3:‘ Candi Staton chtrc‘u. l cit}. (’ljuiv I’lacc. lllli‘lS It): <ll ~pni L l < Siiul trill (limit ill‘».t \lIH‘.‘.\ .ill llll'w' l..:l.lt'l.k' Illit'clw hiiv. ‘tiiunj: llc.ill\ Run l in" \lll'lllll lw \un: \nl. l’t'Juul. l).l\ l’iiif ii if LCD Soundsystem ll.llll'.‘-.l_\, 2< \llu'i'l l’llH'. US 1< “it “ill —l‘llt L 13 Su' pictrcu page "H lt'l Ilu'xc li_\pci hip Nun Yiirl. ptiiiliiu'rx lu-hnul .ill lllt'\k' prom} punl. lunl. lL‘UIltlS that the ()ptiniii ltl‘-L' In lliriiv. \li.ipt'\ Iii \\ itli \uppiiil tiiiin lliit (hip and l\‘.iI. ii A \thlxcx Ill/I u! III/mi /i
if Jerry Dammers’ Library of Sound 'lranma}. 3* \llu'il l)ll\t'. li.\4< Hit lSill. ani licc liiunilci incinth iii the \[tt'k|.ll\. .lt'ir} l);lllllllk‘l\ llllt'\ up \iilli l).l\ lukc \ilicil. ,liinn} liunk .llltl .liin lltc I’m! u! III/mi Ii
111 Arab Strap .Illtl Mugison Iii-ii 'lht'atit'. (it 'liirnualc. “I 43” “pin Llll, 5LT ll! 3"
I The Plot to Blow Up the Eiffel Tower and Mesa Verde \uc‘n'Sltui/y till Sauclnchall Slict'l. Hilttllili ‘lpin Ui \llll‘t’tl up ll.lltl\'Hlk' punk \xilli iinxlapc curry} lcu'lx i'ijglil tip lllt'lk' “MI :\I the l)ll\L‘ In and llliiiiil lliiitlicix
3:? Afuken and Brooks 'lhc liquiil liiungc. 94 “mt Rcucnl Slit-cl. 5* hill lltpin. ljlll \liiiilical l‘JSt'tl inu'rii hiiuw lmttin \\llH ll.l\ lt'll||\k'tl \l;l\\l\t‘ .'\iiiiltl\ and (liliarcl \iiltanc Plt'St'lllS \HlllL' Hl lll\1l\\ll Ct'lL't'llt' t'lL'cllUlllud. \uppiiiIt-il h} Icchnii pin up \lltllt'“ llriiiikx l’lux l).l\ (il.llllll l’ala/m antl l)ann_\ Shaikc}. l’iirl u/ Ii'i/irii It
I Dionysus, Syth, Psyko Dalek aiitl Argonath ltarll}. Joli ( lull- Sticct. limit (MI? (MN. llpin. Ilu~ l’unk 'liap night til. \u‘ll. punk in aul iil (‘hilillinc Sciillantl \Hlll puli t|lll/. rattle and a live (I) lni‘ lllL' lust lllll pciiplc through the (iUHl'.
TIT ESG 'lhc Suh (hilt. 33 Jamaica Sli'ccl. 343 4(itlll. llpin. L'll IL lllt. l:\pm llttllltltf: lcxx Iliaii ()ptiinii ll}\l\'l'lll liii' llIlS .\'c\\ Yiu'k l‘IISCIl cnxcnihlc nt IlllllllS anil ilaugglitcix \\llii practicall} inwnlcil punk lunk hack in Ihc call} Kits and \llll \iiunil icinai'kahl} ll'k'Sll. l’ui/ iil Iii/mt /i.
I The Led Zeppelin Story lllL‘ ('alliiiuxc. l5 l'niiin Slim-I. 34S (ilillli.
7. illplll. (7.5”. ()u‘l' l~l\ \lttm. l'itl lllltSL‘ who aren‘t illtl lllSSK'tl .ilmut licaiin}: the Meat lual Stiii'} lHllllell.
I The Meat Loaf Story l\’ii}.tl (‘iincci'l Hall. 3 Saucliicliall Sli‘ccl. ‘5‘ Still”. ".Kllpin. [l5 Urdu. .\ i'tick'n'iiillci‘ maxtcr i'ulc celebrating llic lllt‘ iil \lcat liial' l'catui‘in‘i: llll\ li'iiin Inx llltllll-Illllllttll \cllinj: illl‘llllh such ax ‘Hat iiul Ul Hull and ‘I Would |)ii .\n_\Ilun3_' l'ltl link".
