Edinburgh Fridays '
Club
I Beatroot at [go 11! illpin ‘ain £5 w 3‘) .\pi RL'\lt1Clll\ l<§atl ‘luinei .llitl \an l’.tl}\ p|a_\ing llotive. ttihal. piog antl lk'klllll'.1\111L'.\ ale ioinetl h} Soniak \1e\ Smoke lot a lethno 1111\ I Big Toe Reggae Hi-Fi at \\ee Retl liar lll illpin ‘ant £1 «£‘i 33 .\pi \\ the name \llijJL'\1\leg'gttealltltilllel tliihh} 1:“ it“ t'\ I Bio-Rhythm at tlte lltttle}utlllll llpiii iain £5 NJ» ineinheixi 15 \pi \lonthh ('ontnitnng lheit 1e\t'le11eeltll all llllllj,_'\ tlanee. \'.li.tte\ei the genie. \te lt.t\ e a gtiext xpot ll't‘lll1‘lt';tk\llltt\lt'l Kiatl} Kulx hour the exei ieliahle l-tngei liekiii Rettllth l).l llelie\eant1 SllH'l \ltltlt piox itle haek lll‘\‘-1111L'llle \1eii'} l’tankxteix .ue iii thaige oi the hioken healx in the haek iooin .\l\tl[\1't'ell|1l Sxtilthl p \t'\\lttll at ()\}gt'ti ltoiii hpin laiii .XH [Hi lll'll I Blaze at 1.go llpiit 1am £4 £5 \\eekl_\ l).l.l.tl11e\1 onguoi'th ignilexthe g;_\ \teekentl \\ illi a than and tunk) hou\e \ottiitlliaek
Diggin’ Deeper at tlte Bongo ('luh, ‘lpin iam £5 heloie nittlnight. £" alter i£~l lllt'llll‘t'hl 15 ;\[ll 'l‘he 1)lj_'1)t't'l‘:\ll\1;tl\ roek the part} \‘xllll their eeleelie ht'ett ol ltiiik. ltip hop. reggae. healx. 111H\1L‘\.111t1 more. \ellltng into their next liotiie \tith 11\L';IL‘l\ 1)()l’1:. the\'irgin'1eeth. the Slltl\\\itllt11.L‘k'(i;lllillll. l)tl llelault \ \ \1(‘ Sol;tt‘a}e lake met the upper lounge. plux the u\ual \lt1\.lllt1 other 1\\ l\lCtl heatx. I Dogma at Sltitlio 34. lll5llplll 3am. £.\ t£h niemherxi. 3‘) .-\pi1 Moritlil}. llartl ax ll;tl1\ antl ax untlei'grountl ax llltlle\. leehno ol tlte lllgllL'\l ortler ax S}hei' Simon tR.-\\\'/ll_\t1rauli\i iotnx tlte l'L'\1tlL'111\ tor a luo hour “.1 set. I Edinburgh Clubbing Community Forum at Berlin lliet'hatix, lllpm Jain. Minimum tlonatton £5. 23 .v\pr oti1_\. ('hat'il} e\ettl \\ith hall o1 llte [ll‘tlllh going to tlte latlinhtit'gh Siek K1t1\illl\1 the other hall to the 'l'xttnaini appeal. lltltINL‘ l\ the lla\oui' ot ehoiee \\ illi 1)J\ lrom {tL'l'tl\\ lithiihurgh, (iootl eltih night mtltitltng l'l\1lt.‘l‘ tk l’rtee. llttgg}. Ste\eii 1"ti1t1\.\'tigi llaughton. Ian (iihxon. .lon l’leaxetl and tar loo titan} more titialtt} pla)ei‘\ to mention here. I Evol at tlte 1.1tlllltl Room. Illitlpin 3am. £5. \Veekl}. litlinhtirgh’x longext i'tinning llltllL‘ night. With the ll\ll;ll mi\ ol the hext etii‘t'enl antl elaxxie alternatix e. t‘l‘tixxtn ei' llllle\. il'x aii inxttltilion alreatl) and \\ itli the reeent atltlition ol the haek room tnott mannetl h_\ the \enerahle (lion and llori/onlal on t1e\ and laptop\ \\ ith an Kunming htil llltllL“ remit i. the name look\ like a happ} plaee l'oi'all thing\1{\o1. I Finsternis at the l’leaxanee (‘ahai'et liar. ‘lpm lain. £3. 