Film
Films screening this fortnight are listed below with certificate, star rating, credits, brief review and venue details. Film index compiled by Paul Dale
Accepted l 13A! 0. iSlc\ c l’iiik. l'S. lellhi .liixliii l.inig. .'\llillll llci‘xcliiiiaii. Blakc l,i\cl.\. ‘Hiiiiii. In an ailciiipl in mm lhc .lUllll lliighcx lccii iiim ic ci‘imn. l’iiik Ullt‘l'\ up lhc ialc nl' liai‘ilch}. \\ ho. al'lci‘ hciiig i'cl'iixcil ciiii'} llllU M Li} collcgc. opciix a xchiml lhal hax a piilic} Ul' acccpling.‘ lilox lile‘l'\. l)cxpilc xc\ ci'al hilai‘iinix inoiiiciilx ii'x a lccii mm ic h} iiiiiiihci'x. and iiliiinaicl) lhc iiiaihx don‘t add up. (‘i'ni'n'urlil Rt'll/H’ll .hillil‘l'l. (i/ilxg'iiii.
Across the Water: Myths, Magic and Folklore il’(ii i\'ai'ioiix. l'K/li'claiiil. :llllllSl 55min. Shinix c\ploi'iiig_' xiin‘}lc|liii;. including 'l‘lii' lim nil/i l/It'
[ii (’I' ()ln'ii .liiii. (iii/iii Him/i111. \‘Ai'li’lmi Hit/mm. 'I'lii' (iri'i'n Him. I’lii' llili‘lii'x and /‘/ii' li'iu' Sluri ii/ Sun/1m Ii’i'iilii'. xiiiiic iil
u hich “L‘l'c inailc lll liiliiihiii'gh'x \ci‘) pi'ogi‘cxxn c Rcil Kilc aiiiiiialiini \llltllU. l'l/Hl/IUHH’. [xi/in/Jui'u/i.
All the King’s Men l l:.'\l O.
iSicwn /.ailliaii. (ici'iiiaii_\/l '8. 300m Scan l’ciiii. .liiilc l.a\\. Kaic \Viiixlcl. 127mm. .\ llL‘\\ atlaplaliuii nl Rohci'i I’ciiii \Vai'i‘cii'x iimcl. iiixpii'cd h} cin‘i'iipi l.niiixi;iiia gmci‘iini' and Sciialin‘ lliic} ‘Kiiiglixh‘ l.iiiig. \\ hich lailx iii in c up in Rohci‘l Rnxxcii’x I‘H‘) ailaplaiioii. \Viih iiiicnm iiiciiig liii'iix ll'Ulll l’cini and La“. ilic inil} piniii nl' iiilci'cxl ix lhal il \\.’l\ UllL' ul' lhc laxl iiim icx xhiii in \cu ()i‘lcaiix hclni'c lliii'i'icaiic Killl‘lllil. Xi'li'i’lt’i/ l'i’li'il\('..
Angel-Ai l5! .. (l.iic licxxnll. l'i'aiicc. SUNS .laiiicl Dchlmii/c. Ric Rilxlllllxxt'll. (iill‘t‘l‘l \lt‘lhl. 501'ch Raihiiiikiiic..\kiiii('hn1XTiiiiii.x\i'oiiiaiilic lahlc ul' xcll7a-Jccpiaiicc. \\ hich iakcx placc on lhc xii'cclx ill l’ai'ix. .-\iiili'c ix a pct!) ci'iiiiiiial ilim ii on hix hick. \\ hnxc lilc ix changcil h} lhc cpiiii} iiiinix chai‘acici‘. .v\llci‘ an ailcinplcd iluiihlc xiiiciilc lhc paii‘
c\ ciiliiall} l'all iii lm c. 'l'hix ix a i'ciiiai‘kahlc chaiipc iii \lll'L't‘llUll loi' l.iic licxxnii. \ihich ix lii hc laiiilcil [Inniin lhc iiicxxagc lhai inic xiiilllhl lw ll‘lic l0 i‘ilcxcll gclx l0\l \UIHC“ hci'c llllllk‘Sk‘lllk'.()1/('llll.l/I‘llt'ahlifl. (i/ihfiHii. The Ant Bully i l ‘ i O. iluhii .\
l)a\ ix, ('8. lellhi Julia Ruhci'lx. Nicolax ('agc. \lcrfl Sli'ccp. N‘liniii. Ycl aiiolhci'('(il ainiiialioii hcxiim iiig lilc lcxxiiiix on lhc iialioii'x )iiiiiig. 'l'cii )cai-olil l.iicax likcx l0 lUl'lllL‘lll aiilx. iinlil i‘cxiilciil aiil \xi/ai'il /.nc i.\'icolax ('agci xhi‘iiikx hiiii ll‘ lhcii' xi/c and lcachcx him in h\ c ax pai'i ol lhc coiiiiiiuiiil} i‘aihci' ihan an llltll\ ltlllill. l’i‘ciliclahlc )ai‘n. hit/(i Ii i/ I'i‘li ilu’.
