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I Coded .II \IIIIII I lpIII ‘IIIII Li IUI \‘I'I-I'IIIII \II'II'II \III‘II-I-I} l\ IhI- Ill.IIlI IlIIIlI .IIIII IIIL- mm .II IIIII} \IIIIIIII. IIIIII kIIIII- IIIIII \IIIIIIIIIII I’IIII' IIIIII III IIIIIII IIIIII' III
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I Festival .II .\II('| llpIII IIIIII LII III-II \VI'L'III} I‘.II.III \L'IIM‘II Illlt'\ IIIL' IIHIIHIIH \klIII III\ III: III lllllIx_\ I'II'I'IIII \IIIIIIII\ :IIIII IIIm IjI'IIII- Ilk‘k'll‘llll IIII\III§.' plux gIIIwa
I Fluid .‘II \I;\S. I IpIII IIIIII LII (LI-ll \Vt'k'kl} I).I\ I.I\II IIIIII'VIIIIIII .IIIII SI'IIII \IIII'K.I} IXI-NI I. III ('III/ and III \IIIIIh pIII} IIII- Illllixlt'\l III IIIIIIxc IIIIII'\ IIIIII I‘IIIIIIIII I'IIgI' IIIIlIIIII‘Il\lII III .I gII'III pIII'IjI I'IIMII
I Freakmenoovers .II IIIIIIIII'I
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I Fresh III IhI' I’IIIII I IIIIIIg'I‘ I IpIII IIIIII t5 \Vcckl}. \III'hI‘III' IIIIII \IIIII .III' III I'IIIII'IJI' III IIlL' llIll\I(.'II tIllIlt'\ III IIII\ tIt'IIt'lth gII}/IIII\I'II \II‘II‘IIIIIII ('II_\ (Mb I Fridays III \\'Ig_'\\IIIII I IpIII IIIIII LII IIQSI \VI'I'III} (iI‘IIIIIIIII l'L'lleluIlI .IIIII .II’ pIII} IIII- IIIll IIIIIIIIII III pIII‘I} lllllt'\ III IIII‘ I‘II} '\ II'L‘lI/IL‘II gIIIIIl lIIlIL' inlx .IIIII IIII}\. I Funhouse III IIIII'I’l} llpIII IIIIII LII. \VI'I'kl}. .\ IIIglII III I'IIII‘II IIp pIIIIk IIIIII I‘IIIhIII'III' IlltIlL‘ pIIp IIIIII\I'II\C II'x pIIgII II gIIgII \\IIII RIIIIIII l‘x \II‘ (iIIllII\\.I} IIIIII \II I’IIIII NK'I'IIIK'N
I Grind III (‘IIIII I)IIII. IIIpIII ILIIIII LII It-II, \VL'L'lxI}. SI‘IIIIII‘ II pIInx IhI' I‘k'\l IIIIIIIII. RIKII IIIIII hip hop \IllllItI\ III IIII IIp IIW‘II (fund
I GTV Fridays III IIII- (iill'IljJL'
I lpIII IIIIII. I-I'I‘I' t5. \VI'I'III}. IIIIIIII \II‘XIINI‘I' plII}\ I'\I'I‘_\IhIng_' II'IIIII IIIII pIIp III I'hIII‘I llIlI\lL' II‘IIIII I'\I'I‘_\ cm,
I Jangle III S}\III‘\. 0pm lIIIII t- I. III .\IIII'. \IIIIIIIII}. IIIIIIL' pIIp IIIfJIll IIII SIIIIIIhIIIL‘ I‘I'H'IIL‘IN
I Legowelt III IIIIIIIII I.Illlll:..'L'I
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I Mind the Gap III (ilIngIm SI‘IIIIIII III Art. llpIII IIIIII. III). I7 .\IIIIL \IIIIIIIII}. IIII\ IIIIIIIIh 'I‘I‘III-l IIIIII l’hIIIIIIIIIc gIII‘xl III III|\ gI‘I'III III'II night. SI‘I' pm It‘“. [‘IIjJt‘ .II).
