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. j” "w I: \T'..)I".}°.‘.:. 2 °: —' 't- w d _.. ' }," 22-) .'._: i." ’ ' it1{.t‘.._"‘ . " i \ I' 1‘ ' ,.’/;.';4’/;. ~"\“"‘,“, .'.' '7".:{i . i‘;‘:".f"t",i"" .'..‘.‘1 "t ti' ) 1 WHITE . an, T'JT' ' 'v ' AN El. RBAN Iv.“ v I ~ ' rt M v ' . . .. . t v A t ' r. b F' ' n b ‘ a " GHOST STORY ; t v t r. o , . . ; u t , y ‘r 14‘ z', z): . k y. I \1rV V . 1 A Of co ' i t I , /)l",,,lii rvr ‘ .,. ,t, ‘ .J y 0 it y ‘7 .r v, , I‘.t , \' ' l .r ‘ Q ' "7" "1.": l u 3 ~ t it y \ A ‘rri: 7271)‘>‘.',‘, t 'w a« . .f.lt\}51).lt't‘."' " x j " " |.i.i‘xi.‘.'\ 't t ‘ ,‘m‘ Tt'wrwr- .':"' "few ‘.' 1" .nt. a". n'tu' at”: "an 3mm». ~: 3: " 'l‘:rlt‘.’."’," "4‘ t.:’,ll'tt’.r‘; Lament". " Alma!:tfwtmlflvtl‘wif‘ , 'H .I II T'lm ' v ' .w t ' ' r I I ' r‘ o ‘ H ' ,y \‘ huts-55%;“ \ i‘fl’i’“: {"f' "1‘ f H I... l.kl‘1;.7)/}‘u.f"7y 't‘) “ lint”)? tit \VV: Mimi), - ‘\ 1" 1')” v 1 (I .1.”'r"r""1r“' ‘ Errtra“. naval»:- 'r‘ in r‘: it’Z'tC’)"l.T£lf1i.idSif‘ ‘ t" a «f .-" r " : ill 1"’}{/ z' r (1.”? .‘N itii ‘y 't’d‘lU‘,’ fif 'i’ '( ..”7".‘"i.'t'l"‘- (UV) TKVNQ‘ thi ti't' ihltft‘ Bit)", (‘7 if. ttttt‘ . 1': l "3 With" r:wt,:twt- u'rtatl trr;rte‘.'tt:.‘: Jolltttei. tlrxt, i/i’LKll/l)‘.lt .'.'t<: .‘.’t’"t' h‘rtt t" mot ‘wtw'tanat‘. .t.;‘:;. . t :f .‘..l' : t,r,,,r,,,;mrvrrtt,tr, tflux/t(;/”»_)i.)7(llt If. t,t:ra;>rters.. tat'rart hintr‘ttnmr that; z I H; rv r tlr ' i) (‘YV'R‘ L1()rlKL/Ii‘flt—r‘i’Ji) LY" " i ’ ‘ i ‘ 1").r/ly(._ ‘hlh’lfl ,,,(r,'2f .))L)(1.1 H.) A I .i)‘:, it/Nii) \ii)'lfl\' ‘ liar, " r‘}. ’1', ' ,:
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griilltl)‘, lrorn i'l'l/‘l, nrqh hues. It tellf, ot a (15) 88min ‘.‘.’hr><;e songs 'i’th‘h the 'amhie rut/Ht) trttw' . (,lwr', ," rw.’ ','/h'tw f.‘.e!\.e year ’Wi urrl .‘xhr; .N(g[,"t()r)\ DVD retail. S‘i‘iitllli‘, Guarrlta'. t‘lttlt?.ttil‘.t)|,_ the llllt' t" 0.1.. l 1‘ x v\ A! «yet i‘) atttl, and trail. i)‘:ii‘:‘.(:f) that. following; a .0. ‘Gutzrnllas; tn the Mrrlsst' nhrugwnt; ott an,
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lr.r;.r.l‘ autumn, an an illllh,‘ tn f)ll".l‘.'(:_ her soul Batik In the (lat, 'the ntluluenrt: with a n..;n', 5+
.trtr arentit, una“.‘;u'ntn'; .151?) taken over it, some 'llttl .l‘fir. when the ‘ .ttit‘tunplruhml uraugti (18)120mm tier-tut 'l’t'tm l nrttz, titli)l(;llf; i(tl(7(}. Some rnult: rntllron (lttiiill hurt style [itfililtflttit‘h M ,,t M; [t rh'mw lllILTt a I rrrnt- llllt)ili 3a, the same of hop :nrlusatr‘, '.'.'a&; etsuntrshnct the marked retar 'o-r‘m 0..
