I Breakpoint, Filled Regret,
:I" The Frantics 1'le mm; \II"
Avariance \"IIIIIIII1'|»
lII‘U «III IL; .. . 1“,
lIIII'.II;‘I>IIII
I Music in the University: Musica Electronicahi, l '2. w IIIIIIJI‘ III;i l't " I' \' ‘I.I H" I‘IHI ‘I';III I..:‘.",'IIII_II,
'I«|.II:\I
I'II'IIIIInIHH H ;‘: I.~
\HIIIIII II'. (II. II'IIII“‘\\I\
I Alfonso, Das Contras .zm Reiser \III'I1SI.:/. :\I\.1IIIIIII.‘II\II' Qxxll‘lIlll ‘;‘III \"I1I' ‘Ih-‘IL: (III.II.1
I Barbara Bland, Grant Watson .IIIII Andy Craig IIII' I IIIIIIII \IIII'
'I 5h: \\ «I 'III lx‘md, ‘12 WW NI‘III \I’.' I “I! 'I‘.III,'I III‘ ,1' 'III' I I.‘.( IIIvI \- I Jim McAteer III; I I~.;..I Rum...“
Imu- ~‘ 5 V \I'II. “ IIIII- TIIII
:‘llII.III\~I .IIIII «III "MIMI
I Open Mic III; \Iwar Rum. \\\-\I Ix'm'I'III ‘HIJI'I, “I VII" \i‘III
\‘t‘x- l‘lx' \I
I Ove-Naxx, Dododo, Marousa, DJ Scotch Egg, Gulpepsh .IiIII Distest \IIIIII‘ ‘ I\,:.-. (wIII I\III" \Ilt'x'I ‘5 ‘ “NS Slim 3" \u, HIII II,1I.\I IIIII IIIII |lI\I I\ my
mInsz‘I, IIII»
\IIII «III IIII‘ I'.;~I:!" I._
IIIxI III .: [unplu- IIIlI\l\ IIIIIH‘II I‘Ct'IIIIIIII“ .‘.IIII ,'. \IIH'.‘ I .m' I‘I I.I;I.:II5\_' .I.'Il\l\ Hahn IIIIIIM' \.IIIII‘II'\. :‘.IIIII In“. \ ,IIIII i.IIII«~II\ In IIqut x'III‘xl
I Bozilla, Thriftshop XL, Babygod .IIIII Firebrand Boy I iII. \~I:( .IIu. 5“ NI I\III:' \IIxI-I 55* I‘MS ‘IIIIII \I IIII\ IIIIIIIIII'x I iIII HI III; \II‘IIIII ( 'IIIII I-II~/II|.I .lIIII IYII'II\I\ I \'I,-I\I.III' , I‘ICI‘IJIIII" IIII' \"IIII III IIII‘ IIIIIIIIII InI II'III ‘.I-.:I\
I Laura Kenny III-.mu «us. I” \I\II\III" SIIcuI \II.I\\I.IIIII\ (IV SII‘III ‘lI‘III III‘c \IaIwIIII \Illt't‘l \IIII1"-\IIII‘I \‘.|lII MHIIIIH IIIII.'\III‘II\
I IIIIIIIIIIgIII I Cry Over Billionnaires \IIIw..I_\ (-ll\\“",ll\'. (I‘Il I“.\‘,'.III‘, _‘ ‘< (I ‘l\(\
{IIIIIII I < 91 I’mI IIII'Il‘lllk II.IIII IIuII I The Foggy Mountain Hop III.- I \‘II I’I.IIII\_ VIIIIIIIII; \IICUI. ‘_‘5 ""11 -\|‘|II llt'k' Sm III\' ‘I I Band Showcase \\ III\II\‘I‘IIII\I\‘\. l (\ \Hlllll IIIIIIL‘I‘ “ ' ‘I II III‘III IIL'I' \\I'\' lll\- .‘l
Wednesday 1 _
(III’It-‘IIIIIW
I Cave in .lIIII Pelican \III “H S;III\IIIcII.III \llk'k'l W‘ _‘.‘ V‘ ‘IIIII
LS 5H |)(' \I)Iv IImI II.IIII\I‘I\' IIII\\'II \\IIII \Iifghll} [muggy II'IIIII'III st III'III ('.I\\' III ( n III‘AIIIIIICxI h\ I‘IIII' III\IIIIIII\'III;III\!\ I‘cIImII
I Editors .Illll Brakes II.”qu I.lII\l.