I Monox & Numbers III (‘IIIngIIII SI‘hIIIII III .'\|'l. llpIII —1IIIII, US. 3 .\IIII' llllI}I \VhIII II pI‘I'xcnI III IhI' [‘lIlIIL‘h III (’IIIngIm. \IIIIIIIIIIkI‘ I('hIIIII RI'III'IIIIII. IIIIIIIIIIIIII'I- (‘IIIIIpIIIcr \IINI'I Inc. SlccpIII‘I'hixI‘ ISII'I‘pIII‘I‘hIxI‘I liw IIIIII MUIIL‘wICleIII' I IIL‘I'IIII II
I Mungo’s Hi Fi III \VIIIIIIxIIlL‘ XIII‘IIII. ‘Ipm ZIIIII. I5 IUI III .\IIII'. \IIIIIIhl}. YIN. Ihc} 'w III'I'II 3mm; II\ IhIII I'I'ggIIc. I'IIggII IIIIII IIIIIII‘chIIII II‘ip IIII IhIII IIIIIg .l\ mu} I‘I'II'III‘IIII' IhI'II‘ \I\III IIII'IIIIIII). I)III'\II‘I Iimc ll) \xhcn )IIII .II'I' IIII\ In; lllll ’
I Offset III ('IIIII‘. I IpIII .‘IIIIII. t‘.\‘ IL'S I. \VL‘L‘H). lXIIIt'C (IMHO IIIIII IIIII IllllI\C I'I‘IIIII I‘I‘xIIII‘nI I)J\. .\ \cr} pIIpIIlIII' \L‘llllL‘ IIIIII clIIlI IIIgIII.
I Old School Funk III Ihc IIIIII,
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I Pukka Funk III Ihc 'I‘IInIIcl.
I lpm .‘IIIIII. £5 II.‘.‘~I. \Vcckly Km chgIIII. IIIIII ‘SIIIIIIIx' 'I'hIIIIIxIIII IIIIII :\.l plII} II llL‘tl KIIIIIlI-\I}lc \cl.
I Return to Mono III Ihc SIIII (‘IIIII III..IIIpIII .IIIIII. L'III IL‘SI III .\IIII1 QIIIIIIIx IcchnII ll\ .\IIIrcII ('III'IIIII _I0lll\ SIIIIII. I I Rocket III IIIIIIIIIIIII. III._‘~IIpm .‘IIIm. £7 IfSI. \VCCIII}. “0th IIIlIxIt‘ II‘IIIII (icIII'I' .\I and RNII and hip hop from
32 THE LIST.‘ ‘I? My
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I Siren III IIIII IIIIII' lIlpIII IIIIII.
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I Timelines .II SIIII (.IIII‘ I IpIII IIIIII [H IUII ‘I\I.II. \IIIIIIIII} I)IIII'h l't'\\l I.IllL' RI'I‘IIIle I‘IIIII‘I‘IMI'. IIII'IIIIIIIIg: It'llIIlllfJ IIfJIII SII‘IIIII l\)I‘I‘I‘Cl\ IIIIII IhI‘ \IIIIII'IIIIIIL \IIIII IIII‘ )I‘III IIII \\ IIII .I IIIIII}; I Tunnel Fridays .II IlllllII‘I
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I Urizen III Ilil\lll.l IIIIIIIIuI. ‘lpIII ZIIIII LII I.\IIII1 \IIIIIIIIl). Him” I\ Il;|\\ IIIIII .lIIIIgII' \\IIII I'I'xIIII‘Ile III‘\. .II” |II'_\ \Illl. \IIIIIIIIIII IIIIII III) I)IIIIIIII' l‘.
