I Steve Kettley’s Odd Times llL'lll} \ Li/x (Vt-Hui, \ \lillll\lill\llz’1'l.>;(i— 53"”
“ ‘llpni t“ l.:// l‘.1\'\'llPk‘lll’llllJlltk' lkllll \lllillL' unwilil .lllll l lilciil.:l llllllli'lltL'il lllllk'\ h}. llll\ \.l‘\ii[‘l1iilll\lll.illll\l,Li'lllpiNM '(ulllll lilihl ()lk llt'\llll. \llxl (Ikllll\ill .lllil lll\ lmnil
I BOQSt House Band Mi (Jim-ii \llt'cl H.” .lllil leuumnl. \ll (JUK'L'H \llt'k'l‘ :3“ 5W)" ‘lpiii llk'k‘ \ltulL‘lll i.i// tlmxitx ‘Mlh .i lllllt'lk'lll lint pinc hnc up L'ilkll knock
G asgow
I Kenny Paterson Trio \li-uli.iiii\ (Mini-i. lh liihu Sui-cl. 55: Nil 5 Mill] lin- \ llt'V- lillt’lll on lhc \Ulllhll i.i//
\u'iic l’.iiciwii I‘ll‘\l\lk'\ \llliiillll wul .inil
\\‘.|llj_' \Hkill\
I Big Blues Jam \luihu llllk'. (iimwunr li-imuy Vll (i5lh " illpiii l’icc Hmlul h} tho \i-\\ Hhiux \llllk'h uilh \Hllllll‘lllll'lh llillll ~\luihn ( )nc it'fguluix \uih .l\ Rm Hm illltl lllt' \ininiii lillilllt'H I Alex Yellowlees’ Hot Club 'l I'Hll
'I lik'nllk'. (ii ll”ll“._'.llt'. 553 4%“ Spin
2_.‘\ 5” l L" 5Hi \ It‘llllhl ,\lt'\ \L'llii\\lt‘k'\ .iiiil l‘illlll \L'l\k' up \u in}: in lhc cluxxu‘ RL'llllldlill (imppi'lli \l_\|c
Hlinl’nirgh
I Melomania lu linnnc Vic. 4‘) 5l ('.iii\i'u;i_\\iilc. l Jilin .\ lllllt' ill// in llt'll‘ )nii iliggcxl llHlll llll\ dun playing \iuiiiLuilx Hlil illlll llL'\\
I Jazz@Lunch Hll ()ui-i-ii Sim-i Bur .lllkl Ri'xluurgiui. NU ()uccn Slit-cl. 23!» 50‘)"
3 5pm l'ru'. Stu Slit In
I RBLS Big Band chr} \ .l;i// ('cllar. .\ \liiriixiiii Slrccl. ~1er 52llll. N5llplll. Ur. 'I'hi' IH pica" RIMS rclurn iii rcniinil us him min; \hiiulil hc (ll‘llt‘ \\llll lllll\lL' lroiii ut'rim lhc i'iiuii‘ i;i// hi3: hand hook, I Bill Kyle’s Electric Fire lllllllilll lic- ln, _‘ h \chl (‘l(i\\\‘;lll\L'\\;l_\_ (ill: hh’hll ‘lpni. l'uiik} l‘ilt'hl‘t'ill i;i// lrnin llil\ miil ilimru'l lcil h} nu- \ll'llllllllL‘l' Bill K}lt‘ and lculuring .‘\lll luu on guitar.
I NexusS 'l'hc It'll Bank. 3" (iiiihru' Slru'l. 335 “7-H. ‘lpiu. l‘rcc. ‘I‘riii t'iiiiiprixiug licii MacDonald iguuuri. Kcnn (iluxgim ihgixxi and ('hrix \\';ill;icc Hll'lllll\l “ho. Ill lhcrr imn \iiirilx. ilclncr ‘;i iiu\lurc nl \iriunxit' hiin UL‘lilllt‘ ll|\lllll. and luuk} and \\\lllj_'lll}l i;i// nunihcrx' alongxulc ihcu' nun original lllillL‘l'lilll
Paisley I Melomania wak lil';l\\L‘l'lL‘. 28 32 Mom Slim-l. (fill 0pm. Scc Sun 1".
Monday 18
Glasgow
I The Scottish Composers’ Jazz Ensemble 'l‘rnn 'l‘hculrc. (i3 'l'rnnggilc. 553 4:“... 8I‘ll]. l'il'L'C. Slt‘\\;ll'l l'illl'l‘tN lL‘ilkl\ lllL‘ Smilixh ('nuipmcrx‘ .|;i// lurixcmhlc through ;i llll\ll|l'L' nl original and \xcll- know u nuinhcrx.