‘ 1-1 (i.lIII‘\\}'.Il\', 55.‘ INII 'IIIII SI )I I) (II I (IwI I Ix \IImI. IIIIIIIIII;'II.IIII Ix‘lll [\Icu' \xhn III.III.I_:‘\' In \‘lII IIII\'II‘I‘I llIlt'IIN‘I III Ihc In} III\ I\|I‘II III‘ IIII \I.II.\‘\ I‘ll IIII‘II \lL'I‘III ,III‘lIIII IN: III» ~ me
I Morning Runner, New Rhodes \IlIII Attic Lights I\III;' IIIIK \\.III \\.III III”. .‘534 \I \ IIIu‘III SIIu'I. .III 5.7 "I
S ‘III‘III L ‘ Ix’v.IIIIII;_' IxImI IIIIJIIt'l \‘.IIII .I leII\IIl|‘ In ('IIIIIIIIIy Ix’.uIInIIc.III. \IIIII‘II' .IIIII Ihc IIIM‘ lII\'\ I\‘\‘UIIII_\ \lil‘l‘llllkltl ( ’IIIIIIIIJ} .ll Ii\‘II.IIIIIlI\II‘II I’.IIk .IlhI \'.III I I.IIIII In hc SIcw I ,IIII,I\'II\ ll\'\\ I.l\t|lllllL‘ IxIIIII
I Acoustic Open Stage IIIc IIIIII liIIl. II‘II \\\N\LII.III\I\ l\)\‘.l\I. ii.‘ ‘I‘I‘II‘ SpIII. I IN Scc “M 1‘.
I The After Affects, Sean Kerwin .lllll Satellite Dub ( II.I\_L'U\\ l III\L'|\II\ l mun. ‘3 l III\t‘l\Il_\ \wIIIIc. *1" MN". SIIIII I Ict‘IInIIIt \\\lllI\I\ .II Ihc \\\'ckI\ II.IIIII\\.I;:IIII IIIg'hI .
I Andrea Marini .IIIII Emma Jane Ihc \II\III§: I\’\I\IIII\. III \\\‘\I Ix’cgt‘III SII't‘cI. III “(N SpIII I In‘ I mxII \IIIch‘ wnngIch
I The Firesouls and Nick Reilly IIuI'I'I}. .‘(III (Ink SIIch. (IS—II "IV Wm" Slim. H.
I Michael Simons Iphm ()\lI,l. IIN IICIIIHIUII III‘IH‘. IIIJI (I-l" “SSS Sp”) Sk‘t‘ “HI I:
74THE LIST " ‘~: ."."-.'
I Sing 8. Drink my» :; l\x'I~I'III1I_'| SW"? I: \II 'III. ;\ I. a x I Sir Richard ishop \I~:»~ I
‘I'W ML" I",\;‘II,II' I
WI“:- -IIIII ‘I‘lI'III
I Sleeping Dogs III‘ \u 1'. \f,'.I_‘\II,." >~-'|I7‘1II"“\ '1, IN‘ I \ II'I, I" \I\'_"‘IHQ III. ~ .‘ 'I‘
'IIc-I I‘m "I.:\ \\ A 2,! 'I' I Solaflair \:I I- v» \I;,.,/-. ;_‘T \.:I;. III.‘II.III SI: 'I I Dave Burns, Easi .m: Crawford Smith I lII.'II i'HII. I I" I’IIIwI I ' “pm I;,'0 \\ I -'I
limd
IIEL'III'
I _I‘I:II'IY“II‘-
I Jethro Tull: The Aqualung Tour
I\II\'I I "IIII.III I‘t-nzti ‘55 II“ i‘II‘II ‘51"va “' IIIII .Iqu-z‘
.‘IxII I\I‘I
II~'.'-
ImII'II'IwII I\ III.II' \II".'.‘..I\ .II\'\ I‘
I‘IJKIII,‘II.1II.\III‘IIIIIII'II.III‘IIIII
.II \ ‘I‘I II‘I\ I'I
IIIIII‘.
