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Beyond the Palace Walls
Following its highly successful collaboration with The State
Hermitage Museum in St Petersburg to stage Nicholas and Alexandra: The Last Tsar and Tsarina, the National Museums of Scotland continues the successful relationship into 2006 with a major exhibition on Islamic art.
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Artist Spaces ,
I GLASGOW PROJECT ROOMS (i-l ()xhlll‘llt‘ Sllt‘t'l. ii: l 17?
llani ipin
Kate Temple and Vicky Falconer Sun illlul Sat 5 .\u;'. l opin Sculptural lll\l;lll.‘lllllll h} lllk‘\l' luo
l-( ';\ _:_'r.'n|uatt'\ ll\lllf._‘ louinl ohlct‘lx. paints and lll‘ll\t‘lllllll inalt‘llah lo t'li'alt‘ a Bauhaus t'\l|llt' \lagt' tlL'\llel anll contraxung “all painting, Ni ‘.‘.' fit it
I ONE TON PROP
Hal I. 35 Ilult‘ht'xonlonn (hurl. (ilil'litll\, “7731 lehRI llalll (\pm Mother’s Milk l'nlil \\ul 3 .-\ug.' .\ llt‘\\ group \Inm lroin ()llt‘ Ion l’iop'x arlnlx \ln‘hacl Ru}. (iiat‘nit' lx’ogt'r and Stephen Murray {ASH "l lANl i ll)
Sl l
I MARKET GALLERY
ii-l “[th Sllt‘t‘l. 550 “73-70. lllt' Sal noon (ipni.
Phantom l'll 3| .Iul Sal l‘l .-\u3_'. .\u t‘\llll‘llltlll ol International photograph} lot‘uxing on lllt' \xa} Ill \xhn'h lht‘ .ll'll\l\ haw ll\t'll light to capture mural on tlrt'ani} \llll.llltlll\. int'luihng \\llll\ h_\ l)a\ nl Hurroxu. 'l'ruutlail (lu'nllo. .'\\l|ltl Kruxt‘ .lt'll\t‘ll and Michelle Hannah Ni \‘\ Si ll Wt.
Edinburgh
I CITY ART CENTRE
3 .\l.ll'i\t‘l Sll't‘k'l. 53" “Mi \lllll Sal Illaul 5pm. Sun noon 5pm, [5 it: it“. ill tannl}.
Albert Watson: Frozen Sat 3‘)
Jul Sun 33 (kt l’lnatt‘ and continuum! pn‘u‘x h) tlux l-ihnhurgh horn photographer “how t‘t'lchiu) portraitx and other unagt‘x haw appeared in niaga/unw \ut‘h a\ \iium'. Riv/hug \iom and limit Nl \\ Si i« W“.
Anne Redpath and the Edinburgh School Sat 3" Jul Sun I: ()\l Still lllk' pn'u‘x and lanilxt'apt‘ l‘.llllllll:_‘\ h} .-\nnc Rt‘ilpalh and hcr (l‘lllt‘llll‘tlldllt'\. including \Vilhani (‘ro/Icr. \\ Illiain (illlt‘\ and \Villiaul \latlLIggarl \‘E V. SHOW
Toulouse-Lautrec and the Art Nouveau Poster Sat 3" Jul Sun 33 ()ct. .-\ displa} ol' l‘rcnt‘h poxlt‘r prinlx. \panning from the Rolnantn‘ pcuotl lo
the \l.lll ol lllt' \ll \ouwau niownn'nl. nit‘luthng' li \\th\ h} Ilt'llll llt' loulouw lauut't’ “Ji i: '
I COLLECTIVE GALLERY
33 38 (‘ot‘khurn Stit't'l. I‘ll Illill
l'ut' Sal noon *pni
Seamus Harahan 8. Bedwyr Williams .0. l‘nlil \.il 33 Jul l‘lllll .lllll \t‘ulpluial \xoik In lht'w luo itl'll\l\. holh ol uhqu lt'l‘lt‘\l'lll\'tl lht‘n t'lllllllllk'\ (\ollht'ln ht‘lanll .unl \\a|c\ lt‘fl‘t‘t'lht‘l) l ill lllt‘ HMS \ik'lllkk‘ Iilt'lllldlt‘ {ART Nrwth l ' ii i Matt Stokes: Pills to Purge Melancholy Sat 2‘) .Iul Sal It» \‘cp 'l llt‘ rim \olo \hon h} llll' \\Illllt'l ol llll\ .\t‘;ll.\ lit't‘k\ I’llllllt‘\ .\\\.llll lt'aluilng: a llt'\\l_\ t'oiunuxxlont'il I‘lt't'k' looking: at l'ihnhtngh'x lllll\lt \t't'nm and \uhtulluu'x. plux a \lutl} ol a no“ llt‘lunt't \t'nl Houxc lllfgalllmtllllll Ill
\\ lllllt'llllt'lt'. ’m/ of Ill/H/nug/i \II ll'\/ll(l/ N? fitr
I DEAN GALLERY
‘i liclloiil lx’oall. (iZ-l (illlll l).u|_\ Iliani ipni.
