Visual Art
Exhibitions are listed by city, then alphabetically by venue. Submit listings at least ten days before publication to artGlist.co.ul(. Listings compiled by Rachael Street.
Glasgow
I THE ARCHES
3‘ i .'\l'j_‘_\lt' Sll‘k'c'l. “3-.” 2—“) 75:3
Illarn lllprn. Sun noon Illprn Spinach 'l hu o Jul. ('olleelne ol \lllllt'lll\ and reeenl gradualex lrorn laillnhurgh (‘ollege ol Arl uho enlo} mplmuny allernam e \paeex l/‘KSJ fill/Alibi ll / fut i
The Day without Work, the Night without Sleep Mon Ill Jul Sun (J Aug. lxhnlmreh gralllu ;ll'll\i lilph’x neu \lltm loeuxex on aleohohxrn and echoex the \l}|e\ ol Adam Neale. l)a\nl (‘hoe and l’u‘nxxu ill ‘f.’ ‘il ‘( )\'.'.
I BACKDOOR GALLERY
l)a|nnnr |.Ihrar.\. i l.enno\ J’Iaee. (‘lylehank 952 3532.
Clyde Redevelopment: Drawings by Patricia Cain l‘nul l"rn 2] Jul. Solo \hou h} llll\ mm looking: at the lit‘\\ urhan dewloprnenlx around the ri\ er (Jule.
I CCA
W) Sallt'lllt‘llall Sil'L‘L‘l. 352 49”“.
Tue l"ri llanl (\prn; Sal lllanl oprn.
>l< Test Transmissions oooo l'nul Sal 22 Jul. li\p|orlng_' \ideo arlixlx'
fL'ldllthlllp mlh 'l \. lrorn the earl} \xorkx ol \am June Paul and \\oll Voxlell lH illL' prewnl tla} SCC lllllhl and renew page Hi
I COLLINS GALLERY
l'nnerxn} ol Slralhelyle. I: Rlehrnoml Street. 548 25% Mon l-rl lllam 5pm. Sal noon 4pm l'ree
The Scottish Glass Society: Annual Exhibition l'nul Sat J: Aug ('ornprehenxn e e\lulul|on and \ale ol L’HlliL‘lllle‘llr} elaxx h} memherx ol the S(iS.
I GALLERY OF MODERN ART Ro}al l:\ehang_'e Square. 32" WW)
Mon \Veil & Sal lllarn 5pm. 'l‘hu
lllaln .Spm. l‘il'l «k Sun llarn 5pm Material World: Sculpture from the Arts Council Collection
0... l'nul Mon 25 Sep. l'ree A \L‘JL'L'llUll oi \korlw l1} lil'lllSJI .ll'll\l\. Ineludlng: l)anuen lllrxl. Sarah [hem and Rachel \Vlulereml.
Chad McCail: We are Not Dead l-‘our \larx. l'nlll Sun l3 Aug. l'ree. An exhlhiuon ol neu \xork h} (‘hatl .\le(';nl \the eolourlul paintingx. \llllll.ll Ill
\l} le lo elulllren'x hook and etlueallonal le\l lnmlw. e\p|ore theer ol \ Jolenee and metal unrexl.
I GLASGOW PRINT STUDIO
48 King Slreel. 553 (l‘v’ll-l. 'l'ue Sal
Illanl 5.30pm.
Dot Simm l'nlll Sal l5 Jul. .\'e\\ metal \\()l'l\\ for holding: \L‘Clllctl UllS and perlume. l/xSl CHANCE l1) Si l . Rachel Duckhouse l'nul Sal 2*) Jul. Work e\p|oring_' the relationxhlp hemeen \unplieil} and eornp|e\il_\.
I THE GLASGOW SCHOOL
OF ART
lo“ Renlreu Slreel. “145% Cordelia Oliver Festival Drawings 1949-1960 l‘nlll lhu ‘l \ng \laeklnloxh IIllllkllll; l’orlralh .uul ilramnex lrorn [he L'.lillc'\l din ol [he l-tllnhurgh International l't‘\ll\.ll
Terra Nova lll l'uul Sal 22 .lul \laeklntoxh Building; \n exlnluuon organmxl lll eonrunellon mlh Hap llaelzilra looking .ll (he hexl \xork lroln the l‘lllt‘ Art lleeree Slum
Going Places 'l'ue ll Jul in l.\ \ue -\lrlunl Muller} \ eroxx eullural e\.unln.nlon ol lraxel h} m _\e.n \lexlen \lllklt'lll\ .‘E "‘ I
I HUNTERIAN ART GALLERY
l'nnerxli} ol (llaxemk. 5: lllllhead Slreel.
1ill 5431 Mon Sal ‘l illalll 5pm l‘ree Nenty Etchings by Rembrandt lilllll Sal l5 Jlll l0 (L‘lt'l‘lalt' [he -llNlIll hlrllnla) ol the great Huleh painter. llux \lhpld} Plt‘lx\ Ulll \Ulllt‘ Hi lllt‘ llllt‘\l elelunex lroru [he galler) \ eolleeuon
I THE LIGHTHOUSE
ll Mllehell lane. 23! oil): .\lon .\ \Vexl Sal Illillaln 5pm. 'l‘ue ll.un *prn. Sun noon 5pm. £3 (Kllpl Earthquakes, Landslides, Pakora and Tea l'nul Sun 0 .Jul. l:\luhruon «loeurnenung [he uork ol \ludenlx lrorn lhe \laeklnloxh Sehool ol .-\rehlleelure Ill helping mlh rebuilding: progralnlnex l'ollomng the earthquake In l’aklxlan LAST (FHA; (LE 70 E
Marcel Breuer - Design and Architecture l'nlil Sun I Aug. 'l‘he on|_\ l'K \homng ol llll\ mayor
M”-
Marcel Breuer - Design and Architecture
\
No, that Lighthouse has not crumbled into the sea. At last, an excellent exhibition in the building
with pretty spaces and empty places. This major show is a must for any style conscious Mod, with realised designs of seminal chairs and architectural plans by this fiber-chic Bauhaus graduate. I The Lighthouse. Glasgow. uni/l Sun 27 Aug.