Thursday 2
(IIIKII
I Alex McEwan \III WI \.III\ IIIK‘IIIIII SIII'I'I. ii.‘ ‘5 i.‘ \kl'IlI5II \IIIt'uI \I‘II‘.“\‘.III\'I III III\- \IIIIIIII; \I'III III I).:llII;‘II l\)I\\‘ .IIIII I).I\ Ill ( II.t\ [HIM IlIk' ( 'lInIII» ,\ ( IIIIIII\ ( ‘IIIII
I The Young Knives .IIIII The Needles II.IIII\. I‘IIII ( 'IxIII~ \III'I‘I H\ 'II ‘III ' WW" \IIIII ' I I» II-ij; IIIIII‘HI‘ Ic.IIIIIIII:‘ IIII' I'M cIIIIIhIII} II.IIll\'II I‘.'.\\I\I lIHll\\' HI I "HIS xxhn x’lIlIIII Il‘IlI \oI. IIIx‘ I lIlIIIk'III'.l\l\.IIILI(I.III1' «I! II‘III .IIIIHII‘.‘ IIIcII I.III\
I Dawn of the Replicants, Latonic .IIIII How to Swim I\III‘.‘ IIIIK \\.III \\.III “III ‘ 5‘.I SI \ IIIII'III \llt'x'h ‘ ‘I
5.‘ "I S iIIIIIII III \llI‘xixIII II||\\I,‘.IIII\
III.II II'IIIIII IIIII "..I\ .III I In’
H‘IIIIIIx .::‘II\ |III.;I.:I ;\I~~II\\'I'
\I/‘m II ~I-;I~‘\.~I\~I:I
III?» .IIIII I‘InIIcIIx \III
'IIIII III
III‘III IIII- l‘il‘lklx'IS \kIIn .IIc \IIII III.:I,III‘.' III'IIz'IIIIIIll} nII IIIIII'I IIIKIIL‘ Imp \'\I'II II III~‘§ II.I\u I.IIII'II wII lllk' I.III.II \IIII‘.\".‘.II.II III\‘( I) I‘II}III}'[‘I1IIII\ \IIII Ix'tlll§ III.II Iyx |‘lll\Il.l\IIIt' .I ,nlm l‘l IIlt'II jJII'JIIIIiIt‘ III‘\‘. (II\\ /II'II'.'\
I The Down 8- Outs, The Winkle Experience .IIIII The X1 \Iu"II‘SII-.I/\. I_‘I \.Il|\'IIII'II.III \IIKK'I. {Kl II‘II III \IIIII Sm SIIII .‘(I IUI IIw\‘.II I\ lllll\
I Lou Hickey .IIIII Robert Shields lIIt'\lI\IIl_‘.' I\’III\III\._‘_i1\\I'\I I\’I‘;‘I‘III SIII'I'I. .‘V‘I 5h” \pIII IIw IIIIII'Ix'uwI-I wIIyx \‘.IIII .I \lll‘llt' I.I// IIIIIIlt'let‘ III'III
I I‘ll IIItkI‘}
I Scott MacDonald .Illki Crawford Smith IIIc I IIIIIIII SIIIII. Iql I '5 (iImI \\\'\l\‘III l\)|l.l\l. “I I‘HII IIn‘ \IIIIIIICI .II'IIINII'
\IIIg'cI \IIIIg‘IxIIIcI \IIIMng .II Ihc I Icy ('.IIIII_\ SI-xquIIx
I Sisa, Aiden and Tom, Cowboys and lndigirl .IIIII Beth Fouracre IIIC I lkIIIIII I IIIIIIgt‘. ‘II \\I'\I l\)\'}'\'III SIIct'l. ‘5 ‘ (Iii; SIIIII L: \.IIII‘II III;'III III \HlllIIIS t'IIL‘UIIIII.I\\lllf_' .It’uIIxIIp. Im'k'II‘InII. Imp .IIIII \‘Ik'x'lli‘lllt'd
I The Hedrons Ihc Iillllt‘III} .IIIII IIIc I)I_L‘. I5§ I5.IIII SIIu'I. III “II
‘IIIIII III‘I‘ SIIIg'cI \nIIpuIIIcI IIIIIIIK Ichx .III ;;III I‘.III\I III} lIII\ (‘IguIIcIIm Illltl I II\I\ \II IIIthI