Edinburgh
I Raul Malo ()uccn'x lliill. ('Icrk Slrccl. («‘8 DUI”. ".Sllpiu. £175”. ('rimuig t‘ullurm and blurring iuuxicul houndricx .\l;iln hlcnilx munlr}. l..iun. |;i// and rnck'n'rnlli
I Jam Session fill ()uccn Slrccl Bar and Rt‘\l;llllkllll. .\‘ll Quccn Slrccl. 320 5W)". ‘lpiu umlnighi. l5rcc. ()pcn wwoii \\llh ihc l);l\l\l l’.ilricl\ 'l'riii aunt and phi) or come In llt'dl' .i “holc loud nl' ncu iulcul
I New Bands Night \cki.ir. 253
(km gale. 55" 21W. ‘lpm iniilnighl. l’rcc \th night will tllllL‘lClll ixinilx ~liumuixinil Ihcrr _i;i// hilt'iiix cuch \wck
Tuesday 19
Glasgow I Tony Bennett Rii}.il (‘onccri ll.ill. 2 Suuchichull Slrccl. 353 Sllllll. Spin, £2750 £30, (mo of lhc higng illltl hcxi- Imcil \ingcrx pcrl‘nrmx lill\ ~uch .1\ lil\ \ignulurc. ‘l lcl’l ill} hair! in Sun l-‘runcixco'.
Mr McFall’s Chamber 'I‘hc Art-ho. 353 .-\rg_\lc Succi. 505 Ml}. Spur {Ill i£5 l. 'l'hc llir-nui cnuu‘iiipnrar) nrcholru
puxhlmtl. llll'l't'l‘\"llll\l.:fi;‘\.1\731C: plt'xcnl .: pn'n‘iicic [\k'ill‘lllldllxt. w? Kcnnclhk Ill-iiipxlci K \zi /( i ' I)’
I Satoko Fujii and Natsuki Tamura ( '(‘ \. “ll \iuthlt'hull \iiqct. ‘5: WM“ \pni D it!“ l’l.llll\l Juli tilllll‘iiw‘l luiii hm hccn llJllt'll .l\ i-zpc ii? lllL‘lllii\lHll‘_'lll.ll‘-Hlt1'\lll|.://.ill\lll;' clurncnIx «ll l.l[‘.lllt'\\' liilln lllll\l\ '.‘~llll tonlt'nipumi} i.i// \hox [‘t'lli‘lllllll‘; lk'lc \‘-llll huxlmnil l.lllllll.l1'llllllllll‘k'l .:\ ule .l\ llkill niuxitmnx li‘lll li.1ll\li'll. \L'll l).i\ lll\l‘ll .inil l\,il'\llllllltl \liitlhinlilil \cc Pit-xiv“
Edinburgh
I Bill Kyle’s Sh“ Hot Jazz Quartet \ckl.il. :5 ‘ (Ought: 555 I‘Ml ‘lpiii niiilnijghl llt'k' l p l‘k'Jl pinup liniluiinj: Hill k} lk' Iihiiinw. Hun}: Allllliltl} i\.i\c\i. l’.iul Kirh} ll‘lJlll‘l .llltl KLWH) (ll.l\:_'(l\\ ll\.i\\i
Wednesday 20
Edinburgh
Mr McFall’s Chamber lllk' Bongo ('luh. \liir.i} lluuw. V Hn|_\imiil l\)|‘.l\l. 55X ~hill hpni LhiL5i Sn" luv 1" I Fat Sam‘s Band Hum} \ .l.i// (‘i'll.ii. N \liii‘i'ixiin Slit-cl. ~10” 53H” .\ zllpni L5 lnc lappiin luncx. vim-ring iuinp inc In \\\lllf_'. .inil |.l// grailx llHlll (ilg'll \llllk'l lo l'ill\ |)uniinii llUlll llll\ lllllL‘ pu't'c h.inil lt‘tl h} llilllll\ll \ld iii'gni I Chaos Theory \ckmi. 5 % (impure. 55“ 25M), ‘lplll. l'icc. ()rigiiml lunk} l pit-cc I‘lil}lllf_' hu- inipimm-il |.l// .lllll \l;iiid;ii'd\. I The Arabian Mustache lulu. Ill .l;ini;iu';i Slrn'l. ~17» 5 i i i. lllpiii. 1 im- l‘nur I‘IL'CC pl;i_\iii;_' l’;iri\i;in \l_\ lc i.i//.
Thursday 21
Glasgow
I Harriet Glover llh‘ (limi. 138" .'\lf._')lt' Sliu‘l. N lllpnr l-rcc. \cuuinici in lhc (iluxgim \Hll:_'\\ riling: \t‘cnc curi‘cnll} protruding; lrnni lhc prowl thank to hcr \ilM. Holulu§ t'\klllk' \iit‘ulx. and original t‘nnipiixilinnx.
