xlapxtick l'caturc. Jacqucx 'l‘ali did it xo much hcllcr. Dominion. lzitli‘Ii/im'c/i.

>l< 9 Evenings Trilogy ll-Z) lllahro Schult/ l.undcxtam. l'S. Varioux) l l2min. In 19m» in a xcricx callcd ‘) liven/um: 'Iilicum' A’- Iz'Iici/ict'rinc. tcn Ncw York artixtx and Bcll 'lclcphonc Laboratoricx crcalcd inuxic with ncw tcchnolog); llcrc I.undcxtani rcconxlructx lhc lirxt thrcc pcrl‘ormanccx l'rom archival l‘oolagc and original xound rccordingx in Robert Ix’umt‘ln'nln'rc. ()lu'li .S't‘un'. .lulm (‘ugcz lin‘iulium VII and David lllt/Ull Bum/min)” .’ / Bum/uncut) l-iu‘lm'iul/ (u rout/)im'l. Part of a xcaxon ol lilm workx rclating to John ('agc. I’ilm/mmc. Iii/inlmrc/i.

Ocean’s Thirteen (I’m .00 lSlcvcn Sodcrhcrgh. l'S. 2007) (icorgc (‘loonc_\'. Brad Pitt. Al Pacino. l2lmin. Sodcrhcrgh. with a knowing wink. takcx a xalc hcl in rcturning with thix hcixl l‘ranchixc. Danny ()ccan l('loonc_\ ) and thl) R}an lPilt) round up lhc gang againxt daxtardl)‘ ncw caxino owncr Will} Bank'x (Pacino). 'l‘hough court} and ol‘tcn irritating. in partx it ix \cr) lunn} and thc action xcl picccx arc cxccllcnl. (it'm'rul I‘('/('ll\('.

>l< Octopusalarm l IS) 00.. llilixahcth Scharang. .-\u.xlria. 2000) l07min. .-\ xcricx ol' inlcrx icw .x h} Scharang about lil'c hctw ccn lhc gcndcrx with .-\lc.\ Jiirgcn. w ho wax rcaxxigncd ax l‘cmalc al lhc agc of two. Part of lhc London l.cxhian & (3a) l-‘ilm l’cxlix‘al on Tour. l'ilm/iuuw. Edinburgh.

>l< One“ lli) O... lllcnning l.ohncr/Jolin ('agc. (icrman). 1902) ‘Hmin. 'l‘hc on|_\ l'calurc Icngth film by compoxcr ('agc. it wax madc without a xuhjcct hut uxing hix conipoxitional lcchniqucx ol' chaucc opcrationx. Accompanicd h} (‘agc compoxilion /()_\’. Part of a xcaxon ol lilm workx rclaling to John ('agc. l‘l/Hl/IUHM’. [filth/Hugh.

The Painted Veil l 12A) 00.. (John ('urran. ('hina/l'S. 2007) Naomi

MAGGIE BYLLENHAAL BOB HOSKlNS OLGA KURYLENKO Ll XlN E‘LlAS MCCONN

ISABEL CUIXET WES CRAVEN ALFDNSD CUARON CHRI

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\Vallx. lidward Norton. l.ic\ Schrcihcr. l25niin. 'l‘hc third xcrccn adaptation of Somcrxct Maugham'x no\ cl about an linglixh couplc (Norton and \Vallx) in l‘)2(lx (’hina. (‘o-produccd with lhc ('hincxc govcrnmcnt. lhc production managcx to xtcp outxidc lhc domcxtic |i\cx of thc protagonixtx to hcconic a gcnuincl} touching romancc and hrcathtaking piccc ol‘ cincma. Dominion. lat/iii/mrc/i. Paradise Lost l 18) O. lJolm StockwcH. l'S. 200m .loxh l)uhanici. lilixxa (icorgc. ()li\ ia \Vildc. 03min. Young hackpackcr .r\|c\ ll)uhamcl) and hix l‘ricndx arc marooncd whcn tlicii' hux rollx oil a cliff and lhcir organx arc in dangcr ol' hcing c\traclcd iii\o|tiiil;ti‘il). l-‘ornicrly known ax 'liu'ismx. thix limp lcltucc of a lhrillcr ix liltlc morc than a xnitidgcd pliolocop} ol' lili Roth‘x l/mlt'l a gruhh) knock-oil" of a conxidcrahl} xmarlcr and hcllcrc\ccutcd lilm. ('im'wnr/(l Iii/in/mru/i. [Jilin/Hugh.

