We waxed lyrical about Andrew Weatherall last
issue, and this fortnight his partner in crime, fellow Two Lone Swordsman, Radioactive Man is guesting at Kinky Afro. The head of Rotters Golf Club, with releases on Warp among others, expect ripped up electro, freaked out techno and wonky beats from Keith Tenniswood’s nuclear powered alter-ego.
I Monday Night Misery Club at ()tieenx (‘Itih .\'pni midnight. £5. \Veekl}. landi'}. tll\lll.tl. [‘tllllllt‘\\ and gum “Hit a tlt\t‘ |ttt'kt‘_\ ealled llll'g't' and ;l lltlll\t‘ l‘ttlltl ealled l‘lllllt'.
I Mondays at llainlioo. lllpin Rant. [4 it‘ll. \\eekl_\. Soul and ltiitk \\llll Roltin ll. \ttident l.l\t'\ \\ ith 'l'oaxt te\—.\'haekt ’l'het‘e'x tllMl lx’tklt \xitlt Seottie It.
I Passionality .it (‘tihe l lillpin 3am. {I t' i. “eekly I’Ieaxing t‘ll.ll'll\ll'_\ li'oin DJ Shaun Ritl‘t‘l'h. lt‘\ll\t‘ll;lllll:_' tlte \teekend loi" tlte ga_\ ini\ed t'l'tt\\tl.
I Poptimism/Rocktimism .ii the Garage. llpiii iain. [4 them. \Veekl}. Iloex e\.ietl_\ what it my on the tin. .\ health) doxe ol hoth pop and i‘oek tor inid—xteek part} people.
I Why Don’t you Like Mondays Bob? .tl lllaitket. llpin Fain. l'tee L'I. “eekly 'l‘i'ade \tatl and \ttident night “llll HI I il Rieh pl.i_\ing ainthing that t‘ttlllt‘\ to hand ('heap. eheeittil and l‘lh}.
Glasgow Tuesdays
Club
I All Star Tuesdays at Bamboo.
lllpin .iain. («l ili‘eei. \\eekl_\. In the main room Kaxh plain RKH and ltip pop \\llllt‘ ,\iid_\ “llu‘ll drop all nine elaxxiex div/led “Hit a little i‘oek and indie in the lounge
I Kaleidoscope at .-\l%(‘2. l lpnt Sam. M tilt \M'ekl} Retio lllll\lt‘ polie} digging el.i\\ie ioek'n'i’oll. xoul. ltink. ptiitk and p\_\ehedeli.t tioin the ei'atex ot~ tttlx to the ptexenl da) \\ ith i'extdenl l’atil \L‘Ckllt'\
MIDt RIC.
’rt ti? f'v fin/t (ht/t), (Wagon. /H (’8 Jill
I Killer Kitsch at the Butt.
l(),3()pin 3am. H (U). \Veekl}. liuan and Max e pla} all _\otir ltthtlt‘llC L'lL‘L‘ll'tl mixed in mm \onte h‘tlx onth. hip hop and ainthing elxe the) lane}.
“on ll\l;tll‘\. Rtt\\ pla_\\ \Ulll. l'tink and dixeo.
I Revolution at Queen Margaret l'nion. lllpin Iain. £2 it‘l l. \Veekl}. With l).l Martin Bate tXl-‘M i.
I Spanked at ()ran Moi.
Illpin 2.l5ain. l-iee. \Veekl}. A night dedieated to aintltiiig and e\ei'.\thing. l{\peet e\ er}thing ll'Ullt dixeo punk. ealeulatoi' l'tink. indie and eleetroiiiea to hip hop. hi'eakheat. Jill.“ and old \ktml.
Glasgow Wednesdays
Club
I Deliverence at the (‘athotixe llpiii Rain. £4 it'll. \Veekl}. l.ate\t night t'i'oni 'l‘he (‘athouse More roek and hardeore l'i'oin Dee.
