Visual Art
Exhibitions are listed by city, then alphabetically by venue. Submit listings at least ten days before publication to art@list.co.uk. Listings compiled by Rachael Street.
Glasgow
I THE ATRIUM GALLERY (iluxgim School ol .-\i'l. I53 Rt'llll't‘“ Sii'cei. i5i-l5S‘). Mon 'l‘hii Illuin "pin; i‘ll llluin 5pm; Sui llluin lpin. Upstairs Downstairs l‘niil Sui Ix l'ch Wink h} llllHl )L‘Jll' lL‘\lllL‘\ Sllldt'lllS ci'cuicd in coiiiunclioii \xiih locul design coinpun} Squigec und looking ui pulici‘n. \culc. ie\iui‘e und colour.
I BURRELL COLLECTION
lehll l’ollok\liu\\\ Roud. 337 355“. Mon 1 ho ik Sui llluiii 5pm; l'll ik Sun lluni 5pm. l'i‘ee.
Through Your Eyes l'niil Sun 2H \lu}. l‘.\llll\lllllll ol pliologi‘uplix iukcn h} L'Ullllllllllll} groupx ilt'l‘ihx (iluxgoxx. ollci'ing nc\\ “up ol looking ui ohieclx li'oiii ihc liiii‘i'ell ('ollcclioii.
Curator’s Favourites \Veil S l'ch. l3. ill loin. lice. l’uii‘iciu (‘ollins lookx ul luo S“ l\\ lupexii‘iex. "l‘he \Vundci‘iilg lloiixeuile und "l'hc l)i\hone\i Miller'. Curator’s Favourites Wed IS l-‘eh. llm‘sll lpni l‘iee. 'l'ulk on ill'lllS und ui'inoiii‘ ui ilic “lll'l't‘ll h} 'l‘ohiux (’uimell.
I COLLINS GALLERY
l'nnci'xii) ol Sii'uihchde. 33 Richmond Sii‘ecl. 5-1S 255S. Mon Fri llluin 5pm; Sui noon ~lpin. l‘i'ee.
Digital Perceptions l'niil Sui IS l’eh. l-iee. 'lc\iile ui'i inl'oi'ined h} digiiul iniugei') und e\iwriineniul lL‘L'lllllilllt‘S. including piecex h} .-\li\on Bell. Kuili) Schi'ickei'. Jl’ (‘uniphell und .loun 'l‘i'uckenhi'od.
I GALLERY OF MODERN ART ()iicen Sll'L'L‘l. 22‘) l‘Nh. Mon “I‘d (Q Sui llluin 5pm; 'l‘hu llluin Spin; l-‘i'i & Sun lluin 5pm.
Human/Nature Thu 0 l’eh Sun .ill .-\pi'. .I\n e\liihiiion ol lundxcupe phoiogi‘uph} l‘i'oni ihe (io.\l.-\ colleciion. including \Hil'kS h)‘ IlliilllilS .loxliuu ('oopci'. And)" (iiilil\\\'i)i'lli_\‘ und l’uli'iciu \lucDonuId. Ni-W Si lOW.
I GLASGOW SCHOOL OF ART The Muckinioxh (i;lllL‘l‘}'. l(i7 Rt‘lill't‘\\ Sii‘eel. 353 4500. Mon l’i‘i llluni 5pm: Sui llluin 2pm. Free.
Jerwood Drawing Prize 2005 DD. l'niil l'i‘i 2-1 Feb. 'l'enih _\eui' lor the [‘I‘L'Sllgliilh di‘uu'ing uuurd. \lioxxcuxing ilie “ork oi ne\\coiner\ und iii'l School gi‘udllulc\. See i‘e\ ie\\. puge ‘lll.
I THE LIGHTHOUSE
ll Mitchell Lune. III (3303. “on & \Ved Sui ll)..‘s(luiii 5pm; 'l‘ue
lluni 5pm; Sun noon 5pm. £3 (Silo). Matryoshka l'niil Sun 5 l’eh. l)i\plu) ol' \peciull) L'UlllllllSSlUllL‘tl .\1uii‘_\o\hl\u dollx. LAST CHANCE TO SLE.
The Bombay Sapphire Blue Room l'niil Wed .S‘ .\lur. li\hihiiion ol conieinpoi'ui'} glu\\ dexign. \hoxxcuxing ilie \\lllllCl' und linulixix in [he Boinhu} Supphire Design l’i‘i/e.
Bungalow Blitz l'niil Sun 20 .\lur. Hoor-io-ceiling phoiogruphx ol \elll huild hunguloxu in li‘elund duiing from [he l‘)7(l\. [final on :1 book oi. liouxc plunx.