Paris Je t’aime l IS) .00

lVarioux. l‘rancc. 2000) Slcx c lltixccmi. (icna Rowlandx. Nick .\'oltc. l20min. Scc rc\ icw. pagc ~10. (i/uwmi' l'i/m 'I’ln'u/n'. (i/mguu ; l‘i/m/muu'. lat/inluu'g/i. Pirates of the Caribbean: At World’s End l 12A) 0 l(iol'c \‘crhinxki. 1'8. 200") Johnn) l)cpp. Kcira Knighllc}. Orlando Bloom. (icolli'c) Ruxh. l().\'iiiiii. lhc third inxtalmcnt of thc lloll_\\\ood hlockhuxlcr lrauchixc hax xulixlitutcd cohcrcnt plot dc\clopmcnt and cucudcd comcd} routincx lor hum- uumhingl} lcdioux plotting that c\cn an Cl'l-CCl\ hca\_\ xpcclaclc Cttliil xau‘. 'l'hc allurc ol‘ l)cpp'x juxt-ahoubxtiII -amuxing xloncr piralc. and Knigltllc} and Bloom'x dtill. \ irginal lo\ crx hax gonc lo ilx walcrloggcd gra\ c hut lhc xcricx ma} limp till. (;('II('I'(II I'(’/(’(l\l’.

Primary and Transitions l Pl ; ) (\arioux. l'K. 2000-7) 75min. l‘ilnix niadc h} )oung (ilaxgtm ax} ltiiii xcckcrx agcd

3 20. Part ol RL‘l-llg‘L‘L‘ \Vcck. (i/(Hglm‘ l’i/m Hint/Ir. (i/mgml;

=3: Puccini for Beginners l 15) 0.. (Maria Maggcnli. l'S. 200(3) lili/ahcth Rcaxcr. (irctchcn Mol. Jtixlin Kirk. 8 l min. :\llcgra chaxcr) hax juxt hccn dumpcd h) hcr lcxhian lcht' whcn in walkx Philip (Kirk). a dappcr (‘olunihia prolcxxor w ho. againxt hcr hctlcr

judgmcnl. lightx hcr l'irc. Mcanwhilc. xhc

lallx into hcd with irrcxixtihl) gorgcoux (il‘aL‘L‘ l.\ll)l ). :\l|cgra‘x lllC liax ltL‘\L‘l' hccn xo coniplicalcd. An artictilalc. croxx— xc\ualit}. lo\ c lrianglc datc movic from lhc dircctor of Hit l/n‘ru/i/ily 'Ii‘m' .‘llll'l’ll/lll't’ of Two (iirls in Low. Part of lhc London l.cxhian and (lay liilm l‘l‘xlqul on Tour. I’llni/num'. Iii/in/mrc/i.

Queen Margaret University Short Films 1 15) (Varioux. l'K. 2007) l20min. Sclcction ol‘ xhort lihnx and dm'umcntaricx lrom gradualc xludcntx l‘rom Quccn Margarct l'nchrxil}; l'l/Ill/IUHAU. Iii/inlmrgli.

