I Asia .lllll Dare l'iic (LildL'L‘. 1W
\iiii lllt'lldll Shawl. *‘3 H3” “pin :15 \k" ',_'llli,lll\l \li'u‘ llll'~‘-L'i\ litiiiill't'h
I Stan Webb’s Chicken Shack lllt' li'll‘». 13 (Il:~llt' l’lJu'. lllli‘“ 3’5 <l l \[lllr t l" lliilhli l‘lllt'\ '-k'l'\'iilll\ who .il llllt' lllllt' lt'dllllt'll l'llL'( lllhllllk' l’t'ilctl .il .l \l\ \lt'llllhL‘}l‘1'.llll\.lllll‘-|‘\.ll\
I Fans of Kate, Stonesthrow .m.l Glasvegas Kiri: 'liii'x \\,lll \\.ih Hiil. 353.: \i \lllLt'lll Slit-cl 33! 53“)
\ illpiii 2-5 il'lllll'll hmul \lllllllt'l who ll.l'-l' l‘L't'll llt'\tlll‘l'(l .l\ 'Kciiiii' \k illi \ll.lll‘lll.l.
I Prince’s Trust Up 8. Coming Talent Night “Lupin \tliim nl \ii. llfi Ri'llllt'“ \liu-l, 15‘ -15§l llpiii L3 \nlluiiil'x \lll'llll\lt'll \l( K u-iiipclc lll llll\ ll.lllllll\\lllt' l.i|i'iil \L'Jltll
I Smalltown Superhero, A Long Story Short, A Bittersweet Moment, In Earnest .lllll Lost for Words llic (killiniixi'. [5 l iiinii \iiccl. 31x (l(lll(l fl illpm L31 5“ l.iil\.iliu'l. Ui lkll'llll ()\L'l l-lx \limx l.lllH llllL' up
I Freeview, Spacejunk .iml The Definition li.il’ll\. 3(ill ( lulu \lli'k‘l. llHflllUllfl (l‘N‘) hpm L1 Iiiml \mglc l.llll|tll lni l'lt't'\lt‘\\ .iiiil Spit'i'iiiiik
I Dawn of Arcadia .llltl Primitive Glands lllt‘ lilh \nli- (Kilt: 5” (ill King: \iicci 55* INN ‘lpiii U llltllL‘ .lllll haul imk bill
I The Coast, Vague Space .iml Fluid BC \‘iiiiiiilwl. lllt' Soiiiidhuiix. 4“ link link \liu‘l. 33| -l(i5‘). Nillpiii
L-l 5“ \it'llll‘t'l\ .iiid gut-xix. Shimmw nl llltdl l‘.llltl\
I Derrin Nauendorfl Siiiilm ( )llL'. (ilii\\i'lliil lliilL‘l. (il’ihu'lliil lit’l'itlk'k' liill lint-x Rumli. HI (i5lli. ‘lpiii. l‘lt't'
I New Born Nobody 'l‘imlcilmx. W) Hut-x Rmiil. ‘3‘) illlX. ‘lpiii l'lt‘t'. ,\ulll\l|( “1
I The Free Candy Sessions 'l llt‘ liquid Ship. |7| I75 (ii'i'ul \VL'xlt'iii Rmiil. iil I‘llll Xpllli l‘i'u'l
I Phil’s Session l'ixgc lik'dllltl. 2‘3 \Mmdliiiiilx Rniiil. 50-1 l5‘)(i. .\'piii l' “wkh llllll.
I The Vagabonds 'l'lic Smiiii. ll: l l~l Sliit'luu‘ll SIIL‘L‘I. 553 Mihl. ‘lpiii l-iu'. Popular t'll\L‘i\.
I Jam Session Siiiiiiicl l)im\. ii“ *1 \iilmlalc Rogiil. -l3 i (WW 5. illpllli l'i'i'c. llmlcil h} llltlt'l‘t'lltlt'llt't‘.
I Live Music Rd“. ()iit't‘ii .\I;ii'g_'.ii'cl l'iiioii. 33 l'iiiwi'xil} (iiii'ilciix. “097511. Hpiii. l'lt‘t‘. \Vi'clxl} \llll\\\'{l\t‘ ol ll‘t‘dl l‘.lllll\.
I Live Music .\h‘('hiiil|\. -lll High Sliu'I. 553 3| ‘5. ‘)piii, l'i'cc. .\'c\\ hiiiiilx iiighi. uiili liiic up in by L'Ulllll'lllt'tl,
I Live Music \liit'Soi‘lc} \. -l3 .l.llll;ll\‘;l hilt‘t'l. 343 NSXIA Willi. i'it't'. iiilll'L'L‘ lllt‘dl l\.llltl\ in lic \‘llllllllllt‘tl.
