Music Reck&Pop. ,
Rock& Pop
Events are listed by date, then city. Submit listings at least 14 days before publication for Glasgow to glasgow@list.co.uk and for Edinburgh to henry®list.co.uk. Listings are compiled by Mark Robertson, Fiona Shepherd and Henry Northmore. For ticket outlet information, see Book Now.
Thursday 9
G asgow
I Alela Diane .llltl Simone White lllt‘l. l‘) -l\' \\llltlH lam: V13 l‘Hi/i “In” U) l'.lllt'lk'.ll xiiict'i xiiiipmuci llHlll \i'mila (ll)
. Gala Rik l.k'l\. lvl \llilldllil \llt'k’l. H72!» "pin 25 ("Lixm ind. liuiii llll\ Slit'lliclil lmnil. [ilm Hlllt'l\ In llt‘ umliiiiml
I Burnout 27, Drunken Munki, Revenge of the Squirrels, Shoot the Messengers .llltl Dark Before Dawn \uiiiiillmux. l" link-[MIL \lin'l. Ill MN) “ illpiii U l’uiik lull
I Dan Deacon llu- l\_\. \‘mili \llt'i'l. Hpiii. L-l .\lllt'll\'.lll;l
I Flood of Red, The Zico Chain, The Ghost of a Thousand .mil Yashin li.iill_\. jlil) ( lulu Slim-l. UV” Ull" ll‘l‘l‘l Nlllll t" \t'imiiin \l\ picw llHlll ( il.i\§._'n\\. llplwil l\_\ llrlu/ Ila/mm I. I The Initials, The City Riotsl, Bad Day? and Torque lldlll} lll|l\l.lll\l. Ilill ('Iiilc Sli'i'i‘l. (Mn Uli’,‘ WW 3pm. £5 llltllt' pup llillll (iluxgmx \ ('il_\ Rinh'
I Pharmacy, Out from Animals and My Elvis Leg lin\. -l il Sautliicliull Sliu'l. “3 ‘1 il Hpiii l'icc, Ruck .llltl iiiilic
I Radiotones and Le Reno Amps \it'c'n'SIm/y L‘l Saut'liit'lmll Slit-cl. iii
DEAN FRIEDMAN
Mitchell Theatre
Glasgow Friday 10th Aug. 8pm
ALSO
National Museum ofScofland
Royal Museum Lecture Theatre Edinburgh - Fringe Festival
Sat. 11th Aug. 8pm
BOOK TICKETS ONLINE AT: WWW.DEANFRIEDMAN.COM
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.l\ ugh .i\ l‘lk' um llt'lld mo I The Shambolic Wardrobe l.'.:: Huim 1.: l)l.l‘.,'|' l .iii.‘ 3" 5:1 ‘9.“ -
I luv llllnlt. ;‘."\.‘\'l1l’t"l lij. llv'1i\i.~'.-.'\.:T I Songs for Sail ltll.llll'.1,.'. 1.? i l‘.:,'~ lam: 1*- 1‘.‘,1 \i‘iii “
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I Twilight Robin ,m.i The Wave \l.“ \Hllt'}\ 1: l.llll.ll\.l \itt't'l. .‘ Mini licc Inhil lllxllt' imi.
I Pete 8: the Pirates, The Apple Scruffs .mil Evan Crichton km: l :I “ah \\.ili lllll. 31H \l \ Ill\\‘lll \lrccl ‘ if” \ llll‘lll 2.!» l.lll'.'llll‘,' ll.llllli‘l‘.l\'\ .i: Iii/A ‘.'llll.ll\ llHlll llll\ jmiilliliil l\’.‘.illlli.' lhlllil
I Corsairs ll.” lilm ll" Imli \zm-i <71 (illhh ‘lpm liu' l \ \illlu‘ll‘w'l lh'liiu' [‘t'k'|‘\ .ll ('liili ( Hm”
I The Fnords, The Bucky Rage .ml The Deepfried Wolf Knuckles l 1m \Hlt'( .llk'. *‘l (ill Klllt' \liucl. “'4 3h“ ‘lpm llll//\.l‘.‘. [mp llHllI llic | lll‘l\l\ .lllil ilk-(iaiiiik lllllllt‘lltt'il liiitlitx |x’.::\'
