Visual Art
Adam Elsheimer’s Nocturnes Tue 4 Jul. l3.45 lilipiii. l'ree. Adriaan Waihiier limkx at lzlxheiiiierK iiightxeapex and ennxiden their iiilliieiiee on northern lauriipean ilrll\l\.
More True to Life than Reality Itself Wed 5 Jul. IIJS l Wpiii. l'ree, ('uratiir Nieiila Kaliiixk} L‘\;tllllllt'\ her L‘lttilce til “(Ith hit .SII'i/Itui'l' [hill] 1.!!! and exaiiiiiiex the \alidit} iil earieattii‘e ax portraiture.
I VARIOUS VENUES
u u u .eim parade-ediiihui'gh.etxiik CowParade l'iitil Sun 33 Jul. .-\ herd til titer ll)“ lite-\t/ed llht'e gltiw (MM take in er lidiiihuigh'x \ti'eetx. decorated h} liieal étl'll\l\. eelehi‘itiex and eiiiiiinunit} groups.
Private Galleries
I A1 GALLERY
2 ('iiinniei'eial Street. l.eilh.
RIBA Presidents Medals Exhibition l'ntil Sun 3 Jul. \Vui'k h} \ltldettlx l'rtiin AIL'I‘U\\ the [K uhii lia\ e been il\\itl'tlL'(l UllL‘ iii the RIBA l’t‘L‘sldL‘tth Medals. LASl Cl MNCl it) SEE;
I AMBER ARTS
7S Muntrme 'l‘ei'i'aee. .‘\IIIK"\IIIII. (ml
1 l(i7. Illt' l‘i‘i lilaiii Spin; Sat
Illaiii 2.30pm.
Karen Kirkwood: New Work l'iiiil Sat l .ltil. Paintings kinking at the relationship hemeeii \eienee and nature.
UXSI CHANCE TO Stilf.
I AMBER ROOME
75/70 ('uinhei‘land Street. 558 3353. Wed Sat llani (ipiii.
Graham Flack 8. Patti Yuill so Thu 32 Jun. Digitiinted portraits in ehai‘etial and peneil by Graham l‘laek. and neu \mrk h} l’atti Yuill. lASi
Cl {ANCE TO SEE.
GOT
SOMETHING
I [ft/i/i.‘)tirgti (Itii‘ii>t;t> nt/i'f. fi’)"‘.’).flt}". a
Mark Doyle & Gemma Louise Stephenson Thu 2‘) Jun Thu 3" Jul. \Vtii‘k h} tun :ll‘ll\l\ “litl graduated Ill ZUHS. l)u)le \Hil'l'xS iiiaiiil} (III printed \teel panelx tn piii‘ti‘a} litexi/ed liiuiid iihjeetx. \xhile Stepheiiwn ll\L‘\ \phei‘ex itlld L‘ll't‘lL‘S IU tlL‘PlL'l lllL‘ dail} l'ttllllllt', NE W St l0\'.’.
TO SHOUT
ABOUT?
LEAFLET MARKETING SPECIALISTS
96 THE LIST ‘22 Jun—t5 Jul 2006
0131 555 1897 www.coe.co.uk disploy@eoe.co.uk
ECA Degree Show - A New Perspective
Edinburgh College of Art opens its doors to the public for the annual student degree show. Work by 400 students over 23 art and architecture specialisms will be on display. Highlights include a five metre high ‘tongue mountain‘, a papier- maché igloo and a giant robot named Orto.
I ANALOGUE
It): \Vexl Him. 23H illilll. \liill Sal Warn 5. illpiii.
Schemie Centaurs l‘l'l 3%.Iun Sat 33 Jul. .\l_\thieal peiieil diauiiiex h} Kii'xt} \Vhiteii. lii'iiieiiie the létlllihllt‘dl lltlii e\ei‘_\d;i} lile. NE Sr‘t’fi.
