74 THE LIST .‘ ‘ -\;"
You can throw a super-8 camera down Byres Road and hit
a multi-media music experimentalist on the back of the beret, such is their prevalence these days. So the melding of dramatic twisted theatrical pop music with arresting visuals isn‘t exactly reinventing the wheel but Babygod, despite their lo-fi status have high falutin' aspirations and this, the launch of their new EP Lists of Three. reviewed on page 69, is the best place to catch these weird and wonderlies in their most natural of habitats.
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I The Concretes and Tape lhc \t'nut‘. I“ ll (Killim Road. 557 ill“; Tpm t I” l'lut'luullny t'nllt't'llw ml S\\m|t'\ [llt‘lxlllji up .l lnl ul l.i\nui.il\lt' t'mmnvnlx llll lllt‘n t'llit'lml Imp wumlx I’ll/I u! Ill/UH ll.
I The Long Blondes, 19905 .llltl The Rebel (Kilxm'l \lillgill't'. ill W lildll Sli't‘t'l. 3le MW), "pm. LN, Sn“ l'll IN .llltl [lilgt‘ jll lul lllnl‘c HI] I‘lllllx
I The Streets uml Sway ( ‘m-n l'.\t‘l1;u1;_'t‘. II \t'\\ .\lull\t'l Rimil. Ala“ Will). 7. illpm, LIISU Sm" l'l'l 38.
I Dave Tyne Band uml Safehouse llt'm‘) \ (‘t'llur liar. H Hm \lni‘iiwn Sli‘t'cl. 323 ‘) W3 8pm. {-1 Rock uml lwlut-x.
I Multi-Purpose Chemical, The Last Great Wilderness .iml Shock 8: Awe ( Kilt-tlnmun llut‘kput‘kclx. 3 ()uct'nxlcn} Sllccl. 470 722-1 3. illpm, t5 l.UlltlHll I‘ut'kt‘lx \\ llll wmc latlmlmigll ullumk .iml llltllt' \uppnrl. in! u/
llL'l mu 3mm
I Joe Viterbo, Callus .iml Stocious llunncl’ilmii'x. \nlill'} Sll't't‘l. 55h {ZS-l N~15pm H, l-.\ \L'\\l(l\\ll (iiunl \llci’lm'x lllll\l( lumpx lmm luck. \lm. punk nml Ill/l In \Ulll
I The Flavours 'I’hc lam Hum. * ()uct'n Slict'l. 33h lihll lllpm L5 lit-lulu lam; t7 ullt'l. lam llllll\k' liuuwlxmtl Ilk- l'l;l\Ulll\. lnlnul himng lw} \pct‘ml gilt-xi \nmllxl. l)t';m limlgt'»
I Edan with Dagha Iht- Bongo ( ‘lulw. \lill‘n) lltlll\k'. i" llnl}mml Rimil. 5‘5 "NH. Ilpm iillll LN. l’\}t'lictIt-|it' hip llHll. lll/lt'tl «ml glululx .llltl Hltl \lmnl mp lmm limlnn'x l‘.tl.lll lxcc pm lt'u. Pdf_‘L' (\(H \\Illl l).l \uppul‘l HUN] 8! l'.llt'nnc\ Huh Sl.mlc_\ uml luml tlunt't'llimi |.l// and lunk t'nllct'liw lllL' l'um ('m’ncrx‘ l)_l\. I’d/'1 u/ Ill/’I\l II.
I X-Vectors l'lic Vcnuc. I" II (Lillun Rmul. 55" ill—3, llpm- zum, tlll. l’unk lunkux lhc .\—\'t't'liil‘\ «\t'c caption. {Mg "3» |Ulll club mng ()plimn, I’ll/'1 u/ lupin/1.
Falkirk
I Big in Falkirk (Killcntldr l’ui'k k \m-mm. ill ‘24 503"-” nimnl lpni. Sunkile lldllHlMl \liccl .u'h lcxliml \\I[ll lll'L‘\\Hl'l\\_ Inc mung. cmnctl} and \‘lllltll.L‘ll.\ .lg‘ln lllcx Vl-Utlil} .\ ;1L'l\ lllL'llltlL' ch illc Sluplclun llhc Spcciulw .llltl the Beat.
