Saturday 26
Glasgow
I Sondre Lerche Klll',‘ llll \ \\.lll \\al: llllI 3-3a \I \lllII'lll \III'I'I. 33l 53“I
x lIlpm m \ \Ill\‘.L"._'l.lll \lllg'I'l \mlljgv.llII-l ml a ‘.I'l_\ lll-.jll \lIlllIlIllIl. l I-lIllI' l\ llL'lC Im lI‘IIlllllll )mlll IalIll lll IllI- mllI- lllall .lllIl a jgllllal lIlI'a
I Deathkill 4000 l’mlll). 3IlIl ( 'llIlI‘ \IlI'I'I. UV“ ‘Nl~ WNW llplll :5 lllI- \lalIllll Rillm pla_\ ll\I' aI ll]l\ \‘.HllIlI‘lllll Illlll llllell. \‘~lll\ll lllakI'x ll a pI'llI'IIl} llllI' I'llll_\ lll lllL'\k' lmI'lI'll'pmp ll\llll_'.'\
I Echobass Halli} 3m I 'ljalI- \llI-I-l. IIVII WI" WW llimh lllI LillI \I-lalmllI'. lll\a|lll. l’l'.lklllk'\ |)I'.ul mll \lllxal .IllIl lmlII'Il \\[lll\ \la alI' lllI' \IlppmlI mll lll|\ llalll ImI lxlll' l‘lll
Ellllll’NIIgll
Low and Kid Dakota l‘)llI'I'll\ llall. (‘II'llI SIII'I'I. 33(lllllllll 3 llll‘lll LIllI \I'I' I ll 35 .lllIl l‘lI'\lL'\\ I Julia 13, Ludivico and The Ju Ju 1O ( ‘alI'Ilnlllall liilk'lxllIlk'kk'l\. i ()llI'I'llxlI'll} \llI'I'I. l7) 333-1 N illplll 1-1 \lI pup lllf_'lll paI‘lII'Il \kllll I l.l\\_\ lllllll\\ .lllIl lIlllI'l I‘llmlllxI'x I Emergency Red, The Last Great Wilderness and Stillite HallllI-llll.ul\. \lIlIll} SllI'I'I. 55“ z35-1 ‘lplll 1-1 lllf_'ll lllim lmI'al lmI‘lI. I Left Bank Night 'l M I I-ll Hank. *" (iIlIllllI' Slim-I. 335 Will ‘lplll. SI'c Sal I” I Motormark (‘I Hal. 5 ll l.L‘llll Slim-I. L5 lalI'I‘Ilm plllllI Illlm MmImllllallI alI‘ lllL' lll\l ll\I' yumh llI'l'mI'x a ll\‘\\ glam pllllk. Ind and I'II'I'Ilm llllell allllI'Il al a {gayllllu'll I'lmul. I Charles Wood, The Mars Patrol IlllIl Big Hand \VlllxllclllllklI'x ~1 (l Smlllll lll‘lIlpI'. 553 5| l-l. Ilplll, l'lk'k' llI'lml‘I‘ llllIlllllellL Ll alII‘l. .\lI‘llm\\ _\I'I llIllIl I'IlgI'Il l‘mI‘lI ll'mlll Marx l’all'ml [llll\ \lIa llHlll lll; “and. I Dope Matrix, Super Paradise IlllIl Mammal 'l'llI' llmllgn ('lllll. \lml'a} llllll\k'. 37 llIl|}lImIl RmaIl. 558 "NH. .‘xplll. L5. ('lllll lllglll llI'aleplll pl'I‘xI‘llI llll\ lllplI' l‘lll UPI‘lllllfJ up pl‘nI'I'I‘Illllgx aI IllI-ll lllmnIIll} l\;l\ll. \\ llll lllc l).l \IlllaIl IalIlng; _\mll Illl'milgll In 3am. I Live Music Sulma} (alugalc. (l‘)
(‘Imgalu 335 (l7IlIl. 7.3llplll, H. 511‘ I‘ll is
Stirling
I Salsa Celtica 'l‘IllllImlll. .lall \\‘\ IN. “I 73h 37~lllllll “fillplll. Ll3 (LXI, Sialxa ('I‘lllI‘a I‘mnllnllcx lllI‘ll 'gl'cal SI'Illllxll
l allll adualltllc' lllI'llIllllg lllI' lxw I'llllul'cx lIl Il'lI‘xhlll‘lI‘ I‘llI'I‘l.
