I Freddie King Sings the American Songbook lllL’ \pll-yi-liL-lli. (iclliyc Squaw MW 53le (iplli t7 lllllllL’llLL‘ll h} llic xiiloolli lolicx ol \al Kill}: ('nlc. l'wddw King \xorkx lllx \xa} lliiouyh llic .'\lllL‘lla.lll Soiiuhook \Hlll lllx \k'\iL'l I’ll/'1 of I/H' I'.l/lIl/ml:_'/i ./(l_. mu] ll’lm'x /’('\Ill(l/ I Al Carson with Sydney Zenith Jazz Band l’alliicixlon l’iilLC (‘liuiili Ill l’aliiii-i‘xloli l’lau'. lo] 52le (l illpill l‘lL'L' ‘l‘lly' .-\l (..ll\(lll lk'llx Hlll \(llllL' [)lML'lllillle' }_‘ll\[)t'l. \kllll lilL' hathll}: ill lhc Sillllc) /.ciillli Ja/l llalid Ralxlng lilolic} loi 'Saw \mx (lilcanx Kllixli" ’ll/l u/ [/14' Ill/lIl/lll/lfll Ill. .' llm/ li/llm /('\lll(l/ I Chick Lyall Quartet featuring Joakim Milder Jal/ ('cniw. Illi‘ loi. ~l/(l (iiaxxinaikcl. .107 33”” () illpill L Ill l’lalllxl and L’HllllNlM'l ('lllck l.};ll| ix |H|llL'(l h) xa\ophonlxl Mildci. a Lilliililillilllllll \klllkil cwalcd lhc .llhulil [hula-Ii l‘m‘lm ’ll/I ll] I/H’ Izl/I/i/ill/u/l ./ll.‘.' (UNI [Him l‘('\lll(l/ I Colin Steele’s Stramash (‘lilccil‘x Hall. 37 8‘) ('h'ik Slwcl. (th leI‘) 8pm L'll Sll Llo fill l-.\hl|aiallng: iiw lolk luxioii. lull ol ml and \\l\(llllll lioiii Seollaiid‘x leading ia/x iiuinpcwi. ('ollii Slur-Ir. lionlllig: a wii [llCLL‘ hand lhal L‘olnhlncx llix |.l// quillwl \Hlll lhwc lop liddlclx aiid .l IllpL'l liolii llic Scollixli lolk xu'lw. plilx (L'lllNl fill a LCC l.\ll Mi‘l‘all'x ('haiiihL'i l. I’ll/I of Mir lullm/lmu/i ./l1_ .' d' li/ul'i /'('\Ill(l/ I The Joy of Sax Roxal ()wi Scax |.i-;lg:ilc. lllll l’llllL'C\ Slwcl. -l(l7 530i). lx'piii. L“), 'l'hc iiiaii ol niali} xa\opholwx. Marlin i'll\lL'l. xlllmx ol lllx xklllx \xllll lk'ilil“ King (ll lllL‘ RL‘k'li\ Dick Irv I’lul n] Illt' lzlllli/lluy/l ./u;. and [Nina I'l'\lllll/ I Tommy Smith and Brian Kellock plus . . . lllc Huh. ('axllchill. Ro}al MIIL‘. -lh7 530i). h’piii HUSH. l'uo populai li\luwx in lhc Scollixh lil/l xccnc. \;l\(lpll(llll\l lilllllll} Sinnh aiid planixl llilan lx'vllock pwxcnl (laxng~ ia/I xlandai‘dx. phlx a lll}\lL‘l) iliwinallolial xupcr gucxl. l’ur! ill l/ll' lzllui/llu'qli .lllq.‘ (Hill Ii’llu'i /'('\Ill'll/. I Sydney Zenith Jazz Band 'l‘lic Splcyclwnl. (lcorgc Squaw. 407 5.300 3 30pm. L'lll. .\ lun night ix l)!'(lllll\L‘(l ax lhc leliic) gll)x pla) l'agx. hhwx and xloiiipx loi )liili‘ lianing aild dancing; plcaxuw. I’llrl o] l/H' lzlll'li/mruli ./u.‘. (Hill [Hum /'(‘\Ill'(l/. I Electric Fire 'l‘hc Jil/x Hill. I ('hainhci‘x Slwcl. 320 42‘)” ‘lpin. l'wc. Scc Sun 3 ’i. I Rene Marie .\la|iiialxon. I’la//a. l'hc Show. lulh. 4(l7 5200. ‘lpni. [l5 Scc l‘l'l Zh’. I Tom Bancroft’s Six Pack Jan ('L‘Illw. l'llc l.ol. 4/(i (ii‘axxlllal'kcl. ~1h7 52M). ‘lillplii. L'lll. lllg. \(llllL'lllllL‘\ huiiioi'oux iax/ li‘oiu di'uiiiincl‘ aiid C(llllpuxcl' 'l'oin llanci'oll and hix cw“, I’url of Illl' Izl/l/i/iurg/i .lll. .‘ luil/ Ii/ll¢‘\ I‘Il'sll-l'ill. I Jam Session 'l'hc Spwgclwnl. (icorgc Squaw. in? 52M) I lpiii L5 Scc l‘l‘l 33.
