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1 They’re a supergroup OK. the word ‘Supergroup' might be Slrtflflltll'tt} rt ‘iOlllOWlléll. but the Walkrrien formed from the ashes ot two reopened indie (Z()llll)().‘5. Jonathan Frre'l ater and The Reeoys. In fact. the band lll(:llll)(}l.‘; have known each other much longer. two of ’ern boing (IOUSlllf) and tour out of five haying gone to the same school. 2 They’ve been on The OC? Not llOCOSfiéltlly a guarantee of greatness. but the hand have had a few tunes teature on the buffed up Qint century lormularr; teen angst show. which" have done sales; no harm, eh?
3 They love complaints On the band's; websrte they have a complaints; page. where you can email VéllIOllS lli(3llll)(3lf3 of the band or crew eoiiiplarnrng about anything you want. rri(;|uding the complarnts; page rttselt. 8o. presumably. they'll take a bit of hecklrng
4 They’re writing a novel lhe whole band are writing a novel together called John's Journey. ‘lt's about a guy named .John who goes on a trrpf said guitarist Paul Maroon recently Helplul.
5 They love a nice cover version The band are about to release their third album. A Hr/ndrtxr Miles Off, but already have their next record in the can, a tulllength (:over oi Pussy Cats. the rntamously drug addled covers; album concocted in a haze by Harry NIlSSOH and John l ennon in 1974. (Doug Johnstone) ‘ABCQ. Glasgow. Tue 2 May.
I The Sundancer and Megaw Sulma) (impale. (i‘) (negate. 335 (i700. 7. illpm. [the :\eou\iie_
I The Cellars and The Rise llerroi \Vatt l'nner‘xit) l'nion. Rieeartori. 451
5 i.“ ‘lpm. Iree. .\ \aried sound eneoiiipaxxrrig hliiegraxx to unite r'oek hour the (‘ellarx \\ rth \ei'eaiiied \oealx and dining; l'lllS tioiri ioek lllL'l't‘lldlllS the RISL‘. I The Fabian, Stocious, Alfonzo and Sumo for Now the Bongo (‘luh Mora} llouxe. ‘7 llol}rood Road. 55S 7hll-l. 0pm. [5. Roek and other hea\} guitar llllS
I Sonorous and Beaker llaiirieriiian'x. Niddr'} Street. 550 i354. ‘lpin [4. Rock lllL'lll
Glasgow
I Dresden Dolls, Devotchka and William Douglas and the Wheel l'he ('athoiixe. l5 l'iiion Street. 348 noun. 7.30pm. S()|.|) ()l'l. ()xer Hx \him. See Thu 4,
I Westlife Sl{(‘('. l5irrniexton Qua}. (lS7tltl-1tl4lltltl. 7.30pm. £3.50. More halladx and dull pop ‘highlightx' t'roin the \eemiiigl) mer-popular bu) hntx.