>1: Red Doors l IS) 000 ((iL‘Ul'glil l.cc. 18‘. 2005) 'l'li Ma. Jacquclinc Kim. lilainc Kao. l"rcda lioh Shcn. 02min. lid \Vong ll/i Ma). ncw I_\ i'clircd and dcprcxxcd. xll'ttgglcx lo kccp ltix hoixtcroux w il'c and thrcc daughtcrx logcthcr in thix capach comcd} ol~ lamil} crrorx. l‘ocuxing on a (‘hincxc .'\nicrican lamil} with comintinication ixxucx. Part oi lhc London l.cxl\ian and (la) l’ilni l'cxtival on Tour. I'i/Iii/muu'. lat/in/mrgli.

2:: Revenge of the Dead Indians ll.) 0... lllcnning l.olincr. (icrmany. l‘NM 125ml”. .\ xlal‘ xlttdllcd documcnlar} about lhc .-\mcrican compoxcr .lohn (‘agc. with appcaranccx h} l)cnnix lloppcr. Rutgcr llaucr. Malt (irocning. Frank Zappa and Yoko Ono. 'l‘hc xting ix that it ix xtruclurcd according to (‘agc'x conipoxilional mclhodx. Part ol‘ :1 xcaxon ol lilm workx rclaling to John (‘agc. l'ilHi/ioim'. Iii/inluu‘u/i.

Robots ll) .0 (Unix \Vcdgc. (‘arlox Saldhana. [8. 2005) Voiccx of Robin \Villiamx. llallc Bcrr}. (ii'cg Kinncar. liwan .\lc(ircgot‘. ‘llmin. .\'cw

Film

animatcd advcnturc from lhc mak‘crx ol- Iu' xlgt'. Rodncy ('oppcrholloni (McGrcgor) ix a working claxx robot whoxc drcamx ol hcconiing an im‘cntor arc daxhcd whcn hc dixcovcrx that Bigwcll. lhc largcxl corporation in thc city. hax hccn ovcrtakcn by Ralchcl (Kinncar). a rulhlcxx capitalixt who makcx Rupcrt Murdoch look likc Karl Marx. ()n lhix showing lhc ('(il l‘orniula ix dcxpcratcly iii nccd of an upgradc. (ii'u.\i'('rtnli Glasgow.

Rocky (PU) C... (John (i .-\l\'idxcn. l'S. l‘)7()) Sylvcxtcr Stallonc. Burgcxx Mcrcdith. 'l‘alia Shirc. I 19min. Back to thc dayx whcn Slallonc tixcd to makc good lilmx lw cll. onc. and lhix ix it). It's lhc old ragx-to-richcx .xaga drcxxcd tip by writcr SI} ax a boxing drama about a dim-witlcd Philadclphia lad who inakcx it good in glchx. This onc look thc cht Piclurc ()xcar. whilc lhc four that l'ollowcd adhcrcd to thc law oi" diminixhing rcturnx. (innuvun; (i/(M‘g'lm:

Rocky Balboa l 12A) 0... (S)l\cxlcr Slallonc. ('8. 2006) Sylvcxlcr Slallonc. Burl Young. Milo V'cntitniglia. Antonio 'l‘arvcr. l02min. .-\gcing hoxcr Rocky (Stallonc). living off liix paxl glory. lcarnx that a computcr xiniulatcd light hax him hcating Maxon Dixon lrcal lit‘c light licax'ywcighl chatnp 'I‘arx'cr) and an cxhihition houl ix arrangcd. 'l‘hc natural hcir and .xucccxxor to lhc original Rm‘k)‘. il'x w a} hcllcr than cxcn dichard lanx could hopc l'or. Ro-ck). Ro-ck}. Ro-ck‘) . . . Sl'll’l'll’ll I'(’/(’(I,\('.

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R83 idARTlNDAiE ‘i’lZilflNilE MDREAU EMMY MGRHMER ELQRENEE MULLER HlCli HQUE

STDPHER DOYLE ' - HARD LABRAVENESE VlNCENZU NAT/ill ALEXANDER PAYNE

SYLVAlN CHOMET JOEL COEN ETHAN CUEN

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?l \lllll~f) Jul 2001' THE LIST 49