Barnyard il’( ii 0. iSlcx c ()cilclxci'k. [8. 200m \inccx iil' Kc\ iii .laiiicx. ('niii'lciic} ('ii\. Sam l'.lllUll. X‘liinii. (‘uiiipiiici' gciici'alcil aiiiiiialioii lcaluic ccinci'cil on lhc xiiiglc iiiiliiini} pi‘cinixc lhai l;ii'iii_\ai‘d aiiiiiialx do iiiail lhiiigx \\llL'll no niic ix ualchiiig. \Viih lhc caxl aiiil \xi'ilci‘x iii\ii|\cil. ihix xhiiiilil hc hall ilccciil. hiil il'x acliiall} \ci‘} pom: \liii‘c iiiaiiiii'c lni‘ iiiiiiui'x. (ii'iii m/ 11 Iran:
l
Falklrk Town Hall
Tum / Nov '/,30/)m
THE QUEEN (12A)
film 74 Nov 7.30pm
LITTLE MISS SUNSHINEiis)
Tickets and further information from The Steeple Box office
(Tel: 01324 506850)
or on the day from the hall
44 THE LIST 3 'i’ N ,. .' it
Be with Me 1 DA) .0. ilii‘ic Khim. Siiigapni‘c. ZilllSi 'l‘hci‘cxa l’oh l.iii ('haii. Sccl Kciig Yc“. li/aiin |.cc. l.}llll l’oh. 04min. Scc i‘c\ icu. pagc ~12. I'l/HI/IUH.\(’. I'fili'Ii/Iuru/i.
The Big Lebowski l lxi 0.00 (‘nciL 1‘8. l‘NTi Jcll Bi'iilgcx. John (iomliiiaii. Slcx c liiixccini. 1 13min. lhc ('iicii hi‘olhci‘x giw lhcii' iiiiiiiiic in ixi in a (‘haiiillcr-quiic l.:\ llUll‘. ax ,"llx hipp)
llll‘im hack Jcll "lhc l)lltlk" l.chii\\ xkl ilii‘iilgcxi ix th'axx ii llllU lhc \Ul'tlitl allaii'x iil' hix inilliimaii‘c iiaincxakc. Siiililciil} hc hax li) \lL'lllll hix \\;i_\ llll‘nugli ilixnl'gunixcil ci'iiiic. ’l‘i'ailcinai'k nililhall chai'aclci'x. xiii‘i'cal iiiiagci'} and c\cc|lciil pci‘l‘oi‘inaiiccx gi'acc lhix \ ll'lll(l\il ciiiiicil}. (fl/IIIUH'IIH/(i/J. (i/(Mgnii.
Bloody Sunday 15: 0... (Paul (ii'cciigi'axx. l'K/li‘claiiil. 2001 l .laiiicx \cxhill. liiii l’igull-Siiiiih. Nicholax l’ai'i'cll. lll7iniii. (ii'cciigi'axx' iluciiiiiciilai'} xl} lC tll‘flllltl l'L‘Cl'L'ulL‘N lhc L‘\L‘lllx ml 3“ Jainiai'} l‘)7_ in l)L'l'l’_\ “llL‘ll lii‘ilixh \UltllL'l\ lii'cd iipini ci\ iI i‘ighlx acii\ ixlx during a pcaccl'iil ilciiin. 'l‘hc cl'l'ccli\ c xcciic xclliiig aiiil i‘cci'calioii nl' lhc iiinml ai'iiiiiiil lhc c\cnlx ix xiipci'h. ax ai'c lhc [it‘l‘ll)l'lllilllL‘L‘\. pai‘liciilai'l} .\'cxhiii iii ilic lcail. pi‘m in; hc'x gill ;iii}ihiiig hiii (‘nli/ I'i’i'l. l’ai'l ill Rccl Illllh. I'i/Iii/iiiiixi'. I-.i/i'Ii/iiiruli.