I LILLIE ART GALLERY
Siuiion Roud. Milnguvie. 578 33-17. IllL‘ Sui liluni lpni & 2 Spin. Picking Out the Pattern l'niil Wed 8 Feb. Work by Alun Duvie. William l.iii|eiohn. .-\driun Wivniexuki und more looking ui recurring imuges. LAST CHANCE TO SEE.
92 THE LIST 3—16 Feb 3006
East Dunbartonshire in Paint and
Print I'lllll “Cd 3 l‘L‘l‘ “lSlHrlc puiniingx. prinlx und cci'.iinic\ lroin ihc [‘L'i'inuncni collection . ‘
I MITCHELL LIBRARY
I‘ll \oi'ih Siiccl. 3S“ Z‘l‘l‘l \lon \Ved Illuin opin. l‘hu llluin Spin. l'l'l Sui Illuni 5pm.
Picture This! Fifty Years of Classic Glasgow Press Photography l'niil Sun In l'ch l'ollimiiig u \uccexxlul l'llll luxl _\e.ii'. llllS L‘\lllhlll(\ll celelii‘uim 5H )L'dlx oi (iluxgim huxed [View phologi‘uph}.
I PAISLEY MUSEUM & ART GALLERY
High Sii'ecl. SS‘) 3|5 l. 'l‘ue Sui
Illuin 5pm; Sun 3 5pm.
* Remote .0. l'niil Sun 1" l‘elw Siiexpecilic iii\l.‘illulion h} (ieiinun :il‘llSl .-\le\undei Siuliiiuiiii. \\ ho uxex c\ei'_\du} lllillt'l‘lillS io ci'euie un uppui'eni \ioi‘ld ol gluiiioui'. See i'c\ ieu. puge ‘lll und llllll\l.
Artist's Talk \Vcd I5 l’eli. l3. “lplll.
:\lt'\;ill(lt‘l' Siulniunn \llSt‘llSSt‘S lli\ \xoi‘k.
I PROJECT ABILITY
('enii'c l‘Hl' |)e\elopnieniul .-\l'l\. IS .-\lhion Sii'eci. 552 3S2} .\lon l’i'i llluin 5pm.
The Maid of Corinth
An Involuntary Movement l Hill in l" \lui x\l‘\ll.icl. ini\ed»inedi.i piecm h} l.e.i (‘iiininingw
Past to the Future l'nul i ll 1" \lui
line ill.l\\lll:._'\ unil iniiicuic puiniingx l\_\
Ri‘l‘t'll Rk‘kltllc'h
I ST MUNGO MUSEUM OF RELIGIOUS LIFE AND ART
2 (mile Siieei. 553 355" Mon l‘hu .\ Sui llluin 5pm. in & Sun ll.illl 5pm l‘lL‘L‘
Generation KKK: Passing the Torch O... l'niil Sun ‘l .-\pi' l’hoiogi‘uphx h} .luinc\ liduui‘d liuicx dwuineniing ihe xex en _\eui\ lie hux \pcni recording ihe lk'llt‘lS. ii'udiiionx .ind .icii\iiie\ ol ihe Klii Klm Klun
I TRAMWAY
35 .‘\ll‘t‘l'l l)i'i\e. llSJ5 Kill ‘5lll 'l'ne l‘i'i llluin 5pm; Sui tk Sun noon 5pm, Maurice Doherty: Eternal Rotation O... l'iiiil Sun 5 l-eh ~\liniinulixi will b} ll‘lSll-l‘ill'll l)ohei'i} exploring lllL‘llli‘S prexuleni ihi‘oughoui ihe lllSIiil'} ol uri. \uch ux irunxience. lieuui} und hunulii}. See in icu. puge ‘lll und lillllSl, LAST ’ll l/«NV/i Ti) SE i Breathing Space Australia/Surge l'niil Sui -l l‘ch. IllllL‘S i\' pi‘iccx \ui'_\ Shoncuxe ol pei'loi‘inunu' “oil llillll .'\ll\ll‘;lllilll und liriiixh ill'llSIS. including “L‘l‘iil'ull l’nlliil'd'x piece 'SliiipL‘S HI
This exhibition brings together new work from Marie-Jeanne Hoffner (Paris), Martine Myrup (Glasgow), Tobias Sternberg (London) and Michael Wurstbauer (Glasgow). Expect detailed ‘machine age’ drawings, installations examining destruction and mistakes, experience and imagination, and the debris of a performance. I Marker Gal/en: Glasgow. uni/l Sat 78 Feb.