I The Best Blues Brothers Show in the World - Ever l’ax llli‘ll lllL'allC. Ill Renticltl Street. :1: l\~1li ’ :l: “I liltiw liiiillictx Ililiulc I Cold Night Song lllt' ( iiiaz. lZS" \rstlc Sliccl. 1‘" q l“ Spin l iqc (hath.- .llltl \L'll liiiiiicil} nil \\lll\l arc lt‘lllk'kl h}. lcnn} Rut-w .llltl \l.lt'\'_\ \IL'\L"-‘»ll‘_'lll iil lhc Rcintlci'r Suliiin lt-r a ncv. atmuxln llllell 'J-llll \llll‘llx‘ gut-\lx
I The Mitford Girls Sim-u. i 1 KL'l‘~lllll.lll'_'ll Sticcl. Vli <tllS Spin L;
I Morning Runner, The Jackson Analogue .Illtl Waytooblue Kiri: lutk \\.ili \\.ih llul. I‘Li SI \ uncut Sliccl. III ‘3") S illpni 1* l\’k'.ttllllf_’ hast-ll Iiuaitcl "-‘-llll.llxlllSllll‘ll‘(.tllill‘l.1}.RJtllI‘llk'dtl. \thlt'lc .llltl tlic likc
‘ ltlpiii
Edinburgh
Laptop Jam ( aliart'l \i‘llallt'. ll» 1\ Blair Slit-cl. 33H lilqli ipin licc l’ait «it llu' Ill/ll'ii /i \icckcntl. lll|\ I\ an iipcii linuw \"~k'lll tiii .lll_\|'llL' \‘-lli* niakcx mum on then laptnp lliin: it along. power up and iiiin in thy rain I Dark City Goth Festival 2005 lcxiiil Rim l Illi'll. lli'ixln Square. (fill to": 4pm z.iin ill :2“ pct il.i_\
i\\ L'k'lxk'lltl llt‘lxt‘l it‘ll Scc l ll 3‘)
Cat Power .llltl Entrance l'lic I ltlllltl lx’imin. ‘K \ utniia Sticcl. 33* 35M. “pm i l: SCL' Sal ;H
The Television Personalities, Maher Shalal Hash Baz, Juana Molina, Alasdair Roberts .lllil Lucky
LUKE SI lilltlt"\ ('L‘ltllt‘. lll ( )I\\ Cll lt‘l‘lJu'.
ill» HHS, "pin. LI-l Scc Sat ill.
I Mayhem .Sllltllii It. 24 2t» ('altiiii Road. 555 V55 3 llpnt. LS. \ll ila} wwiin iil rock. metal. grungc. punk. ska and liai'ilciuc \\ uh I” lianilx aci‘iixx tun
lltNIIS. llllelllleHS lllL'llltlL' .\lan ml the Hour.
(‘iinqtu'xl iil Slccl. l’anu‘ ('cll. llatlaliiin iit l-lu-x. lilacklnntli. .\li /.. l’ununcl. l’l'ltlil} \llell (iunlight. l)tllllL'\ll\' l)l\t'l[‘llllL‘ and the l)l;llll l.i/aiil Klltg\.
I Shrinking Violet, Spindrift .llltl Alfonso liannciinan‘x. \ultli} Strcct. 550 i354. .\ 45pm. L4 llu‘cupict'c incliitlu' inckcix Shrinking: Vitich lake the licaillinc \liil.
I Hobo 'l'lu‘ lliingii ('luh. \liri‘a} lllllISL'. i" lliilti'iriiil Riiatl. 55S "hill. lllpin iain. l'iu' lwliii'c L'l ll‘lll'. U .lllL‘l. 'l.i\c nuixu‘ and altci‘natiw Ilixcii tiii' IllSllllL‘tl \inncrx'. I David Allison llIL' l.clt Bank. 3" (itllltl'lc Sllt‘t‘l. will {-1 It‘ll. Singcnwngu titer and actiuxtic guitarixt C\ll‘;lHI'tlIll;IlIL'.
Fa kirk
I Big in Falkirk ('allcntlai‘ l’at'k & \ai‘iiiux. ltl 324 SUVW. \iiiin Ilpin. l’t'u‘cx \at}. Scc Sal ill.
f ;_' She‘s got an album called Rock’n’Ro/I Pony, and if that‘s not enough to suggest this is a country
T --
singer with an understanding of the danger of cliches, then listening to her album might persuade you. More Springsteen and Stones than Tammy or Dolly, if Villalobos keeps this up Cheryl Crow may have a challenger to her crossover crown in a few years‘ time.