I Live Music The ll.ili Bur. Hill \Viiiiilldliih Riigiil. .553 WWW» Spill. i'lL‘L‘. I Live Music Sidihiickx. 252 254 [hm Road. ‘5" 5H8. “pin ‘lpiii. l‘i‘cc.
Edinburgh
I Born to Be Wide 'l'lic Sim-i. 2 l’it'ui‘tl} I’Lit‘c. 550-1373. Upiii l;iiii. l'i'cc. SCC Ililill 5
I The Medicine Show and Earthwalk \Vliixilchiiikim. J h Sniilh Hi'idgc. 55“ 5| H. 0pm. l-i'cc. Hun} giiiilii' rock li'oiii li;ii'lli\\;ilk
I Open Mic Night ('gilcdoiiigiii lliit‘lxput‘kt‘i‘x. 3 ()iit'ciixlt'i‘i‘} Sliu‘l. 47‘ 733-1 ‘lpiii. l‘i'cc. Scc 'l'liii .‘x
I Out of the Bedroom \Viixci'l} lliii. Si .\l.ii}'\ ~\iiccl. 55b .\‘.\'55. ‘ll‘llli Sec illll 3. I Sean Cannon, James Cannon tllltl The Cronies Il.iiiiicriii;in\. Niddi'} Slit-cl. 550 i354. ‘lpiii. t'lll iiiit~ li'cc \llllllxl Si Piili’iuk‘x Nighl \pct‘ml li‘oiii lhc Iliililiiici‘x' Stain (Iiiiiioii iiiid ll|\ \Ull .l.llllL‘\
I The Dyad 'l'lic It‘ll Bank. 3" (iiiihi‘ic Sllt‘t‘l. 335 0‘44. ll._“llplil ll..‘~(l;illl. SCL‘ Thu 3,
Coatbridge
I Glenn Tilbrook Band 'l‘lic Mini. lh .-\c;itlciii_\ Sii'ccl. (H 336 «Ml I‘ll. 8pm.
L‘ l 3. ’l'hc c\-Sqiicc/c iii;iii\ llL‘\\ hgiiid pci‘l'oriiiiiig old Cltl\\lL‘\. i‘;ii'iiic\. wlii uoi'k giiitl cm L‘l\.
86 THE LIST 3 ' ‘ My
Events are listed by date, then city. Submit listings at least ten days before publication to jules.graham@list.co.uk. Listings are compiled by Jules Graham and Kenny Mathieson.
Thursday 3
Edinburgh
I Jesse Davis Quartet lh'iii} \ l‘:// ('cllui. \ \Iuiiiwii \llt'k'li if? 53”“
\ illl‘lli Ur lhc \k'\\ \uik \.i\i'[‘lli‘lll\i lk'.lll\ lll\ (llldllk'l \\ illi [‘.l\\ll'|l.lli' .iilxciiluic .iiiil \ ilii.iiit}
I The Ruflness, Kosmic Ken 8. the Banjo Bandit .lllll Orkestra del Sol 'I lit‘ lloiigu ( 'liili. \ii'l.l_\ ilUll\L'. {-3 lllil}li|iiil RHJil. <§.\ “(illl lllpiii L5 «Hi Sec pani'l. lllell
I Freddie King Quartet \t'lxlul. 35% (‘imgulix 55" 3".\ll ‘lpiii iiiiiliiiglii l‘lL'L'. (‘ool |.l// \Hlllltl\ .il llll\ illlll\il.l_\ llllell ii'xiilciii'} lni lllL' \utiilli .iilwiiliiioiix ‘Kiiij: nl Mgii' .iiiil t'iilniimgi',
I The Dyad lllt' it'll Hunk. i" ( iiilliiic Slim-I. 335 ‘Vll ‘l. illplll l3 illdlll llic l)_\.iil. \K,\ (’liiix l(n\\ lit'llldllllll St'lliig‘lt‘l. l).llll Kt't'llt‘. l);i\i‘ RH“ .llltl \it' .iiid 'I'iiii \limic lll\\' L‘lt’t'lllllllt \ \\ llll lllllH\;lll\L' lll\lllllllL'lll.ll union-x .il \\i|l\ic lliill\L"\ it'll Hunk It.”