Sch‘i‘i. \ci‘een \xork li'oin \loniku l’ichucek und John (iilliex' lilin ‘llnide‘ . Ch-KNCE '0 SEE
The National Review of Live Art “M .S Sun I: l-el‘. Timex \.ll_\ t lll itSi per du} 'l‘he .innuul \Rl.:\ reiurnx lo (iluxgou \\ iih li\ e din ol llllli‘\.lll\ e. mperiineniul .ind iniei‘nuiionul li\ e .ii‘i l’ei'loi‘nierx include .\1.inuel \uwn. Ji lloon Hum. l’ei'nille Spence .ind .\ndie\\ liluckuood. lollim ed h} eniei'iuinineni lioin DJ l‘l’dllhi‘ ll ui ihe l‘t‘Sll\.il (‘liih uniil Zuni LAS’ filfiNi‘E K" SEE
Private Galleries I THE ARCHES
25i \i'g}le Sii'cei. llS‘ll 2-1” “535'
“Mm lllpin. Sun noon lllpin
Lining Out l‘niil Sui 25 l-eh \Vork h) \e\ en t'Ulllt‘llii‘dldl'} Scoiinh lllll\ll;lliil\ including ('luii'e :\ndei\on. [mimic Hell. l,uc_\ Mucleod illltl lli‘l‘lllt' Rt‘lil
I LLOYD JEROME GALLERY
Jill) lluili Siieei. “I “5’32, l'ue Sui
‘luin opin
Kathryn Pender: Figure Form l'niil Wed 33 l-eh \Vorkx mploring the huinuii figure in u lundxcupc conie\i
I THE MODERN INSTITUTE
'7.“ Rohei'ixoii Sii'eel. Siiiie o. How I. 2-13 37l l. Mon l'l‘l llluni 5pm. Sui noon 5pm.
32': Sue Tompkins eeee l'niil Sui l 1 Feb Receni perl‘oi‘inunce liuxed \xoi'k h} llllS (iluxgou -l\u\ed ill'IlSl. \\ ho hux him been \hoi'i-lixied liil‘ ihe lieck'x I'llllll't‘S u\\ui'd. See in ieu, puge ‘ll und illillSI l,/\Sl CHANCE ll) Si ii
I RGI KELLY GALLERY
IIS Douglux Sii‘eel. 3-18 (iiSo. .\lon l'l‘l Ill.3(luin 5pm; Sui llHlluni lpin. Hannah Frank .0000 l'niil Sui l 1 Feb. li\hihiiioii ol sculpiure und liluck & \xhiie \kiil'kS l3} ihe ()(»—}t';ii'-iilil .-\l'l .\'ou\euu uriixi. See inuin piece. puge SUV lASl CHANCE l0 SH.
Hannah Frank: 75 Years a Glasgow Artist iii 1 lieh.
l2.~l5 l.~l5pnl. :\ look ul the uriixi‘x lile und \xoi‘k \kilh her niece l'ionu l'irunl‘. Hannah Frank: A University Woman of her Time? Wed H l'eh. l3.-l5 1.45pm. Lexie} Richmond lroin (iluxgim l'niwrxii) lookx ui ui‘chixe inuieriul l'i'oin lhe l‘)3ll\ uiid .ills. Women at the Glasgow School of Art l5ri lll li‘ll l’eier 'l'riMICS (llSL'llSSL'S the period lriiiii ISM) lo “)3”,
I ROGER BILLCLIFFE FINE ART I34 Bl}lh\\\ood Sireei. 3‘: 4027.
Mon l'i'i ‘).3()uin 5.30pm; Sui
Illuin lpin.
Sheila Mclnnes l'niil Hi 3 l-eh. I’illllllligS inspired h) exerylu} llliilllCllIS. [AST CHANCi l0 Siji.
I SORCHA DALLAS
5 Si Murgurei's l’luce. ll7h’l2 0057-15. Thu Sui l 5pm.
Julian G6the: Beams are Gonna Find Me Sui ll l'ieh Sui IX Mur. Folded paper. meiul und gluss works h} Juliun (ioihe. e\ploring the World of 'poxi liinciionul' interior dexign. Ni-‘V.’ SHOW.
Artist Spaces
I MARKET GALLERY
33—1 Duke Sireel. .556 7276. Tue Sill noon 6pm.
The Maid of Corinth l’niil Sui l3 l-eh. Neu work from Murie-Jeunne lloll'ner. Muriine Myrup. Tohiux Sternberg und Michael \N'ursihuuer.
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