I CORN EXCHANGE GALLERY (‘iiiixtitiititiii Street. Stil "3H0. \Ved Sat
l lain 4.30pm. l‘i‘ee.
Katsutoshi Yuasa O... 'l'hu 33 Jun. \liiiitielii‘uiiie Pl‘llllx. tllNIIIIL‘tl lrtiiii lll\ ll\\ll phiittiei‘aphx. h} llll\ ‘l'ekyvhiirii .tl'll\l, 1A5? ‘IIt‘ANle 7'”? .
Phoebe Cummings In in Jun Hm I“ .-\tig_'. .\li\ed \llll\\ h} eiiiei‘giiig .tl'll\l l’hiiehe ('tiiiiiiiiiiex. \xhieh lt‘.’tllll't‘\ a \\t|\L‘ll ela} eai‘pet. recent than Hip and itlllL‘l‘ Illll‘IL'ulL‘ \\t)l'l\\, \ttt‘lt ;|\ a miniature landscape on the tip iii a \pttttll aiitl llll} aeroplaiiex pei'ehed «in a lllell hulli like inxeetx. hit-‘2'. SHORE.
I EICC
l5” Mni'i'ixiiii Street. .illll Kill)”.
The Antarctic Photographs of Herbert Ponting Illll 33 Jun. " Illpiii. l‘i‘ee. Iiiiagtw li'iiiii Setitt'x lil'llhll .v\iitaietie
li\pedititin til I‘llll l‘lli. ’iil'l u! Ihu l‘lt'l'
sliiltiri Iii'tt. Fifi/ts ‘CE 70 SE 3 White Horizons - British Art from Antarctica 1775-2006 'l'hu 22 Jun.
lllpiii. late The lll'\l e\hiliititiii ml ll\ kind iii the l'lx'. teatiii‘ing met 5“ paintiiigx. I’m-r u/ I)l\t m ('I' .-\nmn [It a. LAB? tilii‘AN'flE 7.; 53:2
I FLESH LTD
7 liarela} ’let'raee. 33S 000:.
Rouge l'ntil Thu 31 .'\U:_'. A eelehi'atinn Hi all thiiigx red h} the l‘lexh l.td eiilleetne.
I HEART GALLERY
3rd Hour. (3 \Vaterltiii l’laee. 550 32X”.
3 ()pm.
The Truth in Painting and Other Propositions l'ntil Sun 2 Jul. ('iiiieeptual Slit)“ h} (ilaxgtm tti'll\l\ \lttl’ISLW. \xliieh regixter~ their call that painting \llttllltl heetiiiie detiinet ax an art l’tii‘in. through painted ere} \wrkx ereated truth the axhex tit I\\(I L'UPILN ml the l)errida\ ptISI-llltltlt‘rll “tirh. I/ii' lrut/i 1\ iii l’tiililinu. 9A8? f 7 '7 r
I INGLEBY GALLERY (» (‘arltiiii ’l‘erraee. 556 4-141. 'l‘iie Sat lltam 5pm.
Susan Derges t mil \al .‘2 .ltll See
l‘I\'\ My page "1
I INSTITUT FRANCAIS D’ECOSSE
l1 i\‘.lll\ll‘l;‘ll(ilk‘\\\llil. .‘ \li‘ll \\etl A ll‘. " lHaiti * ziti‘iii. lliti iawi * zttpiii. \a! " Wain .‘piii
The Auld Alliance 2006 t ntit i ll zii
ltiii l tee \ tiiilt'ttiuii wt met zit iiiigitial
\.tlli‘illl\ tuiiipaiiiiyx aiitl \i‘llll.l\llll‘.‘ \tittixli and l lt'lltll ait. \iHSIIIL'. lll\li‘l\
.tll\l l“'l‘lll.tl \lllllllt' .