The Blue Angel mm .000 iJiM-i‘ \Ull Slci'iihci'g. (ici'iiiaii). Willi liiiiil Jaiiiiiiigx. \lailciic l)lL‘ll'lL‘ll. Kiii‘i (ici'i'oii. lllXiiiiii. lici'liii'x ilccailciil cahai'ci ci‘a ix
\ ihi'aiiil_\ hi‘uiighl in lilc ax I)icii'ich'x \iiliipliioiix xiiigci' l,ul;i»l,ola xcix Ulll iii
lJUCl
xciliicc anil dcxli'ii} a huiii'gcoix xcllinillczicllcl‘. In llcl' lil'xl lllil‘lUl' i‘UlL‘. lhc acli‘cxx lapx llllU a pniciii ciii'i‘ciil ol' l‘ciiialc xc\iialil_\. (i/iixumi I-i/ni 'I‘lii'iilri'. (i/iiwmi. Bob Ie Flambeur (Bob the Gambler) ll’( il ilcaii—l’ici'i'c .\lcl\ illc. l-i'aiicc. l‘)55i Riigci' Duchcxiic. lxahcllc ('in‘c). Daiiicl (‘aiich_\. (iii) Uccmnhlc. lllliiiin. l’ai‘i hcixl iiim ic. pai'l ‘lm c Icllci‘ in l’ai‘ix'. .\lcl\ illc puiiiix Ulll lhc glamour and ilaiigci' iii lhc cil) at night. l’ai'i iil' llcixl :\liiiig_‘hl_\l IVI/ni/iuuxi'. Iii/iii/iiu'uli.
* Borati l5! 0... il.ai‘i'} ("hai'lcx l'SA. lellhi Sacha Baron (‘iihciL l’aiiicla .’\ll(lk‘l’\illl. Kcii l)a\ iiiaii. 33min. Scc
llllL'l'\ icn. pagc 3‘) and in lL'\\. pagc 4i). (it'lli’l'il/ I‘i'li'ilu‘.
Breaking and Entering I IS» i,-\iillliiil_\ \liiighclla. l'K/l'S. lellhi JUth l.a\\. .liiliciic liinochc, Riihiii “llng l’ciiii. llllniiii. Scc i‘c\ ic\\. pagc 43.
ZlGrans
“Jr”:
Alejandro Gonzalez lfiarri
Bremer Freheit (Bremen Freedom) I IS) iRaiiici' \\'ci'iici' l";ixxhiiiilci'. (ici‘inan). 1973i Margit ('ai‘xlciixcii. l'li l.innincl. llaiina Sch}gulla. 87min. lll lhc lllltl- I‘llh ccnlui‘}. llllthl'HllllCtl lllllhc“ il'c (’ai'xlcnxcn ilcciilcx in chanch hci' plighi h) poixoiniig hci‘ cinii'c l'aiiiil}. liai'l} l-‘axxhiiiilci' cunninaiinn ol ilniiicxiic nppi'cxxiini and lhc hca\_\ pi‘icc nl Iihci'alioii. l’ai'l iil' Raiiici' \Vt‘i'lit‘i‘ l'lil\\l‘lll(lt‘l' xcaxini. (i ii. (i/ilxguii. Bridging the Gap i 15» i\'.u-iuux. l'K. \ai‘iniixi 70min. Si\ xhni'l iliiciiiiiciilai'icx l'i'oiii llL‘\\ liliiimakci‘x. L‘Ulllllll\\l0llL‘tl h) ihc Scniiixh [)0L‘lllllL'lllill'} liixliiiilc: I’lii' .‘lllL’F/HIULVIW. ,vl [mm-uh (11w. I'lii' /\’i'\l i\ .S‘i'li'nci'. [inc and / l'i'll .VUI/IIIIL'. l’ai'l iil' Rccl lellh. l‘l/lll/lUllH'. Iz'i/i'ii/riiru/i.