L! Calm/e: lat/farm. E.:.<'?hu'a' 3.x
80 THE LIST [:4 AI" ’35:.
\. clef} , ldlewild, Sons & Daughters aria Foxface llalfi‘“ lantl. :44 ( iallim gate. 3 llilll _ lllpni Sill DUI I \iiui lllllkl l.i‘.-‘Illll.'\.iill1\lll‘alttll‘la} incllim Ir.i.k\ ili‘llt Ihcu l.1l\'\l.tll‘llllllli.llf.":;'\l’Ii"’Ii'\r\ mlh \uppim Irwin Ilu' ll.tllll\. gultuial Sum A ltauglitcix .IS the} [‘lk'l‘dlt' lit unleash Ilicn lirxl lull lunglh .illuini [in A'l‘,"il.l\."i'l.' li’iii l’lux .i jgcnll-c .iiunli} lllllLKlL'kl \cl lli'lll it‘\l.l\k' I Elvis: The Concert SI (1‘. l llllllt'Slt‘ll ()iidv ii\"iiii.;ii lllltlt \pm 1:“ 11: 1h,- tlcal l\ llll\ l lxix'x l‘l\l hanIl ixtlnlc lllllthllll ll.l\\.lll.lll tuniciu [‘L'lli‘il' I‘l.i_\ liic \\hilc llic niin lixnig; lcgcntl \li.ikc~ lll\ than}; on .i in; ‘. ltlt't‘ win-n lit-.iiiiin; \lt‘\\ll liiirtagc iil llimc call} ~ltx mum-m l’lctl) tl.llllll lllll‘lL‘SSIM‘ tut a mall “hit lt.i\ lull llic lunltling I Maximo Park, The Blood Arm .llltl Kubickeck Kin); lut's \\.tll \\.ih lltit. ITa St \Iltu'nl Stii'cl. Ill ‘3‘” S illpni L" Scc prmu‘u page “3 tin Ihi\ \i'\\t'.i\lli' tiw-pu'cc \l.i\nnn l’alk Icailing thc piixt l'l.lll/ tlclugc \xitli lhcu ctlg} llltllL‘ pup luncs .llltl llaiiiltinanl lliinlnian \\ itli \tippiiit liiiin l-ian/x l.i\iiuiitc ncu l..\ IIHISL‘lllh\ Ilic liliiml \tni I Joe Viterbo, Vanity Project .llltl Way of the Exploding Fist I ‘ili \iiic (Litc. 5“ (ill King Sticct. 5‘1 lliiS ‘lpni L" \ ilci‘liii‘x inuxu' llllIIPS liiiin ruck. \ka. punk and |.l// ll' wul. I Still Rockin’ SI .\lltllL'\\ '\ in the Square. SI .\Iulic\\ \ Siluai'c. 54S (iltlll “put. ("5” i U I, (illx Siiuthxiilc I‘iickcl‘x. \llll kccping it real liiui Ilccatlm on I Exist aiiil Yashin llai'll}. Jriti (lulu Sti‘i'ct. “VII UH" ININ. .Spin. £4 lzniu hill.
Edinburgh
I Carnal Forge and Stand Aside Sulma} ('imgauz (it) ('imgalc. 325 (Clio "pin. LS. llai'tlmi'c night.
I 13th Arrow, The Pheromones antl Sweetheart Haiuici'inan‘x. \ultlr'} Slim-I. 55h 3354. S‘45pni. {4. Intlic and rock \lltl\\\'ll\t‘.
Tuesday 3
Glasgow
I Rod Stewart Sl'.(‘('. l‘llllllL‘SlUll ()ua}. USN) Il-ltl 4lllltl. Spin. L40 UH, Scc Sun I. I Michael Hurley and James Yorkston l.atu‘ic\ Bar. 34 King: Street. 304 5|5l. Spin. (It). llui'lct‘x t'n‘xt album [In] Sir/rut \\.t\ released in l‘)(i4 iin Ilu‘ lcgcnilai'} l~'iilk\\;i}\ label. and \itlItL' \a} lic‘x Ihc laxt iii the r‘ainhling l'iilk troubadour» llc'x tinncil h) the .-\IlichL-\' .lanuw Yiii'kxttin in a rare \Illt‘ [k‘l'llll'llllllltt‘ at the lath l-allcn Angels ('luh night.
I Spooky and The Assrockets Sicrcu. l4 Kclxinhaugh Street. 5% SIMS. «Spin. thc. .\ll-g_'ir‘| .lapancxc hand \uppiii‘lcil h} a lh'tgltltin-ltawtl ittlllll.
I The Tall Boy 'l'chai (h na. 43 ()Iago lane. 35" 4524. Split. £3. Suinptuiith \ttltg\\l‘lllllf_‘.
