Jindabyne I< .... ’Ra} l..i‘~klt‘llct‘.
\iixiialia. 3000' I aura Iiiiiic}. (ial‘flc‘l
Ilsiiit' (lirix llaI‘H-Iwil II‘iiiiii llaxcd on Illk'
R.l:-Ylll'ilil( .lI'-t'l inoil xlni}. \u Va. i: Ila}. r \u( ’uu In Hum fliix l.i\clll.lllll;. i'iiiolionall} lrullilul diaiiia xlio‘.\x Ilil'xk one ho} \ lixliiii: trip l‘llll:.'\ oii lllt' \llllllllk'lt' i'ioxioii ol (‘Iaiit' 'I iniit'} and \lcuail'x ‘llklllt'l .illt'aiI} llltlll‘lt'tl lll.illl.i_'_'i‘ Illc‘ Illllil llllll iii 30 ‘\L'iil\ lioiii llit' lk'lL'xl \uxlialiaii illii'cliil ix .i Ili'alllk malt" (r/iixzim'. IIIH; lllllilll (I/llil\'.'l'\r'.
The Killing of a Chinese Bookie 'l\I ‘Jl'lllt ( ..l\\.l\L'lL'\_l \. I‘lfitii lit-n (l.l//.ll.li liiiiolli} ('aic}. Si-iiiioui (’axxt-I I‘l‘liiiiii ()ixxaxc-lcx tl\L'\ liix \L'lllldl plot a hunch ol paiiuxlcix li_\ lo iiiiixclc in on the il\\llt'i ol a xIt-.i/} nightclub .ix a iiiclaiihoi loi liix «Mil poxition .ix .i dcdicalcd tiliiiiiiakt'i Ili'llllll‘.‘ loi liix .lIll\l|\ indi'pcndciicc lliigclx tillllldtllcll'l} and conxolulcd. 'l'x xlill up their is lIll liix l‘k'\l uoik. lliaiikx lo illL' xpacc Iic
t'l\k'\ liix .lkllll\ arid llic [K'lliiiiiianccx the) guy
It] IL'Illlll l’ail ol Joliii ( 'axxawtt'x \t‘.l\llll li/ni/iuuu Il/llll’lllzfll
Kireedam i |3,\i i,-\I Vila}. India. 2007i \iilli lx'iiiiiai, Iiixha Kiixliii.iii. Raikiiaii ’\ it'iiiakc ol lllt' I‘IK‘I \lala}a|am liliii ol the xaiiit' Illlt‘ Icaliiiin}: llic laiiiil) xlliiyglt-x of an lioiicxl cop. liix t'.l_‘..'L'l lo plcaxc xoii and .l\\ltllt'tl olixlat‘lcx along; lllc \\a_\ ('irii'iiuI/u’ [ill/i/iuio/i, [din/Hugh
Knocked Up 1 l5! IJudd Apalou. [‘8. Soon. Kalliciiiit- llcigl. Sclli Rogxn. Paul Rudd ll‘tiiiiii 'lixo xli;iii;_'ci‘x haw .i one lllL'lll xland and accidt'iilall) make a hall} Slacker Ilcn iltogcni and career gill Alixon lllt‘lglll ilL‘cIiIL‘ It) IllaGC It a 3.10 (ll ll illltl Iiilaiil} L'll\tlt‘\ l’i't-x icux onl). ('mrimrlil l'illA/li‘ilil. (i/iflfiilll
License to Wed 1 HM O IKCII l\\x.i|iix. IS. 3007i Robin \Villiaiiix. Stand) \liioic. Jolili Ki'aklnxki. ‘Iliiiiii. Soc Alxo Rt‘lcaxt'il. page 3” Xi'li'i Ii'i/ I'i'li'ilu‘.
