I The Jazz Bar Quintet IIIL‘ Ja/l Bar. I (IMIHI‘L‘D \lrccl. 22H 42‘!“ ‘lpiii I'rcc Varying IIIIL‘-llp\ tor III|\ line-pint hand ol top iniixitianx. axxcinthI cath nut-I. h} lIl.‘tlll\l.i} ol tIn' Iltillli‘lll'jJIl |a// \LL'IIC. iIruiiiint'r IIiII K}It-
I Rosy Blue Trio Hll ()iit-t-n Sim-i Hat and RL'\I.IlIIiIIII. MI ()llL'L'll SIIL'L'I. 3:" Vi‘)“ ‘Ipiii I'rt-t' l‘phcat IIIIL'C'PICQC |a// otitlil
I Fish Fry 'IIic .Ia// IIai. I (‘Iiaiiiht'ix Strt't'l. 33H 42‘)” I lpin Iain I'IL'C hcloi'c II illpiii. L5 allcr Stotlhh |.’t//. IiiiiIt. \ouI and I.atin haiitlx IHIII I)J\ Iziik “Viking: and .»\xti'oho}. HIL'IUtIlleJ tIn' L'\p;lll\l\t' Iunk ol tIn' Joc .'\L'IIC\HII ()iiartct i3 Juli and laptop |.I// IIII\L'(I \NIIII IIra/iIian lunk lioiii SitIt-utntIci i 15
JUII,
Edinburgh
I Lazin’ on a Sunday Afternoon Nil ()uccn Stu-ct Hat and chtaui'ant. Hll ()iiccii Sttct'l. 330 5097. 3pm. I't‘t'c. Mellon at'ouxlit' iIi}tItnt. Mum and pan. I Electric Fire IIIL‘ Ja/l Bar. 1 ('Iiainlit-rx Slim-t. 320 42‘)”. 0pm, I'i‘cc. I’unk} Iiat'klwat ia/I li‘oin IIII\ cool quarlci IctI h} \a\oplionixt Zack Molt and guitarixt IIcn .\It‘I)onaItI.
Monday 1 0
Edinburgh
I The Great Jazz Jam Session IIIL‘ Ja/l IIai'. I ('Iiainhci‘x Sti‘cct. Ill) 42‘)”. Upin I'I'L'L‘. Iixpt-t‘t a rich IIII\ ol \t) IL'\ ax [act‘s old and no“ drop in to pci'loriii
\\ llIl IIIL' IIotle‘ Il'lo L'iIL'II \\ L'L'Ix.
Tuesday 1 1
Glasgow
I Leanne Zaccarini Madncxx. 3i) IIolIm cll Sti'cct. Ill-l 590‘), ‘Ipin. I‘i‘cc. .-\ iiii\lui‘t‘ oI \IAIII(IAII(I\. hItiCx and wit rock.
Edinburgh
I Bill Kyle’s Sh“ Hot Jazz Quartet The Jan IIai'. I ('Iiainhcrx Sti‘cct. Ill) 42‘)“. 0pm. I‘rcc. l’phcat group Icattii‘ing IIiII K} It ltIl‘UllhI. Doug 'l'ipIatI} l\tl\L‘\I. I’atil Kii‘h) lpianoi and Kcnn (ilaxgou (haw).
Wednesday 1 2
Glasgow
I Michael Simons 'I‘chai ()\ na. IN) I)cait\lon I)l'l\L‘. (>40 7355’. 3pm. £2. (Ilaxgon-haxcd gtiilai‘ixt planing l'oIIt. Mum and I»t‘_\ontI.