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(Ellll)i()‘,lllt) the talentt. ot Lut: Reason". regular criternatonrar>her iillt’:ll‘,
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and ‘Come Pet the l'./htte(};1t at; his ‘trrtst
PUSSY' have letl them trlm lll a major my.
to rub shoulders; ‘.'.’llil Extras. on Iltli; etlrtron
anng lrlm (ill'(2(,‘i()l Jrke rn(:|u<le production
Sprngleton. Christian notesanrl arltre<1tor
rapper MC Slammer hrogranlh.
and the great white tPas;(ttrale lannoner (sen fart» ruxht"
none of the genre. QCI H rip-r mm; Hon/t. .tvvt
Vanilla Sherbet. You'll he ‘ Mutual rhultr pharttr‘twr
getting the (lrrtt. by thriller ;;tt« hm
HOW? Wliil lllIHIlliéli f;()lllt;‘.‘.’il‘:llr il‘:i.‘."‘l:7t
extras; ta pair of trailers), ,tMOHmHtUm AS.” DVD Pulp / rat/mt an: Mm;
the lrlm Just about retail) .0. lakenl l)? u. r 1 2r fly/w
sneaks for itself. A iiliiy. ‘ltlllHU. Sham: Sm ,1 a S} K MICASE raucous and hootytastrr: A lng-hutlget remake. t;lo.'.‘|, (tlr'l terhehtw ll, CINEMA 1 6: AMERICAN SHORT FILMS rtrle arOuntl the cliches. Inspire-(l i)“,’r‘8‘()llll‘,i r,r)rt.t;r.yr. tn»,- uumw. a? (E) 180mm of a cultural explosmn. Chrha 5; 19M.) adaptation a tl’)lllr(;t(lt'tl lt;l‘.l/.:l!’l Min,“ 5 [mm DVD Hm”, .... (Brian Donalrlsonl of (}/Sarrtur.'1/. the (Hill) tlavlan .t,:. Auahr .z'w
\ _ , Japanese novel l), Hp?) )u:.t rah: «get lzr‘. Following on from similarly aimless but interesting European and British Hanmura. thrs; rs an rhurrlevert .'.’|i‘: to ‘.ta, short film DVD showcases, this selection of old and new, good, and WHITE CAT’ action fll't'llllhfxl f)(;l~it Heart. a hopeltz'fl, decrdedly dodgy US short films makes for a fascinating hodge podge. (15) 129mm .... war thrrller that [Allis art .‘t':'t";!' ll) I:/t:',t.'t1.~:. 4
Things get off to a great start with Adam Davidson’s 1990 film The Lunch mur2n of Holt/unorle lt,r)rtr,t:s.t. (mutt: Date - a gratifyineg simple tale of 1940’s discrimination and presumption Made In 1998. and thus more (le;<:ltfsl‘.'(: lll’;’)llll)‘:’.i:l‘.'. t, ll’).£:.",_ a set in New York’s Central Station. Unfortunately, this is followed by ending a short period of iLtliiLtSilt,’Lti output in the rlizrir,t,r,;,~w,a.;, é:ll’):llll’ it; Alexander Sideways Payne’s execrable petrol station-set Carmen, in which sell-imposed exrle from shade. iltttrir’lt‘ ’V'l‘tl‘l‘; .l’xreu. he transposes Bizet’s opera with retarded abandon. From here things go frlmmakrng. Black Cat. While the stor, rs; a and llléill/ 'nore. 'l hr,- up and down - from Gus Van Sant’s poignant and cerebrally moving 1982 White Cat saw Yugosla; tarrl‘, Tll(i|llt(:lti?tl‘," affair, result r. a {with a' art film The Discipline of DE (based on a William Burroughs’ brilliant shorts (ilreCiOl and frlm festival ahout a grOut) of her) ultra; llt‘;f;.‘.. .v‘htch story), through DA Pennebaker giving Duke Ellington the verité treatment in favourite Emir Kusturrca Japanese commandos; at {3/0 ho .‘rf. ant/ati'. the 1953 Daylight Express; Tim Burton's wonderful Vincent (pictured); return to the subject of ‘f/llli(; rte.«er new team Rawson Marshall Dodgeball Thurber’s trite but enjoyable download legend gypsy lrfe wrth a than '.‘.'é'tit;iléti)l‘; Tim. Terry Tate: Office Linebacker, George Lucas’ hideously gauche Freiheit; spectacular. future Ana" Extreme Todd Solondz’ demented Feelings; Standish Lauder’s impenetrable but kalerrloscornc epic. Cuit filth axxarrtetl spooky Necrology (Roll Call of the Dead); Joe Nussbaum’s excellent packed. the A'_.’i'(:ll(;‘: Anm’l at George Lucas in Love; and on and on to the one genuine masterpiece in characteristically, wrth tat)? year". Sat; the mixed bag — Maya Deren's 1943 prototype surrealist short Meshes in Jaw-dropping images of Set/astta“ l-‘tt'h Pestr ml. the Afternoon. both grotesque comedy pram t' .t were her/Jeri. What this motley, freakish line up tells us about the state of post war and dreamy lyrICtSrh. that sortie ‘zfrv; testr /al‘,~
American cinema is difficult to ascertain. It would have been nice to see Tipping his hat to still possess a certain Kubrick’s The Day of the Fight on here or even Chuck Jones’ What’s Opera Fellini (in partially the "5H, pioneer Spllli, Spectat 000?, but as a gateway into what the oft quoted (on these pages at least) Childhood Eflmllfiflflflu features Include a critic Derek Norman describes as ‘the cradle of cinematic civilisation’, this reminiscences of "5”" W “W Making ct' teaturettr: is a worthwhile investment. (Paul Dale) AmarCOrdt Kusturrca's o ‘ and trailers, rPaul Dawn
ALL DVDS WERE REVIEWED ON A SYSTEM SUPPUED AND INSTALLED BY LOUD 8: CLEAR
44 THE LIST 3:" Mm. 46 June gusts