Glasgow
I Jazz Nouveau ('iiic Swim: I \‘i .-\lltll'L'\\ \ Sqiigii’c. 5-18 (illjll ‘lpiii. l lt'k' .l;i// \‘Ulll'\L' \lllth'lll\ \liimtuw lllt'll \lllll
Edinburgh
I Karen Sharp Quartet llt‘lll} \ .l.l// (‘t'lliiiy N \iiii‘i'iwii Sli‘ccl. ~10“ 53llll 5.5lllllll. LN (iriit'cliiI. mum and ciiggigiiig lt‘lllll' \;i\ophoiii\l Killt'll Sharp lL'dtiN hci iiiiiii’lcl llllHlllel .i iiiiiiilwi nl \\\lll:_‘lllf_‘ xiiiiidiiitlx iiiiil (ll'llelllil iiiiicx ,\ git-u! llt‘“ ltllt'lll Ull lllk' Hi'ilixli i.i//
I Nick Gould Quartet Mi ()llL‘L‘ll Sli'u‘l Hui iiiid Ri'xliiiiiuiil. fill ()iiccii Sliu'l. 330 5003 ‘lpiii. i'lt't'. Sm lk'll quiii'lcl Pl;l}lll“.‘ |.l// \igiiidiiiilx
I Edinburgh Underground Jazz 'l‘hc It‘ll Bunk. 37 (illllll'lL‘ Sliu'l. 335 07-14. lllpiii. L3 \cu iii/I llllell \liimmxiiig lhc L‘lL‘llllH‘ liilciilx iil \Hlllt' ol Iziliiiliiii'gli'x llllt'\l )llllllfJ lllll\l\'l.lll\. including: giiilui‘ixl \Iikc \l\l\L‘l .llltl li;i\\i\l Km iii (ilil\:_‘(i\\.
Glasgow
I Brian Molley Quartet Bit-l. W .1: Ashton l.;iiic. 343 4000 i (iplll. l‘lt‘t‘. Young: \;l\UPllUlll\l \lolh‘} l'i'oiiix llll\ l’oiii‘xoiiic. pliniii; original L‘Ulllliinllliilh :iiid \ltllltlill'tl\.
I Reggie and Ladye Love Smith, the London Community Gospel Choir and the Gospel Heirs i)1l\ill0lliiillt‘élll‘t'. l3l Rt'lllit'ltl Sllt‘cl. 3‘33 IXJo. "pin. U35” H5 .\i.l\\l\L‘ Iiiic-iip ol \UlllL‘ oi the iiioxi i‘cxpct'iul (impel tll'll\l\ lll ihc \wi'ldl
I The George Penman Jazzmen (‘iilc Suiii't'c. 1 Si :\iiili‘c\\ '\ Sqimrc. 545 (ill3ll. Elli.‘l5 loi‘ No t‘oiii‘xcx and collu- \"iiilugc \cxx ()l'lL';lll\ i;i// li‘oiii llll\ \i;i|\\;ii‘l ol ilic Scoilixli |.i// \u'iic.
Edinburgh
I Jazz@Lunch Ml ()iiccii Slim-i ii.” and Rt'\l;llll‘;llll. .\ll ()iiL-cii Slim-I. 33!» 50"". 3 5pm, l'icc. l.llllt'lllllllt' |.l// \\llll lllL‘ .\'(l QllL‘L‘ll Sll'L‘L‘l [H.iliil lill‘ huh
\\ L‘lt’UlllL‘.
I Karen Sharp Quartet llL'lll} \ .l.i// (dial. 3 \iiil‘l'ixiiil Sli‘ccl. ~10- 53”” 8.30pm. ‘38. Sec Hi 4‘
I Funkatize llciii'} \ .lii// (‘clluiy .\ \liii‘i‘iwii Sii'cci. 46" 53>“. \lidiiiglii in (‘liixxitl big. iliiiiccllmii‘ l'uiik pouciul h} .\'C\\ York tll‘llllllllcl' Paul \illlx
Returning with a clutch of new tunes and a spring in
their step, the Ruffness take the breaks and monkey around with them and a whole cupboard full of live instruments. Maybe not the most brand spanking new notion, I'll grant you, but they do it with
enough verve and
Sunday 6
Glasgow
I Kenny Paterson Trio \li‘ii lmiiik ('oiiii'i. l.\ ~lnliii \iict'l. 55.‘ ;Nil 5 \piii lict' \ llt‘\‘. l.il\'lll on ll1\'\\lllll\ll |.l// \u'lli'. l).llt'l\l'll [‘lil\lilt'\ \llliiiilll \Hlll .lllll \\\iiij_' \I'\.ll\
I Big Blues Jam \lllilli‘ i im: (iimwiini lt'iiati: ill (i5lli "llpiia l'it‘t' illl\lt'll li_\ lllt‘ \un. lilllk“~ \iiili-ix \\llll \'Hllllll‘lllli\ll\ liiiiii \llllllll l )11\' icyiiluix \lltll .i\ lx’c‘. Hm .iii.l llii' \lllilIlI‘ lillllllk'l\