32 .-\pt'. .\1onthl'\.'1‘he lighter \itle ol goth tit well a thing ti'ul_\ L‘\l\l\l “1111 a mi\ of dark amhienl. neo— t‘l;t\\le;t1 tilltl ethereal lt‘;tL‘k\ “1111 a 1l\ e \el lltllll inelaneholie tlark anihtenl Sttetlex l)e\it1erii .\1ai'gini\. ('heek \\ \\ \\.lill\lel‘lll\.tlt'g.tll\ tor more into. I Four Corners at the Bongo ('ltih. ltlpm 3am. £15. 3‘1 .-\pr. Big lleat antl Departure 1.t\llll:_‘e~|tllll t'oi'eex to unleaxh the might) l‘t‘lll‘ ('ornerx tor the hext iti tlaneellooi' tau and glohal groo\e\. 'l'he \eeontl night in axxoeiation \xttli 'l'ript}eh \eex the legentlat'} (‘anth Stalon lake to the \tage. I Friday Funk at .\1a\\a. lllpm 3am. £5 t£4i \Veekl). .\'e\\ night tlU\\ll .\lawa pla}ing pop. \1l\L'U. Rtkll. lunk and home \xith regular \peeial gtle\1\. I Fridays in Session at (‘aharet Voltaire. 10.30pm 3am. £111 t£”.5th. 1.5 .-\pr. The team hehintl the e\eellent l’rogrexxion \tart tip thi~ more intimate night with the 11C“ look ('ah. htit \till attraeting xome ol~ the hext name\ in the 1‘ll\llle\\. 'l’hix month it'\ Jaine\ /.ahie11a and an) man \\ ho Saxha think~ l\ xtorth h_\ping hax to knoxx a thing or txto ahout L‘Ut‘l houxe. I The 60-60 at (‘oeleati Lounge 1L10\\n\l;tlr\ at ligoi. llpm~3atn £5 t£4 i. 1.5 .-\pr. Suinging (ills garage. xoul. mod.
40 THE LIST ‘wi—QS -\:"
Manga strike once again with more killer drum & bass licks
as they host the Renegade Hardware Guerrilla Warfare album launch with Keaton and MC Verse. Alongside Carl and Chris (Usual Suspects) he created the masterful ‘Killa Bees’ and is famed for his dark.
nervy take on the broken beat.
\otll. lx’tkll antl \lea/_\ li\tening lhe righteoux la|| l’aul l\)\|1‘111\ttll ant \ngiix \ (io—(io remain rexttlent \\1iingin' \\ilkie l\ the northern \oul \peeialtxt toi 111l\ “Noon I Guitar Mania at ()pititii .\pin zant 1'i'ee. \Veekl}. 1\\t\lllj_'111\t'1 the hexl tn guitar \tlllllt1\ m itli 1n e aetxi
I Henry’s Late Nights at 11etit_\\ .la// ('ellar. midnight ‘am £5 £.\. \\eekl} lop tiualtl} Itl//.1lltll).l\1lt‘lll 11elll}1\.l.t// ('ellat.1’atil \lillx‘nev. otitttl('ontinuuin t‘t\\t‘l't'\L'l'}llllllg llt‘lllt‘l\1\t‘l11lt‘lllt' e\peritnenla1tl5 \pit lt‘llt‘\\t't11‘_\ the tint ol' a tlotihle hi|| ot late night \1lil\\\ lioni lunketl tip \tllll\tle;tll\l\11\l KIN“: hetoie her \tipport \lot tor \I (ii‘een in Jul t2: .-\pi'i.