Paisley
I Fusion Experience l’lalloi‘iii l. I Slim c Brac ((lll' (‘aiial Slwcll. Sh") 3on3. 4 opiii. l-wc. Scc Sun 33.
Glasgow
I Sydney Zenith Jazz Band Monlroxc ('cnli‘al. o/h’ \Vawi'loo Slwcl. Ill 0500. £5 if l-l.‘l5 lllL‘ lhwc L‘Ulll‘xc incall. Scc Sun 30.
Edinburgh
I Matthias Seuflert Quartet Roxal ()wr-Scax l.caguc. l(l() l’i‘inccx Slwcl. 225 ISO]. l2.3()pin. to Jan claxxicx from the 20x and 30x ll‘Ulll clai‘iiiclixl Matthias Scul‘l‘crl. I’url or Mr Izlliilliluq/i JUIZ (Q B/lu’s H'sliml.
I The Jazz Ladies 'l'hc Huh. ('axllchill. Royal Mile. 467 5200. 3pm. £8. An iinprcxxix'c linc~up ol’ Vocalixlx pcrl‘oriiiing lhc American Songbook. including .xpccial inalc gUCxl Pclc
78 THE LIST 20 Jul 3 Aug 2006
( lllllLillll alld chc \laiw I’ll/i M In. Ill/Il/iiug/l /ll.. lllll/ If/lu \ ll xl'i.l..
I George Washing Machine lllc \pwgclwiil, (ll-oigi~ Sqllaw “R (Noll (lillil L7 \uxxw liddh'i yocx loi a lloi xiiin xxllli high willpcialuw llol( Illh xl)|c |.l// lila}lllg_' in! or ill: ./(I.. A [Hill \ ll \Illll'l
I Joe Temperley, John Bunch Quartet llw Huh. (axllclilll Roxal \lllc. Jli? i.‘llll (iiilll Llll \mx \lllk llaxk‘d Sullllxll x.i\ll|lllulllxl JHC lullipcilc} walilx up \xllli \clclall plallixl Jolili Bunch I’m! (1/ Nil Il/lli/law/l la lim/ Ill/ll \ ll \Illll/
I Trianglehead with Graeme Stephen Ja// ('cllill- .li llii- l oi .l o (ilaxxnlaild-l. () lllpill L‘l *ll ldux Ullllk'lllllllldl} lllll\l\ liolil lhc llldllfJiL‘llL'dll ho}x \\ llll f_'llC\l gullallxl (iiaciilc Swphcn I’ll/i or ill« Illlll/vil/g/l ./(l.. A [Hill \ /(\Hl(1/
I Barbara Morrison with the BBC Big Band ()uccn‘x Hall. h" N) (ilk'lh xiii-ii mix lulu .x'plll Ll K ill {in in Iliopplliy in liolli llic good old I \ ol \. Laplnallng: \llL‘llldell hoiil \m.l|ixl Moliixoli lk'llllllll\ aloliggxldl' lllc ll|l( lily Bdllll in] n/ l/Il ll/llll’lll:j/l In A li/ul'x I'('\Illll/
I Havana Swing Rnin ()u‘l SL'ax l.c.lg_'uc. Illll l’ilnu‘x Slwcl. 33* lilll Spill. L") '\n L'llk‘l'f_'k'll\ pciloiliiallu' liolll lhc hand \xho h.GC lliciilxclwx ill j._‘llll.ll\ alid ngx} \\\lllj_1.[llllllll\lllf_‘ lool l.‘l|l|llll_‘.' lllll. ’41” (If [/11 l.l/lll/’lll:]/l /ll.. A li/lll \ /'('\/Illl/
I Mike Hart All Stars lllc Spwgclwnl. (iL‘illjJL‘ \‘quaw. “R (Moo
3. illpin L | 3 [he l'i-xlnal'x .ll'll\ll( dlwcloi. alxo a lunk) haiiio lila_\i'l. lx hgwlxcd h_\ .l \\\lll:._'lll:._' group loi a Illlell ol xloiilpingl} good lull I’ll/I o/ ilil Inl/lii/iil/u/l .lll..' A'- li/lu'x l'('\lll(l/
I Torid Gustavsen Trio lllL‘ llllh. ('axllclilll. Royll Milo -l(l7 Slllll X-lfipili l;le .l.l// piaiilxl lold (ilixlaxxcn hiliigx lilfJL'lilk'l haxxlxl llalald .lilllll\L'll aiid llic dilllll IllL‘l\lL‘l Jalli' V'cxiwxlad Ill all owning: ol capllxaling Iiiuxw. ’ml (2/ Illr’ Il/lIi/llu'u/l .lll.. (llll/ Ii/um I'(’\lll'(ll
I The Great Jazz Jam Session illk‘ Jal/ Hill". I (‘hanth‘ix Slwcl. ISO-12‘)” 9pm. l'wc. SL‘C .\liill ll
I Rene Marie .\la|iiiaixon. l’lax/a. iilL' Show. l.cilh. lo? all)“. ‘lplii U5 Su- ill 28.
