Festival Visual Art
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Public Galleries
I CITY ART CENTRE
3 Market \llt‘t‘l. 5.3" “Ni \lirtl \al lllam 5pm. Sun noon 5pm
View from the Inside I nul Sun 2t Utl l’tee l)rsto\ei him artists including .'\ll‘t'll(l \liitnctu l‘( ill (altltlk'll and
\‘k illiam (irllies ll.r\e explored the \sorld ol the interior
Beyond Appearances l lllll Sun 3% Sep Scottish modern painting. curated It} art historian liill llare
I COLLECTIVE GALLERY
33 IS (‘ockhurii Street. 33” Ill)”
lue Sal noon 5pm l'ree
The Comic Book Project 0000
l nlil Sal I5 Sep lighthearted. unique protect aimed at e\ploirng the relationship between perloimancc and \ isual all .-\rtisls include .\lel lilllllllt‘ltl. .-\dam |)ant. liiian |)e\san. John llegle}. laduard Ward and perlormer l)oug l'islihone
I DEAN GALLERY
7‘ llellotd Road. (ll-l (illlll. lllam 5pm. Picasso on Paper 000. l'nul Sun I; Sep. See t'e\1e\s. page “5.
I EDINBURGH COLLEGE OF ART
7-1 l.autiston l’lace. Ill (tllllll, .\lon 'l'hu Illam Spin; l‘ll Illarn ~lpm‘. Sat
lllam 2pm.
No More Stars l'nlil Sun ‘l Sep. l’olai‘cap presents l7 international. established. emerging and new artists
I EDINBURGH PRINTMAKERS 3i l'nion Street. 557 247‘). line Sal lllam opm. l'ree.
William Kentridge Prints .0. [mil Sat 5' Sep. l‘tom monochrome costume sketches to nude sell portraits. this is an intriguing look at a small part ol the \sell-knoxsn South :\lrrcan artist’s hod} ol \sork that lea\ es )ou cr_\ing otit ltll' tl lllll l‘L‘ll‘Uspt‘L‘llH‘.
I EDINBURGH SCULPTURE WORKSHOP
25 llaxxthornxale. 55! 4400. Mon Sat lllam 5pm.
Magazine 07 lintil Still 3h .'\ug. \nnual shou ol' \sork h} o\ er It) artists representing the contempotar} Scottish sculpture scene. I’iirr u/ lat/iirlrrire/r JIII l'i'sliiiil,
I FRUITMARKET GALLERY
45 Market Street. 235 3 W3. .\lon Sat
l lam opin; Sun noon 5pm iSal 4 I‘ll 3| lllam 7me.
Alex Hartley .... l'ntil Still II Oct. l-‘ree. 'l‘his e\hrhition begins on the outside. on the lacade ol the l'iuitinarket (Ballet) (clad in an image ol‘ itsell'i \shich llartle). an enthusiastic ‘huilderer‘ tcliinhing on huildiiigsi. marked \Hlll routes that he has climbed as preparation tor the e\hilntion. Inside the galler}. llartle) 's photographs e\anune the relationship an indi\idual can ha\ e \\ ith architecture.
I NATIONAL GALLERY OF SCOTLAND
‘l'he Mound. (C4 (illit). .\lon \Ved ck l5ri Sun ltlam 5pm; 'l‘hu Illarn 7pm. Andy Warhol: A Celebration of Life and Death ..... l'ntil Sun 7 ()et. £3 tt‘ol. l’rints. paintings. sculptures. drawings and lilrns characterised h} Warhol‘s lo\ e ol' celehr‘it} and the glitx) trappings ol capitalist culture. .-\n e\cellenl
for GLASGOW ART see non-festival magazine
Adam McLean: Alchemy
t‘elrospecti\e ol his \sork and a celebration ol lite and death that takes _\our breath aha).
William Blake l'ntil Strn 4 .\'o\. liree. Works on paper h} one ol the most gilled and rnlluenlial ol' all romantic artists. This e\hiliilion has been planned to celebrate the 250th anni\ersar_\ ol the artist's birth.
I NATIONAL MUSEUM OF SCOTLAND
(‘haniliers Street. 247 4422. Illani 5pm. l‘l'L‘L‘.
Picasso: Fired with Passion O... l'ntil Sun 2S ()ct. Neal}— crealed e\hihition ot' l’icasso's ceramics. metahsork arid lithograph}. run in
conjunction \\llll l’rl'iisw on I’ll/tel“ at the
Dean (iallery
I ROYAL BOTANIC GARDEN (INVERLEITH HOUSE)
lnxerleith Row 553 ~l"|. lue Sun lllam 5.3llpm.
William Eggleston - Portraits 1974 ..... l'ntil Sun 14 ()ct. .\ lirsl Slit)“ ing ol' these stunning large lormal colour photographs taken h) liggleston in his name Memphis o\ er lllll'I} )eal's ago. but not printed until \er} recentl}.
I ROYAL SCOTTISH ACADEMY 'l'he .\lound. 335 M71. .\lon Sat
lllain 5pm; Sun noon 5pm. Recycled Lives: Ian McCulloch l'nlil Sun 3H Sep. .-\ curated edithition lt‘olll the studio ol~ lan .\lc('ulloch looking at the dexelopment and rexsork'ing or recurring themes in a career spanning 40 sears.
106 THE LIST FESTIVAL MAGAZINE .‘3 Aacre Set, 34‘“
An exhibition for those who are ‘curious about this mortal coil and beyond’, the magical work of McLean draws on the rich history of print and image-making, from late medieval grimoires, occultist and alchemical texts. I [he [ Iii/Maui (it'll/wig. (MW 3808, tint/r L"
filly/q It, (if/fly. l'l",'{,’.