I Electroacoustic Event RSAMI). lltl) chli‘cu Street. 333 5057. 7.30pm. l‘l‘Ct‘. llL‘lkL‘lL'tl. NC“ L'lt‘t‘ll'tHIUIUSIK and niultinicilia \wrkx to include the premiere iil |)iana Siinpwn'x /.u\l Him/i and .lU il_\tlL"\ /4H'II'1I[N. l’;tl'lttl.lir1r/r'lll\ Nun. I Nerina Pallot King 'l‘uI‘x \Vah \Vah llul. 3"3a St Vincent Street. 331 527‘). .S’..‘~lipin. £5. l.aur'a .-\\lilc} -lliiat} \iingxlr‘cxx. lllllL’lt lawurcil h} Radio 2. I The Fucking Champs, The Feather anil Titus Gein \u‘c‘n'Slcal}. 42l Sauchicliall Street. 333 (WIN). ‘lpllt. £7. llcaxt metal the \xa} it \llllllltl he rocked lr'nni llll\ cwniplar‘} l‘illltl.
I Mr Viking Records launch Bar Bloc. l I" Bath Street. 5'74 (ill(i(i. 9pm. l‘i‘cc. .-\ ncu (ilil\:_'ll\\ lahcl launch their \Hll‘LN \xilh liw inuuc and UL.
I Without Malice, Angry Allotment Lovers and Brendan Campbell l3th \ttlc (all-L". 5” (\ll King Street. 553 With. ‘ipni. £3. local \ingcr/wnguritcrx.
I Forgotten Sunday, Civilised, 2 Thirds of Youth and Fly The (‘atliiitixu 15 l'niiin Street. :43 (intro.
REASONS TO GO SEE
1 Music is in the blood It anyone was ever destined to write songs. it's Martha. YOunger Sister to Rufus and the daughter of Loudon Wainwright Ill and Canadian folk Singer Kate McGarrigle. \«N’ainwright's childhood was steeped in folk. cOuntry and the best Singer songwriters around.
2 They fuck you up, your mum and dad You can choose your friends. but you can't choose your family. Wainwright's parents had a meSSy split when she was y0ung. and kept writing songs about each other. and about the kids. Wainwright's eponymous debut album is full of ripostes. snarling and vitriolic little nuggets of totky pop genius.
3 She’s a sweary Mary See above — the stand-out track on the aforementioned album is the wonderful, heartbreakingly overblown 'Bloody Motherfucking Asshole'. a song she wrote for her lather. Christmas and Thanksgiving must be a hoot round the Wainwrights. eh?
4 What a voice Like a very angry Kate Bush, or BjOrk with a pole up her ass. Wainwright Sings like a woman possessed. yet has the subtlety and depth of range to pull off just about anything she tries vocally.
5 She’s a Scot at heart OK. she's not. but she does a great version of the Robert L0uis Stevenson poern 'Whither Must I Wander' to a tune written by Vaughan Williams. I
Doug Johnstone)
The Exchange, Edinburgh, Fri 6 May; School ofArl, Glasgow. Sat 7 May
T..‘\l)piii. L4 in arhancc 195 on iliiiiri. Local hand \him case.
I Entropy llal'll}. Zlill (lulu Strcct. 0370 no“ (NW). .S'pm.
I The Kiteflying Club 'l'chai ()xna. lli‘) lh‘ultxlnlt l)r'i\c. UN] 04‘) 7358. Spin. £2. Inipr'mixatinn \Hlll rncnihcrx iil illL' (illtxgim llltprtn Ixcl'x‘ ()I'L‘llcxll'll. I Freeview and Latonic 'l'iini 'l‘iiiii. 307 Bath Street. 243 2133. 0pm. l'lL'L'. l‘ull Ihi‘iittlc melodic indu- rocking.
Edinburgh
I ldlewild, Sons & Daughters and Foxface l'xlicr Hall. l.iilluan Rlliltl. 328 ll55. Tiltprn. US. See Mon 2.
I DJ Format and Little Barrie The Venue. l7 3| (‘altiin Road. 557 307i. 7.3llpin. £3.50. ()ltl SL'lllNll tunk} cut- itlltl-[XISIL‘ hip hop techniques triini l‘ttrlllitl planing Inc uith 'l'ririintii Sl(' Abdominal.
I Timeless (hurch llill 'I'licatrc. 33a Morningxulc Road. 220 3234. 7.3Hprn. £8.50 iUi. ('rinccrt «it L‘lilSSlL' ('iiuntr} Inclmltu and SUIlgS.
I Merznacht 'l'hc l.cli Bank. 37 (iuthric Street. 325 9744. 9pm. ()utcr lirnit hip hop. allcrnattw ja/I and clcclrii.