Edinburgh
I The Scottish Jazz All Stars Jan (‘t‘IIII'C. IIIL‘ I.ol. 4/0 (il';t\\lll;ll'I\L‘l. 407 520i). 8.30pm. £8, .\ \tcllai‘ lino-up and lt‘cin ai‘i'aitgcnicntx of traditional \IllPIL‘\ In)!” this hand lcattii‘ing clarinct llltlL'xll‘U Ionic ('aii‘nx and \ingcr I‘ionita Duncan, I The Eighty Jazz Jam 8. Open Mic Xll ()uccn Sti'cct Bar and RL‘\I;IlII‘;tlIl. XII Quccn Sti‘cct. 330 5007'. 0pm. Iircc. Ia/l _|;Illl \t'\\IUII.
I New Bands nght Thu Jan Bar. I (‘Iiainhci'x Sti'cct. 220 4200. ‘Ipin. £5. l‘p-antI-coining hantIx \Iio\\ca\c their jax/ lalcntx cach \xcck. \\ ith ait appcai‘aiicc l'i‘oin ia// guitar \tai‘ I-iank (iainhalc i ll Jul. alxo notc £8 cnti‘ancc I‘or lIIl\ night on|_\ l t'oIonxctI It} Montrcal'x Riot Bo\ l 10 Juli.
Glasgow
I Jan Douglas 8. Primetime Strathtltiic. 3 5 Blacklriai‘x Strcct. 5‘2 (I035. 8pm. I-‘i‘cc. Scc II)“ o.
The singer is a member of the ubiquitous Edinburgh jazz
family, and mixes their deep-rooted feel for jazz with a laid-back approach, equally influenced by sophisticated contemporary pop, all delivered in an intimate setting with guitarist Sandy Wright and
bassist Mario Caribe.
Jzix.’ (Io/Wt) a? Hm I or. [:1 rift/fir"? I "~
I Jim Clelland Trio Baxtillt- IthCl'llC. (t3 .-\l'j_'_\ IL‘ :\I'L‘;ttIL'. 33I 3‘) I a. Spin. £5. :\ \clt'ction oI \UL‘;lIl\I\ |Hlll ('IcIIaiitI l'or ial/ \tantIai'tIx and no“ ll';lL‘I\\.
Edinburgh
I Gina Rae Trio .Ia// (‘cnii'tz IIlC I.oi. 4/(1(il';l\\lll;tl'I\L‘l. .107 52H”. 8.30pm. £7. \IcIIim. Ittp ImIItitIx \\IIII a coiitcnipoi‘ar} RxII \pin Pilh original conipoxitioih I'i'oiii \UL‘ilIhl (iiiia Rat- and hand.
I Paul Mills’ Brazilian Beats The Jan Bar. I (‘hainhci'x Stu-cl. 220-120”. H.3llpin. £51 The brilliant I'S tIrtiinint'r antI IIIL‘IItI\ Il‘tllll I‘Ira/iI ci'calc an cwiiing ol lanlaxtic l'II_\lIllll\.
I Beat Root Juice IIIC .lax/ Bar. l ('Iiainlwi‘x Sti'cct. 22“ 4200, Illfillpin. I‘l‘CL‘. SL‘L‘ II“! (t.
Edinburgh
I Graeme Scott Quartet .Ia/I ('citti‘c. 'I‘Itc I ot.~1 (i (il‘.t\\lll.tl'I\L'I. to" SIM). "fillpni, L‘" IUH. ('tii't'cntl} making “aux u itIi LICI‘lII alhuin xiii llt'l/i'. Scotlixh :Jllll.ll'l\l (ii‘acnic Scott's \UUIIkI suggcxts I’ai Martino and Pat \Icthcn}. Ilcrc Itc tcainx up \HIII I’auI IIJI'I'IMHI. Aidan ()"Donncll and Sin Rilchic. Scc prcx lL‘\\. page (‘5.
I Guest Bands Night IIIL‘ .Ia// Hai. I ('Itainhci'x Strcct. Ill) 4201). “PIN. I't'cc. Sec I-‘i‘i ".