I Jesse Davis Quartet lli‘l‘. llll'.lll'\‘. (i: lioiiguliz 5531317 Hill i
I Jazz Brunch with Bobby Wishart 8x Friends('.ilc \Hllltk‘. i \i \iillit'v. '\ Siiiiuic. 51x (infill L\ “5 I t'.i\lll1_‘_' \.i\upliuiii\l \\l\ll.:ll .lllil lllt'llil\ pimiilc lllt' pt‘ilul \l'llllillldth in ,: lx‘l.l‘.lll'..' \iiiiilix l‘llllltll
Edinburgh
I Jazz@Lunch \ll ()iin'ii \llk'k'l Hui .lllil Rk'\l.llll.il1l. \ll (‘llli‘t‘ll \liix'l. 33“ 5W”
3 5pm int \x' \ii 5 I Clare Daly Does Cool lll'lll} \ l.l// (‘clliir \ \loiiiwii \iit‘i‘l, in" 53H"
\ ‘llpiii ‘Ji \ iii-v. .iiii\.:l nii lllk' \ullixli |.i// \\L'llk'. l).il\ iin lllt' lllll\l\ n! l «\lgi iiiiiiig. \lilw .lll\l \\.:_\ iii' \hnilci in t1 l‘ldllilllll lui L'\l‘lilllll‘.' lliililt‘lll ‘muzi lllll‘li“.l\.:llillliil [‘il\\ll‘lllllk'\
I Nexus3 lllt' l t'll Huiii. ‘5' ( illlllllt' Slict'l. 335 "7M ‘lpiii lit-u llll' t’i'llll‘lhlll; lit-ii \l.:t I humid n;'iiil.ii -. Kt'\ll1(il.i\:ii‘.‘. Il‘,i\\i .1llll( lili\ \\.ill.:tk‘ liliiiiiiw \‘.liik iii lhcii H'J-l‘; Li iiii\iiiic ml xiiiiiiuu high ikl.iliL' ill\li'll. .llltl liiiik} till\l\'-‘-lll:_'ill'_'lt1//illlllil‘t'l\l .ll\'Il_'\1\lt‘lllt'll l“.‘.l1i‘l':j_'lliiil lli.:lt‘fi.1l
I Three in One lllllll.1li ll; lii_3 ‘ \MM
'.‘-i’l\l‘\. ili'li'.
\pin 9. Ill 1% \u'
energy to set them apart from the shambling hoardes.
( ll'\\t.lll\\"‘-‘-.l‘-, 'ih.‘ \Vi‘l 'lpiii lii‘l- \i'u. iii-.‘hl .il llii‘ Ii: Ii. ll'.:llllllii' llll' \lliHI‘lll Kai‘l‘li‘iill \l'llllil\ Ml llll‘~ mull pi.iiir~ l‘.l‘-‘
.lllil illlllllx lllI‘
Monday 7
(‘ilgiuiimz
I The Gary Miller Band \lllilli' i im- (Ill'\‘-\'l||'l li'ii.:ic \ll lu5l'» ‘l *lipiii lilllk'5
I Stevie’s Uptown Jazz Band \uin \iilli\".-.\ Ili llii~ \illluli' l\i \nilius. \iluuic 5 3“ lilli‘ll ?‘ it'll ll.iilllliili.:l
\Hllllil\ llillli llll‘ lll\l illll nil lunar! l‘.lllll
lllllll/lll'llll
I Guest Bands Night \l‘lldl, .‘M (naught: 55' ,"'\H ‘ipiii iiiiiliiiz'lil lii'v lliuiill llk"-'. lil'.'.lll '.‘.lll1illlli'lk‘lll i.:// lmiiih \ll|"\‘~\.l\lll‘_' lllt'll ltllk'lll5 «'wi} unvi'l
I Jam Session w (Jim-ii \im-i Ii.” .Illil Rmiuiiiuiil \‘l (Jim-ii \llk't'l 33h 5'l‘l' ‘lpiii iiiiiliiiz'lil l lt'k’ Hpt'ii \\'\\ll|ll will: lllt' i).l‘.l\l i’dlllxl. lllH \‘llllk' .lllll pl.ij. «I!
tl'lllk‘ In limi .l zuliull' ll'illl ml llk".‘- l.ll't'ill
Tuesday 8
l’flllllJlll’Jli
I Bill Kyle’s Sh“ Hot Jazz Quartet
\i‘l.l.il. 3; l (ill‘flfidll' <<fi 3—‘Hl
‘lpiii llIlillllL’lll lim- l)lllllllllt‘l Hill l\:.li'\ is.ch piniipiiig. lk'dlllllllL' lli'IlL' lipiml} Mama l’.iiil Killij. Ipmnm .1llll Kan.
(il‘1\‘_'ll‘.‘. ll‘.1\\l
Wednesday 9
Edzi’il’iiirgn
I Open Mic lit-iii} \ lil// ('l'llui, ‘ \lniiiwii \lici-i. if!" 53‘"! ‘ *llpiii U. \ tliaiitt' li-i ,i\l‘llll:;' lllll\ltl.lll\ .lllll \lllL'k'l\ H- pciiniiii '.‘-llli [will (llllili'll .lllll Ilic