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108 THE LIST ‘27 Papa: My 300:"
Michael Craik
I TRAVERSE THEATRE ('amhridge Street. 338 l-lllJ. Hail} lilaiu midnight.
Sarah Barnes: Paper, Paints 8. Rock’n’RoII l'niil Sat l‘) I-eh. .'\n e\hihitiim nl' prinix h} Sarah llarnex. Thread Bare Sun 20 I'eh Sat 2 Apr. 'l'hird \nln \Iltl“ l'mm Inuixe Anderson. emnhiuing \euiug \xiih painlng and tlxlllg \euing ax a drawing: [Hill
I THE VILLAGE
l() South I‘nri Street. |.eiih. J78 78“). Mon Sal llaiu ll.~15pui; Sun
IZJII I l.45pm.
Jenaie Laub and Eunie Watson l'iiiil Sun 20 Mar. New p;illlllll}_‘\ and installations h) third _\ear \llltlt‘llh ul Iidinhurgh (‘nllege nl .4\ri.
Artist Spaces
I CELL 77
77 Munignmer} Street.
A Crack in the Cosmic Egg Sal 2i) I’eh. 7pm. liree. :\n ewniug ul
\keu ed encounters u iih guest perl'm'merx. \pt‘;tl\Ct‘\. music and lilm: a dixlueaiing \Ilt)“ ease til im euii\ e laniax} and a meditation on existence.
ONE NIGHT ONLY.
I THE EMBASSY
7h liaxi (‘rmseatisewzrx 07960 J, I 378‘). ’I‘hueeSun noon—(mm.
This Year’s Models Sat Ii) Feb» Sun l3 Mar. A \Il()\\' ol' the wan til~ three graduates UI. Scottish Schools til Art in 200-1. Ben Robinson's ll]\ltlll£lllt)ll piece. ‘Jnhn ('ale's and Bauham‘ “‘Rmegarden I-‘uneral nl' Surex'”
em er\ the gallery floor space u iih ambiance of black. heart-shaped confetti: Miranda Blenncrhaxxett attempts to recreate dumexiie eoinl'nn
Cool, clean blue lines are the work of Edinburgh- based Craik. This homage to modernism is called ‘Of all means of shutting out experience, the wall is clearly the most
adaptable'. Ain’t that the truth. I Amber lion/m}. [ti/rihi/Ig/i, Min 1/ f u!) Ifw 7 X 727,1!
\xiih ;i\\t'lllI\I;lf.'t'\ (II put [ll.llll\. t‘llllll\ltlll paint and llai park Illilllllllt‘. illltl .Ii)_\ Iit‘t't'lilll \I;if.'t'\ .i \t'llllllt‘\\ drama oil the payex ml Ilt‘l ml [l.l|llllll‘.'\ and did“ III_L'\. NI fil It 13'.
I WASPS STUDIOS
l’airinihall Studios. IS llaiuiliuii l’late. Sinekhiiilpe. 338 IIN‘)
Feral Lingerie Model Illll I7
I‘eh “ed 3 .\Iai New \kiillx Ii} \\ Illlt‘ll liillimmgg the eliaiat'lei iii a It‘l.il _‘.'III III the \umilx lll Ilt'l I.’t\lllilll lllltlt'l\‘.t'.ll heautiliil. IljJI}. \exual. \iilneiahle hut \kiilinui \liaiue HI iat'i IllIlIt'lllll‘.‘ ill .‘Al It )‘.'.’
Outside the Cities
I DUNDEE CONTEMPORARY
ARTS
IS: \t'lllt'i‘g'zilt‘. Ill KHZ WWW
'Iue \Vetl. Sal ik Sun I”. {Ham 5 illpiii. 'l'hu & I‘l'l Ill. Wain Hpui Gronlund\Nisunen l'niil Sun 3“ lt-h I'Illlll\ll dun 'luiiuiu (iltlllllllltl and l’eltei'i \hllllt'll lauueli the Kill \hui
'I llllltI \iiimu weekend at I)( '.v\ \\ uh .lll e\hihiimii nl their lll\l;ilI.'iIIUll “Milt Much I\ wiueuhere between architecture and sculpture
I DUNCAN OF JORDANSTONE COLLEGE OF ART AND DESIGN l'nixerxii} at Dundee. l3 I’erih Road. “1382 3-1513” Him In Illam (rpm; Sat Illam 4.30pm.
Jerusalem Syndrome 000 l'niil Sat 36 Feb. Dundee-hawd Nathan (‘nle_\ presents new \wrl; based «in IIIN limelx in Israel. exploring the hi/arre phenomenon HI ‘Jeruxalein Syldrmne‘. a strange px} elimix ihai indueex iniinieaiinn upon \ixiiuig the Ilnl} (it). See re\ 10“.