78 THE LIST .b' Apr 1 1 Max .‘t‘ ‘1'?
I Entropy, The 4,555, The Piers, Spindrift and The Colts \t‘llllilllalh 1‘ llylepaik Street. 33l do“) "PHI 1‘
(her l-1\ \hmx lmal hand lirie up
I The Fiery Furnaces \ltt ‘3 Ni Sauthiehall Street. :‘3 33 ;3 "pin :3 SH l’op lrorn the lll.tl‘_'lll\ lll'lll the l riedheiser \IllllllL‘S \kho retentl} retoided arr .rlhurii \\ rth their }_'raridiiiother and hax e a lieu. releaxe lilllr'l I4 (I lit promote
I The Tracks ( )raii \lor. 3 :l 3 W ( rreat \\e\teiii Road. “3 “3”” 3pm tllt lreht preee rotk‘ri'roll arid \Hlll tmerx arid HllL'lllalS l.ll|ll\ll their dehiit .ilhiirri \xrth pried appearame lrorii e\ Simple \lllltlS mari \litk Mat \erl on the organ
I thestar69, Daybreak and Later -\li(‘. Hll Sauehrehall Street. H3 33 :3 7pm till (her Hx \hou lotal rrielod} men lldlllS headline the hi}; room
I Babygod, De Rosa arid Not I ()tleellS (‘Iiih Queen Street. Spin t1 ll;ih_\§_'od. a wine lllllll} ol \elt \l}letl Jags} pop lath. latiih h lheit [MM 1'] Hull l'l’ urth \iipport truth He Roxa and l .tl‘SlIS l llllelde li‘nntriiari Ian ('ariiphell m lleekett l'elel’elltlll}: SHlH _L'tll\e See eaptinii. page 71
I Elvis in Concert l<o_\al (‘onteri llall. 3Sauehtehall Street. ii i Sill)“ Spin
[l3 gll {l0 ml l)(\ll.l gel mei e\\'lletl
it‘x t'\|lt'llt'llt ed l'l\l\ rriipeixonator Riehar'd \tkrri\ Ill eoiieei‘t
I The Fratellis, Figure 5 and Dresden llar‘ll). 30H ( ‘l_\de Street. “3"” 0t)" tl‘l‘l‘) Spm. to Seotlarid\ tipped libertinex} orrttit [‘ltlS retro ioekm' \ripport tiorri l'ieur'e i I Heirloom \ree‘ri'Slea/y ill Satiehiehall Street. Hilltltltl Spin lritr'oxpeetn e indie pop
I My Shotgun Sister, Stand Alone, Bang She’s Dead and Khyber Pass l'lle .'\i‘ehe\. .35 i :\l‘}_"\ le Street. “37” 3~lll 753K, .S'pm Ur linei'g} dr‘nen indie i‘oek I The Contradictions, Pale Black, Jacob Kid and Rockburn l-ur_\
.\lur‘i‘_\ \. (H) .\la\\\el| Str'eet. 33| (5| l
S. illplll. H. lllt‘llltlllljJ enti‘_\ to po\t 2r}: elrrh. \Veekl} Slit)“ e;r\e ttl Irieal llltlle llillltlS.
I Okkervil River, Gav Prentice and Blind Pew Kiri}: 'l'ut‘x \Viih \Vah lltrt. 373a St \ineerit Street. 33| 537‘)
S. illpm LS l~olk punk hand liom \llSllll. 'le\a\.
I Bazodee the Hall Bar. loll \Vrurtllaiidx Road. ‘53 ‘N‘Ni. ‘lplil l‘iee \Vith (‘arrhhean drumming:
I Easy Listening Orchestra 'l he Butterfly and the Pig. l5! Bath Street. 33| 77! I 9pm. l‘r'ee See l'l'l 33
I Neil’s Children Barth. 2hr) ( ‘l_\de Sim-r rrx7n win 000‘) Illpm. L‘S rtllr .\'ei|'\ (‘hrldren are a london indie ho} trio lining; p\_\ehede|r;i and poxt punk inl'lueneex p|;i_\ trig: lne don ii the litrnhouxe
Edinburgh
I James Winter and The Bradleys The Jam llouxe. 5 Queen Street. 330
-1 KS”. (rpm. l‘ree ‘I'alented )oririg \iiiger/xoiigu ritei‘ lolloxx ed h_\ tltlll'k} pop em el‘\ littl'tll the llr‘adle} \,
I Covenant 'l‘he l.lt|llltl Rlllllll. ‘h' Victoria Street. 335 35(i4 7pm. [l3
S“ etltSlt eleetr‘o three preee.
I Kubichek! and The Motorettes ('uhttl'el \Itlllflll‘e. V) ‘3 lilttll' Street. 33” (i170. 7pm. £5. (ieordre headlinerx Ktihiehek' hax e ali'ead} \iipported the llke\ ol the l‘utureheadx arid litlllttl'S
I Windermere 'l'he .la/l Bar. l (‘hariiherx Street. 331) 43‘)” 7pm {the .\'e\\ |r\e \lltl\\.