I Elegantly Wasted at Bltiti.
ltlpin 3am. £3 tl'reei. \Veekl}. .-\ llL‘\\ \ttident night for the more dixeerning \llltlt‘lll t_\pe. (’oektailx and exerfiliing at \llltlL‘lll prieex.
I Octopussy at the .-\i‘ehe\.
93le 3am. £4, \\'eekl_\. 'l‘hix next \ttident night thkx old} that )ttti hring )tttii‘ \\\llll\\ ear. \Ve kid _\ou itot.
I Tongue in Cheek at Baiiihoo. ltl._‘~(lpin 3am. £4 it'fii. \Veekl}. l)J Miguel play Rth iii the main room. DJ 'l‘oaxt pla'u than in the lounge and And} \Vilxon play roek It] the red
.’ :l n gt
Events are listed by city, day, type then alphabetically by name. Submit listings at least fourteen days before publication to clubs@list.co.uk. Edinburgh listings are compiled by Henry Northmore.
Edinburgh Thursdays
Club
I Beat Root Juice at the Ja// liar
lH illpiii “.llll l tee \\eekl} \tio heat. l..tllll and ~ka Itoin lt'\ltlt‘lll hand the ( ioat Ste“ ()lt'llt‘\ll.t. plu\ Ill Haiti and the odd h\ e gtie\t and \Plllllt'l
I Bounce .it l’o \a \a I lpiit iain Ll itii. \\eekl§ 'l‘httixda} night lll.l\ll tip li'oin l).l l)l\t'l\t‘ pl.t_\ing genie \plitting \eleetion ol modem and t'l.l\\lt‘ indie. i‘oek. di\eo. Rtkll. hip hop. hootlep and ttink} lltttl\t'.
I Class! at Sttlma} ('ottgate
l lpiii iaiii. l‘l't't' hetoie niidnight. LC MM 1!] t. \Veekl}. .\'e\\ \llltlt‘lll night lroin l)J l.tiek} l tieiano 1 Big (lit't‘ufi’hlhtglttgl
I Club Hustle .tt lleilin lilt'llldlh
lllpin Rant ‘3 \\eekl_\ \ext \teekl} elult \\llll l).l\ l’45 and l’St}|/ ltiiitgiiig )oti hip hop and \ti'eet \ittll
I Espionage at lixpionage llpiii iant l'tee Weekly Millet .tnd .\lat.i llaii pi‘exent l)J |)a\ id ("mtg \\ ith the \inooth \tllllltl\ til Rtkli.
I Genetic at (’iti'tix ('ltih llpiii iani l‘ree heloi'e l l._illpiti; (3 MIN Weekly. Still a inight} populai \oii'ee that \ltimt'tth altei’natne. indie and lo li
I The GOuLaG BeAt .it l'go,
lt),.illpiii .iain. U. 27 Jtil. l’tink. gaiage. ne\\ “axe and good. honext ioek‘ii'i'oll. ineltiding ll\ e aetx 'l‘he Blackout. lllld (Randontt and (‘lean (ieoi‘ge l\'
I Karnival at ('ahai‘et Voltaiie.
llpin .lttlll. l‘i‘ee heloie inidnight; t'i alter. 27 Jul. .\'e\\ itiglit lot the (‘ah \thieh pl'ttllll\t‘\ to indulge ‘ext-i') [‘lt‘.l\lll't‘. e\er} \in'. The main room I\ a \inooth hlend ol ['8 and [K llttth' li'oin Martin Valentine and ~Stem-n \Vanlexx. .-\ii}thiiig goex lll rooin tuo \\llll li—Sidex pith inagieianx. ltoxtx and hoxlevex.