Glasgow
I Roots Manuva anIl MIA .-\l‘I~llI'~. 25.1 .-\l'g_')lI‘ SII'I'I‘I. 505 lll33. lell. [I350 ()llI' Ill' lhI‘ Illml llllI‘l'IwIlllg: Illll\l\ lll l'K hip hop l'L‘llll'll\ Im the (ilaxgmx \lagc 'l'llI‘ llk‘\\ allllllll'x I‘laxx. \m llll\ \lllllllIl llI‘. Imm. SI‘I' pl‘m lmx, \\ llll I‘\I'I'llI'lll llI'\\Imlllcl' .\ll.r\ lll \lll‘pI‘l'l \xllmw \lk‘l‘lll l\ Illlk‘ mIlI lll March and \\ lll lit a I'l‘aI‘lII‘l'.
I The Bug Sull (lull. .lalllalI'a SII'I‘I'I. 34.\' 4mm. llplll. {Ix The Bug lllalII-x lll\ mI‘l‘IluI' ()lelllIl appcal'allI‘I‘ allcl‘ a I‘anI‘I‘llaIlmll I'al‘llcl‘ lll IllI' lllulllil. ()plllllu‘x llamlx l‘al'I‘l} M )a IlImll
I Resident Calling Halli). 3N! I‘lxIlI- Sll'L‘Cl. “Hall 007 (NW). KPH]. l)IlI\l'\ [lit \Va) Ill' lllc li\plmIllllg_‘ l:l\l. .‘\[‘l'lll\ l..l\l ('llallI'c and 'l'\\lllg_'lll Km all pla} lllI- lial'll} on llll\ \lIllL‘.
I Stuck Mojo. PDHM allIl Head-On Nicc'n‘Slca/y 43l SauI‘lllI‘llall SIl'I'cl. 33? Illlllll. 0pm. £8. RI‘I‘I‘IIII) l‘clml‘lllI-Il lllI‘IalI'urI‘ hand lllI (ilaxgmx \\ Illl a \lllIlIlaIl Ill \uppm‘l.
I These Guys, Attica Rage, The Primitive Glands, Syth allIl Irregular Slinky lial‘ll}. 3h” (lulc SlI'L‘L‘l. llN-‘ll ‘NV (WW). I lplll. Dourx IllI‘. {llm .'\ll \ll'IlPC\ ml lllaglcal l'nI‘lIaI llll\ Sallllalh Ila) bill.
I The Haunted. Dead to Fall and Murder AD ('alllouxc. l5 l‘nlun SII'I‘I'I. 348 Win. 8pm. £8.50. .-\ I'hal‘aI'II'l'lxllI‘all} \I‘al‘} linc-up al ll]l\ lllaIl \cnuc till“ nlim n.
86 THE LIST ‘ ' WI- 73 \‘m
E,,ilr\ii/Il'l‘fi" I Kaddish, Collapse of Reason, Atomgevitter, Nenty Centuries of
Sleep and Today we Fight \t...i:w :1 31 3I~( .lllmll lx’maIi 55‘ 75‘ 3.x. :5 lI'Ill \lmiI-rlII‘. IlI'aIl‘ llch ;. 'l:r.:\l:'.
llalIlImlI- alel mIllI'l I.:\I Ili‘i‘l!.:- III". 1‘. ‘Il
I Magic: A Kind of Queen l’i.;j.:l«I:\I- l\ (llI'I‘!l\lIlI' l’laII'. "‘3" “H” i :3;
3 ‘lell 1 l3 :15 l‘lliI'I'l‘l llll‘lllI' ad.
I The Wayriders, Matt Johnston and Nervosa llallllcllll.:ll\. \lIlIll} \III‘I'I. 55'~ 1351 ‘lplll 2.5 lmllllll-.' llallli lllI‘ \\.:_\l:IlI'l\ \‘.llll llmll_\ Ilppul \lelhll
\lllL'L'l \I'll‘3'-‘-lll'I‘l llllllhli'l‘l allIl flalij. I'llk'llk'l\ \I'l‘.m\.~.