I Toffs Can’t Dance the ('axex. .\'iddi‘_\ Street South. U77IS' ‘)ll‘)(i|4 Spm \am. (5. \‘en ll\ e llllhle rneetx ehrh night e\eiit loi‘ Indinhurgh The opening lllf_‘lll leatur'ex Southern roek trorn the Re\ nalx. indie punk hour the l)l;tl\. ran all roek lrom the llr‘igaritex and indie t_\pe\ 'l‘amK R.tll\\;t} Hide the UL ~prn e\er_\thiiig_' trom /epplrn to the l'utuieheadx
I Copy Haho, Mercury Tilt Switch, I Catch Fire and Household ('aledonian Baekpuekerx. ‘s ()ueeiixterr} Street. 470 733—3. 3pm. £5. .»\her‘deen indiexterx (‘op_\ Haho headline ax the}
Whodathunkit eh? Not Swedish—born Jose
anyway who, less than nine month ago. was quietly shuffling into the hearts of and minds of those present at venues the size of Mono. Now he's at the Royal Concert Hall. He may have found infamy through exposure on a car ad but to be fair. the album
Veneer is deserving of a wide
lr'.!( ' m: \.r r ..
prepare then He“ ‘irit li tor l|\ Spitlire\ ReetlltlS l’rll.’ I" /I’.\'r If: U
I Jakata, Milophobia arid Epic 26 llaiirrer'rnari'x. \iddr} Street. “it i3‘1 ‘lpm t1 (itirtai hawd iridre niz'ht
I Taylort )ld ( him I’m. ‘3 lrrriiti (ilt'Skk'lll. \euliawri. *‘3 13 ii ‘lpm l'iee See l‘ll 3“
I The Flavours lhe lam Home. 4 Queen \llt't‘l. 33.“ li-Vl lllltlll 9‘— heloie lam. L3 alter lam llouxe llrlHSelHllil the l'l.|\ittll\. lorried tonight bx \pet ral ‘..'tle\l \oealht. ( 'liiix Iratex
I Rainer Truby and Clean George IVt'ahaiet \‘oltarre. Vi ES lllarr Street. 33il(\l"(i llprii iaiii t" llie lrouhle l).|\ and ( ileriliddn h Independent \lr\ write .tj._‘.tlll hoxt llll\ \llt e or \ihat\ hot iii ltink. hip hop and lomard lllllll.lll;_‘ ra// (ieriiiaii_\ \ lx’amei lriihx lt‘lllllh tor a [he \et aloiiexrde lle\\ pop ll'k keix ( 'leari (ieiil'fge l\
Stirling
I Geoff Muldaur lolhooih. lall \\}llil. (like ‘Tlrinn Spin {roam Set- lhrr 1
G asgow
I Goldfinger l he ( iaragge. 1‘)” Saiiehiehall Street. H3 ll3lt 3pm
t'l3_ Sll (her ll\ \hou ('alrtorrirari punk popperx \xho ha\e [H.tt ll\ all§ pl.r\ed more \lio\\\ than there are da_\ \ in the _\eai
I Willard Grant Conspiracy and Steve Wynn \lt(‘3. Wt \d'ltlllelldll Street. ;‘3 333 "pm t‘) lioxtori l‘awd \iiieihaiia \llllll‘tl \xho relererit e the llkt'\ ol Neil Young. l on Reed and expet iall} \it'k (fin e lll their llHIlISll \Hlllltl
I 21 Grams, The Remedies, Swear Box and Cortez Rentreu I err}. :\lltlel\lttll ()ua}. l he llrooriiielau. lllo‘lh 30‘ ill " illpiri LS lotal hand
\ll(\\\ eaxe I Westlife SI'.( '( ‘. l'llllllt'SlHll Qua}. rrs‘nrrinrnnn ‘ lupin L3S <rr See l it
I The Commercials and Eye Contact Leads To . . . \rte‘rr'Slea/y halitlllellttll Street. iiillllll“ \I‘lll lhe return or the lotal iridie popxten at thrx ( )\\lmk exerit in aid oi ()xlairi
I Rick Buckler 8. the Gift, The Goldenhour and The Fast Camels Halli}. 3btl(l\de \lleel. tini on“ new .S'pm t; l3 lam iiihute hand ri-t‘a teatiirrii:
r audience.