I Out Your Tree at the Bongo (‘Itih lllpin Jain. U. 21) Jtil. .\ broad range ol lllll\lL‘ lroin lltlll\t' to reggae li‘ont aei'oxx the globe. Spanning tlt‘ttlhllt‘ guitar lroin Johnn} the Kid to Alriean di'tiinining l'i‘oin .\latata l’ipe pllh lixe di'tiin «k ham ti'oin Sheer Khan atid l)J \hlll\ li'oin Smoke} and ll-Sltlt‘\.
I The Snatch Social at the l.lqllltl Rooin. llpiii Rain. {5. \Veekl}. (’otned} eaperx l‘i‘oin Hart} .'\lll\\\til'lll and lint} ('artei‘ at thix eheek} eaharet-etiin-di\eo, Bahex and 'l'i'end} \Vend} lllltlllllll} rexidenti \tippl} hip hop and ltink} tune» I Souled Out at ()pal lounge
lllpin 3am. £3. \Veekl}. l'l'ttlll Motown to Northern Soul. l.eon liaxter. .\'iek \Vtitxon and .\l;l\lt‘l' (and ion i'otattoni lllllll )otti’ needx. adding a daxh ol llttlht‘ .t\ the night gtk‘x on.
I Step it Up at \Vee Red Bar
lt).3(lpin 3am. £4 tUi, ‘.-\tig. Monthl}. Mark VI and ('edrie Minel pla_\ otit L'ttlht‘lttllx rootx reggae \\ ith a peppei'iitg ol \ka and .»\lro-heat.
I Surgical Steel at ()pllllll. Illpin iain. l5ree. \Veekl}. hill on tnetal .l\\;lllll.
I Synthetic at Berlin. lll..‘\llpin iain. liree. 27 Jtil. I)anee heah ll'ttlll Raiikaninan and l'tddla.
I White Heat at ('tihaiet \‘oltaiie.
9pm 3am. £5 t£-1i. 21) Jul. lottdoit'x influential indie eltih R'lllflh arined u ith an arxenal ol qtialit} li\e hand\. the ultra- ltot punk roek ol' the llorrorx and the lam \llllx \ihile l)J\ OH} and Matt} proxide the lllllC\ tor daneing
C.“ng & Pan‘s.
I On Request at I go llpttt Kim 1‘ J' Jul l‘totttm and pattx .tlllllt'llh all night
I Siglo at \iglo -1 litptti Kiiti ltee \\eekl_\ l \t'ittliiitg ttotti \W and \ilJli tlooi llllt‘h to eltilletl otit .iftetttatixw I Vinyl .it \l.t\\.l \pitt i.iitt l tee \\eek}\ (‘otittneit Hi \ilJll and dattte eoutte\_\ ol l’aul l tiitk\tei pliix dtiiikx [‘li‘llli‘\ .ipleitt\ tot thoxe \xho ‘.\.llll to \l.lll the ueekeiid taxhioital‘lx eatit
Edinburgh Fridays
Club
I Alternanthem .tt llpitiit1 lupin Kiiii l tee \\eekl\ \ight ol ll‘\l\ .tnd .tlteiii.iti\e .intlieiih
I Badaboom at \l.l\\.t ll‘l‘lll Kiiii 1* \\eekl} l'he ltext lll toninieit i.il lx‘t\ ll .itid llll‘.tll ltekx \xith euextx lioiii |\ti.i and Radio l lltiitg lll toitnighth
I Beatroot at l eo lu lupin Kim 1* «1-1- :l Jtil l{t'\lilt'lll\ l\’\.ui luiiiet .ind lx’itkt l’alp plat llitll\t‘. llll‘.ll. piog .iiid teeltiio “ith a gtiext \lot tioiti lx.iiiti\.il\ Run l‘lll\ loi \i'lllt' dirt} a“ lli'lht‘ .ind lllt'\\} elettio
I TOG’S .tl \\ t't' l\)k'\l ll.”