I Indigitous at the Bongo (‘hih
11pm 3am £". 32 .\pi lhe p\_\e1ietlelie tranee part) ietui‘nx “1111 a lien/tell 11\ e \et lroin llti\ l'lu\ iSpii'al 'lta\n .111t1 lithnhtirgh‘x \ei'_\ o\\n l’t'titt'\\ittii.t1 .\1i\eoiitluet and 1H (‘ai'lox
I Manga .it lltlllk'}t'tlllll\. 1H. illpin 5.1111 £9 it“ lllL‘llll‘L‘lH. 23 -\pt‘ \1ollllll} Seotlatth premier tli‘uin .\ haw \t'\\1tll1
iometl h} Keaton .llltl .\l(‘ \eixe lot the
Renegade 11;tt‘t1\\aie (fin rill/t; Hit/hm launeh. alongxitle i'egtilaix l).l Kit1.(i \lat. .\l(' Sonli}. 1)] Helie\ e and Sihei \iotit lot more into eheek \\ \\\\ eliih inanga.eo.tik .\1\o pi'ereluh Sttileh 1 p \C\\1t111;11()\_\:_‘t‘11ll'tllllM‘lll 1am
I Mocha Rocka! at lleilin lilt‘lllttlh
1 1pm 3am. £5 heloi'e initlnight; to alter 3‘).\pi‘.'1'\\oot ltlinhut'gh'x hexl eolleetnex ioin toi'eex. Spaee l aee ie\ttlenl\ l’epe Santainaria and the lllontle l'l.i\11hltttg the Rtkll. hip hop. ttitik.t1i\eo.ititl nioie tiltile 'l‘ok}o llln take eaie ot the houxe
I Modern Lovers at \e\i tlale o Ha}.
I Planet Earth at (‘itiu\ (‘luh
111311th 3am. £5. \\eekl} \1ll\le11t'111 l‘l‘h through to l‘ltW oi. in olhei \\t‘1\1\. a health} t1\\\L' ot punk. next \\.t\ e. nee. romanlte antl eleetto pop
I Pop Fiction at ('it_\ latlinhtiigh lll..‘~llpm 3am £h. \\eek1_\ '1i'entl} \\ent1} .1llt1 regular guexlx 'llle liettt l-ortlu 1a_\ t1t‘\\lllllCC\-\11L'\l hlentl ot pop. tunk. \oul. tlixeo. Rtkli. hip hop antl hoti\e unit a real ~en\e ol tun. .'\ll\l pleaxe note the} hax e nio\et1 lo a \panking neu \entie iuxt tip the road troin their \‘1\1 haunt l’lent} ot \11111l\\ pt'otnox oti ollet' an' all
I React at the Venue. lll..5ll[‘lll Fain. £(i i£5 metnhei'xi. 15 .-\pi1 lhe i'att teehno night ix haek \\ ith a iotirne} through hard-tee \\llll \peeial guext littl'h
\ «\kull lllllt'\ \_\l1t‘[‘\l\l.tlt‘llpfltlt‘ lk'\1tlt'111\lltlt11.1.111t1l{.11111\.111111.tll lhtiiii .\ 1\.t\\ lllt‘t‘l\ eleetio teehno iii the eoolei \\1111lllt'()1‘\\'t'llt'\lt'\‘. antl ( iiaeine \l.tl\ll.tll
I Redux and the Diesel U-Music Tour at ("ahaiet \oltaiie lllpin 5.tlll
£.\ £111 33 \pi lhe lhexell \1ll\1\ toiii lllllll‘lt'\ iiilo 1.t1inhuigh ioining toiee\ \\l111 lx’et1u\. a llt'\\ \1to\\e.t\e night aiming at highlighting ptotltieei l),l\ .llltl li\e \elx lleatling the hill are laxt tt'.tt\ \klllllt'l\l.\lllllle\1lg‘1ll} .ltingtilatot t|i\ei alongxitle Jonathan 1 Me. 1 int. l)e\tio .llltl \ .l (‘oi'extit\ \u /’Il i It
I Smooth at the \eiiue 1H illpin 5.1111 £5 t£5i l5 \l‘l, \e\\ deep and tliit} houxe night ltoiii ('iaig l\’.ltll\.t} .llltl 1\'ii\ l 111t1\.l_\.