92 THE LIST 6—30 Ju‘ 2006
L‘\llll‘lll\‘ll o: \xork l‘} the liauhaux graduate and Ieaeher. lllt‘llitllllg lurnllure. phologmphx. llli‘tlk'l\ and dummex
SIX Architecture Awards l'nlll Sun 1“ .lul ("ornlwllllon enlrlex lyx up and eonun; Seolllxh .utluleeh
I PROJECT ABILITY
('enue lol lk‘xelopmenlal \ll\. IS '\ll‘l\\ll Street. “I :33: \lon in
lllanl 5pm
Face Value In“! I ll .‘l Jul l‘orlrallx M .llll\l\ iron) the l'loneale Sllnllox .uul Slepplne Slonex
Living with the Sea l nul l n .‘1 Jul Seaxtapex l\_\ .u'llxlx \\llll learning lllxahlllllex lroru (ilaxelm .uul Ihurw
I ST MUNGO MUSEUM OF RELIGIOUS LIFE AND ART 2(‘axlle Slreel. ‘Ai 3‘5“ \lon lhu A Sal lll.uu ipin. I ll :\ Sun ll.uu *pnl l‘lk‘k'
Women and War l'uul Sun I; -\u;' l’lluloglapllx l\_\ Jenn) .\l.llll\e\\\. \xho hax \xolked Ill “at /one\ \ueh ax l'l S.l|\.nlor. the Middle l .l\l. \lrlea .uul \lj.Yli.llll\l.lll \lnee l‘lSI
I TRAMWAY
35 All‘erl l)r|\e.ll.S~15 iill Wlll
'l'ue l‘n lllarn <pnl. Sal :\ Sun
noon 5pm
The Collector‘s Landscape: Pamela So l‘nlll Sun ill Jul.
noon 3pm Illtltlt'll (iaulenx Anolher ehanee lo we llll\ k‘\llll‘llllill h} l’anlela So. uho e\p|nl'e\ (HMVL'lllllllkll lllernm relallne to her (‘lunexe Seolllxh herllage
Henry Coombes: Laddy and the Lady l‘l’l ‘ Sun ill Jul l‘lllll lli\l;lll.‘lliHli h) (ilmgmx lmxeil alllxl lleul} (‘oomhex lealurln}; an oul ol eonuol golden l'L‘il‘leu‘l‘ ealled lurid}. \xllo l\ \ullerlne lhe l'cpk'l‘t'llxxlnlh ol ahuxe .i\ a pup. and lil\ ouner lad}. Ni Hr ‘< Artist’s Talk: Henry Coombes \Vell l2 Jul. (w. illpru tree. The aruxl lalkx ahoul JIIS Ialexl lllru \xork.
Private Galleries
I CAFE COSSACHOK GALLERY Ill King: Street. SS i ll? H 'lue Sal llillarn I Ipm
Otar lmerlishvili l'nul Mon SI Jul. liguralne \xorkx porlra) In; (llllllL'\ll( \eenex ol hle In (ieorela and e\eerpl\ li'Hlll lhe legenlk ol the (‘aueaxux
I LIME GALLERY
H‘N l)lllllharloll Road. H-l (HS:
Mon l‘l'l lllaln 5pm,
Made in Scotland Mun Ill Jul in .1 Aug. Ne“ \xorkx h} Riwx l{_\an. (Jillian (ioodllell. l'l‘;lllee\ l.a\\. Manon 'l‘holnxon. Angela Laurence aml l.e\ .\1el'ail_\en. NE Bl l’
I THE MODERN INSTITUTE
73 Rulk‘l‘lxon Street. Sunle (l. I'lHHl' l. 2-18.1"II Mon l'rl Illanl 5pm; Sal noon 5pm
3J1 Tony Swain C... l'nul 'I hu -7 Jul. New. “Hrix l3} lhe (ilihgou ~lNlSL‘tJ ill'll\l. See llllllSl and re\ Ieu. page ‘ll
I NAPIERSHALL STREET CENTRE
3‘) Naplerxhall Street. NI Hill-J Nature’s Fury 'l‘hu h Jul. l’liolographx h} Shahnlul Alain depleting; the determination and resilience ol people alleeled h} the earthquake ll] I’élllelilll. CHANCE 70 SH.
Room 15 Thu r» Sal 3 Jul (‘urrenl armorkx h} 'l‘erexa Broun. Lola I'.(J\‘-(lr(l\. Nick Logan. Janie .\'leoll and other\. uhoxe praeueex take lli painting. draulng and llll\C(l media \l)|e\. 'l 51’.’
I I’.
I OFFSHORE
3 5(iihxonSlreelJJ77l-1 90073”. David Gillanders l’nul l-‘rl l4 Jul. Black and white photographs ol Malawi. LAST CHANCE TO SEE.