I Vice III (‘IIIIIIIleIa llpIII IIIIII L" (5 \VI'I'III}. ()II II'\I'| I\\II I)_I \IIII‘IIII ll;llk'\ I.\I‘.\ll III‘\I\ IIII IIIIIII' I'III'II pIIII} \\IIII Illllt‘\ IIIII IIIIII llt‘\\ II‘IIIII .\II'III' \IIIIIkI‘}~ III /L‘II|‘CIIII.
Glasgow Saturdays
Club
I Beat Down the Up Set III I IIII \IIII'. ‘IpIII iIIIIII l‘lk'k‘ \VI‘I'IIII KIII I\\I\I I,\K.'\ IIII' SIIIIIIIII‘I'IIIII IIII (‘ SIIII‘ 'I'I.I\ II'I‘III'IIH plII_\\ IIII‘II'II‘I'IIII IIIIII \IIIIIII‘III' I'IIIIIIIII' \IlllI
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I Colours III Ihc I'\ICIIL'\. IIlpIII IIIIII UN. 4 VIII. \IIIIIIIII}. l-I‘I'glc. Slet‘I IIII\\. (‘hnx l‘IIllIlk'l'. .\IIIhIIII_\ I’IIppII .IIIII IIcIl KIIIIIII. \IIII I'IIII'I III'gIIc \\ llII Hm
I Dirty Record: .II (IIII\;_'II\I I'IIIII-Ixil} I'IIIIIII IIlpIII ZIIIII £3 III'I'I‘ LII. \\I-I‘l\l} I’IIIII \HIIIL‘ gL‘h I‘CIIIIIII IIIL' \lL‘LI\\ III III‘IIu‘I' II \t‘ICL'IllIIl III RIKII. hip IIIIp. \Illll IIIIII IlIchI. ()pcn Um I\ IIII' IIpI‘IIIIIIIIg I)J\ IIIIII I‘IInx \II'I'kI) IIII\\II\IIIII\ III Ik‘cp (I IIIII'I .I II'I‘I' I).l \IMIohup IIIIIIII .\pIIII.
I Divine III (iIIngIm ~\‘I‘IIIIIII III \II IIIpIII .‘IIIIII. £3.50 LII. \Vcckl}. Dccp I'IIIIII. Mix and "le gI'IIIwa IIIIII II III_\III cIImIl gII InIII IhI' llIl\ III IIII\ \I‘I} IIIIIg; running; (iIIngIm I'I‘inII‘IIIx' IIIghI
I Emergency .II I'III\I'I\.II I IpIII IIIIII L3 II \IIII \IIIIIIIII} \IIIIII-u IIIIIII \II‘II'IIIIII'x \II'\ I’c \\ III III IIII- pIIII} IIII \Illllk' IIIII III\IIIIIIII‘II III\I‘II .IIIII IIIIIII IIIIIIII'III'I‘II IIIII. SI'I' pII-\ II'\\. pIIggt‘ I"
I Freefall III IhI' \I'I'III'x I IpIII IIIIII LIII. II \II” \IIIIIIIII} IINIII' ()III l\'\ltlt'lll\ IIIIII' II\ «III II IIIIIIIII'I IIIIIIII§JII IIII‘ IIIIIII III IIIIIII III‘II\\'
I Garage Saturdays .II III\‘ I}.II.I;rI- IIHIIpIII {.IIII, L” ((5) \\L'\'I\I_\ IIIIIIII \II'.\III\II'I [‘I.l_\\ .III )IIIII I.I\IIIIIIII' I‘III\\II'\ III IIII' IIIIIIII hIIlI \IIIIII‘ KL'IIII} \Ilill\ IIll'IIllfJII .IIII'IIIIIIHI‘ IIIIIIL' .IIIII II'IIII I'III\\II'\ III IhI‘ \IIII'.
