ally Kerr l "ottictk "1 "‘ |l\iidl.:iid \ltcct. 3' TS.“ \piii licc lx‘ixgi llt'lt'tll‘-\'\.‘.ll1(i‘ll‘» iotiix iioxl \lli lxcit .ll liil\ \ l‘-.'.lllt iotlzt .: .:toii\tit iiiz'iii
I Supersized Bananas It ll.it (ix na. l.‘ (llap‘o I anc. i“ 1371 \piii t.‘ l’ipcx laptop and l‘.l\\
I Hardy Boys and Santa Dog \itc'n'Slca/i. 1.‘l \th lllt‘iMH Sticct. iilll‘llllt \ illpiii \p.ii|>.\ yiiitai pop lioiii llihtolK S.iii'.i Iloz'
I Kubichekl, Battle .mti Delta Audio Club l\iiij.' liit'x '\\.ili \\.ili Hiit. .T"_‘.i \l \ llltt‘lll \ltt‘t'l. _‘.‘l S.‘ "i
.\ :iipni Lo lt‘lh\ (icoidicx ixiiliitlick' lltt\t' .tllt‘.lil\ \lll‘l‘i'llt‘tl lilt' llh\'\ ill lllt' I llllllt'llt‘.itl\ and l «llliiIS
I Chris Blair and Jill Leighton it.” lili‘c. i lidlll \Ht't‘l. g ‘ l (illlili "pill
l icc I ot .ll .itoihtit \iillt'\\lllt‘l\
I Desolation Yes I Kilt \Illt' ( alc. *ll fill kin}: Sticct. 3*; lhiS ‘lpiii llltlll\lll.tl tcclino pop lioiii IW
Thursday 6
(7: ast tow
I Kasabian \lll ‘. HH Saut liicliall Sltccl. H.‘ .‘IR‘ “pin S()l [MN I ()\t'l lalx \Iio\\ \loiit|i_\ iiidic toiiilio. \ilio iccall tlic l\.i:';'i \iillllil\ ot \l.l\l\llk'\lk'l. icxt licdiilc lllt'll l in llic l’.tli\ \\.tllll tip \llii\\
I Le Club Des Chats llattiiu» so (il.t\\litltl Sticct. V'.‘ “‘Nl "pin tlit ()lllical l’;iii\i.iii duo
I The MacDonald Brothers l’.i\ ilioii {I licatic. III Rciilicld Sticct. ii.‘ lS-lo “ illpiii tl.‘ ill \' I.“ to; iindcidojgx l‘llllfJ lllt‘ll \xcddinc duo act to toxin
I Butcher Boy It ll.it ()\tl.i. In" l)t'.tll\li‘ll l)ll\t'. (il‘) "IRS Spin licc Kitclicn \ink Hi‘St'lMtlltillS iciidcicd on piano. ccllo. \ io|.i .iiid yuitai .it oiic ol \t'\t'l;ti Huiclici Ho} calc piyx llll\ iiiontli
I The Graduate, The Runners .llltl Left Wide Open llai'tlx. 3(»ii('l}tlt- Sticct. llS"ti till" ll‘)‘)‘) Spin L5 .\lltlii\'l\t‘l\ lioiii Illinoi\ pioiiiotinj,‘ lilt‘ll dcliiit .tll‘lllll ,lH/ltvlrlllltl
I John B McKenna, Sporting Hero and Rick Redbeard Hit-l. 1‘) ~1::\\illiill l..il1t'. :‘12‘l()(l(\ Split llt't' l llclllllt'lt'il \IlljJt'l \oncxiiitci pt'llitlllh .ll llllx (hit to l’la} night
I Ladybird lcliai (ixna. l: litajgo laiic. 1*" -153~l Spin L3 I’l.i}tiil llltllt' pop lioiii lilh l'iciicli hand
I Stonedyke, Journeybox and Stroszek Ho\. 1*] S.’iuciiiciia|| Sticcl. “3 mil Spin l't‘cc .lo} l)l\l\|Hll and \\cinci Hct/oj.v lllllllt'lltL'S ti‘oiii \[lim/L'L I Little Johnny Rocket, Skuzzies and The Retrosexuals \itc'n‘Slt-a/i. ill Sauchicliall Strcct. i” WNW S illpiii l).tli\ pop troiii HR and clcctio ltklk lioiii llt' Rt‘ll‘itSL‘KllitiS
I Rushmore, The Alones and diAugusto Klllf.’ 'lutk \Vali \Vali Hut. Tla St \inccnt Sti‘cct. 331 ‘3“) H. i‘tptii :5 'l hc ilL'ttillltlL'YS arc an laaglcvl‘rmh}, SilliS tk \axlianllucnccd outiit trontcd h} l‘l'tllllL'lS \cd and lad ()riiiand}.
I lndafusion llih \oit- ('aic. 50 Mi King: Strcct. 55“ HRS ‘Ipni i’Sle'iiL‘ilL'llit lllt'L'h pout-r pop Ironi l)iintcrinlinc hand llld.tltl\liill
Edinburgh
I Hyena llcnr} '\ ('cllar Bar. S Ma Mormon Strcct. 323 9393 8pm. itbc. (ilmgtm punk rockcrx \l-llh grunge and mathrock influcncc»
23H
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