.Cadenlalirc'rit.ztii I'¢..': ' l
Il:.:iil“i;iti I:‘II.:\' " “q: "5" I'
.i I.:lll; uI eIlIiIl lix-rli-rzi, A i f \\iv'i'. L', I :ii \ilimii i: ,Ii.;t;l:. Ii
IIZ'II airline I,, I ' :ii iI :ii ‘Iv .iIi,‘ '.: [i.:‘..:I\I'I~r\ mllid; j \'
I).i'.liI \\.ill fI‘ l mini-l :i I)7:.‘ IiIiIII‘llli'Il I III‘l it: r, Imm:
I Erskine Stewart’s Melville community Chairliic'.lii.:i I\:'.L (Ili".II|.1I\ I’I.iix NH ‘01" " "’:‘::. H 42,55 \miziiui \IiliImII \mthiith l‘t'llt‘IIII.:IIi 0 -il \Illlllli' Iliilxli iii~ Tii Iztw II.iIIiI\'I /i.iliii 'm /’m ' Iztigi .i‘..iiI.iIi|i' limiii lIie xi Iiimi iii» lm
mains. t"III\ i'iIIII \i Ii iiI lmi iiimir 1:,l~
I (liiiliurgli
I St Giles at Six Organ Recital \l (iiIi'Vl‘alIiciIiaI. I<ii‘..iI \IiIt', _‘ ‘5 "11‘ “VIII Iiei' liiIi.iii( «till‘t‘l I‘Ii'M‘III‘ .: iiiiit'i.iiiiiiii' ml Ilill\~lt im IIlt hills I t'Ii'Illiill, Ix’i'iii Iixi-I \Ii'lhIt'Iwi'Illl \Ii'\\l.li'll. \I.l|II.1IIiI \I‘Ivt'l
SI All’Illr‘,‘,", I Music Society Symphony
Orchestra \Hllll'fi'l II.lII. \iillIl \llt‘t'l, III ;;I lof‘i‘li "l'iiiii (iilli.iii ( Il.t|"
1|. ‘I \ Iv"
tiiiiiliiih .i [It'lli'llILIlki' In int IiiiIc \Iimxlalmxiilik Ii \i'iiiif IL. /,'.lli .iiiiI ( . (Ulfr . rim \m/_ ‘.‘.llIl ieIIN \It'lllldllt' Ii'ii;'i.iiiiI
Tuesday 3
(Silasgow
I Songs of Travel Ix’.iiii\|imiii IIie.ilie. ‘lh Iii;_'i.iiii \lieel. 55: ilk" I I5iiiii Li Il.iiilmiie I’Iiilip ( i.iiiIl .iiiiI pianixi (Iiiie II.|\II|I peiliiiiii \.iii;'Ii.in \\ iIIi.iiii\‘ well IxIIU\\II \illl}' \'_\t It' .lIIiI \t'lllll‘.‘\ HI .1 lIlIlllI‘t'l HI St'illlhll llllt'l\
I Composers’ Forum with the Scottish Music Centre l\’\ \\ll ). IHH Ix’eiilie“ Sheet. “3 505" | illliiii Iii'ix tiekeleil .\ loiiiiii iIixeiixxiny \UIIIL' ml the I\\llt'\ I.l\'|ll}' t'illllll0\i‘l\ hula}. \\ iIIi Ullllllltllllitlh limiii wine ml \mllaiiil'x pioiiiiiienl amine \mieex I’.iii “I \i .iili l’l\ \iiii'
I Electroacoustic Event RS \\ll ). lth Ix’eiilie“ Sheet. “I 505‘ ‘ illliiii Iiee. liekeleil \e\\ elei’limaemiixlie .lIItI iiiiiIliineiIi.i \\HII\\ lm iiieliiile lIie pieiiiieie ml I)i.iii.i Siiiipxiiii'x lml llmiilx .lIItI .Im II'\\It‘.\ /l'( I/l‘lli I'llll HI li (ll/'1 “1‘. \thl
Wednesday 4
Glasgow
I New Music for Sax Quartet
RS \\ll). I00 Ix’eiilie“ Street. “3 50V Ipiii I-iee. II\I\CIK'\I IiieliiiIiiiy neii \\t'llx liiiiii \'i\i.iii Il.iil_\ I.i}Ii~i. I \iiiimii \.lII iIei \\all and ,I.iiiie\ Illaek I’iiil ml Ii ml. Iii". \i’ll I
I Pelleas and Mélisande \e\\ \lllk‘llilt‘lllll I'Iie.ilie, RS \\ll). I00 Ix’enlieix Sheet. “I 505” “ |5iini LII it‘ll Ileltiixx} \ iiiil_\ emiiipleleil mpeia. llie Ix’.\'.\,\II)\ \eemnil mlleiiii; lll eeIelimtimii ml leii Manx ml II\ iiiexligimiix opera emiiixex. I\ one ml the Re} \\iilI\\ iii the Ill\li\l} ml the genie Illllh im I iIinIiiiiin I: .\ I-l \I.i} I Peter Maxwell Davies at 70!
RS \\ll). I00 Ix’enlie“ Street. “I 5055
“ illpiii I'iee. liekeleil .I.iiiie\ (Ili‘\\\lllllll emiiiliielx .i pertmnnanee ml \I.i\\\ell
I).i\ iex‘ \\iii’k im eeIeliiale Ill\ I\iiiIiiI.i}. iiieIiiiIing Ilii i/HK'Q/(I .ir \miii lliiiiri. I "(Hill of “JUN rim: lie/If .iiiiI Iii.‘.':\ It‘i'll Iii/irriiinii \ l’.ii't ml Ii iii/i iiri \.».~.’
Glasgow
I Meandres RS \\ll). littt lx’eiiiieit ~\'li'eel. ‘32 505‘ Ipin Iiee I)I.IIII\I\ \iem \IL‘ \ lIIlL‘l'\. I‘ll‘lld \IeI emtl. Siiin IIlllt‘IlllIM‘lI .ith I llltlxl} \Ie(‘.iiiii peitmiin Sllllt‘i‘ll 'Ieii IImIl'x lli iiizilri \ in the ICI.I\\'\I em ll'i‘lllllt‘lll ml the (lite ll.” I’.iii ml
Ii iii/inn \mii'
I California Dreamin’ - David and Daniel Rosenboom RS \\ll). lillt Rt‘llll't'“ .Street. ‘33 505" _‘ illpiii I-iee \
it ' my"".:h ‘fzt .::‘ ‘\".-, I-I\ \\II) :7 f l .132“ :hi.: I' 'l‘h I" \f' l ' " -"
I, I I, x‘
"\I‘i"'I II. I
I) I’ ' i I’t; ‘ I ii
I Academy Now! l<\ \\ll i. Emu Ix’ciilic'u. \iicuf 4W 505" 5 :‘Il‘lli Iiee Iii Igltul l.ti'IIi‘\(llit\\II1.iII.lIl\II’JlIII’IIIIW imiitliitl i: l‘t‘lIi'llllJIltC ml next III'il\It
Illt I'iiIiiia‘ (Ilia-r \\'.1II\"\ ( m lime. '-‘.llII iI.lIItt‘I\ limiii Ix’i'iiI l\\'ll ( mIIezie \Iimieiixiaiilii-il h‘. \Zi'th' \I\I \'.lII
I /IIIIIv',i"l,'"r
I Lunchtime Organ Recital \i mil» i'iiiii-iiiii. i<i~_~..ti \iiii-. ~12: I‘II‘III Iii-e \\illi mi:'.iiii\l \Iitli.ieI II.lIIl\
Friday 6
(‘ilgisgri‘xx I Academy Now! Masterclass I\’\ \\II ). I00 Ix’eiiliev. \lieel, {if I |.iiii I iee Iit Iteieil \ imiiiiimxeik \\i'llwlli'l‘ «Int-i ieiI It} the .l\.l\I\'II|_\ \ Iie.iiI ml tiillll‘i'\llli'll l imiiImii \Ii I’Iieiwn iii ‘.‘.Iiit Ii the hey. will /li /’riii fin/mm In \lllilt'lll \iillll‘il\t‘l I\.i} \Iiitlven/ie \‘.lII lie ieIie.ii\e«I It). the Ilt'l‘lltlt'\ I nxeiiilile Academy Now! Hebrides Ensemble l\’\ \\ll). [UH lx’eiiiiev. \lieei. ii,‘ 505" Il‘lll Iiee Iiekeleil IIie iiieiiiieie ml I\]i} \I.ii Ixt'lI/It"\ Ill /'Ii;i .'i'll.’l\ .l\ \\t‘II .l\ I\ Ii.i\’Ii.\ ( wiriri .iiiiI \iz'el ()xlwiiii'K piano liim. eiililIeiI Ilii I’m-um li’ll.’il \\illi ‘.'llll.ll|\l \lItIIt'\\ Ix’iiliinwii I Pelleas and Mélisande \exi \lIieii.ieiiiii IIie.ilie. I\’\ \\II). I00 Ix’eiitiev. \Iieei. ii: 505" “ I5|iiii L’I.‘ '1‘)i\t't'\\\'il l I Academy Now! Scottish Chamber Orchestra Adventurer Series |\’\ \\ll ). I00 I\’t'llllt‘\\ Sli't‘el. ‘ fl illiiiii t.I_‘ iL5i. (iieal
<05“
{y <15“ \l‘llll‘l‘\\'l emniIiieimi ()Ii\ei I\'iiii\\eii \\IIItIllt'l\ .i [\eilmiiiiaiiee ml Ix’expieIiIK li’m/i'ii i l/i Iii/mi ii. ml Illx rm ii lim/ii: ('miii ( rim. lIie iiieiiiieie ml \I.ieI\’.ie\ //llii I’ll i'lllr \ .lIItI \ll.l\ III\I\} .\ \i (ll! \ ili l)’ii'//il' \\ ilIi \IHIllIl\l I t'II‘l .Iiixelmuie/
I (Iiiiliuigh
Cappella Nova ( lli‘} Illill\ lx'iik (ilt‘\Ill.l|\ I’I.i\e. Nth 30]” L‘) I If ilh LN 50' I\)t'll.ll\\illl\'t' .iiiiI \Ietlie\.i| lllillt'l\ limni Stiiilanil .iiiiI I‘llliil‘t' .l\ \\eII .l\ tum lieu \\HII\\, lmii /\’i ririiim Ii_\ I’elei \Ie( i.iii .iiiiI .Im.iniie \Ieltnll \ /ii'I//i I Hi an H. I’elei \It'l i.ii'l’ \\III sue .iii iiilmiiii.iI l.lII\ .il " Illiiiii
Saturday 7
Glasgow
I Mo’s Company Sii.iiliel_\ile Siiiie. (II.I\_L'U\\ Ix’o}.i| ('miieeil Hall, 3.00pm,
\\ llII eeIIixl \Iiwii l .i\\i.iiiee .iniI iI;iiieei\ IliiIII IIIitllfJIlIUll Sl‘t't'lillhl I).lIIL\'l llll iii I'iIllll‘llljJIl. I\\i~\(‘minp.iii_\ eI.iiiiieli\l \IIIIIHI‘II \Iiki anil \liiIllII\I Ileeiui Semi! [‘t‘lli'llll .i l.iiniI_\ pimgiaiiiine llIt'IllkIllIfJ [In H. l/iriii' Ilih /i |\_\ I'iI\\.ii'iI \Ie( lane and lain/inn Ii} \Ii.iiin IliIIiiii I’eileel iiiiimiliieiinn tm ennieiiipmiai'} lllll\lt'
I Junior Academy Percussion Extravaganza RS \\ll). I00 RL‘IIIIC‘A \tieel. “I 505“ Villpiii I'iee IIt'IxClL'tI \ |i\eI_\ .iniI t‘II.tll\lII.lll\' eoiieeit than the .liiiiiiii \\"lltlt'lll} I’t‘lt‘ll\\lillll\l\
I Junior Academy Chamber Music Concert R5 \\ll). IHH lx’eiitiexx \ll'L‘L‘l. “I 505‘ hpiii I-iee Iiekeieil .\ emneei't le.iliiiin_~: giiiupx IIHIII iIie \\iiIe \.iiiel_\ ml eIi.iiiiI\ei iiiii\ie .ltlI\ lllt'\ IIL'ItI at the .lllllli‘l \\.iiIi'iii)
" llllmi
Edinburgh
I St Giles Lunchtime Concert Si (iilex' ('iiilieiIiaI. I\)i‘)\ll \IiIe_ :25 “~14: I_‘ I5i\iii I iee \\ iiIi .IllI‘IItllt' (‘Iimii. li‘miii \IIeiiiin. \\ieilen
I Scottish Chamber Orchestra Adventurer Series ()iieen'x Il‘III. (.It‘lk \llt‘t'l. “(‘5 :III" - III " Isl‘lll
L" 50 123045 {in See l ii ii
. l \IICI I \‘lIII.III Rt‘dtl.
__\ I I55 5 10pm Iilit' \\t l, I iIinl‘iiigli Ix’m_\.:I ('Iimitii’ l niuii izntl lllIkItIt'I\lI'\'I\I (‘Iimiai \meiel} imiii liiitex lmi ii i‘imeitiil l‘t'llillllmlltg' ml great IIIII\I\ timiii IIie I<Il\\l.:ll icpeitoiie. intIutIin; I\).itIIlII.ilIllIi'\ '\ \ IIi‘I.tI \_\ inplimii}. [in
In [A \I.iil}ii Iiiahl‘iih tuiiiliietx
I Edinburgh Symphony Orchestra (iie_\tii.ii\ Ix'iik (Ilt'}lll.tl\ I’I.ite. Nth Sill" iL~1i (ieiaiil Iltiliei’t} tmniIiith ii peiloiinaiiee ml (‘mplantl‘x Ii.r:'iili tut {iii ('mrrrririvr: Him. I .' \ifimi: Ili iii m and (jiiii .‘ ( .lIItI Ileiiisieink \\rii/H'imrzii lliirrii \ Ilitlll lli ~.' \ii."i \i'mrz I Scottish Chamber Orchestra (\)l|\‘k.ll.\ (It‘ll. \llt't'l. l‘(‘\ :III"
q illpiii \ee I II it
Sunday 8
Glasgow
Cappella Nova \l \iiilieu \ iii the \iiii.iie. \l \niIieu '\ \iiii.iie. 5~1.\ (i030 5‘ lllpm L” {If iUi 50 L.\ 50i See I“ I The Glasgow Lyric Choir RS \\II). I00 Ix’eiiiieu Sheet. 1‘3 505~ ‘ z0pm L l0 \‘iew Iliitli emiiiIiielx .i iieilmiiiianee ml I iii/i‘x (full I\ (rm/ii ll/’. .I\ IlaeIiK (‘ii'iifiirsii //\ () ./('\ll (ll/Ml. \Iiiiile\eiili\ If. iiiiix \ii and \ [\ilItII-\ (i/miiii. \\llll Hlf_'.illl\l (‘Iiiixtmiiliei \it'kml .iiiiI piiexi \UIHI\I\ .iiiiI xiiiiig enxeiiilile
" Winn 1"
Edinburgh
I St Giles at Six Si (iili-x' (Lillieiliyil. Ix’o}.i| \Iile. 335"-1~1_‘ lipiii. I'i'ee \\illi \ill‘lt'l l’iii\ei\ii.\
I Scottish Sintonia ( iie} Il'lill\ Klilx. (iie_\lii.ii\ I’Ime. Nix 30W, ". illpin L") "i \k‘ll \l‘lllllt‘ eoniIiielx a peilmiiimnee ml \\tllI\\ It} ILIdel. I‘glllil. I\’l‘tIII}.'tl .iniI Rexpielii \\illi giiilai‘ixt \lllIL‘ilII \/}iii;iii\ki
Kirkcaldy
I Edinburgh University Renaissance Singers \llt'lllt'l'liiill Ix'iik. It} Kiikealil}, "pin. I)Hll.lllilll\ ill iImmi'. I‘IL'\II li‘min lIieii~ Iiiglil} \iiei'i'\\liil imiii' ml .-\i'ineni;i. the ineinliei'x ml Izl 'RS \lllf.) it I‘ll elmxei‘ lo home in \\ext I‘ile‘x Ill\lHl'It' :\iieliiei‘imol Kirk. I’;iIe\ti'in;i. Ii} ill and I’iii'eeII are iiiiimng lIie CHIHINHL‘M \\Iime lllll\lt‘ \\ ill be eiiiiiliieieil It} \iieI U'Regiin.