I David Allison MI I I-ll Halli. (illIllllI- \IlI-I-I 335 " ' " "1‘ \I-q lllll I3
I Bap Kennedy lllI- llnllng lllrx \lmlax lll‘ll\k'. ‘3 llml_\lmmIl lx’maIl. 55\ Willi L“ - llI'llaxI lllall \‘.llilll.l\lllll\.1ll ll3\ lllll\lI \‘.llll a I.l\II' ml \.:\ll\ lllI'
I Connor McCarthy allIl Oatbeanie \\lll\llI'l‘ll1l\lI‘\, l I~ \mllIll lillIl-JI'. 55‘
51 l1 llplll llI'I' (mll‘lx
Monday 28
Glasgow
I Feist Klllfj llll'x \\all \\all lllll .‘".‘a \l \lllII'lll \IlI‘I'I. 33] 533" \ ‘Ilplll U lllI‘ llllf,‘lll} l‘I'l\l lmIk mlll will mllII' lllmlI' .ll lll|\ laxl} gulf.) llplmml
I Luma llalll} 3IlIl ( lxllI- \IlI‘I'I. “VII ‘lllfi ll‘l‘l‘l llplll 5pm Ll l lI-Illml_\II' allIl Sl\ \Ial llmII'l make up IllI‘ l‘lll Imllljglll .lI lllI‘ 'l l}
I The Precillas Halllx jIIIl ( ‘lxIlI- sllI-I-l.IlVIlwIlWin llplll \pl'n LlllI lllI' l’lI'I'Illax Illk' \llppmllI'Il l\_\ IllI'I' \lI'll} \\ lIlI\\\ \‘,|1[|‘l\\i|ll\.
I Acoustic Jam \lII-‘ll’SII-a/l. >13! SauI'lllI-Ilall \"llI-II HHlIlIlIl I\|‘lll l'lk'k' “will \llImI‘axI‘ lml lmI‘al \IlllgllllII'h pI‘l‘lml'lllllly IllljJIlIIIl lllalI-l‘lal
EIlllIbLlI'gll
I Erasure l'xllI-l llall. lmllllall l\)l'Il\l. 335 1 I55 "plll L33 5“ (amp pmp llll\ llmlll IllI' Mix a\ well a\ plI‘llI} ml I'mwl' \I'lxlnllx I The Sinatra Years Brillllun 'l’llcall'In
' " lmIiIf ( lmrIimr‘. ..::Ii l‘.‘,\ I' ..::'.;t p.-.; (I’lI'l: lI‘\I‘I'I'.\ lm I ll~ liIaI' l lo I Endorphin, The Djangokil, The
Mighty Chase alle Parka ling lim‘igl' (lllll‘ \lmla'. lll ngI'. :3 llmlxlmmIi lx'maIi 55\ "Nil \rrlll :5 \ll\. m:l,‘lltal lmIk :::Il pm" ‘altl‘. IafI lij. gIllIa: l'll~ lrmttl
lltIlmlpllzll
I Stern and Pummel li.:ll:lI':l:la::\, \tIlIlll \IlI'I'l 55“ z351 ‘lplll :1 lx’mI's. allIl plltll.
I Open Mic \\ lllxllI'palktI'x. 3 '\ \mllIll lillIl13I1553 5l ll ‘ll‘ll. llI'c \I'I' \lmll 3i
(Slgltalm;
I Thirteen Senses (‘lllI'I'll \lal;.:alI-l
l lllmll. 33 l lllxI'lxlI} (lalIlI'll\. ii" " \1 \plll L" ‘\l.lIlllllll ImllelI‘llll}; pmp llmlll IllI‘ \lI‘xl Imllllll}~ \a} IllI' \ ll/ \\ llm .llI' :lI' Im IllxplllI' Illal \llppmll ImlllIw Ilmlll \III'l l\lIk\ Illlll l’mllI'll
I Ted Leo and the Pharmacists. The Beat Trap and Small Creatures \lII"ll‘\lI'a/.\. $31 \allIlllI'llall \III'I'I. “1 ll‘lllll \plll {h \lllall.l‘.l\\li”1IllI'.\I‘lllllll l‘lll llI'\.I'l plI'aIll} ml llI'axl IlallIlI'Il, lllI' llI‘aIlllllI'l 'l\ a pI'llI'II Iilllll‘lllIllll'Il ml
pmllIlI \. all IIllIl pm\l [‘lllllI l‘ll\\I‘l pmp wllj.‘ \Klllllljf. lllllllI'llII'Il ll} I'lI'llmllI' Ilmlll llI'\}\ Im l\lllj.' llll‘l‘_\ Illl\l l l‘~l\ ( ~mxlI‘llm
