I The Ambassadors l‘lnulbun \llk'k'l. ll” (IL'Hl'Jk' \llr'k'l. {<2 lll-ll Tl‘lll l lL'L' h-lluc l'lpln. 9-5 .lllL'l 'Ll5 5ll'.'.ll|1 tllllllr‘lv lllbulv \llllllll\
I Stax of Soul \la. Mulch. 1: l.1||l.ll..l\llk'k'l.:1\ \5\| ‘ illpm ln'c I Jamie Barnes 8. Cochise
\l.u \Hlll'} \. 1: lalllalta \llx‘cl. 3»|\ ‘-l5\l I) *llpul lln- lilllk'\ n-xnlcnt}
I Open Stage Ill.- llall liar. lhll \\Hl'lll.lllll\l<1l.lll. i5: ‘N‘Hl -| \plll
l ll't‘
I lcebreakers llu- llall Hal. lhll \Muullanl Road. ‘52 0000 ()[un l'lcc I Independence and Little Head \auun-l l)n\‘. 'x. I)" “l \llhxllalt' Road. 17» MIN" 5 illpm l‘m'
I Open Mic lllunxunk ('t'llalx. I“) \au.|ln'lla|| \llk'k'l. H| |.\_‘ll 1pm l'n'c \\t't'|.|_\ \('\\|1l||
l (llnhurgh
I Dakota .lllll Jojocoke
\\ lnxllcbmlnw. -1 b ~\nulh lll’nljsc. 55" 5| li bpul ln-c bclolc llllllllllell'. Li .lllk'l lillll'i'l.l\\ \Ibcx llHlll Halwla
I Gospel According to Hollywood l \ln'l Hall. I olluan Road. 335 ||.55
' illpul L5 t..\ ()lljJIn Scollalnl\ popular culc (impcl (lion and
HI. l|\'\ll.l run-alt- lln' l‘t'\l umpcl muxn' luau lllll|_\\\mul mm m m lllL' laxl luo llk'\ .lllk'\
I The Cranebuilders, The a Forest, Mike Ferraro aml The Kays Lavelle ( 'alnlonlan llat'kpat‘kcrx. i (‘lllk‘t'lhlk'lu Slim-l. lab “32-1. hillpln, l5 I |\k'l[llllll allpop hcrncx mut‘h bt'lmml ul bmuw and New lamacq. \\llll n'ln'ln‘ \uppnrl hum a \cu York l‘.l\t'll clct'uo popch /./\1 cmlnrxul l)llll(lt't” \lll\\ Ulla“ |\l(l\ lllL' .l l'Hl‘Cxl allll
l llmbmgh .u‘ouxln' llrcann‘rx.
I Laeto aml Dead or American ll.umt'lmau'\. \nltlr} Sllu'l. 550 3254. X l5pm. U, l’nxl rock \|\l|l\ mccl t'nluaggoux ruling: lrom llux pan. l.aclo\ |.l\l album. /uuu. out laxl _\car \\a\ a \‘l.l\'|\t'l
Glasgow I Blue Sl:('(‘. l'mnn'xlnn ()ua}. (Nu ulu .luuu, T illpm. (35. (‘.\.\'(‘l~.l.|.l~.l). St‘t' Sal l2. I Thunder (Ruling: Acadcm}. I31 l‘ylmlnn Slim-l. ll‘lll5 lllll “NU/037M
“I _‘nuu 7pm. L'lXSll. ()\t‘l'—l»l\ \lllm. ()ltl \t'lloul hau‘ l'UL'le'H back on lhv t‘.‘llll|l.llf_‘ll Hall. I Jimmy Eat World Harm“ land. Ill (iallrm }I;llk'. 553 -l(i(l|. Taillpm. S( )l .l) ()l l'. (by: l-lx \lum. lnollcnxixc l‘S t‘lllu \Hll\ lllal l‘L‘L‘l _\Ull ill L‘l‘llll-llL‘\\l'\. llcad .unl \houltlcrx abmc man} ol lla- (in-ml |)a_\ llllpl'L'\\lHlll\l\ clullt'ring up \l.lf.'c\ .u lllc mumcnl. I Steven Lindsay lllL' x\rchc\. 253 \I;,'_\ lk' \ll‘m'l. 5b5 lllli. 7pm. U25”. l-olmcl Bl}: l)l\ll lronlman [‘L‘l'llll'llh uat‘lw hum lux beguiling \olo album Ill! ‘,ll\/(. I The Liks and The Deltas llal‘lh. jun (lulu Sum-t. (Ml nu," new. Spill. Lil, I Paul McLaughlin, Edith Casey and Sporting Hero Slcrco. lx'clxmllaugh Suu‘l. 570 5M8. 5pm. £4. \t‘nuxuc night lcaluring ('.l\c_\ '\ younu'} runng \Ulllltl\. I The Surrogate Pink Floyd Show lllL‘ Sillllltlllgllh. 4.“ ll_\\lc l’al'lx Sll'L‘L‘l. III 105”. 8pm. \lcmbcrx and :JlIL‘\l\. lnbulc In lhc might} l-‘lnyl, llxln; [up nol a gual'anlcc. I Avatar 'l'hc lfith Nulc (‘al't’x 51) W Km; Slrccl. 553 l(»3.\'. 0pm. L5. llca\_\ rock. I Scunner and The Glasgow Glam Bangers \it‘c'n'Slca/y 42l Saut‘luchall Slrccl. 333 (NW). 0pm. (3. l'lccll‘o pop. I Cold Night Song The (ioal. l3.\“ \r;_'_\|c Slrccl. 35" ‘3‘}. 8pm. l‘rcc. (‘harhc and Neil l'ormcrl} nl' .-\\Irnl arc ll‘lllt‘kl b} .lcnn) Rem c and Slaw} Slew“ right of [he Rcintlccr Suction lbr a nc“ ammuc night \\ uh \urpnxc
L‘llk‘\l\.
