Visual Art
Reviews ' am... by
Andy Hewitt and Mel Jordan
RAUL COLDWELL Edinburgh Pnntmakers. Until Sat 21 May 000
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. .. "Ml <l/‘,»l«‘l . . . . .. 1 ’ ' 1 "l H" "‘ ir""l":1"-i'-"~ ~"d" M \ and capitalist pig-dogs alike. Critical Art Ensemble
v I ' :z t CCA’ Glasgow, Um” Sat 14 May .... aren't short on wit, either, but their projects carry more ' mm a r :' I i f'w- :eai xitw. weight, as the recent FBI harassment of member Steve ~ .~ -r z'.:.'.'\ 2 t f. : " htmrw A show at CCA engaging with political and socially Kurtz shows — the case is examined here alongside
i l :w : ,«. .» I ‘ Air“ 1r)" t'w aware art was always going to be interesting, if not ‘Free Range Grain‘, which explores GM food in the EU.
‘«=31 i «WWW My rwr'w outright problematic. The very building steers visitors And still in the main gallery, radical freesheet Variant is a : !.:‘. ' m . a. tum towards the gift shop, and sites the cafe in a daylight- showcased while the RlSK mobile cinema screens : 'I -‘ -. w» rt wu'xis flooded atrium while tucking the main gallery behind short films on everything from software patents to
" f-I ,2 w: 'o the some unprepossessing swing doors; more Temple of conspiracy theory. Josh On‘s website ‘They Rule’ ; I ~ \ 4:. .1": l a; J:<T¢i"li'f§ Mammon than hotbed of radicalism. First impressions interactively maps corporate collusion. : . .' am l‘~'. m: vii}: "m: .>.t:v confirm suspicions. On my visit, prompted by a text The hardcore are upstairs: Maris pose with their : :'* : = : l iv “ruiatitr w .: tr..l. flagging the ‘gallery as a public and social space for AK47s, with the killing machine itself is on display, next ' ' I x r . In engaging with creative ideas‘, | engage by taking to Gregory Green’s working, but non-explosive, pipe photographs, only to be asked nicely to provide my bomb sculpture. Add to this a wide-ranging programme name, address and telephone number. Fair enough, but of film screenings, a vast website, artists' talks and here, in the midst of calls to direct action, anti- texts, and RISK provides a fascinating repository of corporate dialectics and suchlike, it’s hard not to have contemporary art-politics, and, thanks to the wonderful an attack of cognitive dissonance. Thankfully, the work Self-Regulating Poster Wall, a platform for your own on show at RISK comes to the rescue (if ‘work’ is the contribution to the debate. One thing sticks in the craw, right word; much here is documentation or polemic). though — there is playful protest here, and firebrand
First come the Clandestine Insurgent Rebel Clown condemnation, but no offer of an alternative economo- Army with their table map centring on Gleneagles politics. RISK tells us that the world is a bad, bad place, Hotel, site of the GB Summit. At once daft and deadly but forgets to suggest ways in which we might make it serious, CIRCA pokes the eye of po-faced protesters good. (Jack Mottram)
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104 THE LIST ' ‘.'.‘:.