I Some Boy, Gavin Gordon .mil Gary Harrison l men will» l l l” l’UllHl\\ll.l\\\ l\)l'.|\l. (t-l‘l llllllfi ‘ll‘lll l lk'k' \kllll\ll\ \lllL'k'l \iinpmilcix
Friday 10
Glasgow
I Ari Hest ( )i.iii \lHl. " ll " i“ (il\'.ll \\k'\lt'lll Ix’imil. 5‘ (Gilli "pm t_ll\ l-ulk) \lll}‘t‘l xiiii;,'\\iilci liniii Iiiiilikliii Hi] .i lHlll nl llicl K .llltl llk'l.llltl
I The Roll-ups .lllil Demon’s Eye Rik'lxt'H, l1\liillaiillSliu-iIII WM "pm U ('l.i\\it' im'lx
I Black Tie Affair ( lmn (imml, IR .l,llll;ll\';l \llt't'l. N l‘ “53” llltllk' lilt‘lx
I Hugh Reed & the Velvet Underpants Wmdmlc \‘mml (‘lulx i3" \uilli \\Ulltl\ltlk' Rinnl. ii" Iii-14 ‘ llll‘lll [5 iii .‘lllt'l llpmi It'ycnilaii (il.i\\\c;:i;iii llUlll‘JilHlll pim ltlk'\ llic lllll\lt‘;ll [lillllilll ul lllt' L'\t‘lllll;_"\ t‘lllt'l‘lnllllllt'lll .ll \‘lllllk'tl'\ m;ng li.il\_\ (in lliiiilll
I The Fortunate Sons l'lic Hunt-rill & llk' l’igg. l5i Halli \liu'l. III Mil
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I The Black Chain, Alrosa .llltl Blob Hni’ll} lll[‘\l;lll\|. .Tlill ( lulu \liu'l. HR fill ‘lll‘ (NW), Spin ‘5. \lclul and piiiitlt‘nit' I Darren Hayman \icc'n‘x‘ltzi/i. -le Saucliicligill Slit-cl. WNW"), 3pm 1'" *H ||.i_\iii.iii l\ llic c\ liuiiliimn nl .it't'ilm' llltllt' li‘iu llclnci. piml l’k'k'l l.i\uiiiilc\ lll lllL‘ll il;i_\.
I The Last Project, The Tracks .mll The Grim Fandangos Hm. l 4| Saut'liit‘liall \lit't‘l. H3.91:1 Rpm licv llltllt‘,
I The Mode, The Acute, The Debuts .iml ID Parade (Lipiiul. 1m Siiut‘liiclmll Sliccl. i1| Ill-ill, \piii lmlic “Mk.
I Orko, “Vin Atlantic, D868 and Juliet ll.tl'll\. :lill ('lMlL' \llt‘t'l. ll.\'“(l ()ll“ (NW). Spin {5. (him mu .1 lniii piccc t‘lllil’l’ik'lx .it‘l limii (inui‘mk.
I Whispers in the Attic lchin U\ m. JIUIJgnl .lllt'. 3571511 5pm l'iu‘ l‘.\]\‘l'llllt‘lll.ll lllll\l\‘ .llltl [‘L‘l'lHllllJlltt‘ pm‘li’}.
I The Dwarves, The Baddies .intl The Elvis Suicide Klllj.‘ lui‘x \\.lll \\.ili llul. 3‘34 Si \iiit‘cnl \liccl. III 53“)
X. illpiii. (II. llic l)\\.ll\L'\. .l\ lul h} llic t‘lll}!lll.lll\‘ llculiiuniniiiilliciiaiiml. “VIC lllt' .il't‘llllt‘t'lx Ml Ilium/i (illh (mil /'.'(\\\. Hllt‘C kllll‘l‘k‘tl llic mm! Ullt'll\l\t‘ .lll‘lllll ml .1“ limc li_\ \pm iiiaga/inu
I Ashtray Navigations, Nalle 8. Ben Reynolds and Eye Shaking Kingdom l‘~ih \nic (lily. in M King; Sli'ccl. 55‘ HHS ‘lpin l’yu'hriugl‘ gull.” L‘\plni‘.ilii»ii\ linm \\llll.i) \.l\lf_‘.llli*ll\ plus .i lli\\l ml licc lli‘ht‘. imprm .llltl Ulllc‘l' tllt‘llt' li‘t'lx L'lt‘t‘ll'illlltN
I The Easy Orchestra l'lic l‘lllllt'lll} t\ lllL‘ l’lg. l5: lldlll Slit'cl. 321 q‘l l lllpm. l'i‘cc. l'lic liullcrllx .md llic l’i;_'\ huin lxintl \\llll UWCH Lingiiig linm Hank Sinatra to Rick} \l.ii'1m.