84 THE LIST .47 ‘ ” ‘Ja'
Pantera were one of the greats when it came to 90$
metal and their legacy runs long. Connecticut’s Hatebreed follow the same remorseless pursuit of the perfect riff as latest album The Rise of Brutality testifies. Not the most accessible inward point to the genre perhaps, but their fondness for nailing megalithic riffs to the speed of early 80$ hardcore punk is a speciality.
I Ernest lhc \mua. llj ll 1
Slik'lflk \llk'k'l. {<3 \(“l llllll l lk'k' bllx lnxpunl nllglnalx .unl \‘nn'lx
I Open Acoustic Session ll.” lllm. Ila llalh \ln'cl. 571 bllbb ‘lpm Inc
I Big Blues Jam \‘unlm ( luv. (umwnnl lllllk'l. (ilmwuol lk'll.l\'\'. i ll b5lb ‘ zllpm llk't' llmlml b} lhc \cu lllucx Sullclx \\|lll pnnlllbullolh Irom Slulhu ( )nt‘ lt'fsulalx \llx'll ax Rm Dr». and my \muno Illnllu‘rx.
I Phil’s Sunday Session l mu- llcallla. I if. \\lllllll.lllll\ l\’ll.ul. 5b-1 |5"b (rpm. l'n‘c Him}: _\om nun lll\lllllllt'lll I Live Music \l.lti\'or|t'_\\. l: l.llll.ll\'.l Sllu'l. 3-18 .\5.\| ‘lpm l‘n't' 'l lucc lm'al lxunlx to l\' ponluun'll
Erllnhurgh
I The (‘lllt'k'll'\ (ilk'lb Slim-l. bbh Illl‘l. illpm {l5 5” lnollcnuw uuln' pup [angling hum llux l)ub|ln band \\lln haw \lwnl a pouplc ol \ummcn Ill (alllornla waking up \url \lllllltl\
I Hobo lllc Bongo (‘|ub. \lnl'.l_\ lll‘ll\k'. in lltll}lmul l\)ll;l\l. “(\ll-l
lllpm iam. l'rcc bclorc llpm. L" .lllt‘l '|.l\c lllll\l\' .unl allcrnauw tllxt'o lnr llhllllL'tl \mnclx' al l|u\ nun ll\t' mum nlghl Illllc up [bu
I Full Moon Acoustic Sessions Hohnuul lawrn. ‘l lln|_\lmu| l\)l‘.l\l. 55~ ~l‘l53. hpm l'n'c Sec Sun b
I Left Bank Night lllc it'll Hank. 1“ (iullu‘lc \ll't't‘l. 335 U" H \[uu Li IUI SUV Sun b
I Chris Gorman and Eve Bulloch llannclmank \llltll} \ut't‘l. 55b 1351 ‘lpm Ll l’mlbo} Rcumb \hlmgaw ml agouxut' aclx \\ uh \cl} \pu'lal ;_'uc\l\ lbt I David Allison lhc l on Bank. i" (iullulc Sum. .‘35 “5-1—1 L11 tL it Sm- Sun (\
I Charles Wood, the Douglas Kay Band and Oatbeanie \\ lll\l|cl‘lll|\lc\. ‘1 h \‘nth lll‘nlgc. 55‘ 5| ll bpm llcc (‘mcl mugs and Ullj_‘lll.l|\
Monday 14
Glasgow-II
I Westlife ~\l‘(‘(‘. l uuucxlun Qua}. ll.\‘l|u.1u.:llnll ‘ lupm {3‘ 5H 5.1- Hm I”.