I NATIONAL GALLERY OF MODERN ART
75 liellot‘d Road. (ll-l (illlll. l)all} Illam 5pm.
Richard Long: Walking and Marking O... l'ntrl Sun II Oct Ll) rut. lluge e\hihition ol paintings. photographs and sculptures using ran materials lrom his ll’;l\t'l\ that demonstrates uh} long is one ol this counlr} 's most important land artists
I NATIONAL PORTRAIT GALLERY
l Queen Street. (iZJ (illlll. .\lon \Ved tk l'ri Sun Illam 5pm; 'l'hu Illam "'pm. The Naked Portrait l'nlil Sun 3 Sep. U) 1H t. :\ major neu hold and inno\ali\e e\hihrlion e\ploring the lllatl} \sa}s in which artists lla\e draun. painted. printed. sculpted and photographed the naked bod). 1/3537
Cl MNC? li'f) SH:
Painting in Crayons t‘iiul Sun 3H Sep. Works in pastels. ranging lrom Maurice-Quentin de la Tour's l’rmu (INN/(W Iii/mm]Strut/'1l l-LINI [Ulttllll B}r‘ne\ stud) ol his \\ ile. the acclaimed actress. 'l‘ilda Sninlon.
I STILLS
33 ('ockhurn Street. ()3: (CHM. llam ()plll.
John Stezaker 000 ()ct. See re\ie\s. page llt5
l'ntil Sun 2S
I TALBOT RICE GALLERY l'nixersit} ol lzdinhurgh. South Bridge. (>50 23“). ’l‘ue Sat Illarn 75pm.
David Batchelor: Unplugged .... l'ntil Sat 3‘) Sep. RiotoUs.
ceiehralor} c lusteietl sculptures lhal locus or! the hidden l‘eai:l\ o! tlrro\\a\\a\ corrstrrtier kitscl‘
Private Callerles
I AMBER ROOME
‘5 5‘H‘urrrhcrland Street. 55\ 1“ \\etl \al liarii (rpm liec Michael Craik: Razed to the Ground .... l ritil llltl 1“ \ue \eu series ol arrestingh intimate sitiall xsoiks painted on .lltlllillllllltilll that continue (‘iark’s last matron \\lll‘. lllt' g‘t‘illllt‘lllt \I\‘\l‘\'llll\l .II\ iIII\I\IllI\.
I ANALOGUE
ltl.‘ \\est lino. .‘.‘H Hoot \loii \al lllam 5 ‘llpm
Microbo and 80130 t lllll sat l \cp .loinl shoxs lrom the too \lrlari liased artists and designers
I CORN EXCHANGE GALLERY
(‘oiistilirliori Street. 5M ‘illll
“ed Sal Ilam ~1 illpm lice Frances Richardson I not llltl 1 ()cl See pitluie. page lot
I DOGGERFISHER ll (i.l}llt'ltl Square. 55\ 'l Ill
lue l'll llam oprii. Sal noon 5pm r('lr\\ctl
Nathan Coley .0.
St‘[‘ St't' lt‘\lt'\\, page lllS
liitil Sal l5
I INGLEBY GALLERY
o (‘ailton leiiat t'.55ri.1-lll
lllam 5pm
Francesca Woodman and Richard Serra \at .‘R \tlg sat I Sep ,loint t‘\llll‘lllllll
I SCOTTISH GALLERY
lo l)undas Street. 55S l.‘llll \loii l ll Illam (rpm. Sal Illam ~1pm
John Houston l lllll \\etl \ \ep Inspired h} the liripressiomsts. Scottish colouiists and a loxe ol the cotiiilr}side. as a painter Houston ahsoths himsell III the endless pursuit ol colour hour the natural \klllltl
I THE EMBASSY
Th l‘..lsl (.l(l\\\illl\k'\\tll\. Wt llnr Still noon (rpm Edinburgh Annuale 2007 l lllll Sat 35 .-\ug Ungomg series ol e\hilnlions. dist ussions. gigs and \sorkshops centred around the lamliass} (ltlllL'l} and the l'Hlt‘\l (ale. designed to promote ltduiliurgli‘s emergent artists and artist run spat es See “W \\ anntrale org loi lull listings
‘eris
I HULA GALLERY
llli lll5 “est lit)“. \ Ictirlla Street. Monster Art and Mixed Works l'ulil .\lon 3“ ,-\ug \ll\t'tl exliihition teatuiing l’aul (ialllchs irre\eienl caricatures and a set ot nev. works lrom Scotland's la\ourile urliari artist
lulph. ’xri- . ,: 1 ,6?
I VARIOUS VENUES
.\lora_\ llouse (‘ollege. Princes Street (iardeus l;ast; \Vater ol l.eilli Jardins Publics liitil Still 2 Sep l'ree. .'\n e\hihition ol speciall} commissioned uorks h} internationall} renowned artists displa}ed in three locations around the cit}. that unite us to consider the garden as a cultixatcd. marrrriade em ironrnenl I’ur'r u/ the /'_(/III/)1(/:'/I llllt’l'lltllllllltl/ Int/\u/ Bil/l7
Ill." ‘ 1. / I.
Online Booking
Fringe www.cdlringecmn International Festival www.crl.co.uk
Film Festival www.cdtilmtestorgaik Book Festival www.crltmoklcstcouk Art Festival www.cdinbmgtnrtlestwalorg