Van Gogh and Britain: Pioneer Collectors l'nlil Sun 3-1 Sup, to l L-l i. u|3\ lrt‘c l-\|uhluon charting lllL' It'lauomhIp l‘k'l\\t‘t‘|l \‘an ( iogh and Brillxh art t'ollct'loh. ll‘t'll\||l_‘_‘ on (ilaxgon tit-alt'i .\|t'\ani|t'i Rk'lll Eduardo Paolozzi: Prints and Drawings l'nul Sun I (M \ \clct‘uon ol \t‘rt‘t'n |‘lllll\. cit lungx. uooth‘ulx and tll.l\\ Ingx h) the l.tlllilll\ \t ulploi
Ten Bindings for ‘Stone’ l nul Sun 5' (it! Iiixpla} ol hook hintth h} l‘.lllll Shannon t'lt'alt‘ll lol \lom . a hook ol [‘Ht‘lll\ h_\ (it‘lth't' \lat'ka} Blow)
I EDINBURGH PRINTMAKERS :1 l'nion Sut‘t‘l. ‘5“ ll“) 'lut‘ Sat lllain opni
David Shrigley \ai 23 Jul Sal lo Sup \ \t'h't’tlon ot it't‘t'nt plinh h} lllt' (mini/mu untloixt‘tl .n’lN ll! It \lllii/ '
’ll"! 1"
lull/slimy}:
I FRUITMARKET GALLERY
~15 \lal‘ht‘l Sll't‘t‘l. 3:5 3:5: \ll‘ll \al llain (\l‘lll. Nun noon 5pm
Marijke Van Warmerdam: First Drop - What is and what will be Thu 3” Jul Sun I“ Sup l‘lCL‘ lust l‘K \olo C\llll‘llll\ll lot the Dutch arlN \xho ll\t'\ lihn. photograph). \t'ulpluic and lll\l.lll.llll\ll to uplorc llL'I laxt'lnauon
Visual Art
a . ital ,.'.\.tl\1.l‘.\l. .o 'u.\ I.» M m l.. ” 1’.’ i’ /l \ i. . .. ..
I MUSEUM OF SCOTLAND (I'lelll‘t‘l\ \l'\.\‘l. .‘ l i 1):" \ll‘ll \\ \M‘it \.;l 'llau: \;"‘ \li'l :ioou *pux lrt't‘
Reflections: A Decade of North Lands Creative Glass l u _‘l
llil \..‘?l a l.lll (l‘xt'l 'l‘l .:'I‘J.iill\\ tt'it'lWalzn-J lt'i: xtzirx ol the alt laluit'i:
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:‘hilll *pm In
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I NATIONAL GALLERY OF SCOTLAND
lht' \Il‘lllltl. l\_‘l WWI \lou “ml t\
lll \uu Illani ‘pui. Ihu Illalu 'piu Rembrandt at 400 l lllll \llll
\u:' \ \t‘lt‘tliou ol lll.t\lt'l [‘lllll\ lo tt'lt-hialt- lllt' llllllh .uuuxt-ixn} ol lht' Ilulth .ulm'x hulh
Devil in The Detail: The Paintings of Adam Elsheimer (1578-1610) WI lllll \un iM-p to !_ li. ul_\ llt't‘ Roin \tollixh \taih'nu Builtth \‘t' in ink. pag't' \‘l .Ill\l lllllhl Vincent’s Views on Art I nlil \un .‘l \‘l‘ lo toull‘h'nn'nl \m; (“mg/1.1m." Iii/mm al lht' “can (ialh‘H. llll\ \niall ih\pIa\ Int llltlk'\ \onh In .nu\I\ \\|l\‘ inllut‘utt‘ll lht' j,'lt'.il llult h paintt'l
I NATIONAL GALLERY OF MODERN ART
"R lit‘lltlltl Rimll. (Li, 1 (CNN lllllfi
lllalu *pni
Signed Tour: Elsheimer \uu .‘R lul. l|.un noon lit't' \lar\ klll‘dlllt'h ll'.ltl\ llll\ lull! llll lllt' deal It) l‘HHh .l Plth \' l,|\lll il lijilllilllll lt-\|ll_'X|~1 “flux”
Artist’s Talk: Faith Shannon \lon .‘1 Jill. I)” l illpin I'lt‘L‘ llookhintlt‘i lailh Shannon talk about llt'l \xoik loi \Iulli
Robert Mapplethorpe Sat 3‘)
.lul \uu i \'o\ l'ht- lll\l t'\llll‘lllllll Ill \Lllllallll llt‘Hllt‘ll t‘lllllt‘l} Ill lllt' notouotn had ho} ol pholuglaplu Iht‘ \hou k'lltllllll‘.l\\k'\ lht‘ lull rangt' ol lll\ ot'tu n' lioin lllt' «Lian lll.tlt‘ and It'inalt' llllllt'\ loi \xhnh llt' l\ ino\t lilllltllIN to poruaux ol \th mm .llll\l\ anil lilni \ltll\. plux lux l‘t'.llll|ll|l tillagm ol llll\\t'l\ NE )‘T' "
I NATIONAL PORTRAIT GALLERY
| (Jun-n Slit-cl. til-l (ijllt) \lon \\\'\l t\ l‘l’l Sun Illani gpin. lhu Illaui “pin Thoroughly Modern Women