I Colin Steele Plays Miles Davis Ia/I ('cnti'c. 'I‘Iic I.ot. Io (il'.l\\lII.lI'I\CI. 40" 52M). Illifillpm. L‘s Scc t-‘n '7
I Late Nite Groove 'I‘Itc Ja/l Bar. I (‘haniht‘h Sti'cct. Ill) 4290.
midniqu 3am. £5. Scc I'ri "
Glonrothos
I Andi Neate I\)HIIIC\ IIaII\. KllIthIHIII ('ciilit‘. HIS”: M I IIII Spin {h Ito t” laiiiiI} {Illi \ llll\ ol loIk antI ia// lioiii IIII\ IIiinIaiitI law
Stirling
I The Son Henry Band lollmoili. ,I.tlI \\'.\ntI. III—\h :q-Illllll 8pm L.\ iUii Ronkin; leucx \\llIl a lap \Ik't'I lellIal
Saturday 15
Glasgow
I The George Penman Jazzmen \Iitllllilw (.L'IIIIJI. (\ .\' \\.ilt‘lIHU hllt't'l. Ill “SH” 3 illpiii I'It't' St't- Sat \
I Mike Rogers Quartet Hit-l. W W .'\\IIIUII I.aiit*. I1: -l‘)(»h ipin I'It‘k' Rogch and Ill\ t|ll.tIll} tiiiailcl tIt-Iiwi IIIL'II own IIIIt'l'I‘lt'IJIIUIh ol \HIIIL' ol tIit' hcxt tItc (Bit-at .\int-i‘it'an Songbook Ila\ to HIICl
I The Michael Deans Quintet Hai IIIot‘. ll" Haili Sim-i. <7: mm < win I'lL‘L' SL'L‘ Sal 5
Edinburgh
I The Mellotones Ml (Jim-ii \lit'cl liar and chlatiiant. Ml ()iiccn Slit-cl. 32h SIN" Spin IIL'L' St'c Sat i\
I House Trio IIit- .Ia/l IIai. I ('Iiaiiihch Slit-cl. SSH-12‘)” i 1“put I‘Ik't‘ \t't- Sat 5 I The Jazz Bar Quintet IIIL' Ja/x Hal. I (‘Iiaiiihuix \tict'l. SSH-12‘)“ “pm I [CC SL'L‘ ~Sal b
I Sue McHugh Trio Ml (Just-ii Sliccl Hat and Rmtauiant. Ml (‘IUCCII Stit't‘l. 33h SIN“ ‘Ipitt I'i’cc I'.a\l \l‘tl\i ia// \tciic i'cgtilai' \lgIItigIt
I Fish Fry 'I hr Ja// IIai. I ('Iiaiiihyix Sti‘ccl. 32H 43"“ I Ipiii Fain I'rcc leorc II .‘llpin. t5 aIlL'l Su- Sat N
Kitzbtlt
I Neil Wilson tart-t lung. I\)‘tl\\1.tll (.LIIILllaI ('t'ittit', I" I\'iZI_‘.' \ticcl. “i "‘1: \ 1“pin 1‘ «11‘ \oiith
\itit'ntait I aiiiio i.i.'.' :Ii\i!i:n\
If \ iifl‘ \ti'xin
I Lazin' on a Sunday Afternoon \" ()iit't'ii \tict'l Iiai anti Ix‘cxtaiiiaiit. \H (‘IIIK'CII \lit't'l. .‘_‘l\ *H‘I‘ .‘itii: I we \ct' \iin "
I Electric Fire llit~ I.t.'.’ llai. l ("IiaiiiI‘t'h \tict'l. _‘.‘ll 13"“ “pm I icc \t'c \iiii "
Itiiiibtiigh I The Great Jazz Jam Session
lIit' .Ia// IIai. I (‘ItaniI‘t-ix \tit't'l. .. INN “pin iIt'k' \L'k' \Ion Ill
Tuesday 18
Glasgox‘.’