Cars il’(ii 0.. l.l(lllll l.;ixxclci'. [8. 200m \iiiccx ol ( )\\L'll \Vilxoii. l’aiil Ncuiiiaii. lioiiiiic lllllll. l.iii‘i'} lhc (’ahlc (iii). llliiiiii. Racccai‘ lightning: \lt'(‘)llL'L‘ll oncx hix \\a} cii i'inilc In lhc liiial i'acc ol' lhc xcaxini aiiil lllltl\ hiinxcll iiiai'imncd lll lhc xlccp} in“ ii iii Railiaioi' Spi‘iiigx. \ihich ix populach h} an ai'i'a} ul' iiiixlii cai‘x. l)cxpilc lhc iiiaii} pnxiiiwx. (‘iirx ilucxii'i tlllllL‘ iiiakc lhc highcxl gi'ailc iiiaiiil} hccaiixc il'x lhc lcaxl original l’i\ai‘ lilin _\ci. (ii-mi ( mu: (i/iiwuii.
Charlotte’s Web it»... ii'hai-lcx :\ NlL‘llUlM l‘S. lU-jl \l‘ICC\ Ul' “Cl‘lilt‘ Rc)iiulilx. llcin‘} (iihxnii. ‘Hiinii. :\llllll;llL‘tl \ci'xiini ul' lhc lill \Vhilc claxxic in \\ hicli a lill'lll).’ll'tl xpiilci' hcli'iciiilx a xh} piglci. \iil haill} (lllllt' h} lhc llaiiiia liaihci'a \llltllU. l'I/ni/iuiiu'. Iii/Ill/Hll'g’ll.
Children of Men I l5: 0... i.-\liimxu (‘iii'aiL l‘lx'. lellm (‘lix c ()\\ cii. .liiliainic Mimic. \lichacl ('aiiic. ('hiuclcl liiiolin‘. ll—lllllll. li‘x 302". and in» L‘lllltll'L'll ha\ c hccn horn \xin'ldu iilc lin' iicai'l} inn ilccailcx iii lhix i'ai‘c L‘\;Illl[‘l‘.‘ ol' hi3; hiiilgcl \Cl'-ll \\ ilh iiilclligciicc and limit. l)ii'cclui' ('iiai'oii hax pla}cil till“ n lhc l’l) .laincx' iimcl'x i'cligioiix allcgin‘} iii launn' iil' haitl-hiiiiiig pnhiical iiniiiciliac}. Ill lhc xpii‘ii ol' l'in‘ci‘iiiiiici‘x l‘lii‘ ()nii'cii .lliui aiiil Sui/rm (ii‘i'i'n. .‘(lti‘lfi/ I‘i‘li (Hi:
Clerks II l I5) 0. lKC\ in Siniih. l’S. lellm lii'iaii ()‘llallui'aii. Jcll .'\lltlt‘l\lill. Roxai‘iu I)a\\xoii. ‘)"iiiiii. l)cxpiic xinnc xiipp) i'iniiaiicc \\ ilh l\()\\ licck} il)a\\ \Ulll and a \xcll choiciigi'aphcil iinixical xcqiiciicc \L‘l [U ‘l‘llL‘ .lackxoii l'iH‘ix '.'\li(”. (WT/d // Ix xli'inigcxl “th1 il iiiiiicx Siiiilh'x nim lainiliai' i'ich xcain ul' lilih. ('iiniiw. [ail/ii/iiu‘g/i.
Click i l3.-\i O. il-i'aiik (‘in'aci. l'S. lellhi x\\lillll Saiidlci'. Kalc licckiiixalc.