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limii I Belladrum Tartan Heart Music Festival ll.ili.iii ( l.ll\lt'll\. llt‘llmllllll: l\l.il\'. lli\t'lllL‘\\ “ulcml litlich t. ‘l' Mltxi'llllkllllt'tl llllilt‘l lfx liccI \\illi Ilic l.l\l k'\\‘lll iiuiiiiimlul li'l no lmx llmn llllt‘x‘ .l‘-‘-.llil\ lll lllt'l l\ l .'\li'..il \‘~‘-.llil\. tliv l.iii:il; lllk'lhll‘i mum lc\li‘..il lt‘llllf‘w ‘x‘.lll‘. iiinic int k. ( \‘llit, l‘lll\‘\_ lull. .llltl anniltl lllll\l\ llHll! lmlll l|l\.ll .llltl irilciil.ilii~l'..ill_'~ Imluxlml .llll\l\ lllt' llllt' up lllt lllllt'\ .l.llllt'\. lllt' .\l.l‘_'l\ \iiiiilx-ix \l.ll‘.llll.l ‘. .lllll.lll ('nlu‘. \lll} \lJtlli'lldltl. \lwrx lliiwii llllll‘.‘_ llic l’t'Jll‘I'Z' l.l\'lli'\ .lllkl lllllll‘.‘
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I Open Stage lllt' ll.lll l’ml. lull \\i‘i‘\ll.lll\l\ Riml. “3 WW“ l \i ll: ll~'\' “all; \L'\\l\‘ll lni lmal mum l.lll\
I Jamie Barnes 8. Cochise .ml The Usual Suspects l\’\'tl.\'l\. I:\litli.iiiii \llt‘t'l. “Hill fil‘lll 9.; (Il.l\\l\ liul
I Kung Fu \Iil lm \.ill\lll\'ll.1ll \liccl. “I 33*} ~pill 9r» \lt'liulL lllillt‘ link lli‘lll l\lllll.llll«kl\
I Rosewood, Symbolics, Wouldbe Kings, Jyask .mil The Rapyds lllk' l'cil}. \iitlcixlnn Ulla}. lllt' Minimum-LN. lilwix Uillllfi§ “pm ‘5 l misnul lxmil \llll\\\.l\k'
I Fisher King Leven \Mnult-ml lt'lllll\ t\ linv. liiij; (lul‘. l‘l ( Ill.lllll‘t‘ll.1|ll lx’wml. U4” 1 Ch \piii Lllx \tuilxll. \llwl‘. liniii \\ lll.ll\l ( irml ( nmpimg. 13ml xiilgt'i .lll\l\i'l1f,'\\lllt'l Ix’ulwii | l\ll\'l. ('t'llit wul \IllL'Cl :uilaiixl. ll'llllt‘l llull ll} Dull llHlllllMll l.l\l\l\' l cut-ii .lllil .itylaiiiiul \i?llf_'\‘.lllt'l \llklltlk'l \\\‘\li'll King
I The Spoils, The Revivals .mil Slowjet liw\. -1 ll \iugliiclmll \liu'l. “3 {ill \[‘lll l iv.- \Hlllllt'lll liiml lutl» lli‘lll the Ru ix.il\
I The Tenants, Delta Mainline, The Grim Fandangos .lllxl V-2 Schneider iufh. :Nl (“imit- Miqqi. H‘ ‘II WI“ INN
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For her fourth album. Edinburgh native Andi Neate has played to her strengths. releasing a live recording taped at last year’s Fringe with a modest backing band who sensibly gave her songs the space to shine. The upshot is some emotive tunes - with nods to Ani Difranco, the Wrigley Sisters and even a dash of Suzanne Vega - all propelled by Neate‘s emotive tones and her deft tretwork.
I The Underkills, The Suspects, The Blank Expressions .lllil Ricochetl .ll‘:li'l it» \ilulm-irili \liccl Hl l'l1'|\i\ii' Int :l llil‘fi l" r I Jack Butler, Stopstarts mi The LOW l\lli‘_' l'll “ill “.13. ll‘ll
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I Danica, Cities .ml Skylines and
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Sol Diablos \m \..r-i _i:\- w I." l. \llt't'l. ‘*1 M“ "ii. lw ‘;l lilil Yi‘\l\t'l\
I The Fortunate Sons l 1:: 1. .‘l"'- 'ElI'l’wili~I~-3....-. l\’. :t M‘Hw' I;- |:-- \«In
ITygers on Vaseline \l ( till Ln ll~l;\:iu¢:. “7‘ ‘\ "1w lzu l». "
’umtc llll‘lllt‘ I he Gilded Angels Iv. linear. .\ 7}; l’ic >~ I’m! \‘tut‘ ‘ lit-v \\;~_-l i_-.
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I Belladrum Tartan Heart Music Festival l7.l:l.ll (ix: lciw l\l.it.' lilrciiicx» \M-qluzul litlnul r H \.l'ill~l.l:- lzt l..'l\‘ H .ltJ'llil‘JlllL'll in
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I Cobramaticst imlii \mli-
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I The Fez, Right Turn Left ii: : Tom Lillywhite ll.» 1‘} \imxlnslitiil x": ~' “I <1‘L ‘l‘lii lch' lI-Hil ll‘.<' rmi .\
I Leftover Crack, my Own Religion, The Hostiles, The Skanx, The Poisoning m 1 The Madcats ’i.iill\_ 3N! ( ’l'nl.‘ \licql l" " "‘lfl ‘l'l‘l‘l ‘piii illi (Lu! lln \llll'.‘. lic ll;‘.f 1U" ' al.- \l..i l‘lllll. lliiil; I::.‘l.:ll:'l\ ff'nli. \ *- iurl. '.‘.llH gixluijwl liiiiri : lis ('linllilxj \ltllll. \~ :.i"l ilu l’)‘.ll.l"‘f Stir: up tiizili‘l-c'q 1 \ln :1,‘ \l:- .x: f l?:: \lwf; l).l.":- ( Ii l.:'