I Termites II.IIII_\ IlI[‘\I.III\'. -‘(III ('IIIII- .SIICCI. II\ ‘H W“ WW III Mm. L: I Iw IIIII\I\ .II I’IIIIk lI.II‘
-\|‘III
LIIIIIIXII'gIII I Magner’s Very Best of Scottish Unsigned SIII‘\\.I_\ (0“th II" ('«mghu. 335 (WWI "IIIII U \x' IIIII III I The Good Griefs IIL'III} K (‘t-IIIII II.II_ S Ifu \lUIIl\UII SIM-I. IIS “1"; zIIIIIII 1 I It": I‘IIchcIIt .IIII'III.III\; IIK‘Ix I Girl Said No Illlkl Baltic ll'x‘I'lI‘I \\.III I III\CI\II_\ l llIHII. Ix’It’p.II‘IIIII. I5] 51“? “pm I-Icc (iS\ III.I\II Ingclth Im'k. pup. llItIlk‘ IIIIII qu ,IIHllgSHI‘C I‘I‘\\Cl'llll. I‘t‘lllkllll‘.‘ §_'IIII.II\ IIHIII lidlilp
Jazz
Events are listed by date, then city. Submit listings at least ten days before publication to jules.graham@list.co.uk. Listings are compiled by Jules Graham and Kenny Mathieson.
Thursday 16
I Brian Kellock and Tommy Smith
(I: Ivan I :Iz'.\'I\II\ ('IIIIH‘II II.III.
I ruc'xx'j. \mIIIIy I IIIIHII
\\1III\‘\\ .I fizLIE\ IIIII‘IIIJIIIIIIJI \ I.I\\ «III.» III
IIIII than .n III \IIIII.:IIII\ IllI.‘\I |.l// IIIII\_ \.l‘. III.III \IIIIIII .lIIkl [‘I.IIII\I
iiII III‘I.‘
I HzIIII I.;‘ I Live Jazz lIIIIl\I.I I 15.: \I \ III\ \‘III \Iru‘? .‘ 1 ‘ “If II'I‘III IIu‘ \M'ckl}.
IItc IIIIIIII.II\‘ I.I// .II.«I .I\\‘II\II\ \\‘I\ III '.I‘._‘ III‘\I.III\ I‘.Il
I Glasgow Singers Night III;
5" \III\IIIJII.:II I .Illk'. W.‘ \S‘I" \IIIII III-c IIIII ('IcI.IIIII. Ix’uIIIIIc I\’.I\‘ .IIHI l\\'II \l.IIIIl\'\I‘II [‘II'\1\I\' IIIII\I\'.I| \III‘IN'II .II IIII\ IIIM'II IlIlt III_~_'III InI (II.I\‘.'I"-‘- \IIIi'k‘l\ IqulclI III \llht‘ I\’IIL'\'I\ .IIIII \II\‘ \II IIII;'II II ijI .ll\‘ IIIIK'IK‘SILWI III [\‘IIHIIIIIII‘J \.III l)'\'l\'l\ an “55"”
\II‘IIf
I III\\‘I\.II 5"
I III'II I_I'I;II
I Haftor Medboe Group .l.l// (“t-mun ZIII‘ I \‘I l h (II.1\\III.III\I'I. 1h" 53”“
\ IIIIIIII {MINI I\’\'III\\'IIIIII_‘_‘ I IIIumeI I.I// 2‘. III‘. IIIcII lllIIIlIlt‘ \HIIIIIIIllllxl lIl
I'III'I- «In 1'IIw\c\,IIIIIIII.III-\IIIIIIIIMJIMN ,IIIII .1Il\‘\I|lI}‘ IIIcImIIm. \luIImc'x L‘lHlll‘ It'IIIIII\'\ \It'II} .l.II«HI\\\IHII|l‘ (‘hIIx (illL'\k' .IIIkI I\HIII.I\I \\ I\/III\‘\‘.\I\| ,lt‘lll IIII'III .lS III\"‘. I.IlI|It II IIIcII IIL'KK (I)
I Richard 8: Chris Ig'III. 3h .lgllllillx'd \III'VI. 17W“; ‘IIIIII I‘ICI'. .|.I// lllH Iv.IIIIIIII;: lx’IpImIII .lIIII ('IIII\ II“!!!
