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Festivals? Our Vic Galloway's been racking them up. Just llke buses. the, all rut-urn to come along .11 once 1 Bunk. Tegertest. GONorth (ml BBC Ruin» t 2; 8:9 Weekend have all happened. sermiltanmnsly lu’l'ltjlllt] new music to Sr_:<_)t|aml Ll(il()t;f; Edinburgh. Gt;1£;g<“~r.'. Dundee. Aherdeer and [)untermllnt: We've been spoilt f0! chemo. and l'rn knackered as a result.
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15. having absorbed. his mentor’s flint-eyed pioneering Efflowh’se (Evert with (Inger “ ToIbooth‘ Stirling. May 26_28 May spirit, Ward 5 duet With drummer Steve Noble should be a U C dltl) ICJ to! I» “my ) at tribute to the master that gives sentimentality a body “‘0” .0015 whittled down to «ts When Le Weekend's festival of contemporary swerve in favour of something altogether more urgent. SHOWWSC £10113. Wm‘ «1 it'll“ 11’ experimentalism first opened for business nine years Similarly, ‘From The Art Of Mirrors‘ is theatre and film (WNW) “‘9 “WWI?! '0 WW I I" “"1 ago, the idea of sustaining such a brilliantly wide-eared composer Max Richter‘s accompaniment to unseen path- Thb‘ GON‘VW 1W1 YMMV-“’- showcase of leftfield excursions was, in Stirling as much Super 8 short films by Jarman, whose angry poetics and 9'98 “WWW "UGO it’l“’>ll“l’3 0’ as anywhere else, unheard of. One could argue the homo-erotic painterly style on Caravaggio and The Last “a”le and WS'UW“ fm'hl‘fi to lllétv success of other festivals which followed in Le Of England reached its logical conclusion with Blue, a TO DUNOFS 8”” “WWW WW; «'1‘th Weekend’s wake, have clogged an already tiny holistic meditation on life, death and love played to a "'53 ét'V/fll’fi 0’05“ ‘0 W” Ml) Hm marketplace. Whatever the merits of recent Le blue screen. Edinburgh-based Richter’s fragile and “OW” ADOMOW'VS Btflllltll” 3‘“ =01- Weekends, a reinvention away from an increasingly moving works have been compared to Arvo Part, which “WWW ‘00 “‘11th UN” l)‘itl>h”l<l homogenised approach was necessary. should create a mesmerising dynamic. aDOU? “‘0 DEMOS VOU'VC‘ JUST 5‘50” Le Weekend’s new curator, Alasdair Campbell, has Elsewhere, The Tobias Delius 4tet includes crazed BUI- mkmg "‘0 D'SCWY ‘0' 3'10” broadened things out for this year’s programme with an drummer Han Bennink, computer boffin, Mattin, makes “Xmafam” W me- Wétfr WM") ‘73 array of international talents from the free, electronic and his Scottish debut, while SPKE are an experimental trio “6'9 WSW-’5“ I” Climlflf" 10W” PEW- contemporary classical scenes. It looks back too, with a featuring Scottish composers John Harris, Ruth Morley The Weamt'?’ “(I’M ON 0”" "‘0 celebration of two maverick talents, guitarist Derek and David Fennessey. Closing the weekend will be the hams WOW“ “‘0” “Wm 0‘” ' Bailey and filmmaker Derek Jarman. mighty honk of The Peter Brotzmann Chicago Tentet, a was 88de l0 lJWfO'm 1WD DJ SOT?) Bailey‘s death, on Christmas Day 2005, robbed the blistering free music assault featuring a six-piece horn WC“ day 0“- lhO WWW WK)“ (“V1 world of one of the UK’s most radical talents and a section, two drummers, cello and bass from a world- WhOODBO my WW WWW“ master of free music. Guitarist/clarinettist Alex Ward class array of European veterans. Unmissable. COUWICSS ball” '“WUUCI'OWL played with Bailey at Glasgow‘s CCA at the tender age of (Neil Cooper) 'nVlllH‘J “‘53 "WV/‘30") '0 ‘lllak‘l‘ 30”“:
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