The Lives 0! Others (Das Leben der Anderen) l iii 00.. il-lorian Ilcnckcl \oii |)oniicixiiiaick. (ici‘iiian). 3mm .\Iai‘lin.i (icdcck. l'li‘icli \Illt‘lic. Scliaxlian KUL'll, l i7iniii. l:\ccllcnl cold \xar llii‘illci' alioiil xiirxcillancc and cultural Ii‘ccdoiii in l'..lxl llt'ilin iindci the Sum ixccrcl policcl. A liliii llial iiianagcx to be both liori'il'yng and Iiuiiioi'oux, Ilighl) it'uiiiiiiicndcd ('ium'o. Int/Ili/im‘oh.
=t= Longing l is. 0000 nail-xii. (ii'ixctiacli. (iciiiian). .‘(thil Andi‘cax Muller. Ilka \Vcll. Anvil l)oi'nliiixcli. h’fiinin, Soc
m icxx. pagt‘ _‘ ll/Hl/IUHH'. Iii/iii/mru/i. Love Wrecked mm 0 iRandal chixci‘. I'S. 3007i .-\inanda Il)ncx. ('Iii‘ix ('ainiack. Joiiailiaii Itcnncll h‘tiiiiin. l’ililull} had i‘oiiianlic conic-d} about what liappcnx \kllt'll lllilL'Utl\ icon Jenn} Ill} llL‘\l Iwcoiiicx iiiaiooncd \\llll tic-r rock xlai lili" Iaxon .\I.ixlci’x i( 'aiinacki \kllllk‘ on a (‘ai'ilitx'an ci'iiixc 'l'liix iinliinn} nonxcnxc \xax dii'cclcd. xadl). Ii) Randall (iri'iiu' ch'lxcii \lii' Ia/HII’HI'Q/I ()i um. lat/Hiluu‘o/i.
Material Girls il’ili O l.\l;ll'llla (‘oolidgta IS. 3mm llilar) l)iill. Ila_\Iic Dull. Ania-Ina lluxlon, ‘Vniin. Am and Ian/iv illa} IlL‘ and llll;tl'_\ l)ul'l'l arc xpoilcd \I\IL‘I‘\ When their late tallic-i'x coxiiicticx empire Iach a lakcm ci bid from dadd} ‘x old .ii'cIH‘nc-iii} I‘ahicllc illuxlonl llic girlx lind lhcii‘ lighting xpii‘il. Shallow idiotic. dccpl} ilcpi'cxxing ixxccn coined) di'aiiia Ifni/uri‘ ('lnli'lnmk. ('liili'luirik. (Alum xi! 'I'lii' Quin. (I‘lll\‘\'l’l\',
Mee Shee: The Water Giant mm 0.. iJolin llt‘lltlL‘l‘M‘ll. I‘K/(icriiian). 3005) Bruce (ii'ccnxmod. Daniel Magda. Jocl l'olwck. “5min ,-\ )oiing two) ix dmaxlalcd \\ltCll the planned \acalion \xith liix lather ix cancelled due to .in c'incrgcnc) xal\agc iiiixxion at a remote ('anadian lake But “hell he dixcowi'x lhc lake ix knoun ax ilic lll‘lltL‘ iii a in}lliical creature. Mac iiiakc'x ii liix iiiixxioii to pi‘ow llicrc'x “11er lo the \Iltl'} than iiixl lolklorc, ('iiii'uorld Ri'nfn'ii SII‘H'I. (ilthi’tl.