I Solescience at (‘ahatet \oliaiie lllfillpin iani. U). 3" \pi l)et1iealetl to hrtnging the he\t ol tintleigtotintl houxe. tltgital tlixeo antl traekheatl \titll \t. itli rexttlenlx \lt'lx\llll.llltll\)t11‘ \lalhie ioinetl h} Ralph Ian \on .llltl (iieg
\\ tlxon loi' llll\ 'liipt}eh \peetal
I Solid Steel at the Bongo ( ‘hih \e\l tlate 1 i \l.i_\
I UTI at the \entie 1H illpni lain £lhe 33 \pi 1 ntletgtotintl teehnonight '\‘.1111.l 11\e\t'l\lltt111 \1tlll‘11tl\t\\'1t'1tllllll 1x’eaeli .uitl /tiiiii \K \ Seiiiii oti 1 ll lx’eeoitlv .iloiigxitle the might} liiie 1L'\ltlt'111\
Edinburgh Saturdays
Club
I Access at the lloiiexeonih \e'xt tlate {ll \pi i
I After Dark at ('ahaiei \ollatte
llptn iaiti £\ heloie initlnight. £111 alter t£\ Illeltllk‘lw lo \pi 1x’em1eiih \eil Battle} antl .laitiin} 1111\11l‘tt\.tllllt1.t} night \eleelion ot \t'tllltll ltottxe. ttinketl tip garage .111t1 t1i\a \111\ en noeal ll.tt1\\ ()tiaileiI} 1\'\1tlt'111 .lainie ( i111111\ 1L'1t1111\ ll'e\11 ltoiii 111\ \‘~1111L'1 tout ot \igetitina and lha/il \ogi llatiglttoii I\111L'111.:11 inehatge ot iooiit [no \tith .: little help tioin the 1'ttxeo l)i\eo l‘tl}\
I Ascension Goth Club at lexioi Rota. l'nion \L'\1\1.11L'- '\1a}.
I Beatsville at the lion ‘lpin lain £4 3.: \pi \lonthl} Heatv.ille t'eltlll‘n \‘.1111 the he\t iti toekin' ia//. \oul. ~tiil antl earl} Rikll. ioinetl h} \\ igank \(\.:tit1t1ieii (‘i'ainp\ ineet\ H5} \lll111t1\p111‘111L'\lll.C\ t.t\1t‘tl‘[‘et1tlti\\tt \lle'lL‘t‘11\1L'\' ptm itle the \tll'l i'oek antl .\1i'1’ie~ton l’lan/tol the Seaton Santlw Ilith the [)1 ho\
I Breakitdown .1'. llnziexenin'rx
‘ :1 \pi \1t'1111‘ti\ he pa~t he'x . t Link ll'\.~it1 \etita tii~hex on: another tank tethito
lllxtlfl‘t' \."‘ ¢\ 011!
He" ‘.\e':‘f eiimtt xii oeii tt‘.
"1lt‘1ll\1\.1l1\1
atitl atlxanee tie ke I Burly TOO.i1( oiitiiipie\ 1'1 1“pin lant 1th in \pi lhe itihhei. 1e'.1111t‘1,tlllllilllllalltl\l‘i‘tl\\\e‘.zlt‘1‘\t'\\e‘\l eat 1111'111111.11\\‘\tillll‘lll‘lllt‘\1\1t‘1 an
1 thnhtiightlate lll.tl\1t‘l \\a\eile\ ( are \‘e ie\ie\\ in ( ia\ \eeiioti
I Diggity at the 1 \iahlixhitient
ltlpiii {Hit 15‘ >15 \\e‘e‘l\l\ lll lttl‘tllt‘l’. llaii_\ l11.Ritoaiitl\lt’11o\\ gel tloun '~\1111111\‘1ll‘.tt1\t'l\t'\.l‘l.:\111:'\kllt1\l\lt' lx’t\1l.htphopantl \tteet \oul
I Disko Kitten at l :‘o ltlpiii iain £' hetoie ll illpin. £\ altei t1'111\ 2.5 hetoie 1| it’prn. Ui altei» lo \pi \exi. night llt‘lll lllt' ltlllt .tl \1lltlt‘.tl lltll‘lW 111.11 _‘.‘t‘t'\ tot 1"l|'\111111t'\ \ l.t 11.ll\l llt‘tht' (lpetting Illt‘llllltt\.t\l«‘1llillllRt'l‘t‘lxallalltl loiitin} loin \e\en .11“111'\1\1k' lot a1 e text lawn ('oite/. \inoke\ t\ the llantlit. llean \e\i.ton. \iio:‘.iiii \like .l11\1 lx’oxx |)i\oii
I The Egg at \\ee lx’etl llai llpin iaiii L 511': i 511i \\eek1\ \lill the he\t iiii\ ot 111t11k'.“l1\1'.llt1{'t'.llt'llllt‘lllM'lll,\1u1, "in punk antl next \‘..l\\‘kt'1l.1t'111\\'1\ to \taggei tlkll‘\\ \ \‘-t'llltl\t‘tllll\1lllllli\11 that lt'lll\t'\ to thange
