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TOMMY SMITH 8. BRIAN KELLOCK Symbiotic

«Spartacus Her/,rrir,

A fine successor to their acrlarmed Hex/due, this was ongrnally Intended to he a live recordrng from last year's

l drnhurgh Ja// testrval. hut the duo decided to do It over again In Smith's home studio Instead. lheemphasrs Is firmly on ballads and relaxed mId tempo tunes. and even Rat Noble's Cherokee. usually taken at hlrsterrng speed. rs given the slow treatment. l‘hey approach a familiar set of Ja/x standards In Intimate and convrarsatronal fashion. hut their creatrvrty and ernotronal expressron Is charged with real musical energy on everything they play. and the Instruments sound great. fully Iustrfyrng the decision to swatch to a studio setting.

IKenny Mathresonl

ICI HZIIC A HAWK AND A HACKSAW Darkness at Noon Iilhe Leaf Label) 0.

Fresh from haying no doubt ‘found himself' during nomadrc Iaunts In eastern EuIOpe and New Mexrco. Darkness at Noon Is AHAAH core member Jer'erm Barnes attempt to fashion an Instrumental

'( b. I’:(‘l 1'I

(1.”) The swamii'ahk TL, (: FS'I’IM l fr W-I zrli’i t'tért’l. ‘r’ill .E1l(:."f (,‘:".<II."I3, T’Itll’i"... ii‘:i£1ll:i‘:fi ‘0.’ (flaunt; {It’,.‘.'e‘)fi. featuring In It “toes gust alteat e.e', I'Ist'unlerlt mu neper heard “If. front the Oud to Turkish (Lumttus. played at ff"; rpm. None of .whrrjh deflect from the general arr of self Indulgent trustafarran ‘.‘.'anker\,. (Zertarnly world musk; then. IMalcolm Jack.

lNUIE Hook DINOSAUR JR Dinosaur

ISweeI NOiillllg) a...

DINOSAUR JR You‘re Living All Over Me

(Sweet NothIngI COO. DINOSAUR JR Bug

ISweet NothIngI .00..

Dinosaur jr.

Dinosaur Jr hurst onto the scene almost fully etolved In MISS. unWIttrngly pre~emptrng the whole grunge movement. J Mascls was their slacker leader but the Input from Lou Barlow and Murph cannot be overlooked. Debut DII"osaur was the sound of a hand refining the” sound but still features some phenontenal shredded

Led .7eppelrr‘. Is;

MONICA wEEN

_ RETURN OF THE SACRED HEART

r“, r z I‘ 77 r r :' , , l - r an am IQI‘II treat {/‘r'\l):.l‘it.l Musrc Week Ba f'I' . l-(i ’gcl-d't 1| III }\I|t"' {ti .' 9

Is a rrlwla'I: "m.

errhrtitllilh']; 9"."', l . o

every track IS an atmospherlc adventure’

Scottish Daily Express

“J .'"It.'lltr7l l(:](,‘('ilt)li/l'l'i)3"1‘1‘ Impossrlile to Ig'II m- \.‘./Itl> "l re;le Stew! The, created a true anthem for a IlrsenfranchIseIi generation As fresh and relevant toda‘. as when rt was released Ill was. (Henry Northmorel

‘this is an album I’d defy anyone not to fall in love with’ Classic Rock Society

l or k HEATHER MACLEOD

Crossing Tides ll eod MusIcIOOO

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. ,B‘gx’éndan,

THE- AllFRNATlVF l0 lOVF

seldom cited Influence by female folk singers. hut hreakrng aux/av from the pack seems to Instill no fear for the star self confessed Zep fan of this self-produced dehut. Starting out Wliil predominantly gentle harmonised hallads with ()i)\'l()ll8 Influence from her Lewis homeland. her silky voice can easrh cope with the hrref transition to Ia/xrer \vvaters. hut It might take listeners a little longer to avoid Imagining one particular track as a period BBCI sitcom theme tune. lhc return to tradrtronal Celtic folk ilt)‘.'.l(}‘.’(?l proves a \.'.’Innrng moxe and hints at an artist ‘.‘.’liit a '.'.*hole lotta potential.

IEmn‘Ia NeI.'.'lands

The New Album Out on 14th March Features the single ‘Spit It Out’ released on 28th March

“This album packs a dazzling array of tunes into its 43 minutes" MOJO n... “An album of great craft. emotion and warmth" a nu “This is a lovely record" NME

HlP HOP 50 CENT The Massacre Ilnterscopeu 0. On your in The UK in Apnrv 2A-Aprrl,Glasgow,The Arches lB-April, Nonmch. The Waterfront 25April, BirminghamAcademy ll lQ-April, Northampton, Poadmender 20April, Portsmouth,Wedgewood Rooms 20April, Bristol, Fleece & Firkin 27-Aprrl, London, Electric Ballroom 2 l -Aprrl, Manchester, Academy Ill 28-April, Nottingham, Rescue Rooms 22-April. Dublin, Whelans 29-April, Leeds. Cockpit

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Despite some other duality efforts (}(}.‘.I‘. the D

wwwbrendanbensoncom www.\/2music.com

“.‘a' 7],", THE LIST 75