I SCOTTISH STORYTELLING CENTRE
41 4‘ High \tieet. “h WV" \il‘ll \al litaiii -l ittpiii
Figures 0! Faith, Fact and Fiction l iitil Sat l _|iil i\)‘_'\k'lll \xnik lli‘llt .ltll\l. .I\l\‘l aiitl puppet-eta laii lllll‘!ll. \lt'l‘ltllll‘.‘ lll\ l‘t‘lvtlltll lt'\}‘itfl\t‘\ lit \lk lt‘l}. lllt‘alh'
.llltl ielieiniix taitli
I TRAVERSE THEATRE (aiiiliiitlee \tieet. .‘.‘.S Hill \luii Sat lilaiii lltltl'llt'lll. \iiii (\l‘lll iiiitliiiylit Kate Leiper: In the Shadows of Shahrazad l i.til Sat .‘1 Juli \\.ll\‘l\\‘lttlll \\itll\\ ' '
Stills Focus Space \im 8 lllll \ai .‘ Sep \\Hll\ It} [‘iat’titiiiiit'ix llitlll l tliiiliiiijgli'x Stillx pallet} ‘3
Artist Spaces
I THE EMBASSY
“ti laxt (llii\\\.lll\t'\\.t_\. tm“ jam
l‘hii Siiii nimii tiliiii
Blurring the Neatline l llltl Sun I!» .ltil .\ \liim \llldlt'tl h} \llltlt'lllS liiiiii l:('.-\'\ \lSe in eiiiiteiiipuiai} ait tlieui}. bringing: tiieelliei the \wik til IS .tlll\l\ limit a \aiiet} nl l‘.lt‘i\:_‘lt>lllltl\. all til \xhit'li lllllh at him the lintiiidaiiex III itleiitit} aie liliiiied h} iiidi\itliial ielatiniixliipx
I PATRIOTHALL GALLERY
\\ \Sl’S l’atiiiitliall Stiitlim. iilt -l.\ llaiiiiltiiii Place. 33‘ IZS‘),
Portobello Stories 1 Hill \M-tl 3S ltllt l).tlllllll_‘_'\ .llltl tliauiiiex «it l’nitiiliellu lit Iiieal .tl'll\l .\lai‘tiii l'tt\\lt'l . ' 4
I TOTAL KUNST @ FOREST
‘ lil'hlii l’laee. JIM-15W. iiiiiiii llll‘lll BAZAR l‘iitil l'll ill .ltiii. l’liutneiatihx till the theme «it Illlllll.tL'_\ h} |-( ;\ \llltlt'lll\
Amy Whiten Sat I \lttll it Jul, \eu “(Him h} the iiiiililit' .llll\l "MI.
Outside the Cities
I DUNDEE CONTEMPORARY ARTS
l5: \etheigate. ill ‘33 WNW)“. ’liie. \Vetl. l'l'l tk Sat Ill. illaiii 5. illpiii. 1 hi; llt._‘~llaiii H.3llpiii; Siiii Iltitill 5.30pm Damian Henry: Daydream Believer l'ntil 'ltie H Auu. Stilt» \lliW'. h} llllS tip and eiiiiiine Settlllxll ltl'lhl
* Where the Wild Things Are I... [hid Sun ill Jul. See iiiaiii Plt‘t't' titltl lllllhl. page ‘H.
Where the Wild Things Are 1 llll 22 Jun. Shiii't animated Illllh HISPHL'tl h} ehildi'eii'x \ltil'lL'S iiiade h} )iiiiiie peiiple iii l)('.'\ mer the litxl text )L'Qll‘\
Private Galleries
I MOUNT STUART GALLERY Mount Stuart. ill 7M) SHRHT'T'. \liiii. \Ved & I'TI Sun lilani Spin.
Nathan Coley: Save the Date the \lith. l'ntil Sat 3‘) Sep. llliiiiiiiiated \eiilptui‘e u ithiii the lStli eeiitur} landxeaped parkland. uhieh has a iiiagieal and theatrieal qiialit} and litlxew t)\\llCr\illp «it the \paee iii uhieli it I\ ltK'itlL‘d.