I I“\'\\'I~‘II\’\‘\
I Beat Root Juice Ihr .I.I// ILII. I ('II.IIIIII3I\ SIII'I'I. .‘_‘II 13‘") ‘I NIpIII,
I Icc \II» had. I ,IIIII .IIIII \I\.I IIHIII II'\I\I"III I‘.III\I my I thI SIv'u. l)I\IIL'\ll.l. IIIII\ III Hum} .IIIII Illk' «IIIII IIw pllcxl .IIIII \I‘IIIIII'I
I Kim Edgar IIIc SI.” lidl. I \IIIIIIIIIIIthI.IIIII I’LM'. 5 W SH'WI
" {IIIIIII I Icc I’IIIII |.l// .IIIII «IIIngIInI
I I‘IIII‘H\IIIIIII\ UII Immu. ;:IIII.II .IIIII \IIIu' III‘III ImuI lIIlI\|\|.III KIIII I-Ilyg.”
I Live Blues lIIL' .I.IIII lIIIlIM'. 5 (Jun-II \IIIK'I. .‘jII IINII llk't' \\I'L‘I\I_\ I‘III\'\ \\'\\I\‘II lll‘lllk'tl I\_\ \III\.II l5.ll\‘I;I_\. .\II .II;- ustnIIII' In IUIII III
I <IIIIIIIII'IIII
I Edgar \l.I\ I )I‘IIJIII IIHIMIHNI IInIt-I, \I IIIII§II>IIII l\)l‘.ltl. HSHII I‘M ‘IIIh III‘III IIcc Sm‘ IIIII III
I Konrad Wiszniewski with Haftor Medboe Ihv .l.IllI IInIIw. 5 ()III'CII \Izt-I‘I. .‘III I‘M) ‘IIIIII L5. t5 II‘IIIII I.IIII I My \I'I IIUIII Ihu .lkx'llllll‘IISIIL'ki \.I\I‘I‘III|III\I .IIIII f.)lIII,Ill\I
3%: Phil Bancroft and David Milligan l.l// ( ‘t-IIIII: IIIc IHI. WI (Il.l\\III.III\\'I. III“ 53”“ .S zIIIIIII U» .I.I// \I.III\I.IIIIS. lI.I\IIIIUIl.II Inlk .IIIII \pu'mII} ,III.III_‘_'\'\I Int-tux IIHIII Ihc St'uIIhII IIII/ ;I.IIII\_ III tllll‘ IHIIIIJI lUl lllk' III\I lllllL'.
I Guest Bands Night 'I IIc I.I// liill'. I ('II.IIIII\-I\ Sum. 33H 43”” “pm. I'Icc. IIII\ xxcvk. (imp-III \I_\Ic \\‘.III;_'III3_' f_:§I‘\§ I.I// III'III I.IIII Ix'IIItjk .IgnIlelt
IUlII [‘IL‘L'L‘. l\)\'lltlk'/\HII\
I Late Nite Groove IIII- I.I// liuI. I (ILIIIIix-Ix SIIu-l. 33H 13"”
\IIIIIIIleI ;.I|II :5 chIIIJI I-IIdu} IIIghI IIIIIIxSIIIIMILHIlI/J \‘.IIII Inc ImIIII~ gIIItI I).I\.