0.. l'nul \1o113.\' Nu}: l’oruanx ol lt'\]\t't'lt‘ll \l‘tfllhll lt'lllah‘ l.lt‘t'\ \lltll .l\ |)aiut' Ht‘lt‘na Kt'nnt'il}. Maine I loia \lt'l t'l‘ll ill \lt‘l Cl‘tl .lllll lllt' lll\l lt‘lllah‘ Solicitor (it'nt‘ral. | hxh \ujuolun Portrait Miniatures from Scottish Private Collections l mu] \un I" ()\l |)|\pla_\ ol l.llt‘ lllllll.lllllt'[‘.lll1lllllf\ including: wine pitwiouxl} llll\t'l'll [‘lt‘tt‘\ lit-longing; lo lht‘ Hukc ol Hunt’h'ut‘h
The Face of Craft: Portraying Scotland‘s Makers luv 3* Jul \un \ ()t'l l’hotoglaphx ol moth-in \tollhh tlall lll.ll\t'l\. then an llllllllll‘lll .lllll the ohlu'tx the} t'lt‘alt‘. h} \hannon lollx Meet the Makers: Deirdre Nelson lhu 3" _|u|. () () lipin ll‘t't‘ \ thantt' Ill lllt't‘l lt'\lllt‘ .tlll\l I)k'|l\llt' \k'lMlll. “lilixt' \lork lt'alult'\ 1n //n [tilt of (‘Iilfl I ill/li/lnw Hooking k‘\\t'lll|.ll
I NATIONAL LIBRARY OF SCOTLAND
(image |\ Butler. 33!» I“! lliani 5pm. \un: <pin Birds of a Feather - Audubon in Edinburgh l nl1|\un 1* (RI l-icc lll\ namt‘ loit'wi hula-t1 \xnh lllt'l \\\ Hut! l’lolt-tlion \otn'ly llll\ t‘\llll‘lllllll k'\l‘ll‘lk'\ lllL' uork ol _‘_‘lk‘.tl \xihlhlc al'll\l lohn .Lunm \utluhon
\lon \al
I THE QUEEN’S GALLERY l’ahtLL‘ til lltll}l'lllitlllllll\t'. <5“ ; ll“) l).tll_\ ‘l :‘lalll (\pin ti tLJ 5".
Gossip, chat and mmour from the gallery floor
I From 1-30 June 2006, artist Peter Liversidge has been typing and posting his Proposals for the Edinburgh Festival to the Ingleby Gallery. From the sublime to the ridiculous, 105 proposals were made and sent. While two are suspected casualties of the Great British postal service, the surviving 103 will be collated in a book to be published by the gallery this August. Proposals include running a dentist’s surgery, sweet shop or petting zoo from the gallery for the Festival duration, the construction of a death slide from Edinburgh Castle to the Scott Monument, or the release of a flock of five million starlings over the city, and many other fantastical suggestions besides. A number of equally wonderful but slightly more possible suggestions will be realised by the artist and the Ingleby Gallery throughout the festival. I The Morton Award will be bestowed upon artists working in lens-based media and is administered by the Morton Charitable Trust. It consists of a monetary award of 84.300 to develop and produce a new work around a theme selected by the Royal Scottish Academy. and an exhibition of the completed work at the RSA Annual Exhibition in 2007. The closing date for proposals is Wed Aug 2. For more information and an application form contact infor@royalscottishacademyorg.
Canaletto in Venice l'nul Sun 7 Jan. l).llllllll_‘_'\ and did“ mu h} (noxannl \nlonio ("anal lht'tlt'l laiou a\ (‘analt-ttoi ilcpn ling lhc nan-ma} \. platt-x. Lllllltllt'\ and \tlll.llt'\ ol lllt' hcauulul Italian til}
I RIAS GALLERY
1‘ Rutland Squaw. 33‘) “i 1‘ Von l‘l'l 0am 5pm
The Architect’s House: Sir Robert Rowand Anderson at 15 Rutland Square l‘nul Sat i Aug: :\n ulnhnion ahout lhc lllk' and work ol the tounllt-r ol lllL' Roin lllLllrl)lirllllllll ol .‘\lLllllL'kl\ lll Scotland
THE LIST 91