Meet the Robinsons iii 00. iSlcplicn .-\ndcrxon. l'S. 2007i Voiccx of Angola Baxxcll. Daniel llanxcn. Jordan fir}. lltl niin. Lou ix. an orphan. drcanix ol’ linding a laiiiiI). When in} xicrioux xtrangcr Wilbur Robinxon lakc‘x him to the future. ma} be he “1” lith one. I'Iiiiii};ihl} rclcrcnlial xci‘cuhall anniiaicd coined} \\ iih good \oicc \ki‘l'lx
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Moliere IIM.‘ iI .iiiiciil liiaid. I raiiccx I‘ll": Roiiiain llllll\ I'aliiicc
I llcllllll. Iaura \Ioranlc Iflliiiiii \
\liiiii xpi (.7! n: ll’\( xl_\lc~ populixl I.illl.i\} about .i lictilioiix cpixodc iii the Iilc ol llic :icai \IoIic-it- l)iirix .ix \Iolicic and \Ioiaiilc' ax liix onl low iuii lliioiiygli a \lc'\c'l hill tic-ax} liaiidcd iiiiagiiiinj; ol Iiix ciiciiiiixlanccx and cicaliw iiiipcliix Iliougli a [\ixsal‘lt' qullllIL' ioiiip. il'x lllIIL' iiioic than a \\Ill‘l‘lCtl gloxx on a L'lk'dl ailixl'x I‘llll|.llll LJIL'L'I Ii/Iri/iwuu Iii/Irlizngli Moolaade « Iii 000. ii )iixlilallc \c'iiitwiic. Senegal l’l'dlch' Iliiikiiia
laxo/f liliicloonWIoiiMo'l iiiiixi.i. 3t III-1- l'.lli'lllll.ll.l (‘oulitialy \Iaiiiiouna Ilclt'iic I)l.iii.i. Saliiiiala Ii.ioli'. Ihniiiiiiiiiuc /cid.i I3~1iiiiii I'our )oiing; giilx llllll up iii a xiiiall \Iiixliiii \ ill.ij_'c in llurkiiia I'axo allci llcciiig; lioiii [lit-ii ciiciiiiitixion tc-iciiion} IIlL'} \L‘c'lx f't‘ItlL'L' .ll lllk' llUtht' HI ('l‘llL'
l( 'oiililiaI} l. \sho. \L'\L‘l'.ll _\L'.lf'\ L‘.llllL'f. rcliixcd to allow llt'l o\\n iccnagc daughter lo undergo the practice (‘ollc L'lillllx lliciii [iiolcclioii l‘lll llk'l dct'ixion inccnxt'x llic coiiiiiiunil} ‘x iiialt' cldcix. \klio leicw that .i \xoiiian iiiiixl tic 'piiiilicd' l‘t'll‘lt' lll.llllglf_'t' I'.\u‘llcnl. inxiglillul and. tic-lion- it or not. lllllll_\ xocial diaiiia lioiii that old ,\Iai\ixl llt;l\lL‘l liliiiiiiakci Scnilicnc -\ li'ihiilc xcic'cning: lo ( )uxiiianc Sciiilwnc Ii/ni/ioim. la/i/i/iu/o/i
Mr Bean’s Holiday d’( it 0.
lSlc‘H‘ “L'lltlk'lilk'h. l'K. :Illl7l Rimall Aikiiixon. \Villcni |)aloc_ H‘Iiiiiii \Voi‘dlcxx inixlil .\ll' llcan i.-\lkinxoni gocx lo the I‘rcncli Rix mm and Iiccoincx cnxiiai'cd in a broad Iziii'opcan ;l\I\CllltllL' .-\ xill}. occaxionall} lunn). iiiildl) \t-nopliotiic \lapxllt'k lcalui'c. .lglc‘qllc‘x lull did It \(l
llltlc‘ll l‘t'llL‘l. (‘Hlt'ltl’rltl l’ilI'A/li'ilil. (i/ing'rmi
(.llh'tlitl'li/ lat/iri/iu/‘o/i. /-.iIIn/im'o/i. My Best Friend 1 12m .0. I.c'conlc. l'rancc. Zoom l)anicl Aiilcuil. I)aii_\ Ilooii. Julio (ia_\c'l. ‘l-Iiiiin. In lliix conic-inpoiar} l’arixian liiidd) iiio\ic arrogant antiqiiCx dealer l-i‘ancoix l.-\ulciiill ix tcaiiicd “till the ginnlvllllllll’cil. Il'l\ ia- xpouling: la\i dmcl'. Ili‘uiio illoonl al'lcr lk‘lllf.‘ challenged to pro\ idc a 'nicillcui' aini‘ h} the end ol' the month. .-\n ainiahlc il lvlll'llllllillt' tll\t‘l'll\\c'lllc'llt. (llllVJl’H I'l/nl I'lli’uln'. (i/inurili.