I Coda, Angry Allotment Lovers and The Contraband llal‘ll}. 2W (‘lxtlc Slrccl. llVll WV ll‘l‘l‘l \l‘lll :5
I Amy McDonald, Redana and The Ads liarll} lupxlauxl. 1m (lulu- Slit-cl. llkqll ‘lll—i ll‘)‘l‘l_ .\pm_ [5, I Brady Cole, Shelby and R.|.O.T.S. 'l llc lilll \Nc ('alc. 5H bll Km}: Slim-I. 55l “1384mm. L' 4. lxmo. pup/punk and lllL'l1ll.
I Trap 6 Sit-run. Kt‘bmhaugh Slim-l. SW) SHIN. Xpm.
I The Mighty Saturns Sunlm ( )m‘. (umwnor llolcl. (iloanor 'lt‘llat'c mll llu'cx Roam. i-ll b5lb. ‘lpm. law.
I Acoustic Jam \lw‘ll'SIL-.l/}. ~13] Saucluchall Sum-l. iiillllllll 5pm. l-n-c. \Vx‘t‘lxl) \lum yaw lHl' loyal \unuul'llux pcrlormm; original ulalcrlal.
Edinburgh
I Elkin, Fickle Public, Distophia aml 25 Cats Named Sam llanncrlnauK. \nltlr} Sum-l. 55b ‘54. N-l5pm. L31. Stroll}: mug: mum}: l\ cmphaxlwd b} lulkm.
I Open Mic \Vluxllcbmkn'x. -1 h South lll‘ltlfJL‘. 55“ 5| |~l ‘lpm, l‘n't'. Scc \llvn
I Taylor Made Mondays 'l hc linlljJn (‘|ub. \lora} llouxc. ‘" Hohnuul Road. 555 "(xlll Rpm. L2 lll't't‘l. Su- .\lon "
Tuesday 15
Glasgow
I Westlife Slz('( '. l'llllllL'xlUll ()ua}. llNWl (Ml) -|llllll, ", illpm. £255“, Sec 'l llll I”.
I Matt Goss :3. lllu(iara:_'c.~1‘)ll Saut'hlcllall Sll‘ccl. i5i il l I. ()\cl'- |4\ \llll\\, l-ormcr lcad \mucr \xuh lallcnla} bu} band l‘lrox. .\\l\ )olu gramlparcnlx. I M83 and The Errors Haul}. 3m (lulu Sum-r. HAW) nu“ WW. 8pm. £5. ()wr— Hx \lnm. ‘l‘hc .\l.\3 album [fr/wry I/n [Mun Hui/x l'\ l\ a lcaxl Hl wuntlu‘agk \wnllcrmcnl. llmx u \Hll \wrl». Inc 1x anolhcr mallur.
I Fickle Public, Distopia, Carson and Some Young Pedro Hal-ll} lllll\l;lll\l. lbll (lulu Sum-l. “3"” ()0— WM”. 8pm. L4. lnllucntul b} Rolllel 'lratlc pop and Unchonl punk. ulut'h \lllllltl\ luxl l'mc In our book.
I Paul Malcolm, Gurn, Chris Gorman, Laura Kenny, Daniel Shenkin and John Chambers \lt‘c'll'Slca/_\.~12| Samba-hall Slrccl. 3.13 ll‘Nlll. 0pm. £3. l<().\R agnumt‘ \lltl\\ can".
I Jane No \lucw. l'xclvllhaugh \lt.'.'l. 55b 5"1\ \l‘lll Ll l‘unfx .u'. 1nd.
I Chrisdafunk .:l‘..| SDA lh.‘ l ill‘. \wlc ('alc. 5" bl' l\:u;' \ll.‘.‘l. 55: |l~‘~\ ‘ll‘lll :1 llnc luau l‘x'ltll\\l~‘ll ma. lull.- I The Kiteflying Club I. llal (h ha. >1: ( llagu | .lllk'. “515:1 \l‘lll 1.‘ lllll‘ll“- l‘t‘llx‘llllthC
I Jazz Funk Jam Session l.ll.u ()\ll.l. lb" llcanxlun lllnc. bi" ‘3“ \l‘lll t:
I Live Music lnrn lUlll. 3'" Hall: \llk'k‘l. 3-i\ l lt‘x'
Erllnlwurah
I Merznacht lh.‘ I \'ll Hank. ii (iullulc \ln‘cl. .‘I‘ ‘l '11 "l‘lu \n' luv
I Band Showcase \\ |||\llt'l‘llll\l\'\.