I Haftor Medboe Group Ja/I (“i-illit- al 'l'hc |.ol. -l/o (iiaxxlnaikcl. ‘lillpln. LUSH. Scc l'i‘i 3 l. I’ll/I 1” (hr lul/lIl/ilu'u/l ./l1.'.‘ A'- Ii/lu'x I'l'\liill/.
Edinburgh
I Joe Gordon’s Ragtime Banjos Roxal ()xci'hcax l.cag_'uc. lllll I’llnu'x Slwi'l. .lo7 53W), I3 illlllll, U» lllxwlalid ran and halladx li‘olli llw xlnggcl ol illc ‘\\'hlw lh-alhci ('luh’ ’lll’l or I/lt' Iii/lii/llllu/i .lli.'.‘ (Hill lillli'x I(’\lllu'/
I Evan Christopher, John Bunch Duo 1 ho Huh. (‘axllcliilL Ro}al \lilu. in? 5200, 3pm £8. ('lailncllxl l',\ali ('lii'lxloplwi ix a l'wxh _\oulig.' [llllkillkl ol lhc chx ()llcanx ia/I xccnc. .lolill lillllx'll ix a \cwl'ali ol _ia// piano I'llc l\\il ionic lligcllici loi )oui alwi'nooii'x llxlcnllig plcaxuw I’m! or [/H' la/lIl/ill/u/l ./ll.. lliill li/lllW [TU/HI]
I Ethan Iverson 'l‘hc llllh. (‘aint-lllll. Ro}al .\lilc. 4m 5200. (lplll. Llll llic Bad l’lux'x piano niaxwr pwxcnlx lilx lilxi cwi' l'lx' xolo xhoxx. laking Ill a lallgc ol lull illl’lilciiccx. I’url of [/H' lull/li/ill/ul’l Ills: lull/ [Hill-x I’l'xliiul.
I Scottish Jazz All-Stars 'l‘lic SPIL‘gL‘llL‘lll. (iL‘lll'gL' Squaw. 407 5:1)” opin. Ill). .-\ hand paclxcd \Hlll lllL' gwalx ol' llic Scollixh jal/ xccnc. including (lll'l'L‘lll xlai' Brian lx'cllm'kl’liri of [In Ia/lli/illruli .lll:: and li/iu-i l-l'xllilll.
I Giovanni Falzone Quartet Ja// (‘cnlw al llic |.ol. «l/(i (ii'axxinaikcl. Jo" 5200. o..‘~(lpnl. tlll. 'l‘hc Milan haxcd quancl iiiakc ihcir l'l'x' dchlli xx lih a collection ol' dixlinclixc _ia// \\ llh a hot pulxc. I’llrt oft/iv Iii/irihuru/i .Ill:: (HUI Blue's I'l'slii‘lll.