I The Unstrung lx’lllys Illl'I \\..ll \\all lllll. 333a \l \lllI'I‘lll \III‘I'I. 331 533"
\plll L‘l lllI' ( 'lllI'lllaIlI \ \llppmll llll\ I law aI‘I mll llll\ IlaII' aI IllI' \\all \\all Hill
I The Slackers llallh SIM I ‘llIlI- \llII-l. Il.\"Il IlIl" Ilium | 1pm 9..\ llnI \\ (' I'\pmll l\lllllllI‘l1I'I‘Ill‘_\ IllI' \kalallh'» llml‘ l)}l.lll. ('lllllx \la_\ llI'lII allIl a \lllmlI‘ llI\\l ml lllllk'l\
ECllllbLll'gll
I Bloc Party '| M l lI|lllIl RHUIH. ‘lI
\ lI‘Imlla SIII'I'I. 335 35M "pill M II I)
()l "I Slllal‘l pmxl pilllk l‘t‘llllI'l\l\ Ilmlll ImllIlmll. UllL‘ll lllaIlI'II'Il \\ llll l lall/ l'k'lIllllIlllIl IlllL' lm IllI'll \llIllC\l lllllllL'llI'\‘\ ml (iallg ml hall. in} [m l\lHll. SmlllI' \mlllll and my Mum
Good singer/songwriters seem to be coming out
the woodwork at the moment but Jose Gonzalez steers clear of fiber-folksy quirks and eccentricity, invoking a more meditative Nick Drake vibe on his new EP Crosses. See Rock Listings
for more
Q h,. -H. .i'.”
I Band Showcase \\ll:\:1I-l\:22k:c\. I: n \mILII". lllinin 55‘ 5l ll ‘lplll llI'I' \I‘I'
lIlI‘ 33
Wednesday 2
‘I: ClSIIIH‘. I Mudvayne l'\‘l?l:_j lllik \\.lll \\.l'll llIll, 333.1\i\lllII'lll \IlI‘I‘I. 331 53'" 5pm
\(llllllll
wiIl mlll _:l;'
llalIl lI‘I‘hll‘l. .lIllmll .lI llll\ lllI- ‘\.:}llI~ lalII' llm l‘ll\\‘llI‘l\ \\ lllI ll w lllII'. 'f‘I'I.:Il\I' IllI'll I'llI'\ \KI‘lllxl llI- .:I I 'leI‘Il ml klIlllap
I Hey Enemy lllIlI. ll‘llalll \llI‘I'l. \ ‘: H'W‘ ‘lplll l lI‘I‘ lx'a\\lI \\llll llll‘ll\ ml IllI' llll:'lll_‘~ lI'\Il\ l l.~'.~.lIl allIl ()IlI'I'llx ml IllI' \ImllI‘ \z'I' \\mllIlI'llIll lllIlIlI'llII‘x l‘n‘\\
I llI‘I'k mllI TllI~ i\.:llIl
I Cursed, The Punchline is Murder, Delay is Fatal, Forgotten Tomorrow li.:!ll\ 3m I 'lIIlI- \llI‘I’l 'IV'H ‘HV INN" llplll :5 \ l‘lll lllll ml \pI'IIaI lllalll llIIlllI‘Il l‘».lllIl\ Iml \mlll lllll\lII1l IlI‘lI'IIallmIl
I The Flykicks llalll_\ .‘MI I 'lxIlI \llI-I-l. UV" ‘N' ‘ 'I‘N‘l llplll :lllI llllI'lL'I'll/I'. pill mll llll\ :‘lz'. \‘~llll \II'I'plllx' limp» (alz'm, \lz'llal\. \I‘pla, \lll\lI ml l\l\l \llIllm allIl lllI' l’I'IlI'xlllallx
I Palomino lllI‘ llllllla-l. l"; l‘“I llalll \III'I‘I. 33" l 13‘ I'lplll llI'I \llll\lllllI‘ I‘I\l\
I Michael Simons lIllal I l\ll.l. In” llk‘IllhlI‘ll l)ll\I'.h»1" '35\ \plll ll (ilaxymv. l‘.l\\'\l i'llll.lll\l plallllg' lml'r._ l‘lllI'\ allIl llI-\mllIl
I Fade lllI‘ llalI Hal. lIlH \Mnullallle lx’mall. ‘53 WW“ \plll llI*I'