l b \Hth llllllz'c. 55 i 5| H ‘llun l n‘t' \k'k' llll‘ -\
Wednesday 1 6
Glasgow
I Razorlight (Lullug' \tallt'nn. |.‘| l’;_j||nlu[] \npt-r ll‘lll5 rljll 1mm ox ‘u ‘ ‘l jllllll “pm \()I I) ( )l | lx’t'\.'|lmll1|m| llalc lHl .loluun .uul my boy
I The Manfreds featuring Paul Young Rlnal ("out'cll Hall. I Saut'luchall \ln'cl. ‘5: .\llllll .\pm
Ll“ 5“ t | 5 5“ lhc llll\l.l|;'l.l lll.ll|\t‘l \pam lln' \lk"\.lllt'\ a\ Mlx \klulc mulbn} Ynuuy nunx lUlU'x \kllll lln' n'mnanlx ol \lallllml \laun
I Kevin Mark Trail .unl Driverdown Km}: llll\ \\ah \\ah llul. 3.53.: \l \‘mu'nl Slim-1.32] 535" X illlun tb \cu mul mute on HIV block. [ll\'\lllll\l} bml knnun lUl bum; \llla' Skuuu'l'x lllL'ltltllth \mal lHll on lhc rm Sum-Ix album
I Silent Revolution, Sneeze, Hollow Point .lllll Drift llal‘ll\. :bll (lulu Sum. mm an“ umm th
I UK Deathcharge lllt' ( lulluuw. l5 l‘mun Sum-l. 3-15 (mun “ mm. 1:: all l.ll|\;lll\'t'l. t5 nlmul ()wl llx \hou l’unl. lun- up \kllll Hlllk‘l\ \ull lo by conlu'mt'll
I Ludovico \n'c'n‘Slcafiy -l.‘| Saut'hlt'llall Sllu'l. iiill‘lllll ‘lpm ti leglllt'nlh lm'lx \ltlllllk‘h \M-ll \wllh a loolx
I After Christmas 'l lu- I {ll] Nun- (an. 5” bll Km): \lru'l. 55* lb“ ‘lpm l. l. ()ltl \t'lnml uuln' IHL‘lxllljJ
I Fools Circle llu- liuula-l. I‘ll I‘M llalll Sin-cl. 33” HI" llllun lux-
I Michael Simons lt'hal ()\ll.l. IN) lh'anxlon Dunno-1‘) "35h Rpm Ll (ilaxunu l‘;l\t'll j.)llll.lll\l p|a_\m;.' lull. blucx .unl bcylnll.
I Sing & Drink Slum». Kt'l\lllll.lll_‘.'ll Slim-l. 5"!) 5lllh Rpm l'lk'k'. \M'ckl} llllk'll
I Acoustic Open Stage 'l ln- llall llal. l(lll “mullamlx erll {53 ‘)‘)‘l(l \lml l'lk'k'
I Live Music \uumlhaux l“ llylc l’all. Slrt'cl. III 405‘) “ illpm {5 \lr'mbch and :uvxlx l‘Hlll banllx In by umluuml I Live Music \latholqu. ~13 .lamalta Shut-l.3-1MK5HI.‘lpm l-ru' llanlb lo lk' gonlumul.
Edinburgh
I Hipslinky, Nervosa and Is Not Is So llanucrman'x. \llllll'} Slit-cl. 55!» ‘35-1 ‘Ipm L5 “arm gullarx and an ulgv ol tlaxxn’ lock lrom (uullllnnl llL‘.l(lllllL‘l'\ lll[l\llll|\}
I William Mysterious 'l llL’ let! Hank. *5 (illllll'lL‘ Sum-r. 235 07H 0pm \cc \Vul 9.
I The City, Stealer, Without Malice and Meta \\'lll\l|cblll|\1c\.-l (l Soulh llrnlgc. 557 5| l4. 0pm. l'lL'C llllllL‘ lmk
Thursday 1 7
Glasgow
I Razorlight (‘arlij Agatlcm}. |2| laglmlon Slrccl. ll‘lll5 lllll WOO/(WW) Tl 3000. "pm. 80H) ()1 "l. Scc \Vcll lo.
I Stifl Little Fingers Harrow land. 3-H (ialllm galc. 553 Mill]. 7.30pm. LN. l'\ua| SI l’dll’lL’l’xx l)a} rcxcll'} lronl lhc ll'l\ll punk rogkcr»