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I Groovejet .II .\I.\S. llpIII IIIIII U \VI‘I'III} II.\\ KIWI” \II‘I'IIIIIIIII' Ik'IlIll\ IIp \\IIII III\ I‘lltltllk‘\ \II'phI'II I II IIIIII \VIIIIII} III IIII' IIIIIIII IIIIIIII IIII .I \II‘I-IIII III;I\II IIp III IhI' IIII\'\I IIIIII\L' IllIl\lt' III'IIIIIIII \thII' Run II \pIII\ Illt' \\\k'k'Ik'\I RI\|I I‘Ile III IIII' IIIIIIlfJL‘I
I Home Cookin’ .II III-VIII ‘IIIIII \IIII I'II'I' L". “Ix-III}, SII'\\III’I \II‘I‘IIIIIIIII .IIIII .IIII' III;_'_I_'III\ \HlII IIIIIIIII .IIIII Mk \HllI
I Homegrown .II IIIIIIIIIIIII
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I ldioteque .II IIIIIII}. III IIIpIII IIIIII t5 ILJI. I I \IIII \IIIIIIIII}. IIII' Il\ll.II IIIII}hI'III IIIIIII IIII' f_‘lII\ .IIIII IIII_\\ \IIIII pIII} cwrflhmg IIIIIIgIIIIIIIII' (iIIIIII IIIII_\ lllll.
I Lush III Illt‘ I’IIIII I.IIIIIIj_'I-.
III._IIIpIII IIIIII L5 \\I'I'III} I‘L'IIIllllIlL' .'\IIII} III Ihc 'IIIIph} RIIIIIII \\IIII IIII\ II‘IIIII Ihc Mk III IhI' hllx. \IIIIII' IIIIII pI'IIx IIIIN .III IIp-IIIIIII IIIIIII'I‘ \clI'I‘IIIIII III Ihc IIIIIIII I'IIIIIII III Ihc I'll} \ pII'IIIc\I uII} L‘IIII‘.
I Lust For Life III .\II('I. I IpIII IIIIII t" IUI. “Wkly |)J (it-II} I._\Illl\ I\ §IIIII IIIIIII IIII SIIIIII'IIII}\ \kIIII I'chMhIIIg IIIIIII IhxuI III IIIIIII- IIIIII IIIIIIIIII-I‘III: IIII‘II \IIII llll\l.lll\ \IUL' III pIIpIIIIII‘ \ICIIIIIIIII
I Million Dollar Disco III III) (‘IIIII IIIIIII .‘IIIIII LII ll \IIII'IIIIl}. \ III-III-I l)II}\ IIIg_'hI IuIIIIIIIIIII; II\ .III .IIIIIIII IhI' \II\\"I IIIIIIII-Im III IIIII \\lIII \I Kcnl.
A night that celebrates the seminal moments in techno history. Timelines invites Dutch record label Eevo Lute to Glasgow. There‘ll be a live set from Acid Junkies cohort Terrance (AKA Stefan Roberts) and more live action from soulful techno man the Moderator with DJ support from DJ Estroe (pictured). mp - I‘ I; I
I Mish Mash .II I\’I\I'I\IIII‘
(‘IIIII I.‘pIII IIIIII III! II \I.:' \II‘IIIIII‘. I \'.IIlllIIl‘,‘ lx’I-\ \IIIII \pI-I-II‘.I..I:'IIII I Ix .II I IIIIIIIII'. \IIIIIIII .IIIII I)I~\ III
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I Off the Record .II \-IIIIIIIII.III\
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I Red and Gold Room .II \IIII
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I Rockstar .II III: I 'IIIIIIIIII.III
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I Saturdays .II III\‘ I .IIIII'II\I'
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I Souljam .II IIIIIII IleIII {.IIII I. III II“. .1 \I.II \IIIIIIIII} (lII\III'I \llli'I‘l\. III'IIII\\IIIII. I)l\. IIIII IIIIIIII' II I.IIIIIIIIII'
I Subculture .II IIII' \IIIII IIIII
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