Saturday 18
Glasgow
I Uri Stav Quartet lilt'l. W 43 \\IIIHII I .IIIc. 442 J‘Ihh. 1 (Ipm I-I'cc. I’mI IIIINIUI'II III.IIII\IIC;IIII \Iundurdx.
I The Michael Deans Quartet Bur liIIK. I I- liuIII SII'L‘L‘I. 5-4 (III(I(I, 5 3pm.
I Icc \lmIcIII I,I// \Illdllk‘l It‘tl In ICIInI \I\lll.IlI IIL‘JIIN 5
I Big Bob's Jazz Band II.II 1x5. Iillt'IIJlLIII IIuIcl. LS5 lillx‘lldlldll SIIch. “I 5_‘\1 5 III “pm I‘Iu‘ SuIIIgIIIg S.IIIIIII.I} I.I// xcxquII
ELIIIIIXII'gII
I The Mellotones SH (Jim-II S'Im-I Ii.” .llltl l\’t‘\l.llll.IlIl. SII (‘IllL‘Cll SIICUI. 3% 5H"" 5pm llt't‘ ,llIIIlll} I.I§IIII .Ill\l I‘.III\I plh wIng hx \lt'l IIIIIIIc .lllkl UIIIUI gImI I.l// \t‘xJIl‘l‘
I Paul Kirby Trio lllk‘ .|.I// IIIII. I ('II.IIIII\'I\ SIIm'I. 33H 13"“ i iIII‘llI
I Iu' IIIu ImI h} [\l.IIIl\I KIII‘}. Ic,IIIIIIIIg_' (iI.IcIIIc \lk'l‘llt‘ll “II In“ .llhl ('IIle \\,II|.Itc Hll \Illlllh
. Edgar \ldtlIHILIIxI llt‘l)lHH\l lllIlk'I. hl IIUI_\IINNI Rudd. “hall I‘I-l I‘IHII (\PIII IIcc St'c lhII III
I Rikki Abbot and the Connection SH (‘lllk'x‘ll SIIch II.” .llltl Rt‘SldlllJlIl. SH ()IImI SIIu-I. 33h 51W“ ‘ll‘lll IIIIIIIIIgIII I Icc .|.I// llllIl\ IlHllI lIllfJL'IIIHlIlhl .llltl llIlllIl‘t‘It'l \hhnl .llltl I‘dlltl
I The Jazz Bar Quintet lllt‘ .l.|// lidl. I (IMHIIK'IS SIIt'cl. SSH-13‘") ‘IpIII III-c \.II}III:' IIIIc III“ III! lIll\ Iiw I‘lt'k't' I‘.III\I III Iva Illll\lt'l.lll\. [Illl Ingclhm tuit‘h \\t't'I\ h} III.IIII\I.I_\ III the I-IIIIIhngh |.I// \u'nc. \Illlllllllt'l IIIII I\'_\Iu
I Fish Fry lIlL' .l.l// |I.II. I (‘hIIIIIht'I'x SIIL'L‘I. IIII-IJIIII IIIIIII 5.1”) I'Icc IwInIc I I NIpIII. L5 ;lllL'l. St'uIIIxh IIIH. IIIIIk. \Hlll ;IIIII IIIIIII huIIIIx IUIII IIuIIhlc I)_I l.llI\ I)'\'II\III§: illltl IICIMIIIIII'
I IIIIIIgc'x I).I .-\\II'uhn_\. I'IIIIk llkltlt'll \Iltll‘L'ill .IIIII It'yggu' IllSlHll IlHIll I)I\\;III IIS l‘t'lH .Illtl wt‘mll} t'unxuuux IIIIIk. |.l// .llltl IIIII hva th'IIIIIIIIg lllt' IcIIII'II III I l\t'\t'l\'llk'k‘\ I25 I'L'III llll\ InI'IIIIgghI
Glasgow
I Jazz 8- Ragtime 'I’IIIt-c .Iudgcx. |)IIIIIh.IIInII Ix’uml. H7 i055 3pm, I‘Icc. Rk‘lelIIIl SIIIIIIu} l'IllellllL‘ illlkl III/I wxxmn III Ihc 'II‘III (ilnggmx. lL‘ill IIIL" puh
I Old Green River Jazz Band Slum '\lltllk'\\ ‘\ III Ihc Squaw. I SI Andrmx '\ Sququ 55‘) 5‘III2. 3pm, [7 IN) III ;l(l\.lllL'L'II \t-xx ()I'Icunx III/l illltl lIlllt‘x
\\ IIh illllllltlL' II‘nIII XIIII‘IIII III-IIIIL'II'x [mpIIIuI HllllIl ;l\ Ihc} \Hlltl up IthI l’K
I Chris Clark Trio and Friends Iqu lillthlllil. 3 ('IC\\\ L'll l,illlt'. ‘37 (IZIII.