I Leanne Zaccarini \I.I\IIIt‘\\. Hi IIolItut'II \lit‘t'l. .‘lI-I “N” "Itiii I it't' ~\t't' Illt‘ II
I'(IIIII)LIlt]Il
I Bill Kyle’s Sh“ Hot Jazz Quartet IIit- Ia// IIaL I ('Iianiht'ix SIICUI.::IIA1:‘III U[‘III iIk't' \t't' Illt'
Isle of Mull I Phil Alexander Trio \ii IHIHI.
\l}_‘}II It-iiat’t'. IHI‘t'IIIIl'l}. lllli.\.\ lllljll x ‘xllpm {5 Min \\UII\II_\ |.i//
Wednesday 1 9
Glasgow
I Michael Simons I\II.ll ()\ll.l. lo‘l I)k‘.lII\lHII I)ll\t'. MI" "355 \pin t.‘ \t't' \\t-tI I.‘
Edinburgh
I Fraser Fifield Trio _|a// (‘t-iiiit: IIIC I ot. Io ( il.l\\Ill.lII\t'I. I.“ I I“
.\ Illlmi L“ tUH \\iiiItI t I.I\\ plpt'l. \HIIIJIIH\.1\H|IIIHIII\I. and low \\III\IIt' Nana ol Salmi ('cIlita I‘Jtixk'ti In clu'tiit' yiiitai |a// _‘.'lHU\t'\ lioiii (iI.IL'IIIt' Slcplit'n antI iIiiiiiiiiit'i Sinai! Rilt‘Itit'
I The Eighty Jazz Jam 8- Open Mic .\'ll ()iit't'n Stit't'l IIai .IIItI RL'\itllII.lIII.KII(‘)1IL'L'IISIIK‘CI. JIM RIM" ‘lpin I’Ik't' St't' \\L'\I I2
I New Bands Night llit- ,Ial/ Hai. I (‘IiaiiiIit'h Slit-vi. Dill-13”” ‘Ipiii U XL‘C \VL'tI I:
Dunlorinlino
I Andi Neate I)iiiilt'iiii|iiit' I'oII. Huh. 'I Ilhlit‘ III‘.L'III. II.iItIiiiI;,'t'I\iiiii. Ill IN? ‘3‘)(7i Hpiii St-t- III II
Thursday 20
Glasgow
I Jan Douglas 8. Primetime Sli'atIttIiiit'. I < IIIat'Itliiaix \lit't't. <“3 ll‘) *5 Milli I'It'k' St't' 'I Illl (i
Edinburgh
I Riot Box I IIt' .Ia/l IIai. I ('Iiaiiiht'ix Sti'ccl.331l~13‘)llx iIIplll t; ()llleII.tI\ and \I.IIItI.lItI\ lioiii IIll\ ticatiw (‘aiiatIian loin-pin c
I Ross Milligan Quartet .Ia/l (.L'IIII'L'. IIIIL' I,UI_ «1'(i(iia\\lil.ilitt'l. ihfi iIllli x illplll U) it“ I.i\:' \L'I lioiii j._'llll.tll\l \ilIIlletIl aniI hath tIIil\\III:.' IlI\PIl;tIlHIt li‘oiii tIit' Iiluw ol \It'lIit-n} .lIItI I'oxxiici'
I Beat Root Juice 'l ln- Ja/l Hai. I (‘Iiainhcix Slit-cl. 331) 42‘)” Ill I'Ipin I'l't'L' SL'C II Iltl (i
Rutherglen
I Tea Dance I<IIIIIL‘I_‘_'IL'II onui Hall. I “I .\lain Strut. M i 57‘”)
I zll ? Illpiii L3 5‘). I’llltlll.t\p;1l'ki} thy“ aiitI indulgc _\otir ItllllthlLN ol toxtrotting atrow a ballroom 'I IlL'fL‘ arc cwn Ircc [ca and I‘II\L'UII\ prm itIctI to rL'PICIIhII _\our \lt‘cnglh.
/ ,. r THE LIST 77