loan/Hugh
I Duke and Ray Heitger 5 lx'mal (luv: \‘.lx l gaz'lw ill“ lillil\\'\ \llgul -1o‘ You will w \ l.‘.l\' llx'dl ol ill.- lallwl alld xoll dill» in iloillllil; logclllci hilll;..'lll~.' loyclllcl ilwll li‘pllialiollx ax til.lll\lll.1ll\ illclilhcix ol ilii‘ \qu (lili'allx xtt'lli I'm: of KM /.1:I:/'.l'.'/; /.l'__ Hm." /)'.’ill x /l \l'l‘..l'l I at (‘lllx‘t'll \ \i \" ( lcik \iii'i-i 1h" \fllll \[lill L.‘.‘ *ll
lLl ‘ \ll. llii‘ llullli‘hw} lxiwlloll lialid pcllollil \\ Illl \tla'i llllk. Jo l ookx alld lm' lt'llll‘x'llk'} lii \k'ik'i‘llllll‘ll ol ill; l'wa: lllallx S‘lli hlillidax xcal I’m! 1'1 1m li/lllj’lllkll lax. llIil.’ Hf.“ ll xlllli/
I Red Stripe Band Illi- \lili-yi-lli-li: (lUl'lL'f \quaw lo‘ ‘jllll \ illiilll L l” \ \k‘ix'klll‘ll ol xlollillilu llllllll‘x‘l\ lloill hliwx lo illlllp ilw. \xllli a ilaxli ol llkh and it'll llll :3li lll\..l\lll\‘ /'l.Il' M! {m ll/IIl/lil/u/l Ill and [Hill x ll \ll.l.'/
I Joyce llic Huh. ('axllchill lx’oxal \lllc. illi‘ \‘llll \ lililll L l .‘ .lalii'iloK qiwcli ol hoxxa llo\a |.i// xliulllx and \lllf.'\ \xllll lllc hatlxllll' ol a lild/lllall halid l'ullk} xlull I'll/r or {m ll/l/i/lluzjli lu'.. llIil/ ll'llll \ It xllila
I Craig McMurdo \lallllaixliii l’ia//a illi’ \how. I \‘llll. lli' \‘llll ‘lpli: L l \ \uoliii‘aliwd hx lilt' lilo Moon. lulw and (‘iollil \ixooil Hi
\i\ \llllilli l.li\L'\ .l lllell lli'alli‘d it‘llh .ll llw Null-lit ail \olighook I’ll/I o/ {In ll/lII/lllI;'/! lll.. i/lll/ li/ill \ ll \Ilill/
I Hormigas .la/I ('i-liilt- .li iilk' l oi. ~l/(i ( ilaxxlllalhi‘l. ‘iilv- \_Tllll ‘) illpiii Llll iilk' llL'\\ \xaw ol \mx \olk |.l// \xllli Hill \li’lli'lilx l\.l\l Had l’lux‘x Rk'lll \lltli'lxllll lllaxxl, .lllil lilall \lchldau'x li‘lelldl kllllllllllk‘l. ,lillt‘k'
’lill li/ Illl' ll/IIi/illlgll .lll.. Mill [Hill \ /l'\Illll/
Wednesday 2
Glasgow
I Michael Simons itillll ()Hld. 1m llcalixloli l)ll\L‘. (l-l‘l Pfih Spill L'-‘ \i'c \M‘d .ill
tdliiburgll
I Spirits of Rhythm i<\l_\.'li ()u'i Scax l capuc. llll) l’iliiu-x Slim-1.4!)? 53””
II illpni Lo l’lilnlxi \lolcl \l}llic h‘adx llic ha} in a ploglalnllic ol lllk' |a// ol NC“ ()ih'alix .ilid lilL‘ i’k't'l) Soulli I'll/i or [In ll/l/i/llugll ./l.'.. lllll/ li/ll('\ /‘('\lllll/ I From New Orleans with Swing llw llllh. (Iixllclllll. Role Milo All)? fijllll Jilin L'lll. \cxx ()llL‘.lll\ |.l//Cl\ lhllw llcllgcl alld i'.\.lll (‘hilxlophci lcad a qulnwl. \Hlll Izdlnhullei'x Suing: jllllo ax xiii-rial pul'xlx I’llll u/ llll' Ill/li/illlgll .lll. .' llm/ li/HI". /('\II\(l/
I Edith Budge lllc \pwggi-lwnl. (icoiggc Squaw. lo" illlll oplll L“ lu‘l good la/I. \\llll a i‘lllt'\ xlanl liolil llic \oi'allxl lidilli lludjgc I’ll/I ill Illt’ la/l/l/lll/g/i .lllu lull/ If/iu \ I‘l'illill/