Edinburgh
I Scottish Guitar Quartet ()uccn'x Hull. (‘Icrk Siri‘cl. («is Illl‘). Spin.
{'3 l-l. SL‘L' lllll l—l.
I Graeme Stephen Trio llcnr} \ _l;i// (It‘lllll'. N \liil‘l‘lvill Sll't‘t'l. ~10" 52‘)“. 8.30pm. U). liiicrgixcd and inwnliw lrcml) lc guitar phi} in}; \\ ilh original conipmilionx. lculuring: ih‘uinincr Siuuri Ritchie.
I Freddie King Quartet \g-.x;:, j“
( 55— ‘5‘" "1": “ l?“ \x' in 1: I The Dyad ll: 1 Hunk 1" («1312: \il\‘\" ‘75 ‘lw'l ‘l “'1‘2: C: Warn \‘q lhii il
I Fat Sam's Band llii'mlcr‘. l’iiil‘ (snug. Hmuicifi l'l5l'h lil'iil :l‘f‘; :5 '1; \‘c \\;\l I"
l iiiii all"
Yuri Honing Trio lluzii; \ Ill/x lull.” \ \lnliiwn \liucl, UV 5.7”" \ illiini L" \ lll\li'll ii? ililluicnl lllll\l\l'.l \l} lo lli‘lll lhi' \uii lliilllll‘.‘ llli‘ lc.:liilili:' \huninicl .liniw l lll‘.l.lll. Inn} llxcix‘..ilci on .iuiuxlu l‘.:\\ linil \uii Hwiiiii: i‘ll \.i\ii}\hiini‘ I Lynne O'Neill and her Duo \ll ()uccn \liccl |i.ii .inil lx’c\l.iili.iiil. \ll (Jun-n \liccl. .73! 5W" ‘ll‘lll llk'x' (il.i\§gi~\\ lxm-il ‘-i‘t.lll\l lli'lll\ llll\ lllll\‘\‘lll\\‘ lllil \Nllll wnrx iii-xi. .lll\l will I Edinburgh Underground Jazz llii- lk'll Hunk. ‘5 (illlllllt' \liu'l, .‘ lllpni 1: \cc l ll 15
,5” H
PéllSlO}
I Fat Sam’s Band l).ll\lk'_\ \ll\ ( ’ciilita \cu \lru'l. \\5 WI“ 5‘ illpni !_\ 5H :11 .\lll \g't' \\\'\l 3”
Glasgow
I The Fusion Experience liicl.
W 1‘ \\llli'll | .ini‘. ‘13 him» i hpni l'rcc lunk llllt'tl i.i// \t'l linin lx’.i§iiiiiiiil ll.llll\
Edinburgh
I Jazz at the Balmoral \llk IL”. lhc H.i|niui.il lliilul. | l’iiiiu'x \liccl, ‘lpni nudnijghl l‘lt'k‘ \i'c Nil H»
I Jazz@Lunch .\ll ()um'li \lit‘t‘l ll.” .uiil Roxluumnl. .\ll (Jun-n Sliccl. Illi 5W)" 3 5pm l‘icc Si'c \il In
I Opal Sky, Madaleine Pritchard and the Hustlers 'l hc l:\ph.in;_'c. 55 (irmc Sllct'l, All i ll-lll-l. “pin. L5 Inhil .it'l ()[Ml 8k} iiii\ clu'liniiim \\|lll ihc lunL llllll\k'\l, \illllllll. \lldlllk' \l}li' |.l// nl l’lllk'lldltl,
I Graeme Stephen Trio llL'lll} \ _l.i// ('cllui. h \lniiiwnSlit-L‘l.~1h“53llll
.\'. illl‘lll to Sec 1 hii II
I 80QSt House Band Ml (Jul-cu Sui-cl liar .iiiil l{L'\l.llll’.llll. xll ()uci'n \liwl. 33“ 50‘)", “pm l'lt'L‘, Su- \ul lli
A double bill of performances will see the
American pianist debut the music he has been working on with Brian Kellock as part of Kellock’s Creative Scotland Award project, and perform with a trio.
Yuri Honing Trio li‘il‘i‘i‘Ii‘i. |.::1\\\nil.
“1“”.‘1II" 5 “'1‘”; :1.‘ 1V \‘clrlff Sunday 24
I Brass spectacular 2005 l\'\ \\Hi ll". l\‘\-Hii\”.\ \'r\‘\‘: 1;: S..\ i
\H i‘
Y‘n‘i‘l‘. lzcc \ is»: H? l‘i.‘.\\v utth hut-.1 .lll\l ’, \\1lh I‘:I.:\l\‘l\i.1\\‘\.lllxl lulu ,'.:fi: \iiztu'ils .1: 1pm .inil \g‘zri unlttii‘. "~13: l i'. Ilqc lu kcl I Kenny Paterson Trio \lcillmiix (wiriqr. T\ lnhii \liccl. 5‘.‘ Will 5 \l‘lll lzcc \cc \un I i I Big Blues Jam \illxlli‘ l inc, (lli‘\\\'lli‘l lulu“: ill (“in '5 ll'pni licc \cc \un .