lll Illpiii z.iin liee lteloie ll lupin. ‘ .iltei till 31 Jlll lx‘egeae. datitehall. hip hop and otliei diiltli} g‘ltttut'x tiotii ll.lll‘.| l’oppa (‘Itopp.i. (‘ lligelex and lot k.i\\. l‘llh \inging wnmtnuh ll.idd_\ \tottv \attlie. (ieoige l’iophet and Re l\l.l Jainaiea
I Blaze .it l'go llpiii ;am 1* \\eekl\ |)J Janiex l onguottli igiiitex the eat \wekend \xttlt .t ehait .ind liiiikt llttll\t' \itlllltllldt‘k
I Boogaloo Bothy .it lleiiit x ( ‘ellai Bat Npiii iaiii ‘5 3| .ltil lloog.i|oo Hollt} eateix loi lll.lll_\ l.t\lt‘\ \xitli ll\ ltig. htilihling pot ol lllll\lt' .iitd lteatx \xitli ll'it' aelx the
I Cult .it l’o Na .\.t lllpiii Knit 2.: 3” lteloie llpiii. t" .tltei \\eekl_\ Ill Nikki and lllt'lltl\ dig tip the \ei_\ ltext lll ltiiik. tll\t'it. Rt\li. llHll\t'. hllm ll t l.t\\lt’\ .tlltl p.iit§ |.tlll\ at llll\ \lll'l \l.lll\k'lll‘lll lll.l\ll tip
5? Departure Lounge at the ( '.i\e\ Illpin iaiii L” IN .ltil \iiotliei night ot \xoi’ld heatx. eleetio |.l// and l .itin rh_\thin\ .l\ l)ep.ttttiie l otiiig'e lt'.tt'llt"~ |l\ tltiid hitthda) with a ll\t' \et lioiii lligital Jone\ and then lll.t\ll tip ol |.l//. ltiiik. hi'oken l\e.tl\. elettionita and ioel. l’lll\ the 'l'iotihle lle ioin lt'\ltlt'lll\ \\llHth_\ and ('ainiii}.
I Evol .it the liquid Rooiit
lll..illptii iaiii. L" \Veekl} l'.diiil\tii_:'li\ loitgext running indie night \\ ith the ll\ll.tl llll\ ot the ltext etiiieiit .iiid t'l.l\\lk alteinatixe. eiownei tune\
I Inner Rhythm .ii ('.ih.iiet \oltaiie llpiii iain Li 3| .ltil \eu night dedieated to l)etioit lt'LllllH. kieking oil a lne \et li'oin Brotherhood \titlt lotii deekx. [no (‘l).l lllllllx. tliiee llll\t'l\ and a ill; ilL'ltl ho\
I Late Nite Groove .ll the Jan Hat inidnight iain L5 \Veekl} Regulai l‘t'ida) night ltiitk\tia\.ig.iit/a \tith lixe hand\ and l)J\ Dantellooi |.l// ltoiii l’atil Millx' liiiptilxe ill Jllll tolloued h} the llltl'tlillllllll}: hornx ol the lliit} Martinix tZH Juli
I Mingin’ .it the Bongo ( ‘hih
llpiii iant. U» it.i hetoie iiiidiiighti ll Jtil. .-\ dark. um). tlll’l} lliitixe tltih .-\|.in Jo} attd Brett King iliiiaii'x on lll\ holw helm lllL' \L'L'httd tltgltl .tl lllL' Bongo lot llll\ pi‘edoiiiinantl} ga). eltih \ltixie t‘.ittge\ lroiit Name to deep hotixe v. ith .i toueh ol teehno and hard llttlht‘ llllti‘.‘.ll iii. I Misfits at Sulma} (Ringate
llpiii ‘aiii. L3 \Veekl} liidie. eleetto. punk. roek and retro \kllll haigaiii drink. a ('l) map hm and regular gig titket gt\ea\\a}\ (‘heek llll\lll\t>llllllL‘.Ut tik tor more into.
MIDOP .g.
:2 ;.5: is .9 , THE LIST 37