I Fever at 1 go llpni 5.1111 2.13.111! loi ineinhetxt ill \pi lhe lolk at l.t\le t1tlitihtiigh‘xoiigitialantlloitge\t llllllllll‘.‘ \keekl} ga_\ tiient11_\ tiighti ittii llll\ inonthl} \entiiie nov. ieathittg 11\1ll\l hiithtla} lakttig otei a \at tili'lll loi lllt\\t'\\1lt'lt'.tll} t1“11.1\\'l\'\\l‘ll\|‘ll \lon l.t\1t'llt.tlll\l.i}\ l’lxllt‘l .\ l’iite antl \laitiii \alentine on the inaintlooi It‘lllt'tl h_\ l’atil lleioii. \xhile the \ l\11tll .llltl K;ttl[‘11\\1.tht'.lll.tll}lll|ll}f goexatttltitle iii the ('otleati lounge 1’ie \1111‘ pail} at tlte \lieel ltoiii lllptii
I Fiesta Latina .tl le\iot Ron 1 iiion ‘l illptii Iain £15Ht£i<tii 3* \pi \till going \tiong alter leit ieah ol \upplttng' the hexl iii \alxa. itieietigtie. 111.11111‘H.tllt1 otliei |..itin 111_\111111\ Ulllllt'\_\ ot l)l 1’.111L'1h| \‘.Il11 .t llt't' t1.tlltt' L1.l\\ llttlll lllt' Salxa \ngel\ at ‘1 illptn
I Give it Some! at the ltoiiuo ( "hilt \\'\l t1.llL' A
I Headspin .11 lllt' littllg'tt ( Illlll .\pin lain £5 heloie llpin. £5 altet \pi \lottllll_\ lhe he\t in lttp hop. ltink. \titll. llllll\L'.lllt11‘1t'.ll.llk'.ll ax \i. e \a} \‘.eleotne hat k to the lt'\lt1t‘111 l)l tltxpla} teatii lealuiing \1l.tll.111t'RCMHMIHC i1)a\a .111t1('t11111 \l111.11|.ll1t1 \texe \pin 11X atiotliei llttlltl\ \lio\‘.ea\e tline tip thti \o v. ell \‘.tlllll getting there earl} lltlllt1\ '11\L't1\1\1llllll\|‘lll llpini
I Henry’s Late Nights at lletti_\ \ l.i// (t'llal iiittlnighl lain Lo £\ \\eekl\
1 He I.1//.lllt1111k'llllll\k'l).l\1tll.L'}l111lllltl lhe \iee \llldll llttlll\ \ttoheat. ia// \ka antl |.altn lltlllllllt'1.1L'P11;I111\ll(l \pii 1tl11t>\\ ell h_\ another l.tle\1lo\'. ltoiii the lunk} \iki King 12‘ \pi»
I Heroes! at t) llai ‘lpiii laiii £5 lo .-\pi .\e\t. .tllt'lll.tll\t‘lllgllltil ptink.g1ain. ioek.e1eelioant1 [Nipll'.t\1i lioiiilhe lolk that hiotight )ou 1)l\1.tt lilootlhalh annetl at a iiii\etlga} tioxul llo} girl \kllllllltll‘ tltio the l'.lC\ll|1111\\ are the ltxe _‘_'llL'\l\ plux theieK a \etlllhllL'\glll\l\t'p1.t}1l.ttl. ot the tree. (i.ll1\l_‘_'k'.lllllllllli/ltt/llll l]: I Hoffbeat at Berlin lliethath \exl tlale " \la}
I Joy til 111C \ielllle \L".1 t1.’tle “ \la}
I Luvelyalt1ie1.ttiuit1Rooin
lll. illpin iain £11! t£H lllL'llll‘L'Hl 3* .\pi \lonthl} ltl\‘..tlt1\ a ga} 1111\Ctleltl\‘.t1.tllt1lL‘tlllll’lllg a mime polie} ol lllll-Hll.t11'l\111‘.'lltlll\L' troni 1L'\lt1L‘lll\ 'loinni} K.(i1’..\'e\t.lont& Stone .llltl Jaietl Staixhip 'liooperx theme 1111\ month loi ‘lunketl up \paee L'111L1\\ .tlltl t1llt1L'5.
I Messenger Sound System at the Bongo ('1uh llpitt 3am. £6. 1(i.-\pr. l-ortnighll}. Ba“ oi hti\|.L‘l-\1lllllll‘g’ pltlptlrlltllh a\ the might} \1exxenger
_‘ \
.\ \tllt} \on'ee. geaietl