I Reid Anderson Quintet iilk‘ llllh. ('axllchlll. Roxal .\ll|c. ~lo7 illlll hpill
l. Ill llic ulllqlw haxxixl and killll[l(l\k'l lx lillllx'il h_\ Hill \lcllcnl}. I aura \laulllllahl. (ilacliw \lk'llllx'll arid .loljw lx’oxx} 11/] o/ [/14 lli’iIi/iiuu/l ./ll.. (II/(l lf/lll \ /¢ \Illl.'/
I John Hart Trio .l.l// (‘cliiw .li IilL' l.ol.-1/(i(iiaxxiiiail\cl.~l(i illlll (i illiiili L‘) all illk' \cn Yolk j._'llll.llI\l. lcadcl loi liluc Now. ("oncoi'd aild Hui). [ll.l_\x dillcwlll |.l// liloodx I'll/i or I/Ii l'a/lll/llllg‘ll./(1.'.'llIIl/li/Hiw [1 Wind
I Eric Hansen Boptet Roxal (MCI Scax l.L‘.l:_‘lli.'. lllll l’iliiu-x \lwci. 4o" 5])“ Spin U) l.cd h} haxxlxl lain llanxcn. lhc 'hopwl' (.ll‘llllt' llic wilt-lg} ol the his hand xound. will a lllllix} L'deC I’ll/I 41/ I/Il’ ll/lll/llllq/l ./ll. lllfll ll/lll \ I'l‘xllill/
I The Manhatten Transfer Quccn'x Hall. 37 5‘) ('Icik Slwcl. 4M 53”“ Hpni £3“ fill it): illi lhc long; lulinlli; \ogal gloup waluwx lhc lalcnlx ol (‘lwi'_\l llcnlyn: lliii ilillhk‘l. .\lan Paul and Janix Swgwl ’llli or [In Il/lli/llug/l ./u.. and [Hum li‘\lli(l/
I Acker Bilk with the Paramount Jazz Band 'I hc Splcgclwin. (icorgc Squaw. 40? 53W). 8.30pm. L'le ‘l‘hc \clci‘an l'K clarincllxl lcadx lhc curwnl
Rlil \h‘
i\’l|\\\
\i I\ll'.'l ol lllx haild I’m: in: I‘ll/ritual l... ..':l.' Iii.“ \ /l x: um
I Moishe‘s Bagel llll- lllll‘ i .lini-lllli lx'o_\ai \llh‘ 1l\‘*_‘lNl \ Hi‘lil Llll lax, lllcclx I .lxwlli l uiogwaii azld \liddk'
l .i\l\'ill lll_\llllll\ iii lliix llllt‘ l \lllll‘lllz‘ll l‘allll l'..'.' l'l' .‘Iil lit/Malt": /..' and" lilill \ /! \l’Jlll‘l
I Craig McMurdo \lalli.alxoii l’lax/a iilk' \liow I k'llll. lo' \‘lNl ‘ll‘lll ll‘ \n‘ llw l
I The Stoner .l.l// ( t'llllx' .ll Illi- l oi, lo ( il.l\xlll.lll\\'l lo' \‘lNl ‘l illl‘lll illl lllt‘ \oldn qualwl llldiu‘ Ilicll l ix dchal \‘-llil lllllilllk‘ cxliclllllclllalioli loolcd Ill llw |.i// lladllllill /’..'I.' of I/Il [Jill/"413': Ill .llzi/ lilac \ ll \.'l'.i./
Thursday 3
(lauqow
I Jan Douglas 8. Primetime \llalllllllli‘ ; ‘ Vile hlllalx \ill'k'l ll‘H‘ Milli lil'l' \u' lllu .‘ll
lllllilliliqll
I Jimmy Taylor Trio Roxal ( )M‘l \l-ax lk'.l_'..'ll\‘ lllll l’lllh \‘x \llk'k'i ill‘ \_‘llll l.‘ illiilll U» llaxx [ll.l\\'l .llld xlill'cl llllllll\ lax loi Icadx a llx'llillllldlli \' ol
l laxxu |.l// I’ll/i ll! {I'll li.’l'I:/':l/-.'/l ll. ll‘lll/ Him \ /l \l'lllll
I Tommy Sampson Big Band lili' llllh ( .lxlh'hlll lx’oxal \ilik' lo‘ \‘(lll .‘lilll LN lllc li‘}‘\‘ll\l.ll\ Iollllllx \ailliixoll l\lll‘.‘ ol llii' lily Ilalldx lll lilk' Ill lllx, \llli\\\ lllx xlilll \xilli a lull halld I'll/I ill (/14 ll/iil/illilgll Ill ll/ill li'llux ll'xlllll/