-l 7pm. I'I‘cc. .\lL'llU\\. IIIIIIINI'cuIII IIII/ IIIIIII ('InIk illltl IIIIIIII \Hlll \illlIIlh lelL'SlS |Hllllllf_' lll IIIL‘ Illll cuch neck.
I Tommy Smith Youth Jazz Orchestra Il'Hll 'I'IImII‘c. (II ‘I‘I'IIIIguIc. 553 ~13h7. SpIII. LES IUI. S;I\anIuIII\I I’IIIIIIII} SIIIIIII Icmls Ilix pI'IIInIxIIIg: _\Ullllj_' pI‘nngt‘x llll'Ulllel .‘I \clccliun III In; hand L'quxlcx
Edinburgh
I Martin Kershaw and Friends I'HI‘III I'IIHII’ leulll‘unl IIIII' & IiI'IIxxcl‘Ic. II;II\c_\ \Ichnlx. III) 3-1 SI AIIIIrt-us SqIIIII'c. 534 S ‘5”. I1“) 3.30pm. KL'I'xIqu pI'm ItlL'S Ihc pcrltcl IIIIIquII umIIIngIIIIIIIcnI In II lIllL' Sumlu} IllllL‘ll \xIIII IIIS \nuI'IIIg: \;I\ wundx.
I Jean Mundell and Alan Anderson ('cnlnlrc. III} (icorgc SlI'ch. I 4pm. I’I‘cc. lixpccl \l)Il\Il ]il//-\()lllld\ II‘IIIII Ihc uccnIIIpIIxIIL-d \ncuhxl who has \IIIIg \kllll \UlllL' «II [he \xurld'x grculcxl I;I// llIllNlL‘lillh.
I Alan Benzie Trio 'l'hc Ju/l Bur. I (‘huIIIIk-I‘x SII'ccl. 320-1290. 3. “Ipm. I'I'cc. I2IIIL'I'gIIIg: )IIIIIIg pIIIIIIxI and hand. I Live Jazz ('IIIC (irundc. I84 BI'unlxl'IcId I’Iucc. 338 IIS‘H. 7pm. I.I\c III/l \xIIIIc )uu dinc. 'l‘hIx ucck \Nllll Suhic (‘nIcIIIIIII and chin MucKcn/Ic. I Live Jazz 'I‘IIc JuIII llullxc. 5 ()uccn SII'ch. 320-1331). 8 leIII. I-rcc. Ju/I IIIghI III Ihc JuIII Ilnusc with IIuIInr Mcdhnc (Ill guilur and ch In (ilihgnu. (In hum.
I Louise Dodds and Tom Scott Bclugu. 30a ('humhcrx Street. 624 4545. I) I Ipm. I5rcc. New wcckl) rcsidcncy I‘nr [Ills lulcnlcd pizmu and mculs dun.