Glasgow
I Belle and Sebastian Alldayer ll.llll\\.|}. 35 \llml l)ll\t‘_ Hxli HM Will 3pm \l )l l)()l l lluct- lull ml Ill .llltl Inc l.ll\'lll .lll t'nmc lllt't‘lllk‘l llt‘.l\lt‘\l l\_\ l\\t't‘ lmul llilll\lt‘l\ ll.\\ lull llllt' up lllk'llltlt'\ t'ull lullx} \llll;'\llt'\\ \.l\llll Human. Stuimlmm l.lll tllt'.llll[lll[‘ Ullllll lllt' ('unt’lt'lt'x. lxtl.m \\llll l).i;'l1.i. \lltl} \ult'l. Hum lllHlll.l\ l).l t'nmpmt'l
l).l\ nl llllllllk'\. ( 'llvnplnnt‘x. \llhk' nl lllL' Scwn \Mnulx. Huh \ldlllt'} .iml It'll} l).lllllllk'l\ I’m! u/ Ill/m. I;
I Delmserge, The Black Lodge, My Farewell, Passion Beyond Reason, With Setting Ashes .uul Bleed from Within \uumllmux. l" ll_\ilt‘|klll\ Sllt't‘l. ill “5" (mm H) Hfil ()\k'l llx \llH\\ lmn. l|l\l\ .unl allt‘llmllw llllL' up t'nlnplt‘lul ll} ll.llt' lit‘t‘mnt'x lllk‘ llk'lll .llltl l‘\\'l} Sun |\ .l \ it'lnl}
I Bettye Lavette Rk'llllt'V. It'll}. \lltlt'l\lllll 011.1}. lllk' lilliibllllt'ld“. lllli‘lh‘ 30‘ ill ~pm tl-l ()m- Ill \Hlll .llltl l<t\ll'\ plum-xi \(K.ll|\l\ .l\ llk'.llll «in ll.lt’l\\ \llk ll .1\ ~l .t‘l \lt' l)n\‘.ll l .l\_\ .llltl ‘l )Hlll. lllt‘ lik‘\l lll.1l l (‘.u' I'm! w! Ill/’/\( /1
I Dead City Radio, Eric 8. the Bunnyboilers .uul Tartan Riot Slt'lcn. l-l Kt'l\lllll.lllj_‘ll Mini *7» SHIN "pm U \l.l}\l.l} cclchmlmn Itailmlny .l lml llitk ml iimlt-ij_'lnuml punk} im'lCIidullrh
I Killing Joke \ll( f Hll S.illt‘llzt-li.ill Slit-cl. H3 33 ‘2 “pm tlg \t-v. tl.llk' lUl lllt' jJHIlllL’ punl, pilulliwix lllllllk'll l\_\ lllL' \lmnmmxlit' .l.l/ (‘ult-umn .llltl l‘H.l\llllj_' lllL' \MlllllK t'tmlt'xl tllltlk' (icnnllc on ymlar 'l llt'_\ ‘w \llll put ll. .l\ lllt'n lL'L'k'lll \lullt'} ('lut' \uppnll \lul lk'\l|llL'\l
I Shortaay, RT .md Pryce g3. WM Sauclnclmll Sllccl. 4“ il ll "pm t-l (MCI l~l\ \lllw.
I Take That .md Beverley Knight Sl:(‘(‘_ l'mmtwlnn(Jun).(137lllillllllllll “ me {3* t" *5 “it [ll'HlHlHlL‘ lm} lmml .nc had. In (ihll Ill llimt' limmlfgm «lullurx mnt' Incmlwi l\ (Ulhlilt'llnlh h} lll\ ill‘\L'll(L'. can _\Hll gnu“ u llU ’i.
I Firesouls, The Apple Scruffs and The Girls \It'c‘n‘SIm/y ~12l Suuchlchull Strut-l. 333 (NW), 3pm A