I Steve Arvey \lllIllu I Inc. I llH\\I'llIll llmII'l. (ilIl\‘.I‘llHl lI'llaII‘ Imll llllI'x lx’malll. zAll Il5lh ‘lplll MN
I Sing & Drink \II'II'm. KI‘l\lllll.lll:'ll \III'I'I. 53“ 5lll\ .\plll llI'I' \\I'I'lIl_\ mpI'll
I Acoustic Open Stage lllI- llall llal. llIll \\llll\llIlll\l\ RUIlll. “3, ‘l‘l‘lh \plll
l'lI'I'
tIllllilIll‘gll
I Dropkick Murphys, Bouncing Souls and The God Awfuls Him I lellIl RHIllll. ‘lI \ lI’lmlla \IlI‘I'I. 335 35ml 'plll Ll3 5H llII\lIIll \l\ plI‘II- \klIH l‘lk'llll pllllk IlllIl IlalIlImlI' ‘.\llll lll*~ll ImllI lllllllI'llII‘\
Thursday 3
Glasgow
I Coachwhips. Park Attack .lllIl Snowsuit \lI'I'al‘SlI'a/l. ‘13I \aIlI lllI‘lIIIll SIII'I'I. Hlll‘lllll -\plll Ul l I'allllllljg ,lmllll l)\\_\I'l. IllI‘ lllall l‘L‘lllllIl l’llllI allIl lilmull, (‘maI’llulllpx l\ IllI- lllH\l plllllal. \ll\ll'llk'kl _‘_'.ll.lj_‘k' lmIk \llll I'\I‘l lm I'mlllI' mill ml \all l-lallleI‘m laII' l’allI \IIale Illlalll \k'k' IllI'll l.l’ mll ( )\IIlll lk'lk'Il\k'Il llll\ lllmlllll. Illlll Sllmuxllll l\ a lk'llll\‘~ ‘lllxIm lllll\I'lllIIIlfJI'l .lllkl I'\ lllI'llll‘I'l ml \li.\l<.\ I Laura Veirs and Gina Villalobos llalll} 3h” ( l\IlI‘ \llL'L'l. llN—‘ll Ulla llll‘N llplll L.\ 'l lll\ plmllllI V-lllk'l .lllIl lllll\lIlIlll Ullk'l\ a llallllIlllj,‘ lll|\ ml IlI'aIlpall lmlk IlllIl lllIlI-x \‘-llll \palxI- .lllIllljJI'lllI'lll\ Illlll l’.lI'lllI \Hllll'-‘-L'\l llIl‘.Hlll\ (illla \lllalmllmx \llppmlh mll llll\ IlaII'
I Fallen Angels Club al l.;lllllI'\ Hal. i-l Km; \III'I'I 553 "I3; \plll L5 SilllxlllllI' l)I-la_\ IIPPI'IIH aI llll\ I lllll llllell. IllHIIjJ ‘.‘-llll \I‘l} \pI'Ilal llllllll\\'lll\k'(l fJIlI'\{\l,
I The Saints Klllj: 'l lll'x \\all \\all lllll. 333a SI \lllII'lll \II'I'I'I. 33l 537‘) \‘plll
Ll i 5” l llk'\L' :ll}\ \lllll.l j_'l\I‘ lull lllIlIx allmllI lllL' lcpaI'lxajglllg. lI'lIIIIllllL' lL' \L'lllllL' I'mlmllllI-l IlllIlllI- 'l llI'} IllL‘ llI'lI' In lI-alllllll lmlll‘ IalIll lll l;l\'.lI. allIl IllaIK ‘-‘.ll.ll jJHIllj: Im llappI-ll mll llll\ IlalI'
I Andrea Marini 'llllIlI-lImI lW llllI-x RUIlIl. i“) ‘IHH ‘Iplll l'ch'. :\Inll\IlI \L'l
Edlllburgll
I Edinburgh’s Schools Rock Ensemble ()ucuh llall. (‘lI'lk SIch‘I. NIX 3‘ll‘) " illplll. U» IL—ll \arlnlh l‘IlllIl\ Il‘mlll llIL' Ill} \ \I-InllIlal‘} \I'llnmlx pla} mIlI, I Born to Be Wide 'l’llI- SlrI-I-l. 2 l’lI'alIl} l’laIc. 5504333 Uplll lalll l'l‘cc. SL'L‘ 'l'llll l-
I Out of the Bedroom \VaxI-rl} Hal. SI .\lar_\ \ SllL'Cl. 55“ W55 Uplll. Sec 'lllll l7.