("lii‘ixiophci' \Valkcii. Ill—7min. Sli‘cxxcd oiil ai'chilccl .\lichacl iSaiiillci'i ilocxii'l hax c ciiinigh huuix in lhc da) [0 inch all hix inaii} coiiiiiiiliiicnlx. 'l‘hcii hc mcclx a “L‘ll'tl clccii‘imicx xalcxiiiaii \\llll gixcx Iiini a iini\ci'xa| i‘cinoic control. .>\iiolhci' mild!) plcaxaiii. xchciiialic Sainllci‘ ciniicil) \\ ilh lhc i‘cqiiixiic .iininiin ol langhx. (ii'iii'rii/ l'i'Ii'ilu'. Coma i l5) i.\lichac| (’i'ichlini. [8. 1078! (lL'll\'\lL'\L' lillliilil. .\lichac| Dough“. luli/ahcih .-\xh|c_\. Rip 'l‘iii'ii. lliiiiiii. l)l' Siixaii \thclci’ i liiiioltli ix L‘llll‘l'llllCtl iii a incilical ihi'illci' ax paliciilx lll_\ xlci'iinixl} lall llllU cniiiax allci' i‘niiliiic xiii'gci‘}. l’ai'l ol lilliicx iil' 'l‘i'aiixplaiilalinn xcaxini. film/mun: l-[i/I/i/im'q/i. The Constant Gardener: ISi 000 il‘ci'iiaiiilii .\lcii'c|lcx. l'S/l'lx'. IllllFi Ralph l'icniicx. Rachcl \\'cix/. lliihci'l lx'ounilc. [)anii_\ lliixluii. IIXiiiiii. \thii \aii'uhi~ haxcd ilipliiiiial .liixliii Qua} lc‘x il'iciiiicxi Ulllxpilkcll acli\ lxl \\ llc .l'C\\ (“'L‘ix/l 1x l’iniiiil iiiiii'dci'cil II) a l'L‘lllUlL‘ i'cginii ul' Niii‘llici‘ii Kcii_\a. hc hcgiiix in iiiicmci‘ a \iholc Ioail ol' till'l} xcci'clx. Bcaiililiill) \ll'llt‘llll'Cil :lllil \lllll. \lt‘l't'lllt‘x' llllll \llt'k‘L‘Cilx ax hoih a polcinical ihi‘illci‘ and a l'L‘ll‘leiL‘L‘lH c lm c xini‘}. \\ iih l‘icinicx Ulll\lillltllll“_‘ in lhc i'iilc “l a mail gi'ailiiall) HPL‘lllll}: up in lhc tlL‘Plll nl~ hix lccliiigx lin' hix \\ ilc Hill} allci‘ hci‘ ilcalh. ('i'ni’nurli/ )(II'A/li’ilil. (;/(I\'\’ltll. Cool and Crazy (Heftig og Begeistret) i ISi 0.. iKiiiii lii‘ik .lciixcii. \ni'na}. lelll i IllSiiiiii. Joining; a inalc \iiicc choii' lll;l_\ llUl hc c\ci'_\oiic'x iilca nl a gnml iiinc. hiil f_‘l\L‘li lhal lici‘lcx ag‘x ulhci' iiiaiii lcixiii‘c aclix ilicx xcciii in hc xiimkiiig l'UlllL‘\ ainl xlai‘iiig Ulll lU xca. iliix local ciixciiihlc ix a popular inic. liL‘l’lLW a; \ll\ Ull lhc L‘ilgc (ll, lhc lial’cnl Sca. aliil .lciixcn tlUL‘\ niil xhii'k l'i'nm \llU\\ in; lhc iiiiniiiiini} iil' lhix xiiiall Noi‘ucgiaii lim ll. .\x a liliii. ('mi/ ."IIi/ ('i'ii;\ C(‘llltl llll \\ ilh a litllc iiiin'c iiai'i‘ali\ c ili'i\c. Bill ax a xocial pin'li'ail ii ix iiiipcccahlc. and ll hax iix U\\ll pnlciii ainl i'alhci' xlinc l)i'icixiii. film/1mm: [xi/In/iiirgll. Cyberworld 3D il’( il iVai'imix. l'S. jlllllli lcinia lilliiian. \lail l‘i'cuci'. Wood) .'\llL‘ll. ~l-liiiiii. .lciiiia lill'iiiaii ix lhc c}hci'- huxi \\ ho iiiii'nihiccx iix In whom iiiii'clalcd xcgiiiciiix ol' c_\ hci' ainiiialiini. ‘l'lii' SUN/HUI“ and .llll_’. iiiakc 3|) appcai'aiiccx iii a xpcciaciilai' ilixpla} iil' iuila} 'x iiioxl iiiipi'cxxi\ c graphic icchiiolug}. /.ll.l.\'
/'/Ii ill/i, (;/(I\L’I‘ll.
tu blew minds with his stunning directorial debut Amores Perros - sagely billed as the Latin Pulp Fiction at its time of release — but for his third feature he went
deeper and darker to startling effect. A film with a heart, quite literally, at its centre, the characters are frail and the muscle at their centre is far frailer than they might at first think. Terminally ill Paul (Sean Penn) inherits the heart from Cristina’s (Naomi Watts) deceased husband after a freak accident involving born again ex-con Jack (Benicio Del Toro at his beguiling, turbulent best). Their three lives become hewn together in a grim but mesmeric fashion. lfiarritu’s direction is brutal, choppy and emotive and like life itself, the conclusion is never neatly resolved, though the trio’s lives are changed forever.
I Fi/ni/ioi/sc. Painfully/i. Fri 10 Nov (in/i: