Mike Watt, El Hombre Trajead .mll Maxton Grainger \ll'fm 12 lung ('mml. Km: \llccl. “4 .‘ 3"“ ‘;‘r: 1‘ \g: \Mwl l \lll‘lhlll llmm l mlltcli pm: lllk .l\l\
I Aviator Shades, The Gems .zm Dresden l’mlllL :Nll 1:..ls \llccl llV" ‘lllfi ll‘l‘l‘l 3pm .1; \cll \l:.l;\l ’\.:Ill:\l,;:. mph!lml.lll:'1»ll.l lhmulm.
I The Hucksters, Brady Cole .llnl Chris Gorman Uncvn \l.ll;'.llcl l mmll. Ell mug-ml} (unit-n» ‘1‘) w"\1 \I‘lll llk'k' “MILK RAE“. \llH‘-‘.\.l\1'l'l llual lmmh
I Lexxi, Uncle Jesus .mll Conestone lllk' \lkllk'\. 3;; \lL‘}l\' \llg'cl. Rh; 1‘“; Hpm Ul \Ik'llllllk mlhv 1m l, .lllll .lll l~ul I None my Equal, Cat Yellow 8 Blue .uul Phantom Riffage \Iu'ln'le/y. L‘l \.lll\lllk'll.lll \Hscl. ‘4; Will“ ‘lpm L1 \lllllilh hm- up
I The Stands ll.” lllm. ll" mm \lm-l. <71 (lllhh ‘lpm U~ ll\\'l[‘llllll.lll \mmhm uhm l.ll| mull} Illlm lhc Il.llnl\\..lsmn \u‘m‘ \Klllkll 1m Imlvx lhc llllm ml the ( Il‘l.lll lhc /lllmll\ .lllll lhv l4.mlhl\. [K‘llnllllllli' mm' ml .l 'l 1w \ljghl \IJnll‘ ml \Hmllcl wme
I Maeve O’Boyle, Matt Johnson .lml James Elliot ( l‘lh'mvx I 1 [mm \Hn'l. .113 Vil Rpm llk't‘ (i|.l\§:m\l. \llljjk‘L\Hll;f\\lll\‘l\ Night
I Michael Doneda and Neil Davidson It‘ll.” Hum. -13 ()lmgm l..lll\'. ii" li‘l 5pm LT \lllllmw \.l\ll|‘lll'lll\l lmplmmw \‘.llll gmmllxl
I Glasvegas, The Attic Lights .mll the Chiles I llh \uu- (Lllc. RH NI l\m'.' \llu'l. 5*“ lhlh ‘lpm L4 lllll\'\ lm'thlll} \llllll\l\.Pllhllllllk'|.lll1'l|llL'lll‘lll \llllpnlh
I Crane Hull} lll|‘\l.lll\l. .‘lvll ( lulc Slim-l. lth‘ll ‘lllfl ll‘l‘l‘) .\|\n|
I EXIIe l\lll'\ lll.l\‘k\_ R() I )\\\.ll\l \llk‘k'l. 3-13 all M Npm L31In.ul\.lm'clt5mn \lumll (\‘lllt‘ lurk,
I The Free Candy Sessions lhv
l Iqmd Ship. lfil lfii (mull \M‘xlcm lx’m.ul. Hl l‘llll 5pm. l'lcc Sm 'lhu 35
Edinburgh
I Ray Lamontagne ()m-cn‘x llllll. (‘lnk Sllu‘l. (ms Jlll‘l "V illpm. L35”. [‘5' \cmmn ml lhumcn lx’lur
I Hobotalk (Illxu'cl \mllllllc. W) W llldll ~\VII’CCI. 32H (lljh. "pm. U» {h l)m\\lll\'.ll \mgcr/wng“I'llcl'x llmhmlulk luxl hack llmm Smulh h} Smulh \M'xl t'clcln'.lllnj_r lhc l'ClL'uM‘ HI lllt‘ll' llL‘\\ (il) \t’ll \ HII \IHIH I, I Cry Over Billionaires and Nevrosa Sulmu} (1m ggllc. (N (‘m\\;_',llc. 235 (FM) “hillpm. Uht' l’mxl Illt‘lllkllt' haul [wk hum ('( HI.
I Full Moon Music Club ll;lllllL'llll.lll.\. \nllh'} Stu-cl. 55h ‘54. 3pm. l-I'cc l'hlx mnnlhK wxxmn \th pcl'lmlnmnuw lrmm Rilxx \cllwn. \ml'm.m l..mlmnl uml lhc(},t‘m.uk ll )mu \mnl lm hunk ,l \lml lull l‘lll/ mn ll""hh VS "W.
I Out of the Bedroom \\;m~rl_\ Hm. 81 \lnl'} \ Sllt'cl. 550 5855. “pm Scc lhu 35 I The Dyad 'l‘hc |.cll Hunk. ‘" (iulhllc Sum. :35 ‘V-ll. ‘Hllpm 03le Su' lhu ‘8‘
Glasgow
I Blood Story, Antifaith .md Apathetic lhc (Illhmuxc. [5 l'mmn \llccl. 115' Ohm». “pm {5.()\c1»l‘1\ \hmx \lcllll lmuup
I Kevin McDermott Orchestra lhc (legc. Jllll Snut‘hlclmll Shawl. 3.“: I ll“ "pm. £13.50. lm‘ul lawm'llm \cl‘w up l'\l\‘l\'lil.l\\‘Ul'L'kl l'ik‘lx ,lllLl PUP.
I The Waifs 'l‘hc Muhcx. :53 \lm Iv Sll'ccl. 5M 1033. “pm. MESH, Blur gum .md .\mcnc.m.l ll‘mm \uxllxllmn \Ncl \lum \lclm and llunlm Slmpwn
I The Little Flames lhl‘ll}. 2le (lulu Slrccl. 08"“ “(V lN‘N Rpm. lucrpudhlln lmhc ruck qumlcl \th .u'c pm ml lhc \lmc Dcllawmc ~l.lhlc .l\ lhc (’mml.
I Simple Storm and Frightened Rabbit SICI'L'U. l4 KL‘l\ mhuugh Sll‘L‘L‘l. 5—0 Slllh‘. 8pm. £3.
I Dead Fly Buchowski, The Owsley Sunshine and Ampersand Km; 'l‘ul'x \Vuh \Vuh llul. Th 81 \mccnl Slrccl. Ill 53"". 8.30pm £5. llmxlmg Mum-punk ,mtl
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I The Endrick Brothers l: Paul Malcolm \u x l. "‘
\zm lllcll.:ll \Trqq'
\ll ulllzllzj. Z'mlr. " \ l\"\'lll‘\'«l:.
I Jack Daniels Band \Hzgmu I»
h“ "l \llllwllzlt' l'imm. l.‘ 4 Hill‘
\ *llpm ll,"
I Diesel Bone, Kessler .zrll: Shelby lilh \mll'l .:lc. ‘l' h" l\ll:,' \': “* Ill“ "pm Llltfil Ill.l:u 1mL '.::;‘
I My Shotgun Sister, Superunknown, The Beard 3:2,: Aeronaut l m_\ \lmlj. "h \l.:*~.'.-.cil \llu'l. Ifl h‘ll \ “mm 11 in Tanillm " \llll‘ \\cy'r.l'. \llm‘numu ml hqu lmhc \I'll\
I Greyhound Express ( .l.;;.\i l ll; ()l‘l}. l).ll\l\‘:» l\)l'.l\l lllll. i.“’ \ ‘lH‘
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I Entropy lxmm Ill,“ l» *h ( humid \llu‘l. I 1\ ll 11 \[ml 311:1..ll'..zlluwf\ HI] \llHlIl
I Frank O’Hagan lllt' \wlm. ll.” 11‘ \lmkuvll \llgx'l. *‘A‘ \l~\l "pm I \k'\' l ll 3"
I Simply Red Tribute llullllum \lln'l. lllx ( muzw \ul-cl. “f ml 11
"pm I In: t" «lllx'l llllml '1 l ‘ xxllh lhmm»
I ROOST \l,l\ \Hlll‘}\. 1.‘ l.llll.llt.l \lln‘l. .‘ l.\ \*\l "pm I In“ Rm l~ .lml
l‘lllxN \ HH‘I \
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I Martha Wainwright .lnll Jonathan Rice lhc l \\’ll.xn;'c. ** (ilmxc \lzccl‘ ll; llllll "pm L“ Rll \hlx'l ml lx’lllllx lmmlmll .lml |\'.m' lllll\l hc um plmml ml {hr l.llllll_\ \x'k‘ R l\)k'.l\\‘ll\ [\ljjx' \H
I Unnecessary Surgery, Metalek and Dirty Husband \lll‘\‘.,l\ ('mv. :xlltt h‘) (‘mugalu 33* “film i v ilk-lqu .\';\I11.-l.lllcl \ mph! ml f.‘ll|l.ll .mll clu'llmmt~ \’l.l/lllL'\\ llmm ln lmm. mnz'll', l‘lllllx\l Imcu'xmu \llljscl}
I The Schizophonics, 8 Lives Left and Ayurveda Illnnclnml‘x. \llllhl Sllccl. *5“ ‘3‘1 \ l‘pm Ll \llx‘lll.1ll‘-\' lik'h .lllll mlhc
I lnformers, CritiKilI .lml Chinese Burn \l‘lllk‘l '\ “x'l‘ ( Ix'lldl ll.ll. .:;\ \lillll\ull \lln'l. l“ il'il \ lllpm {l l‘lcm'h \lm [‘lllllu'h lhc lnlmlmclx ll\'.l\lllll\'
Glasgow
I Nine Black Alps .mll The Redwalls Km; lulk \\.lh \\.lh llul. STIJ \l \ mum Shawl. ISI 53—” \‘llpm LT \mum' \l.lm'um.m lmml \‘.lln ll.l\k' lzfnmlcll lhu melml llcmh ml lhcll mull \1l_\ m l.:\mm ml lhc glunggc llu‘h ml \nmm
I Martha Wainwright .lml Jonathan Rice ( il.l\f.'\\\‘. \lhmml ml \ll. Ill" lx’cnll’cu Sllm'l. 3‘ 1* ill L" “l lx’ulux‘x Illllc \l\lL'l \l.l//l\'\ m hm mun thl. Sec 5 lx’mxmnx [may Ml
I Michael Hurley and Aberfeldy lhc lull Hunk. V (imhllc Sllccl. If; ‘l"~1»l..\pm. LINES» \ pmnlcmpmnll} ml Hmh l)_\l.m. lhc mmmln lmlk ml \llt llm‘l llmlc} ll.1\ mllucmml lhc hkvx ml (Ill l’mxcl. \m l .1 Ivngn .lml. ml gmmxc. mm W!) mun \lwl'lclll}
I Fade .lml You Can’t Eat the Word Food lhc ll.lll IL”. IN» \\umll.lnll\ Rmul. ‘53 WW!) ‘lpm l-Icc
I Information Control and Cobra Grande \lt‘c‘anm/x. 12] \Jlltllh'llllll Sllccl. “3 “WM “pm,- t;
I Tuk, Kurt d’HaeseIeer ,lnll si- cut.db l 1lh \mlt‘ (fillc. 5“ MN |\m:' SHch 55‘ lb“ "pm llx \hml'lm \llM‘ mng ml min-Hmlel \l‘illl\l\. llll\ lllmnlh lmlmmg lhc lll\l cwl l k lmpmmnu' ml lit-lgllm melt'mn IllL (M (imlllmmc (i1.m\ .lml \ Illcm .1lll\l \lilltlk‘\k‘lt\‘l.
I Fred and Lisa Reynolds llmn 'l‘hmll'c. (‘1 llllllglllt‘. 552-137 LN \n \gmuxllt~ \lllm \hmu will lmml lmhc lxmd l'l'ctl,
I The Decent Souls H4111}. 2N1 (il}\l'\' Silk‘k‘l. “5—” “Ir “(ll)” \l‘lll L»;
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