I Chet Baker Tribute llil- illlll (alxlh'lllll. lx’li}.ll \llli'. iii‘ \‘llll (liiili L Ill ('alliw lx'ai‘ and (film \wcll‘ li'll lilk‘ xloix ol llic llouhlcd lkllll lliloili'h illuxn I’ll/l o/ (In ll/lll/‘ll/Lj/l Ill. ll/ll/ Il'llu \
ll \Illil/
I Ken Mathieson Classic Jazz Orchestra llii- \[llk‘jfi'lli'lll (ll-onu- Squaw. ~l(l' *jllll (iiiiil l. / l'lgglll lllll\l\’l.lll\ \lllllk' linJL'lllk‘l lo [alu‘ a ll('\ll loolx .ll \Ulllk' i.i// k lil\\lt\ ill a \llll\\ k'lllllik'tl Imm Ill/i In Huh I’m! l” [/14 Il/lIl/ullu/l ./(l._ lull/ li/ul x I'l'\lllll/
I The Stoner .la// ( ~l'iilw .ll lhl- I oi l/li ( il.l\\lll.llh\'i_ '"l/V \‘llll (i illlllll
1.” ill 5LT \M‘d 3
I Chick Corea and Friends ()lil-i-ll x Hall. HIV N‘lhh'lh \lli'i'l. ll); S.‘llll Milli LN) ll_.Tl Sill Itllllk pialllxl and hand h'adi'i ("owa li‘adx a illlalli‘l ol illllell jioungx llllllj.’\_ \xllli Illll (iallalid. llailx (llaxt lm ling) aild \lilitilx ( illiiiow ’ml 1', {hr l.l/Ill/'Hl1’/I ./(l_ mu/ ll’lul'x li‘UIlill I Hamish McGregor and Friends l<il}.ll ()Ri'l \i'lh l LllffillL’. lllll l’llllu'x \lwcl. Jo? 33W) Spill U) RK'L'li llli'lxwi \i\(ilk'_‘.'lll ix iollicd h_\ \lila- llalx on lllllllllk'l. Ioill l'illla} on piano aild ltiilx Ilanxcli on haxx in a [lliljjlillllllli' ol |.l// t laxin x 11/! o] Ill. ll/lIl/illIi-ll .lll.. (Illl/ ll/lll \ Ir \Illll/
I A Night at Eddie Condon’s lllk' \iill-yi'lli‘nl. (ii-oiyc Squaw l(i'/ film
8 illiiiil L Ill :\ Ulllk‘LllHll ol lilt' lk'xl ol \liwilia‘x ia// pla_\i'lx w \lk'lllt' llil- xpllll ol llw laiilollx \i'xx Yolk killil illil ll} li‘jgi'llll lilhllL' ( 'Ullllnll I'll/l I" III! I'll/ll/Iluz:/l ./u.. (l'llll li/ill'x ll \Illll/
I The Spirit of New Orleans iilk' llilh. (lelh'lilll. l<o).ll \llh'. Mi? 33”” H l‘iiill Ll5 :\li all xlal haiid lapulillljs lilk' C\\L‘lltL‘ ol lilt' \i'xx (lilmllx \kk'llk' I'll/I Hf l/li' li/IH/lll/L’ll /l1.. (HUI Ii/Hl'x /‘l‘\lll(l/
I Tessa Souter \lallllalxoll. l’ia/la. lllL‘ Show. lullll. «Hr,T ijllll ‘Iiilll l_lll chxa Souwi \llljflk'l cxllaoidlliaiw llolli \cu loll. ix iolllcd h} lelllllllxl lollll Hall I’ll/I of [III’ Milli/Hugh Ill (llll/ li/ll(‘\ ll \Illil/
I Ethan lverson Trio Jal/ ( ’cllilc .li lllL’ [.01. 4/“ (il;l\\lll;ll'i\L'l. ill—«7 all“
‘) Kllplil LIZ lilhan Ixcixoil ix a man known loi llix L'PIL piano llnpioilxallonx aild lll.l_\\ lilllljJill ‘J-llil the hull) ol hix lilo \ll unpi’cdwlahlc iilglil lx pioiillxcd I’ll/i u/ l/ll’ /-.l/lll/2luu/l /(l.. lllll/ li/IHW Il’\lllu/,
I Beat Root Juice 1 hc Jil/x Bill. I ('hainhcrx Siwcl. 320 42‘)” Ill Allpiii. l'wc SL‘L‘ Thu 3“