ATASl-l (THIRST) .~ . .. ,. . , (12A)110min000 . “I... 1, . Film news and giveaways fer ‘ , , h , beat/tiliil cmeaste types 1 ' ' " . l 2 ' v t ’ ' "‘- 1 i': .l . " 'M’ ‘V'lx'i" ' ' : :'. I This issue Rough Cuts goes .2, . ,, K i. . I. , . , .‘ . all avant garde. You’d beafool , . n, H, ._ . .. . . to miss renegade architectural ‘ I .. I ,, ‘. ‘, . 1 , p, N . ‘ . collective Ant Farm's I n, ~ , ,,,. I z, , I. .. , , retrospective of video, ,. 1 ,,, ,1 . ,, W... : . Us. performanceandsculpture , ,v: l«-~ [hymn ,~ g ,n: projeCtsattheLighthousein °.' l , 2" ll. :"r:","“ " IK "WU/'1.” i'"-'t.'i'""~'"" in" l‘ ." :l 1'! lt"‘~ " 1"“.11 1. Glasgow. ltfeaturesnine ;. ._ . 1 ,. n. W, H 3, ~ ,3” 4.1,. ., A, . I :, bonkers shortfilms which ,. ,,.. .. H ,. question our relationship with .. .. . , , , ., .. 1..-, "'-"-"i'*1"-WW"’? 1,. .‘. . . .. ... .. mass media. 1975’s The Eternal , , ,i~ ,1. 1 ,w s ,w. ZATHURA: A SPACE ., put ,n i ‘ ‘ ‘ . H. Frame (pictured).areenactment ,. H. gr”, M. , w 2 .1 , . ‘ ,, . ofJFK’s assassination, isa .. ,. , n ,p H 1.. f ,v,,. , .. if ,1 .. -,,i o. 1 I . , . ;, masterpiece of early video art 3: . ., ,, , .4 M, y we“, ., l, ,1” y" mm. WM” 3...“. i». , t... u, . 1.. . HA. andacommentonthe ‘,.1,,,,,,i\,(,,,,,.v1‘],,,.<,i,ig,.k,,\,,(,in,“ .11 p; L...“ V, _ A replacement of real memory .. H, . .v ,1 ,. , pm... “my”... VIM... . 1H,». my... ,I; 5-, ,3 m. 1...“... 4 L I WithamassmediaverSion-The {va‘i} r'wg‘gill". fin-mi?“ ;'i’,':gii Hen. iii-inwyimhiiiiiqtiiiw‘qii'iis'y;figw 'M ,1" i‘1'V\'-_‘".l". H. AntFar’n1968-1978run5from ' ll .\ 1‘ Mil: tll‘i' mow-iv. "l "1m". r)? ./.'1.‘"i."¢i A! Tilt) w ll~i"‘ll"l I 'v l' 9 In;
11 February. ww.thelighthouse.co.uk
I Also the DCA in Dundee IS housmg the rather wonderful Kill Your Timid Notion between Friday 1 7 and Sunday 19 February. More information next issue. ww.killyotirtimidnotionerg
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' 1; «.1 mi ‘4‘ ‘93 W: V LINE Golden Globe awards for both Joaquin Phoenix (Cash) 1 i"- ‘ Oil “1* "‘t (15) 135mm .... and Reese Witherspoon (Carter) are thoroughly vi" 1 deserved. The pair are hugely engaging: she as the VFW Vialv N» Biopics of musical stars often swing between impish Southern lady and he as the brooding, .arw v'xi'.l‘~ hagiography and character assassination. They either inappropriate suitor. Walk the Line explains how the m “m ~.: \ .lrty‘ buff up the legend while rarely asking any real pair’s love went unfulfilled — for a while they were still “- l ‘ °' ‘l W questions of the subject or they focus on the scandal: married to different people — and how they eventually i\ L :o 16% the casual sex and even more casual drugs. James got together, with Johnny beating his addiction to l"r‘t~'~‘"?‘* T " ~= Mangold — who succeeded in blurring lines and amphetamines. lmnl with .1: ' =T creating true tension in both Cop Land and Girl, James Mangold did take one huge gamble with the when .15..» 7'1: :l'."i\"‘.1.i ' Interrupted - comes down somewhere between the Cash legacy; he had Phoenix and Witherspoon sing "watt": m . w.- *' :~- '2' ' " .a two as he tells the story of country music‘s most instead of miming Cash’s songs. This was a gamble mp, 5.th to .an pvmi! "\l'lxz‘xl " IS? erudite talent, Johnny Cash, that paid off. Phoenix captures the weight and drive of Of" H 'm ' IV WNW‘tx‘i‘wf 8? t f m 1‘. But the real drive behind the plot here is not Cash’s Cash's voice, something that adds a live, raw realism to to letvmvx. owning .a .l.i\.ti"‘~o musical development - it can be argued that he found the many performances sequences in film. lfi‘lfi‘lillk‘lk" lltl’l‘l‘i" «1m l‘w‘NJ‘ .ith'vrw his niche in 1955 and stuck to it doggedly for the next (Mark Robertson) 48 years - but his quest for June Carter’s heart. I General release fron‘ Fri ’3 Feb (369-: lean/re. page to
42 THE LIST .‘ "‘~ ‘ .‘ «~