A
lnstigating its own quiet storm for three years now, KYTN is making inroads to broaden its remit beyond its experimental music roots into even more visual art and film. Musically, the playing field is very much a left one - pretty damn far left truth be told - but people like Tony Conrad, Emma Hart, Benedict Drew, Kazuo lmai and Atsuhiro lto (pictured) are certain to create something to pin-prick your senses. OHM/(>0 Comm? fOI Contanpomry Art. Dundee. F/‘I I7—Sun If? Fol),
Gilles Peterson Worldwide and Impressed With Airto Moreira, The Heritage Orchestra, Robert Glasper Trio, Stan Tracey Quartet with Bobby Wellins and Harry Beckett All-Star Quintet
Dee Dee Bridgewater Plus John Etheridge
Maceo Parker Plus Breakestra
The Dutch Jazz Connection
4;]..'
’ Messin’ Around JazzCotech Dancers plus New Cool Collective
Ketil Bjornstad
Dance and Music Sheron Wray and Byron Wallen
Kidsamonium with Tom Bancroft And much more...all under one spectacular roof!
0191 443 4661
www.thesagegateshead.org
68 THE LIST ‘6 Feb—2 Mar 3006
I Leftwideopen ,mtl Four Star In: llnngn (‘lulx \iiiltl} lluuxc. 1" llnluuud Road. 558 ~NU “pm L5 Intln'
I Nola and Kiddo Hum} \ ('cllin lln .\ I‘M \lumwn \Iit't‘l. :5 ‘li": \pn: L“ Imln‘ duuhlc
I The Common Redstarts, 80 Deadly .nnl The Last Band ll.iiiiit‘i’iii.iil\. \nltli} \ut'cl. 55h i351 \ 45pm ill \iL'il‘tilL. _\nun;_' lwlinlnngli i‘dliti. lln' ('nnunnn Rk'ki\itlii\. plugging lilL'll lni'lhmnnn; \llljJiL' 'Killmg \ut-ci' I The Flavours ’l‘hc .l.un Huuxt'. 5 (Juan Slim-I. 3% J “H lllpin I: “Run [5. t" ll'Ulll l.nn Su' ill I“
I 96 Tears \ckm. Z5z (\nxgalt'. 55“ 2‘3” lllpni l'i'cc \Hx-uhpncd t‘lctnn nick.
Glasgow
I The Paddingtons .lllti Five O’Clock Heroes ()llt't'll \l.n;_'.ncl l'nmn. 33 l'nm-i'xn} (l.li\it'll\. 1‘" ‘VW Spin. {8.5” Palm! punk lHl mm pcnplc. the} MI}. llnnk \linulcincn lllk't‘l\ lln' (iilhil. \‘l\\L'l lilL' \‘.l\L'illlt'\- .\ l.Ip\' nu lhc h-xnlc ml Ilicn ncu \ingglc hm I Buck Brothers and Sleepmode .'\ll('3. kill Snut‘hn'hnll Strut-l. “I 33 ‘3 7pm. £4. Huck lli'nlhci'x .uc ;1 punk pup [run from London
I Stephen Bruton ( )mn \lui. "ll “ 1* (il'L‘ul \VLNIL'H] Rimtl. 55‘ “3”” a £7. 'l‘i'udiunnul lwlutw nicle t‘nnlcnipnmi'} munu'} ll'Ulll Kl‘h Krixlnllcrwn'x guitarixl.
I X Factor Sl-.(‘('. i'llllllL'\lHll (Jun). (Mu n41) Jill)”. " Slipm. {2-150 Xu- 8.” 18.
I Boy Kill Boy King 'l'ui'x \\;ili \\'.il1 Hul. I‘ll SI \‘inu'nl Slict'l. III 53"" 3pm, £05“. ()\L'l'- i-1\ \iitl“ i‘l’l\i\'\ lllL‘iUtilC\ and \uhlunc pacing: 1min H0} Kill H0}. :1 lnndun qugu‘lcl nnlmll} lnlcnl \pulml h} cull lulwl l'icn'c l’umlgi
I Mark Morriss, The 885 llllki Collar Up Hurll). 3N) (.i}tit‘ Sll't‘t‘l. UN-” ‘lll‘ ll‘N‘). 3pm. £0. 'l‘ln‘ lllucluncx li'unlnmn play :1 \ul(\ zil'lci'nnnn llc'x nmmul lu Inuxic. )‘hcur"
il lpin
I Drunken Munki, A Bitter Liaison, Landon and The Fearless Pigeons limit. Inn (lulu \‘ncci. nx‘u ""5 H‘N" \pn‘. :le \kalt‘ punk and punk pup lxnc up
I The Goat Club Acoustic Sessions llic \.ilc. 5 liuntlm \Iit‘t‘l. “I '1"_‘\ \l‘lll ti ltxnuiin; .llil\l\ linin Iln' l’mllnn kilwl
I Jack Rose .unl Chris Corsano \Icicu Isl Kclx iiili.ni§;li \uu'l. Vb 5lll.\ Spin :5 \ \llllelidl \lnuhlc lnll ml “‘10 [‘\_\til lnlk L'llli.” lll‘lll Row .unl lln' unlit-“h inwnuw .unl mplmiw win \illllll \xnik ml ("nimnn
I Theonewhoflew, Bad Dancer .nnl Miss Atlanta \ipt'ni‘Sltxi/y l.‘l \iut‘lnt‘lmll \Iit‘t‘t. “WWW \pin til lln'nnculinllcxx pinninlc Iln'n Ht‘u .lii‘lllll Amman: livnrtw
I The Sky at Night .iml Shyler Jansen \lnnn. l.‘ k1i1;w('uiiil.l\liig Mn't'l. 55.‘ ‘l-l5\ N illpin Ll In“ likc \l‘llil\i\ llHlll \k§ .ll \i;'lil pununfg lln'u .lii‘lllll [IN/"i 'wl llnmnrn \ l’lu\ (Lukulmn .nuxl \h} it'l .i.lll\\'ll \KilU Imx \miikml \xnh (Kilt'nt'n ,unl ii\l\\t' ( lt‘ii‘
I YSN lilh \Hik' (Inc. 5“ NI king: Slum. 55‘ lhih "pin 1‘ ll.unlm_\.nn unlit pupxlcix llHlll l cub lll lln‘ \cin nl lln'n pccix Iln' Kinxci (luck
I Eoghan Colgan .nnl Yvonne Lyon ilHll llimut'. (ii iltllljJJIt‘. 553-137
‘l 5lllllll L5 ill\il \inpt'i mnpmilci \xnh .l lulk§ misc play .n llnx \t'nuxut' '\ll.lll
Edinburgh
I Black River Falls Xulmn} humane. (1‘) (.(l\\~L'.llL" (l—‘(ih ‘ illplll Ilr'g‘ Ruck mundx ,il llu\ .illnnn lnuntli
I The Acute, Little Kicks .iml The Rushes (lilxncl \ull.iin'. if) *5 lll.ni Sliu'l. 3le (~17). Milli Run tll Huinpci Inn- up at my i.llL‘\l lll\l;lilllt'lll nl unlic t‘luh I l'l_\ Spill'ucx .unl lln'n luv/Ill lll.l\ilrll[i.
I Stereo Glo and Trabeca iiilllllt‘l'llldllix \nltli) Sut‘cl. 550 ‘54 3.45pm, H illtilt' douth
I Oatbeanie \\ lnxllclnnkn'x. J h Snulli
lli'nlgc. 55 5| H ‘lpin i'lL'k' (limit .nnl
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ateshead
‘ 1
International
Jazz
Festival