HllL'lllal lam drummer lint klei. \\llll mod lllllllt‘llx ed \lllllhillS
I Harry 8 the Boys llie lltitteillx arid the l’r;'. I“ Hath Street. .‘.‘I “ll
S itlprii Iree
I Rick Witter 8. the Dukes and Exist Kllltf liiik \\.ih \\.ih llirt. 3"3.i St \ intent Street. 33l ‘3'") S illlllll till lhe lllllt'llllll.llel_\ named Shed Se\eii \lllt't'l lellllll\ to \oul .l‘,‘.l|ll
I Spiders on Mars l llro Room. ltitlS \i;'\le Street. \ illprii lree llouie tribute
I Spindrift, The Usual, Ardentjohn and Call Me Charlie l iii} \lriir\ K, ‘Hi \l.l\\\t'll Street. 33l (WI l S i‘lpm t, l. lllk llltllllL‘ erilr_\ to pmi ere t llll‘ lm .il l‘.tlltl \lltt\‘.t .l\e
I 5th .llltl Pontiac lite llall liar. lb“ \\rtt|tll.illtlS Rtlatl. :3.‘ ()"‘"t ill‘lll llt't' \ka Stilt) .tllISI \lalk lail
I 19905 and Dustin’s Bar Mitzvah (il.t\‘}tt\\ St howl ril \il. lbfi lx’erilieu Street. 3* I“! llpiii Uirtfir (lrih \\ll night headlined bx annular garage tin klltt' lllri llie l‘NHx \kllii are pHISetl lii ieleaw their \pik\. inlet llttllS dehrii \iriggle httll \larle \lt’ l lkt‘ ll. \t‘t' lt'allllt'. pave _‘€l
I Bill Murray llie llritterll} arid the l’IL'. l“ lath Slteel. 331 “ll lllltllllL‘lll liee \t't' \ill 3‘)
l' ’lllll)ilf(}ll
I Monica Queen, The Folk featuring the Gadgeee, Phoebe Kreutz and The Stantons ( “alerlrrriiari llat kpat kel\. il‘hlt'ellSlL'll} Street. ~17» "3.31 Spin 95 \\ell lll\L'(l hut \Hllle\‘.ll.tl merlooked l"k.ll \lll‘Jel \Hll‘3\‘.lllel \lorirta ()iieeri \iho ll\t‘tl to trorit the ltallfl
touritr} rotkiif lllllllll. lltI\‘. heading in a more rritrmpeetixe diret tiori int n! l/L‘r Iii \I
I Radar Brothers, Pilotcan, Slowjet and Mike Duffy llaririerrnari'x. \iddry Street. “It ‘3‘! l)pm {-1 Siihtle )et [Mikkelllll \ritl'g‘Allllll‘J along the Beat it
Ho} \ \erl Young a1.r\ trnm llll\ l. \ trim. the Radar lilHS
I The Flavours Ihe lam Home ‘ Queen Street. 330 USU lilpiii t5 helnie lalll. L" alter See l'll i I Neil’s Children llerirj. Ki ellai liar. 3 HM \lnriiwii Street. 33S ()i‘): I [put
Iatll L; \‘etl-S (‘lirldreri area lartttlrrtl indie ho} trio llhlllj.‘ P\'\\.llL'lellrl and pmt- piink lllllllelleeS helping ireu L lirh night