Yuri Honing Trio lli‘ll lllt'illlk‘. iii
' \l‘lll L!" \‘c I ll .‘.‘
lli‘llz'.1li‘,5§.‘ ofl‘w
t ".iiN '-‘~‘Yh\lli‘2‘\
E lii‘iw r ‘l‘
I Melomania l .: liiilllli‘ \ ii: in \l
(’.:il\cx\..:.\\iilc_ l liini \ci‘ Mill 1 ‘
I Jazz@Lunch \ii (Jim-ii \ui-ci ll.” .lllxl
l\)\‘\l.:lll.llll. \ll ()uccn \llk'k'l. .‘.‘l\ 5ll"‘ 5pm lit-c \ci' \‘ll lfi
I Brian Kellock and David Berkman
Hum} \ l.:// ('clllii. \ \luiiiwn Mini-1h”
551W \ illi‘ni L\ l\‘.i~pl.iii«~;fi.inl\ linni
k'llllk'l \l\l\' «il lhi' \ll.lllll\ :‘iw .i
glilhmili'il .inil .ill t'll\iilll[‘.l\\lll‘.'
.m‘ix l\'\\ iil lllk' cnliic [mun i.i// lk'l‘k‘li'llt'
I Bill Kyle‘s Electric Fire lllllll.ill Ht
lll. \ “(xi ('liixulllhi'uiy ht»: \Mill
‘liini \K'k' \uii l"
I Nexus3 lhc I i'll Hunk. i" ( iulhiu~
\llk't'll .735 ‘lE-ll ‘lpni lim' \i'i' \un l”
l)£llf;l(}\, I Melomania lxuiil MAN-iii: .‘x *3 \lii\\ \llk'k'l. li ill ‘lpiu \u' \un I"
Monday 25
i“,(lllll)lll'(}ll
I Jam Session \ll (‘llli‘t'll \llt't'l ll.” .lllil l\)k'\l.llll.llll. Ml (Jim-cu ~\iiccl. Ill) 5ll‘i” ‘lpiii llllilllllell licc \L'c \lon |.\
I New Bands Night \k'lxldl. 35%
(busily. 55" 35M! ‘lpni iniiluijghl l'lt'k‘ \ci' \hin l.\
Tuesday 26
Edinburgh
I Bill Kyle’s Sh“ Hot Jazz Quartet \i‘klul. :5 i (-|l\\“_'.llki. 55" 355”
‘lpiii iiiiiliiighl licc Sm- luv 1”
Wednesday 27 .
Edinburgh
I David Berkman Quartet llL'lll} \ ,lli// (‘cllu \ \iiiiiiwii Strum-1h" 5le” \ illpni L" (‘niilcnipiiiuii i.i// .inil Hlllelml llikux on \ l.l\\|\ lllt’lllt'5 llHlll \cu York [‘l.illl\l licikiiidn. llllllt'tl h} l’hil Huntinll |\.l\ i. \1.iiiii ( Luihc ih.i\\i and John Rat- iiirunixi
I Chaos Theory \ckiu 34* ("imgniu 55" I‘Ml ‘lpni l-rcc Sec \Vcil Ill
I The Arabian Mustache lglii. 2h .l.llll.ll\'.l Sum-1317i 5‘” lllpni l'iu- Scc “ml 3“
Thursday 28
Edinburgh
Ken Vandermark Free Music Ensemble chi} \ .l.i// (ii-Hui. h \luriiwn Slit-cl. in" 5le” \ illplll Llll \‘-.llll :iiiilc llll' lL'll h} IX \.l\l\l Kcn \Jllklt‘llll-lllx. ‘J-llll ii lllllll. llk'k‘ thinking .ll‘l‘llmtll I Freddie King Quartet Mini. 25‘ ('iiugalc. 55" 3"\ll 0pm lllltlllllell l'rcc \L‘C llll l4 I The Dyad ’I lit l.cli Hunk. i" (iiilhric Slit-cl. :25 9'44 ‘) lupin 12 “Mill. Scc Thu 14
Isle Of Bute
I 18th Annual Isle of Bute Jazz Festival \uriiiux \L'nuc» (ll "UH 5‘lll5l. 'l’inim Mil}. inc-ilu} gclchruunn «it lruihiiniml i;i// llllhlt' on both land and
x', THE LIST 87