The Mystery of Picasso ll’(il .... lllL‘lll'l-(ic‘ill‘gc‘x (‘ltlll/Hl. l‘l'ullL‘L‘. 195m 73min. (‘loii/ol. childhood Ii‘icnd oI l’icaxxo. liliiicd l’icaxxo painting \kllllL‘ talking candidl} ahoul liix lite and work h} iiioiiiiling the camera on a li'anic and lik‘thlllg.’ on the hack iii a xcnii—li‘anxpai'ciil camaxi A unique inxiglil iiilo a lcgcndai'} ligiii'c. Paul of l’icaxxo on I‘ilin xcaxon. I’ll/ii/luuu'. lat/ililluljuli.
Not Here to Be Loved I IS) 00 (Stephanc llri/c'. I‘i'ancc. 2005i l’ali‘ic‘k ('licxnaix. Anne (‘oxigirv (icoi'gcx \k'ilxon. ‘Miiiin. A dimrccd. cliccrlcxx hailill' i('licxnaixl ix rciiiowd li‘oiii liix lilo ol l‘CpU\\C\\lUll\. liiiiiil} \xiicx and xilcnl llll\L‘l‘} h) the magic oI 'I‘ango and l'aniil} l‘ricnd liixiiicoixc l(‘onxig_'ii_\ l. Ilri/c-‘x iiiaiidliii al‘l'inil} l'or lliix kind of xl_\ characlcr xlud} lc'ndx xurcl} and control to \klllll xlarix out ax a drama of tin} xlriikcx hut cndx ax a cliched ageing: inalc Itllllax'y (I‘llh‘g’illl I'llm Niall/1'. (i/iiwoii,
>31 Opening Nighti ISi 00.. iJohn ('axxawICx. l'S. l‘)7i\'i (icna Rimlandx. Bcn (iii/Iara. John ('axxawiCx l-Hinin.
(‘axxax clcx turnx liix hand to a hackxlagc drama about an ageing acirc-xx at a L‘l‘l\l\ point in her career. It holdl} parallclx Roulandx' real-lilo poxiiion in tho induxlr} \\ illi her iinxlagc/iinxci‘ccn character. ’l‘hc lilni ix h}xlcrical. o\ crlong and ya ax profound a portrait of an aclrc'xx on the edge ol‘ lircakdoxx n ax )ou \\ ill lind oulxidc ol llci‘giiian'x Ha I‘m: I’art ol John ('axanICx xcaxon I’ll/ri/iuuu: Izi/m/mro/i.
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Film
"IIII IIIIISI IIIIIIIIII CIIQIIIIIII Sllltt LI."
On August 10th the world's biggest secret is about to surface!
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In Cinemas Across Scotland From August 10th
SCREEN ACADEMY SCOTLAND
A Skillset Screen Academy”
Digi DiY Film-making
Want to make a low budget high value feature film on HD? This six-day intensive course will help directors and producers develop the skills they need to make a low budget digital movie with high produ<tion values Course dates: 17 — 22 September 2007
C0urse fees for Scottish-based freelancers: £500
From Script to Schedule to Budget: budgeting 8: scheduling drama This is a three-day introduction to scheduling and budgeting drama (including use of EP/Movie Magic Scheduling and Budgeting software) wnth particular emphasis on low budget/digital projects for producers, [)l()(lu(ll()ll managers and anyone involved in drama budgeting or cost control
Course dates: 7 — 9 September
Course fees for Scottish-based freelancers: £200
Continuing Professional Development
Screen Academy Scotland Continuing Professional Development courses are supported by the Skillset Scotland Training Fund (SSTF) which is supported by the National Lottery through Scottish Screen. Applications are invited from those with at least 2 years experience in the professional audio visual industries.
N8: Further assistance for Scottish-based freelancers of up to 80% of course fees may be available from the SSTF which is supported by the National Lottery through Scottish Screen. See Skillset Scotland for further details- www.skillset.org/uk/scotland/trainingfund
For more information on our professional short courses: web: www.5creenacademyscotland.ac.uk email: info®screenacademyscotland.ac.uk
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6 The National Lottery
th'otiq' Sinftixt 5"01"
mama; skillset
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NAPIER UNIVERSITY
’. 'i 'x' I ' THE LIST 25