Monday 9
G asgow
I Singing Competition RSAMI). llltl Reiili'eu Street. 3 ‘2 5057 2pm. I’i'ee. tiekeleil. ’I‘Iie (iil\L‘l'lIUl"\ I'L‘L'Illll I’i'i/e (‘minpeiilimn lmi Singing.
‘; L.
Edinburgh
I Nicola Benedetti ll.\l\'. 12‘) I‘ll I’i‘ineex Street. 235 "00K. 5.30pm. I'i'ee. ‘I'Iie 200.! Illl(' Young: \Iiixieian ol the teat \lleh empiex ml Iiei' neu ('I) and I‘L'I'Itll'llh the 8/} III;IIIU\\\I\I eoneei'to lIIltl \\Ull IIL‘I' ilie iiile.
Tuesday 10
Glasgow
I Pauline Dowse 8: Peter Argondizza Riiinxlimi'n 'I‘Iieati'e. US Iiigi‘aiii Street. 552 345‘). I.I5piii. U. \'i\;iIiIi. Seliiihei'i. lame and Sheridan play‘d on piano i|)im wt and guitar i;\i'§_'miiiIi//;ii.
Wednesday 1 1
Glasgow
I Scottish Chamber Orchestra Ro};il (‘mneei‘t Hall. 2 Saueliieliall Street. ‘53 301 )0, ".Fllpni. .lmepli S\\eii\eii emnellltle\ I1I\ tenure ;t\ L‘illiiIllelmi' HI lIIL' SH ). \\IIH. \\ ith the S('() (’Iimi‘iix and \HIIIL‘ \iiperh \HIHI\I\, are in line l'mi‘in lo gn e ;i lllL‘IIlHl‘ltl‘It' pei‘t‘mrinanee ol Iieellio\eii\ .llini; .Mi/i'niiiix.
Edinburgh
I The Coronation of Poppea/Pelleas et Melisande 'I‘i‘.i\ei'~e ’I‘Iieiitre. (Iiiiihriilge Street. :33 H04. '_I5pin. {I I i£-1.50 £(r.50i. .'\\
Bavarian Radio Symphony Orchestra Great chance to hear latvian conductor Mariss Jansons ipicturedl with his German band. As he himself says: ‘It is like being presented with a Rolls Royce to drive} They have everything needed to make a lantastic SOund, which Will be well to the fore in a solid Symphonic programme of Beethoven and Mahler. Royal Concert Hall, Glasgow, Fri 29 Apr.
Academy Now! Ama/ing range of contemporary and recent iiiiiSic by a mix of emerging and established composers spread across 1 1 events. One of the highlights among them is Hebrides Ensemble. who give a lunchtime premiere of the Winning composition in the Dinah Wolfe Prize. RSAMO, Glasgow, Fri (5 May.
Cappella Nova Escape Wllll the angels to a musical heaven inspired by vocal masterpieces from medieval and Renaissance times, which in turn have sparked off the imaginations of two contemporary composers on the themes of past glories and the constancy of love. Greyfriars, Edinburgh, Fri 6. May; St Andrews in the Square, Glasgow, Sun 8 May.
part ol the Opera (H Ill \t'lhtlll iii 2005. RSAXII) pei'loi'iiix lIlL'\t' tum \IllllllllIfJ pieces on alternate exeninex.
Thursday 12
Glasgow
I Chamber Music Recital RSAMI). I00 Reiili‘eu Street. ‘33 5057. 7.30pm. U) lL-l l. 'IaIL‘nleiI RSANII) students perloiin Iteaiiiiliil iniixie
Edinburgh
I The Coronation of Poppea/ Pelleas et Melisande 'l'riixerxe 'I‘Iieatre. (‘iiinhriilge Street. 328 I404. 7.l5pm. L‘ll H.450 £6.50i. See \\‘eil I l. I St Giles Lunchtime Organ Recital St Giles. Cathedral. R<i_\a| Mile. 325 9442. I.Illplll, I'ree. I’eter liaekliouxe [k‘l'lnrllh \\HI'IK‘. h) ('miiperiii. I‘ranek. I)iirulIe. Wider and I)upre.
I Scottish Chamber Orchestra l'xher IIaII. I.olhian Road. 238 I I55. 7.30pm. See Wed I I.
«’1 iii," ‘2 Ma. 2305 THE LIST 91